N E 5 NEA/NEH Controversy

he National Foundation for the Arts and Humanities Act, T which empowers both the National Endowment for the Arts and the National Endowment for the Hu­ manities, is up for reauthorization in Congress. If the act is not renewed, the endowments will loose the funding and Hunter College hosted the New York authority to carry out their programs. Area MFA exhibition, which was curated The issue is not only reauthorization, by Susan Edwards, curator of Hunter but also whether reauthorization will College Galleries, to coincide with the CAA 1990 78th CAA annual conference in New include amendments that hamper York. Over 2,000 people attended the freedom of expression. There is opening on February 15. The exhibition Conference justified concern among supporters of brought together almost 200 works in a wide range of media. the NEA and NEH that the crusade by Senator Jesse Helms, Congressman Dana Rohrabacher, and others to put support of the NEA and NEH. Letter he 78th annual conference of the endowments in handcuffs will writers should cite specific projects, the College Art Association was succeed. A primary argument focuses supported by either or both endow­ T held in New York, February on whether the endowments engender ments, that benefited scholars, stu­ 14-17, at the New York Hilton. Atten­ creativity and scholarship. The debate dents, and others in their states. Please dance was at a record high of some over content, and the efficacy of the urge other leaders-college presidents, 5,500 people. Art history and studio art peer-review process, are central in the trustees, influential constituents-to sessions were filled to capacity, and reauthorization process. Congress is write. Also, you can meet with local their diversity and depth were praised lining up on both sides of the issue, media to convince them to write stories by all who participated. There were 70 with certain members attacking specific in support of the endowments, and art history sessions, including 14 current artists and projects as obscene, sacrile­ you can write letters to the editor and research sessions, dealing with topics as gious, or immoral. op-ed pieces for local newspapers. diverse as scatology in art, Latin The CAA is urging its members to Take action immediately, and American art, and censorship-and 25 generate immediately as many letters please send copies of all advocacy studio art sessions. The art history and as possible to their congresswomen and efforts to the CAA (to the attention of studio art programs cosponsored two men and to their senators to express Susan Ball). sessions. CONTINUED ON PAGE 2 The global nature of the pragram 11990 CONFERENCE forty years I have witnessed many It has become as problematic to sell ICONTINUED FROM PAGE I this year reflected the interests of the Convocation epidemics of artist-baiting. They peak one's work as not to sell it. The Robert membership and the issues it considered I The placement bureau bustled with around election time like flu viruses. The Ryman/Sandra Chia/Saatchi stories are Volume 15, Number 2 important. -Patricia Mainardi, chair, Iactivity, as artists and art historians cities change as do the artist-victims, but but two of a myriad of ways that artists Mard,jAprill990 Art History Program Ceremony . interviewed with the participating insti­ the identical epithets--pornographic, lose self-determination. Nor do we have tutions, and both candidates and subversive, sacrilegious, immoral-are residual rights, and our copyright is de~ NEA/NEH Controversy interviewers competed for each other. Currenl Research at the hurled at abstraction, expressionism, manded as a shameful precondition of 1990 ConferCllce 1 The exhibitors' hall, located on two Sessions surrealism, minimalism, every style of purchase by most museums, corpora­ floors of the hotel, had a constant stream At the 1990 CAA conference we insti­ Metropolitan art and every kind of artist. No one is tioos, and collectors. Every sale becomes Cmrvocntion/ immune when a demagogue politician is an eventual boomerang no matter how June Wayne Speech of visitors who examined books, art sup­ tuted an innovation of scheduling 3 plies, and other items from among the fourteen 11/2(insteadof21/2)hour on the rampage. well-intentioned the first buyer may be. 133 exhibitors. The conference was very sessions, each one planned as an open Museum of All of us here-artists, critics, The life of a collector or a collection­ 5 CAAAwards successful, and we look forward to session devoted to current research on a historians, librarians, curators, adminis­ even in museums-is brief compared trators~live in a state of nervous alert, I seeing you at next year's meeting in general topic or period. They were Art with the life of a work of art. Sooner or albeit cloaked in professional calm. As later, usually within two decades but CAANews Washington, D.C., February 20-23,1991. among the best attended sessions in the 11 entire conference, overflowing their artists we compete against each other for often in a matter of months, the work rooms and spilling out into the halls collectors even as academics compete moves on to other hands that owe no Art History Sessions against each other for jobs, tenure, and loyalty to the artist and offer none. 13 Fellowships & Taxes with standing-room-only attendance. his year's CAA convocation Because in art history, as in politics, the Scheduling them in two series, fifteen was held at the Metropolitan recognition. Our museums and universi­ In the last two years the arts have Solo Exhibitions by hegemony of the West has given way to minutes apart, meant that the session Museum of Art, Friday eve­ ties compete against each other with been battered in Washington. Even a more global world view, we empha­ T little regard for the common good, like though the arts caucus fights for us, 14 Artist Members chairs had to be ultra-responsible in ning, February 16. June Wayne, founder sized the non-Western areas in this organizing and structuring the sessions, of Tamarind Lithography Workshop, international corporations fighting for political tactics are predictable-one year's art history sessions. More sessions the same markets. deflects an attack with a compromise People in the News since they had to end promptly, the delivered a rousing convocation address 15 than ever before were devoted to such rooms had to be cleared, and a new that censured Senator Jesse Helms for Adversarial thinking, the modus less painful than the blow itself. areas as Asia, Africa, and-a new first~ operandi of big business, has taken over Sometimes even well-intentioned com­ Programs, New & Revised audience and panel set up within a very his witch-hunt of artists, while he con­ Latin America and the Caribbean. the arts and humanities--along with the promises become dangerous over the 17 Grants, Awards, & Honors short time. With one exception every­ tinues to support the tobacco industry. The meetings offered art historians thing went smoothly, and chairs and Her talk was followed by the presenta­ given that to be a winner is the same as long term. I will mention two. of various specialties the opportunity to being right. The game is crack-the-whip, Conferences & participants are to be commended for an tion of CAA awards for excellence in A compromise made in 1969 has 18 Symposia meet in the many thematic sessions extremely successful experiment. In the visual arts and art-historical scholarship. not ring-around-the-rosy. To win, no come home to roost in the museums. crossing chronological and geographical one case in which the chair scheduled The event concluded with a reception in matter what or how, has become an The three most powerful visual arts boundaries. Issues of censorship, racism, too many presentations and allowed the museum's Temple of Dendur. addictive "high" that must be endlessly organizations representing museums 19 Opportunities and gender, all of national significance them to run over, the last speaker was repeated, undennining the long-term and academia, in unified testimony this year, arose in several sessions in obliged to begin at the time the session values of scholarship and creativity. before the Senate Finance Committee, Information Wanted forms ranging from the scholarly to the When someone else is flung into traded away the right of artists to tax­ Corrections should have been winding down and June Wayne Speech 22 engage. We also stretched the traditional had to be interrupted and the session June Wayne asks us to note that her oblivion, we sigh in relief even as we deduct their gifts to museums in return boundaries of our discipline by includ­ fear being next. The means have become for continuing deductibility for art Classified Ads brought to a close. It was one for the convocation speech represents her personal the ends, a style better suited to dictator­ collectors. That precedent enlarged itself 24 Datebook ing such topics as commercial art and memory book to witness the bedlam of view, not that of allY organilJltiol1. illustration, film and television, festivals, several hundred people milling about ships than democracies. into the eventual loss of all market­ popular art, and scatology. And yet, outside the door trying to enter the next The College Art Association is the value deductibility of art gifts in the Tax along with the increasingly popular session with CAA administration and backbone of academia in the visual arts. Reform Act of 1986. Now that collectors thematic interdisciplinary approaches, subsequent panelists and chair all barred I am honored to speak here, the more so compare their profits at auction to the we maintained a commitment to special­ from entering. Apologies to those who because I am not an academic. I am an cost of philanthropy, the national patri­ ized studies stressing biography, iconog­ were disappointed at having the session artist, speaking with the bias of an mony comes up short. CAA. News, a publication of the raphy, connoisseurship, and technical interrupted, to the speaker who didn't artist. My thoughts may be too direct Another compromise took place College Art Association, is published six studies-the basic research on which our get to finish her paper, to the hundreds for some of you, but I hope to touch a when the National Endowments for the times a vear. Material for inclusion should discipline is founded. of people waiting outside the room who chord of recognition in each of you Arts and Humanities were created in be addressed to: Through the Samuel H Kress were treated to a first-hand experience from time to time. 1965. In framing that legislation, some Managing Editm Foundation and the Getty Grant Pro­ of New York at rush hour, and to the My creative life is involved in people argued for a national arts and CAANelLls gram, we again enriched the conference humanities foundation modeled on the 275 Seventh Avenue participants in the following panel who quantum aesthetics, and I spend weeks by including scholars from different National Science Foundation with the New York. New York 10001 were shut out, obliged to set up their at a time in the studio. But late each day Telephone: 212/691*1051 countries and different disciplines. session in record time, begin late, and I do connect to the world by way of autonomy and permanence that the Three of our sessions were open to the run over into a very shortened lunch television, newspapers, and the art sciences enjoy. The Johnson White Editor Susan Ball public, thanks to a grant from the New hour. Next year, stop watches for press, following certain issues closely­ House, alas, preferred to keep the arts Managing Editor Virginia Wageman York Council for the Humanities. and humanities on its own short leash. Assistant Editor Nancy Boxenbaum everyone! -Fhtrida Mainardi, chair, induding the antics of politicians who Art History Program mess with the arts, as a certain Senator Certainly, temporary endowments were Helms has been doing of late. In the last better than none at all; later legislation © 1990 College Art Association, Inc.

2 CM NEWS MARCHI APRIL 1990 CAA NEWS MARCH: APRIL 1990 3 could make them pennanent. But In my opinion, the radical right mouthful for his state. Compare follow-up legislation has not appeared, does not intend to abolish the endow­ California's 35-cent tax on each pack of and the Bakers, the HUD hearings, the should improve its coverage. MacNeill and the endowments have been so well ments. It prefers to mutate them into cigarettes with North Carolina's 2-cent savings and loan scandals, the homeless, Lehrer, Washington Week in Review, CAA run for twenty-five years that they seem anti-intellectual agencies. Already the excise tax. Now that's obscene! the crack babies, the crime on the Nightline, CNN, where are you when like fixtures in the national landscape. Endowment for the Humanities is Every year millions of taxpayer streets? What photograph, sculpture, or we need you? When will you report We take them for granted. Now their whisper close to the military / industrial dollars are spent to increase the use of painting can shock anyone who has news of the arts and humanities as Awards "temporariness" is the jugular vein that complex. Surely the wife of secretary of cigarettes in Third World countries. been consaolls during these last twenty regularly as you report on business and the radical right is going for. defense Dick Cheney was not the only That's obscene! years? sports? If you need arts reporters, the To keep the endowments equal to historian in the United States qualified Compare the combined budgets of Recently the arts and humanities CAA can help you find them. the past is to equal the runt of the litter, to chair the humanities, although, the endowments, about 340 million have developed fragile alliances for As I wa., preparing these remarks, wards were presented to both in funding and in the hazards of according to a quip making the rounds, dollars, including the raise proposed by mutual protection. We have found each the CAA Art Journal (Winter 1989) 12 people at the convoca­ annual budgets and reauthorizations she is the first to enjoy a nuclear President Bush, to the 65lJillion dollilrs other and we know where to find each arrived with John Wetenhall's excellent tion. Citations for the every five years. The slightest shift in capability. The appearance of nepotism we spent for medical care and loss of other again. But we must forge a futurist A article, "Camelot's Legacy to Public Art: awards are presented below. Due to the political wind can blow them away alone should have produced a more productivity of Americans with ciga­ mind-set, toward new legislation, Aesthetic Ideology in the New Frontier." space limitations, only some of the at any time. Thus far, the Helms attack sensitive appointment, but putting that rette-related diseases in 1988 alone. toward the good of the entire arts I lived through the era when the responses are printed here. has been parried by adding another aside, Lynne Cheney'S mind-set comes That's obscene! community, not just its marketeers. We Kennedys changed the climate of the bureaucratic layer, a politically ap­ clear in the new regulations she issued What work of art can boast of must be as concerned for creative indi­ nation to favor the arts, but I didn't for content control in academic research. viduals as for our institutions. As just pointed commission to "review" the killing even one human being, let alone know that John Kennedy wrote some of Citation for the end.owments that already review the The issue was joined when Dr: Marvin 390,000 Americans dead of cigarette­ two small examples of such concern, the language that caused that change. peer-review system by which grants are Goldberge.r; the director of the Institute related diseases in 1988, a massacre every museum should reserve a seat on Distinguished Teaching of Thanks to John Wetenllall, I will Studio Art Award made. This new commission exponen­ for Advanced Studies at Princeton, possibly equaled or surpassed for '89 . its board for an artist's representative­ paraphrase a couple of President Presented by Vivian Broome tially increases the opportunity for promptly and publicly denounced and '90, for which the data is not yet not a token artist selected by the Kennedy's sentences, not the sense of Awarded to Robert Blilckburn mischief-making. Cheney'S regulations as a grave attack ready. I lost four close friends to canCer museum itself, but someone sent bV them, but replacing the masculine What is done is done, but it is not on academic freedom. of the lung and brain, two of whom, artists to offer their perspective when singular with the gender-neutral plural; This year's CAA award for Distin­ too late to move toward legislation to Inasmuch as Senator H. rides point Vladimir Ussachevsky and Louise policies are being made; and museums he would do the same were he writing guished Teaching of Studio Art honors a make the endowments permanent and for the radical right, let's consider his Nevelson, many of you knew person­ should cease their ubiquitous and today: "Artists, however faithful to their man who has devoted his life to the independent, to restructure them into a outcry that "taxpayers should not be ally. How do we wean Columbia of shameful pressures for the artist's personal vision of reality, become the National Foundation of Arts and forced to pay for art that is obscene, raising coca leaves if we can't wean copyright when they make a purchase. last champions of the individual mind Humanities with an independent board sacrilegious, or offensive to anybody in North Carolina of raising tobacco? On the bright side, I want to thank and sensibility against an intrusive to interface with Congress and the any way." He says that isn't censorship; That'sobscene! Congressman Sidney Yates of Chicago society and an officious state." White House, as is the case for science, artists are free to make any art they Ironically, Senator H. wounded for his heroic defense of the National We, assembled for this convocation, and while We are about it, at long last to want to make, just not with the some of his own contributors when he Endowments. In the election now are a great reservoir of talent and secure a cabinet seat for the arts and taxpayer's money-which is exactly the broadsided the exhibition "Witnesses: imminent, the radical right has targeted intellect. We have the habit of long-term humanities, to make them integral to the freedom that dissident artists enjoyed in Against Our Vanishing." Had he only him as the candidate of pornography thinking. We have the habit of honest affairs of the nation. the U.S.S.R. attacked Robert Mapplethorpe and and sacrilege. (Could that be rhetoric by problem-solving without which one The staff of Senator H. has been Returning to Senator H., has he Andres Serrano, I am not so sure there Roger Ailes, courtesy of Jesse Helms?) cannot be a scholar or an artist. We must hunting for grantees to tar and feather. forgotten that the majority of taxpayers would have been the same upheaval in Thanks also to other friends of the insure that the arts, the humanities, and Comparing today with the McCarthy oppose tobacco subsidies? Not at all. He the art world, as evidenced by a certain arts on Capitol Hill: Dick Durbin, Daniel our people in fact enjoy the freedom of years is much more complex to fight off has no need to be consistent His amount of artist-bashing coming from Moynihan, Claiborn Pell, Bob Pack­ thought and expression that is the today because evangelism, racism, adversarial style is to attack and our side as well as from our enemiesj wood, Les AuCoin, Pat Schroeder, Mel aspiration of this sorely troubled sexual mores, and the flag occupy the distract, like a giant egg beater mixing disclaimers on evening news that Levine, Henry Waxman. Pat Williams of world.-Copyright © 1990 by June Wayne. battleground so recently abandoned by up a multitude of issues. If he had his sounded like this: "I want to make it Montana is a stalwart for us, as are Tom All rights reserved the "Evil Empire." Arts institutions, way, the government would be a clear that I abhor ... I am as disgusted Coleman of Missouri and Fred Grandy caught between inflation and the Tax voyeur in every bedroom. His sheer as you are ... etc., etc.," followed by the of Iowa. There are many more than I betterment of others. As a teacher of Reform Act of 1986, understandably are ubiquity sci'res the hell out of people obsequious plea, "But let's not punish know. printmaking, a master lithographer, afraid of lOSing exhibitions, publications, and camouflages his central interest­ everyone for the bad taste ... the What a boost when Leonard founder and director of the Printmaking and staff. Fear brings out the worst in us the pushing of an addictive substance, indiscretions ... the ugliness of a few ... Bernstein refused the Arts medal! Workshop in New York City, Robert as we seek Our own survival, but when tobacco. etc., etc." Perfect timing! How encouraging to Blackburn has had a profound influence push comes to shove, the creative/ The majority of taxpayers who, I When I hear such caveats, I think of open the New York Times and find the on thousands of art students and artists. academic world has always been repeat, oppose tobacco subsidies, have a thrifty German burgher who, deplor­ Whitney ad! Throughout his forty years of teaching courageous. It is courageous today, been forced to support tobacco to the ing the breakage of all that good glass on I rely on the investigative reporting printmaking at the Cooper Union School knowing the battle for the endowments tune of 1 billion, 900 million dollars in Crystalnacht, lands a blow on the of Allan Parachini of the Los Angeles of Art, New York University, Columbia will shape the future of the arts and 1988 alone. Of the 21 states that still nearest Jew to prove the purity of his Times who is new to me, and I appreci­ University, and the Maryland Institute humanities, even the national attitude grow tobacco, the six biggest prod ucers motives. Doesn't Washington recognize ate Grace Glueck, Barbara Gamarekian, of Art, Robert Blackburn has accumu­ toward the First Amendment, for received 91 percent of that enonnous that the American people have seen William Honan, and Robert Hughes. lated testimony to his intellectual integ­ decades to come. sum and Senator H. assures a lion's Watergate, Iranscam, Jimmy Swaggart The art magazines and the regional rity, dedication, and service. One of his presses have been terrific. But television fonner students notes, "He alternately

4 CAA NEWS MARCHi APRIL 1990 CAA NEWS MARCH! APRIL ]990 5 encouraged us, supported us, cajoled us, Community Arts Center, and the Arista fellows did not have as much opportu­ in the classroom and her insistence on more far-reaching impact on the with genuine gifts, and I am proud, not and generally infused us with his love of Saroge Free School. There were many nity but they did work, they did critically refined thinking; they also teaching of art history than Anne of one or two of them, but of many printmaking." wonderful mentors and teachers. I'd like produce. One of them sent me a letter remember with gratitude the countless Hanson. We hope she will find the CAA young professionals who are finding a When in 1949 Robert Blackburn to mention them because many of these which was such a warm and beautiful hours which Anne spent reading, award for excellence in teaching one of place of distinction in this art world of established the Printmaking Workshop, people go unknown and unsung, and letter written in such a beautiful hand. editing, and critiquing their work to the brightest stars in her already ours. And I am touched by their a facility where acommunity of artists this is the one time I can mention them, I can't write that well as a matter of fact, insure clarity and cogency in their sparkling crown of accomplishments. generosity, letting me know where they explores the creative potential of even though many of them are no but it was so beautiful about his arguments. Some of these students are Committee: John Rwietti, chair; Peter are and what they are doing, even now in the classroom themselves. printmaking, he created a place and an longer alive. To many of you their experiences here, and he was a very Parshall; Linda Seidel asking for the endless letters of recom­ Guiding a newer generation of students, atmosphere where an average of 900 names will bring back some memory of modest person. He wasn't trying to mendation. In so many ways they do me they see their own engagement in artists a year from all over the world their contributions. pretend. He just told me from his heart Anne Coffin Hanson responds: honor. To see my world populated by educating others as profoundly influ­ either work or take classes. One of the One of them is Mr. Charles Alston what all the people he had met and I cannot say how enonnously pleased intelligent, successful, inventive, and artists recalls, "Last summer Bob and I from City College. Another is Mr. Mike interacted with at the workshop along enced by Anne's unfailing and energetic I am to have been chosen the Distin­ appreciative people means more than worked together again in the Printmak­ Henry Bannam from Minneapolis who, with myself had meant to him. As we go commitment to teaching. Others of guished Teacher of Art History this I can say. Thank you. ing Workshop. As usual his presence along with Alston, headed the Uptown along, we should try to think that our Anne's students remember the close year. I want fin;t of all to thank the was inspiring to everyone working Community Arts Center. Another is a extensions go way beyond the class­ attention which she paid to the art object College Art Association for this award, there. We all knew who the 'master' very important person, Mr. Vaclav room. The outreach program is one and the intensity and satisfaction of and particularly the committee which was. And ... when I asked for the stone Vytlacil, who used to come up to aspect of it. We have to think of these th~ir work with Anne in preparing selected me. Along with all the other Citation for the to be put on the floor, he wasn't fazed a Harlem and get on his knees for people who are coming along behind us. important museum exhibitions on topics CAA tasks I performed in the past, I Distinguished Teaching of Art bit as I inked my feet and walked on it." emphasis to teach us about modern art. I am now reaching a point where I guess as diverse as Manet, the Futurist word served on the committee that gave the History Award As a black artist and educator, This was way back in the 1930s. Another people are thinking I should retire but I and image, the art of film in the early fin;t Distinguished Teaching of Art Presented by John Paoletti Robert Blackburn has been diligent in is Miss Riva Helfand, who was the one won't, I'll just fall down. This is one award. Awarded to Hollis CInyson combining his considerable stature as an who first put a lithographic pencil in my aspect of the CAA-we should try to I started my teaching career in art artist and his social concerns with his hand. She's still with us, still working, project some extended hand to our history later than most-having been a This year the CAA has inaugurated a goals for the workshop. Under the and still spirited. Another one I cannot brothers in many, many countries, not mother and sometime commercial artist second award for excellence in the auspices of the workshop, for example, mention too much is Mr. Will Barnet. only South Africa but India and many for 16 years before I entered graduate teaching of art history, one conceived he established a community outreach He was a mentor for many, many years other places you could name. There school. During that time I was a grade­ specifically to recognize the work of a program His introduction of the unique and stood behind me and the Printmak­ must be a way we can find to draw school art teacher, grades kindergarten junior colleague in our discipline. The Printmobile equipped with the basics ing Workshop and all the things we are these people into our organization even through 12, for four years and an art­ award is designed to honor a younger for printmaking and staffed with artists doing, and he still stands there. I if only as associate members so that they school teacher of drawing and painting teacher who has generated excitement and interns put the techniques of print­ appreciate the encouragement he gave can interact with us. for another four years, before I began and learning in the classroom and who making within the grasp of children, to keep me going. There are a number of I thank you for the award, and the study of art history at age 38. I first has, through his or her own personal teenagers, and the elderly in such other people that I could name, but I I hope we will do more next year. Thank joined the CAA as an artist member. research and writing, exemplified the communities as Harlem, the Lower East thought just to mention those few you. Now I have been an art history teacher critical skills and search for new modes Side, and housing projects in Brooklyn. would give them a sense that I have not for about 27 years with two more years of understanding which lie at the very With students, artists, the commu­ forgotten where I carne from. to go before enforced retirement, heart of the teaching endeavor: We have nity, and colleagues, he has truly made a Another thing I'd like to mention is covering a wide range of subjects, and chosen to institute this award as a way significant contribution to our cultural a very interesting experience that Citation for the always teaching both graduate and of encouraging our younger colleagues life. It gives me great pleasure to present occurred the other day behind the Distinguished Teaching of Art 1970s, the latter two being groundbreak­ undergraduate students-shorter than the Distinguished Teaching of Studio Nelson Mandela release, which is not History Award ing endeavors in their fields. Some of some, but long enough to have had a Art Award to Robert Blackburn. over yet of course. Several artists from Presented by Johl! Paoletti these former students are now curators, very happy and fulfilling career. I am South Africa came into the workshop Awarded to Anne Coffin Hanson or directors of education in some of our not sure one should be rewarded for Committee: Vivian Browne, chair; Harry purely by accident. They had come to leading museums; they also find echoes being happy, nor am I at all sure that I Nadler; Adolph Rosenblatt America and they had not been well It is a special pleasure to present the of Anne's teaching in their work, which deserve it in any case, but I am pleased received by the people who had invited award for Distinguished Teaching of Art itself influences the lives of countless to claim it just the same. It means a very Robert Blackburn responds: them. They were very, very upset, and History to Anne Coffin Hanson. numbers of people visiting these great deal to me. This is a very moving situation for me on their way back to South Africa I, Although Anne is known widely museums. And not least of all Anne has As much as I treasure this honor, I for many many reasons. Because it through someone else, got to meet them throughout the CAA membership for been an important teacher to her col­ have already enjoyed-and continue to follows on the release of Nelson and I invited them to our workshop. the notable and effective service she leagues, taking time from her busy Mandela, which is, I think for all of us, enjoy-an even greater reward: the They came in, they worked. All night gave as its president, she is known in a schedule to advise younger faculty with success of my students. Some of them I the culmination of many of our dreams. long, all day, they canceled all other very special way to numbers of us who a generosity of spirit not often enough know well, having helped them through Because I go back a few years, I go back appointments to come in and make have had the privilege of being her found in our profession. It must also be the throes of dissertation writing and to the years when there were no black some prints. They each did two prints. student or facuIty colleague. Anne's noted that Anne's role in breaking other professional crises; others perhaps teachers in the Art Students League, I want to say to all of our younger teaching at New York University, Bryn gender stereotypes in university only had a course with me, wrote their there were no black teachers at Cooper students, and all of our younger Mawr College, and Yale University has teaching has benefited us all, men and senior paper, were questioned by me on Union. minority and black students, please, affected the continuation of our disci­ women alike. It is hard to imagine exams, or suffered my editorial hand. My beginnings were in WPA­ please take advantage of the opportuni­ pline in ways still difficult to measure. anyone in our profession who has had a They have all been wonderful people sponsored programs at the Harlem ties that you have here because these Fonner students recall her enthusiasm Community Arts Center, the Uptown

6 CM NEWS MARCHI APRIL 1990 CAA NEWS MARCHi APRIL 1990 7 to care passionately and critically about message to the untenured, the part-time, regardless of color or gender. Howardena Pindell responds: Citation for the Citation for the and the unranked members of our pro­ Over the years her social concerns the central core of their profession in Thank you very much for the award. Distinguished Artist Award for Charles Rufus Morey Book have surfaced in her work; her critical response to the strident voices in the fession. This prize says that it is okay to I would like to thank my mentors, some Lifetime Achievement Award society who claim that we, as teachers, invest your time and intellect in voice has become more and more of whom are here this evening. Many of Presented by Sam Gilliam Presented by Irene Bierman have abandoned our responsibilities to teaching, that it is acceptable, even overtly expressive of the political issues them stood by me during very difficult Awarded to Jacob Lawrence Awarded to Svetlalla Alpers our students. respectable, to think of yourself as a that concern her. She has traveled to times. I would also like to thank those Holly Clayson fulfills the design of teacher as well as a scholar, and that the over thirty countries, studying and whose names and faces I do not know Jacob Lawrence, you have been nomi­ Great artists intimidate their interpret­ this award magnificently. She demon­ CAA might even award you a prize for searching for alternative ways of who admired my work over the years. nated for the Lifetime Achievement ers, not just by the quality of their art, strates that educational leadership does your efforts. Their moral support is also appreciated. Award of the College Art Association. but also by the authority of the interpre­ exist in a powerful and challenging form I would like to thank the people who We recognize your achievements as tive tradition that governs their recep­ in our field. Her own students, now at sent me, anonymously and otherwise, both a teacher and an artist. tion. Svetlana Alpers is not so intimi­ Northwestern and formerly at UCLA, bags of paper dots in the 1970s and Paul Richard of the Washington Post dated, even by her own earlier work. have consistently praised her teaching. postcards for use in my work in the Citation for the described you as America's storyteller. Her Rembrandt's Enterprise: The Studio Her name has appeared repeatedly in early 1980s. Their moral support is also Artist Award for a Not only are you a child of the Harlem and the Market departs from its teaching awards given by these univer­ appreciated. Distinguished Body of Work, Renaissance, but you started in a predecessor, The Art of Describing, by sities. In one such citation, the students Since the award is for autobiogra­ Exhibition, workshop sponsored by the College Art situating the artist more firmly within wrote that HoUy "changes the way in phy, I would like to thank my parents. I Presentation, or Association and taught by Charles the Du tch mercantile culture. This which the learning process itself is would especially like to thank my father Performance Alston. You had the rare privilege of reconception of his relation to the conceived" and that she"is one of those who I had hoped would be here tonight, Presented by HOllston COHwili attending Black Mountain College and, materialistic concerns of that culture rare academicians who is willing to but Amtrak seems to have had other Awarded to Hvwardella Pindell more importantly, you taught there. allows her to focus on the issue of value, open up his or her own profession to plans for him. [Voice from the audience, You have been known by America's value attached to the artwork by Rem­ extremely close scrutiny." In addition to "I'm here!"] His curiosity, sense of Born in Philadelphia, Pennsylvania, great pioneers of art, such as Arshile brandt as an expression of his identity, a full teaching load, Holly has managed thinking, seeing, and communicating humor, which you have just witnessed, Howardena Pindell was 9 years old Gorky, Romare Bearden, and Franz and value attached to the artwork as a a very active schedule of professional human values. What she has witnessed his adventurousness, pioneering spirit, during the famed Montgomery, Kline ... and you are known to every- material thing, heavily laden with paint lectures, and she has a consistent record is the poverty and the oppression in belief in the dignity of all humanity, Alabama bus boycott, the same year that and offered as a commodity in the of publication in her field of late 19th­ many parts of our global village. In 1989 Brown vs. the Board of Education was love of animals (he had a cat who had 72 marketplace. century art. Her first book, Painted Love: she wrote: "In many of the countries I kittens and found good homes for each decided by the Supreme Court. She Alpers finds justification for this Prostitution in French Art of the Impres­ visited where beauty and serenity of the of them), and his ability to make things entered Boston University as a preco­ conjunction of values in the physical sionist Era, about to be published by Yale spiritual practice was uplifting, it was in cious 16 year old full of the confidence grow were a constant source of inspira­ reality of paint, in the apparent material­ University Press, will give added luster stark contrast to the often harsh and tion. When I was a child of 8 through 16, her proud parents had instilled in her. ity of silks and furs and gleaming metals and impact to her career as teacher and brutal daily realities for the majority of he tirelessly drove me every Saturday to After excelling there, she went on to in his depictions, and in the immediacy scholar. We are pleased to have insti­ the people. I feel that the interface of art school and took me to museums. obtain a master's of fine arts degree in of his human subjects. Both maker and tuted this award and are delighted to beauty and cruelty has become more (My favorite artists as a child were painting at Yale University. In 1967 seller, Rembrand t conceived of himself name Holly Clayson as its first recipient. and more evident in my work." Henry Ossawa Tanner, whose paintings Howardena began work at the Museum as a pictor ecollomicus, actively engaged Today, her poignant figurative were in the homes of families in my Committee: John Paoletti, chair; Peter of Modern Art, where her talents were in the art trade and, thus, however works are focused on the Central social circle, and Marcel Duchamp, Parshall; Linda Seidel quickly recognized and she was dependent on the vagaries of the American conflicts, the Arab-Israeli whose work I saw at the Philadelphia appointed curatorial assistant in the market, freed from personal depend­ War, and apartheid in South Africa. Museum of Art.) My father tutored me Hollis Clayson responds: Department of Drawings and Illustrated ency on some wealthy patron. At the Howardena is a passionately concerned in science and mathematics, although I I'm very grateful for this award and sin­ Books. Not long after that, she was center of this activity is Rembrandt, the artist who is committed to the universal cerely thank the members of the CAA appointed associate curator: still cannot balance my checkbook. He master of a large studio, so shaped by struggle for human dignity. tried to teach me to play chess. From committee who invented the prize and She has an extensive exhibition the force of his personal style and the This award represents recognition selected me to be its first recipient. record and her work is in collections of him I learned a strong code of ethics. selectivity of his imagery that its by her peers for the exquisite melding of Strangely, I want to thank the I'm thankful that I had one of the major institutions, including the one. The aura around you is one of a products clearly bore the brand of the fonn and content. Howardena Pindell people who tried to prevent me from all-time great teachers, Tim Clark, as a Metropolitan Museum of Art, the Fogg populist. maker, including the label "Rem­ continues to challenge the boundaries fully developing my talents. By default, model; that I grew up in a family that Art Museum, the Philadelphia Museum Your life, your work, your concerns brandt," even when the products of the that isolate our world community. It is as a result of overcoming obstacles that valued complicated and funny word use of Art, and the Museum of Modern Art. ... all have a sense of the epic. You have studio went out of fashion. For Alpers, with pleasure that I present the College they put in my way, I was forced to by a girl; that Northwestern University's In 1978 she resigned her museum accomplished more than anyone person Rembrandt exists as an exemplar of Art Association Distinguished Body of learn to develop stamina, tenacity, encouragement of my teaching has so position to become associate professor at should, in part because of the love and Hobbesian man whose value, or worth, Work Award to Howardena Pindell. courage, and a fighting spirit. far been unswerving; and that I have the State University of New York at labor invested by Gwendolyn, your is his price, a price calculated as much The award is greatly appreciated. been able to work with so many first­ Stony Brook. In 1973 and 1978 she was Commiltee: HOllston COllwill, chair; Phyllis wife. by the measure of his self-esteem as by rate students over my now rather the recipient of National Endowment for Bramson; Ruth Fine; Mary Lovelace We are all richer for your presence. the impersonal forces of the market. extended career as a junior professor. the Arts fellowships in painting. In 1988 In this radical departure from the O'Neal; JIlllll Sanchez Committee: Sam Gilliam, Jr., chair; AudrClJ By devising this award, the College she was granted a John Simon Guggen­ more traditional views of the artist Flack; Keith Morrison; Anne Page; Esther Art Association-to its lasting credit­ heim Fellowship. formed in the 19th century, Alpers offers Parada has elected to send a very important Howardena has been an inspiration a stimulating. modernist perspective of for many and an advocate for all artists Rembrand t' s art and life, of her Rem­ brandt and, possibly, ours as well. To

8 CM NEWS MARCHI APRIL 19S\1 CAA NEWS MARCH! APRIL 1990 9

i • its milieu reach a contemporary audi­ Working both as writers and editors, Citation for the dence and interpretation, between the professional obligation, as well as a ence in a particularly emphatic way that both have provided steadfast support to Arthur Kingsley Porler minute, hard particles of data and the challenge to come up with an informed is its special achievement. Perhaps it is people and practices that our society's Prize illumination of insight. and lucid response. sell-centered of us 20th-century crea­ institutions work to marginalize and Presented by Edward Kaufman Most of the books received by Art tures to recast history in our own image, silence. Awarded to LYnn Jacobs Committee: Edward Kaufman, chair; Thalia are in the areas of 19th- and 20th­ but it may be an inevitable tendency. In In this year especially-the year GOllm~-Peterson; Debra Pincus Journal century art, contemporary issues, seeking to acclimatize his public to that Congress voted to equate Lynn Jacobs's study has shaped our collections of critical essays, occasional modern art, Alfred Barr found the homoeroticism with obscenity, the year understanding of an entire area of artists' books, and exhibition catalogues evoking of historical comparisons useful that the new chairman of the National artistic production, that of the South of ail kinds. Although museum exrubi­ to illuminate the continuity of human Endowment for the Arts sought to Netherlandish carved altarpiece, tions may receive more attention in the enterprise. Perhaps the best tribute to squelch a small outcry against the stemming mainly from the workshops press, often their frequently substantial this project was voiced by an artist nightmare of the AIDS epidemic-in of Brussels and Antwerp between 1380 catalogues are given no scholarly friend who after seeing the exhibition this year especialJy we are pleased to and 1550. Jacobs studies the role of the appraisal. Hence museum exhibition and reading the catalogue, called me up give the Mather Award to two open patron in creating these frequently large reviews in Art Journal generally include in the middle of the night and exclaimed lesbian critics who have fought reso~ and complex works and finds it unex­ an assessment of the catalogue. in awe: "Those Sienese artists knew it lutely for the self_representations of pectedly limited, whether in initiating CAA This is, then, a call for information ail! They knew it all even way back lesbians and gay men, including theIr production or in influencing their sexually explicit representations, and and proposals to help your reviews compel the reader of Rembrandt's Enter­ then!" design. Her argument leads the reader just as resolutely against the intensified News editor develop a broader network of prise to rethink the historical position of smoothly from marketing practices, Committee: Edith Tonelli, chair; Samltel repreSSion of lesbian and gay culture potential contributors. Please let me such a great artist, to approach his work such as the display of altarpieces at fairs Sachs; Lmoery Sims know through the CAA office if you are with fresh insight, and to ponder the "legitimized" by the AIDS crisis. We and markets, to artistic practices, such as willing to review books or exhibitions in nature of value itseU as a matter tran­ select a few titles from these women's the use of standardized formats and a particular category or if you have a scending the traditional boundaries of extensive publication lists as exemplary: even prefabricated places; it leads from Art Journal Expands specific book or group of books in mind aesthetic judgment is a considerable "Visibility /Invisibility: Contradictions a close reading of legal records, sales Book Reviews that you would like to cover. A small achievement, worthy of the Charles Citation for the in Lesbian Representation" by Martha contracts, and guild regulations, to a As a general rule books on art are not stipend is available for travel to cover Rufus Morey Book Award for 1988. Frank Jewett Mather Gever; "Dykes in Context: Some close look at the altarpieces themselves. reviewed in the daily press since they museum exhibitions. I look forward to Award Problems in Minority Representation" At each step, inference aids observation are regarded as picture books, and scant Committee: Richard Brilliant, chair; Irene hearing from you.-Martiea Sawin, Presented by Doug"" Crimp by Jan Zita Grover; "Girl Talk: Lesbian to advance the argument and to add coverage is provided in the art Bierman; Susan E. Nelson reviews editor, Art Journal A'loarded to Martha Gever alTd Narratives in She Must Be Seeing Things detail to the picture of an arena in which magazines. Art Journal receives some Jan Zita Grover and Damlled if You DOII't" by Martha taste was negotiated through the very 500 books a year, quite apart from those Gever; "Visible Lesions: Images of process of production and exchange. received by the Art Bulletill, yet in 1989 The Frank Jewett Mather Award People with AIDS" by Jan Zita Grover. Many will find in Jacobs's study only eight reviews of books and Citation for the Also worth special mention are Martha Malen Appointed Committee this year honors the work of valuable suggestions for rethinking the exhibitions appeared in Art Journal's Gever's curatorial efforts for "How Do I Alfred H. Barl; Jr., two women-Martha Gever and Jan role of convention in art; others for four issues. While some of the books Executive Editor, Look? Queer Film and Video," and Jan Award Zita Grover-two women, not, most rethinking that of the patron; ail will received are indeed picture books, many ArtJoumal Zila Grover's exhibition "AIDS: The Presented by Lowery Sims certainly, because it takes the distinction find it an exemplary solution to the address current issues, offer new schol­ Lenore Malen has been appointed Awarded to Keith Christiansen, Lallrence of two women to equal that of a single Artists' Response." scholar's perennial challenge, the arship, present new aspects of an artist's executive editor of Art Joumal. An artist Kanter, and Carl Strehlke man. On the contrary. But granting the Because of Martha's and Jan's charting of new routes between evi- work, and are deserving of critical and critic, she has exhibited widely in award to two women will perhaps begin commitments, their criticism only rarely attention and the kind of peer review it the United States and Europe. Her most It is often difficult to determine whether to rectify the fact that while, with the appears in commercial art magazines. It is the Art Journal's function to provide. recent solo exhibition was in 1986 at the a good exhibition doth a good catalogue rise of feminism in the 1970s, eight is usually to be found instead in small The editorial board of Art Journal has Marian Locks Gallery in Philadelphia. make, or vice versa. In any case, it is the women were recognized by this award, independent journals like the ones they agreed that the review section shOUld be Currently she is working on a series of catalogue that will prevail long after our as feminism came under fire in the themselves have edited. Because of the strengthened, enlarged, and diversified draWings based on Dante's Divine memories of artful installations fade. 1980s, ITO women received it. existence of such nonprofit publications to include shorter as well as long Comedy. Since 1977 she has been a The catalogue for the exhibition Painting Feminists have taught us, however, as Afterimage, Artpaper, Exposure, High reviews and contributions by artists as freelance writer for Arts Magazine, in Renaissance Siena emerged all t of an that gender equality alone is far from a Perf~rnulllce, The Independent, Jump Cut, well as scholars. Artnews, Art and Antiques, Craft Interna~ incredibly rich field of contenders for sufficient goal. What is also necessary is and The Women's Review of Books, essen­ This can only happen, however, if ti01Wl, Art in AmeriCll, and other journals. 1988. What struck a common response an interrogation of the ways in which tial critical voices are heard. The current professionals in the field are willing to Among the recent exhibitions she in the members of the committee was cultural representations form our sub­ attack on public funding of the arts is take the time to write a thoughtful has curated are "Politics of Gender" in first of all the level of scholarly excel­ jectivities so that we will accept ineq­ primarily an attack on such voices. We review with only a new book and the 1988 and "Romanticism and Classicism" lence, which would be taken for granted uity. By focusing on mediums neglected of the Mather committee therefore wish opportunity to be heard as compensa­ in 1987 at Queensborough Community given the individuals involved in this by many art critics-photography, film, to acknowledge the crucial necessity of tion. Most of us who publish would College of CUNY, "The Purist Image" in enterprise: Keith Christiansen, Laurence and video-Martha Gever and Jan Zila independent criticism by declaring our welcome the considered evaluation of 1986 at the Marian Locks Gailery in Kanter, and Carl Strehlke. The design Grover have been able to devote their admiration and gratitude for the colleagues in printed form or even the Philadelphia, and "Symbolism" in 1989 and organization of the book perfectly critical readings both to dominant distinguished contributions of Martha opportunity for dialogue with varying at CCXJper Union. She moderated a comple~ented the art-historical regimes of representation and to Gever and Jan Zita Grover. opinions, so perhaps the undertaking of symposium on Symbolism at Cooper information. But ultimately it was the emergent forms of resistance to them. Union's Great Hall in November 1989. Committee: Douglas Crimp, chair; Hunter a review should be regarded as a ability of the authors to make the art and Drohojowska; Xenia Zed

CA" NEWS MARCHI APRIL 1990 10 CAA NEWS MARCHI APRil 1990 11 • Abstracts and Placement Cassette Tapes from Slides Candidate for Expenses 1990 Conference The College Art Association has Fellowships a Degree With the record-breaking attendance at received a number of complaints from Generally, expenses of a degree candi­ the 1990 conference, CAA found itself in applicants who have not had their slides & Taxes For tax years beginning after 1986, date fellowship student are not deduct­ the unenviable position of running out returned to them by interviewers. amounts received as a qualified fellow­ ible even though all or part of the of abstracts on the first day of the Indeed, at the end of the New York ship are excludable from income only if fellowship grant is includable in gross sessions. However, we have reprinted meeting, CAA president Phyllis Bober you are a candidate for a degree at an income. Expenses are deductible only if the abstracts, and copies may be ordered helped gather slides that had been left educational institutional. The term they are ordinary and necessary busi~ for $15 each (prepaid) from the CAA on tables in the interviewers room. The he Tax Reform Act of 1986 "candidate for a degree" means a ness expenses, and being an art history office. See page 22 for an order form. majority of these slides were accompa­ radically altered the manner in student (whether full or part-time) who graduate student is not a business. (The Cassette tapes are available for a nied by SASEs, as recommended by T which fellowship grants are (1) attends a primary or secondary argument that you are a II professional number of the sessions. See page 23 for CAA, but nevertheless had been treated for income-tax purposes. The school, or (2) is pursuing a degree at a student" will not get you anywhere!) If an order form. abandoned by less-than-responsible changes were made in the name of sim­ college or university. The term "educa­ separate and apart from your fellowship interviewers who disregarded CANs plification and, unfortunately, did not tional institution" means an organiza­ grant, you receive a specific dollar request that institutions make every consider the sometimes limited financial tion that normally maintains a regular amount for services rendered in effort to return slides to applicants. situation that confronts many art history faculty and curriculum and has a lecturing, teaching, or research, then If any interviewers are still holding graduate students. The new rules make regularly enrolled body of students in ordinary and necessary expenses attrib­ slides, we urge them to return them. it more difficult to exclude fellowship attendance at the place where it carries utable to such services rendered would grants from gross income. on its educational activities. If you are be deductible. You would have to show not a candidate for a degree, no part of that the expenses are directly related to the services rendered and that they are Lenore has taught art history and studio your fellowship grant may be excluded from gross income. ordinary and necessary. This would art at Philadelphia's University of the make travel expenses for an individual Arts, Beaver College, Marymount Fellowship who receives a fellowship and serves as Manhattan College, and Queensborough Amount Excludable a part-time teaching assistant difficult to Community College, CUNY. At present A fellowship grant is generally an ded uct. Notwithstanding the general she is on the facuity of Parsons School of If you are a candidate for a degree, that amount paid or allowed to, or for the rule of nondeductibility, you should Design. does not mean your entire fellowship Ou1golng president 01 eAA Phyllis Pray benefit of, an individual to aid in the always maintain records and save Lenore was an editor at Chanticleer grant may be excluded from gross Bober wHh Ru1h Weisberg, 1990 pursuit of study or research. receipts for all expenses incurred that Press from 1982 to 1984 and has edited president, at the eM annual conference. income. You may exclude from gross PHOTO: BOB BERNARD apply to graduate research. A graduate and consulted for AIfred A. Knopf, income only the portion of the grant that student's fellowship study could lead to University of Chicago Press, Rizzoli Date of Grant is used for (1) tuition and fees required the writing of a book or pUblished International, and other publishers. to enroll in, or attend, an educational article that is sold at a later date. The A graduate of Skidmore College, The new rules apply to fellowships institution, or (2) fees, books, supplies, expenses incurred could be capitalized Lenore received an M A in art history granted after August 16, 1986. and equipment that are required for the and offset, at a later date, against from the University of Pennsylvania. A fellowship is considered to be granted courses of instruction at the educational amounts received from the sale of the She studied studio art at the Corcoran when the grantor (1) notifies you of the institution. Amounts you receive from a book or article. As always, the taxpayer School of Art in Washington, D.C., and award, or (2) notifies an organization or fellowship that are used for other bears the burden of proof with respecl at the School of Visual Arts in New institution acting on your behalf of the expenses, such as room and board or to such expenses. York. award that is to be provided to you. If travel, are not excludable from income. your notification is sent by mail, the This rule is particularly onerous for the ~Ralph E. Lerner, partller, Sidley & Allstill Staff News postmark is the notification date. If evi­ art history graduate student whose Nancy Boxenbaum has been appointed dence of a postmark does not exist, the fellowship study often requires travel. editorial assistant. Boxenbaum was date of the award letter is treated as the previously assistant to the director at notification date. This would be Payment for Helen Drutt Gallery INew York. She important if you received a fellowship Services received a SA in 1988 from the Univer­ grant prior to August 16, 1986, that provided a fixed amount payable to you sity of Pennsylvania, with a major in You cannot exclude from gross income French language and literature, and for a number of years. In such a case, the the portion of any fellowship that minors in both art history and English old rules would apply if the original represents payment for teaching, literature. grant notice contained a finn commit­ research, or other services, even if all ment by the grantor to provide the candidates for a degree are required to fellowship for more than one academic perform the services as a condition for period and you are not required to receiving the degree. reapply to the grantor to receive the grant in later academic years.

12 eAA NEWS MARCHI APRIL 1990 CAA NEWS MARCHi APRIL 1990 13 Peter Costa, Soho Center for Visual Artists, New Constance LaPalombara. First Street Gallery, Solo York, February 21-March 31, 1990. "Geometry New York. February 13--March 3, 1990. on Site," mixed media. "Common Spaces: Urban Landscape Paintings." People in Peggy Cyphers. E. M. Donahue Gallery, New Richard Lethem. Blue Mountain, New York, Exhibitions York, AprilS-25, 1990. Recent pain lings. January 19-February7, 1990. "Urban Work the News Carlota Duarte. Artists Foundation Gallery, Blues and American Trauma Painting, by Artist Boston, March 29-May 5,1990. "Odella, A 1984-1989." Hidden Survival;" photographic essay. Claire Lieberman and Ed Smith. New York Cedly Barth Firestein. Phoenix Gallery, New Studio School, New York, March 1-31, 1990. In Memoriam Members York, March 27-Apri121, 1990. Mixed:media Sculpture and draWings. monotypes. Jacqueline Lima. Blue Mountain, New York. Guy Caesar Bauman, 38, died February 25, February 9-28, 1990. "Perspective as Symbolic Only artists wllo are CAA members are included Margaretta Gilboy. Levy Gallery, Moore 1990. After studying at the University of College of Art and DeSign, Philadelphia, March Fonn: Paintings and Drawings UsingCurvilin. in this listing. W1tm submitting ill/onllfltion, ear Perspective." California-Riverside and Princeton University, include name of arlist, gallery or museum name, 2-31, 1990. "Re: Figure, Extensions of the Bauman became a lecturer and curatorial Figurative Tradition." city, dates of exhibition, medium. Please indicate Babette Martino. Cudahy's Fine Arts, New assistant at the Frick Collection, New York. He CAA membership. Nicholas Hill. Greene Art Gallery, Guilford, York, March 27-Apri127, 1990. Recent paintings. went on to the Metropolitan Museum of Art, PJlOtograplls are welcome but 10m be used 011111 Conn., February 3-28, 1990. Recent paintings. Margaret Morton. 55 Mercer Street Gallery, New York, where he was assistant curator in the if space allows. Photograplls callnot be retumed. - Shelnutt Gallery, Rensselaer Polvtechnic New York, March 13-31, 1990. "The Architec­ European paintings department. He specialized Institute, Troy, N.Y., April I8-M~y 4,1990. ture of Despair: Building Types of the Home­ in Northern European Renaissance painting and Works on paper. less," photographs. wrote numerous articles and catalogue entries. ABROAD! Deborah Kahn. Houghton House Gallery, Jane Pagnucco. New York Experimental Glass E. Maurice Bloch, a historian specializing in Nancy Macko. AShiyagawa Gallery, Ashiya, Geneva, I\'. Y., February 9-March 11, 1990. Workshop, New York, February 3-March 16, American art, died November 29, 1989, at the Japan, November 1989. "Across the Miles," 1990. "Ellis Island Project," a photographic age of 74. He founded the Grunwald Cenler at prints and monotypes. collaboration with Deborah Czeresko. Ruth Weisberg, Alone Together, 1989, Lamar Dodd. Georgia Museum of Art, Athens, UCLA. Bloch graduated from New York charcoal, graphite, 011, and wax on March 8-25, 1990. "Home," paintings. University in 1939, and in 1957 he received his George Papas. Stoughton Library Gallery, unatretchedcanvaa PhD in art history at the Institute of Fine Arts. In Stoughton, Mass., January 1990, and Cushing. COURTESY ASSOCIATED AMERICAN ARTISTS. Dorine Gross. Capricorn Galleries, Bethesda, MIDWEST! NEW YORK 1956 he began teaching art history at UCLA, Martin Library Gallery, Stonehill College, Md., February 17-March 8,1990. Paintings. William Berry. Missouri State Museum, where he remained until his retirement in 1983. Easton, Mass., February 1990. "Images of ItaIYi" Jefferson City, July 20--August 21,1990, and Susan Hauptman. Corcoran Gallery of Art, He will be remembered for his academic, works on paper. traveling. "Drawn to Art: Colored Pencils on WaShington, D.C., February 3--March 26, 1990. curatorial, and personal commitment to Paper," drawings. "The Obsessive Image," draWings. American art. Susan Schwalb. Yeshiva University Museum, Dorothea Bilder. Northern Illinois University New York, May 6-July 1990. "The Creation Walter O'Neill. School 33 Art Center, Baltimore, Calvert Coggeshall, an abstract painter and Art Gallery, Chicago, Oclober 31-December 23, Series: Fifteen Years of Silverpoint Drawing-" Md., January 13--February9, 1990. Works on designer; died February 1, 1990, at the age of 82. 1989. "NIV Faculty Printmakers." drawings and wood sculpture. paper. Starting in the early 1950s, he exhibited at the Betty Parsons Gallery, and later with the Jack Cecelia Condit Madison Art eeole..; Madison, Kay Walkingstick. M-13 Gallery, New York, Tilton Gallery, both in New York. Most recently Wis., February to-March II, 1990. Video, March 29-AprlI21, 1990. "Cascade5eries," WEST! the Rothko Foundation sponsored his 1987 retrospective. paintings and draWings. Pat Badt Market Street Gallery, Venice, CaUf., exhibition at Artists Space, where his monochro­ Craig Ede. Rosewood Arts Centre Gallery, Marianne Weil. Islip Art Museum, Oakdale, March 1990. Paintings. matic paintings reflected the land and skies of Kettering. Ohio, January 16-February 16, 1990. N.Y., January I4-Pcbruary 25, 1990. Sculpture. Maine, where he lived. In 1978 Bowdoin College lell: Ray Beldner. Palo Alto Cultural Center, Palo "Abstract and Figurative Forms," mixed-media Carlota Duarte, photograph from the Katharine Perlow Gallery, New York, winter Museum of- Art mounted a retrospective of the Alto, Calif., March I8-May 6, 1990. Installation paintings. exhibition H Odella, A Hidden Survtvor- 1990. Recent bronze sculpture. artist's work. as part of "Earth Day 1990: Artists Respond to Mimi Holmes. Shaw Center Art Gallery, Ruth WeiSberg. Associated American Artists, the Environment." Trude Fleischmann, a Viennese portrait Graceland College, Lamoni, Iowa, February below: New York, February 7-March 10, 1990. photographer, died January 20, 1990, at the age Priscilla Bender-Shore. Arpel Gallery, Santa 5-March 2, 1990. Sculpture and draWings. Kay Walklngsllck, On the Edge, 11189, "Giacomelli's Room," works on canvas and of 94, in upstate New York. She was known as Barbara, Calif., February 3-28, 1990. Paintings. acrylic, wax, and 011 on canvas paper. the Photographer of the Famous, and counted Susan Martin. Sybaris Gallery, Royal Oak, PHOTO: JON REIS Anne Connell. Wentz Gallery, Pacific North­ Hedy Lamarr, Arturo Tascanini, Eleanor Mich., January 6-31, 1990. Sculpture. west College of Art, fbrtland, Oreg., March Roosevelt, Raymond Massey, Albert Einstein, Mel Pekanky. Butler Institute of American Art, SOUTH! 2-30, 1990. Drawings and paintings. Sinclair Lewis, Paul Robeson, Gian Carlo Youngstown, Ohio, February 4-March 18, 1990. Us Barta. Woods Hall Photo Gallery, Univer­ Menolti, and Conrad Veidt among her sUbjects. WolfGow.in. Fina Cocina, Phoenix, Ariz., April Paintings, works on paper. sity of Alabama, Tuscaloosa, April 1-30, 1990. Fleischmann lived and worked in Vienna, 21-June 2, 1990. "Small Works," mixed-media Photocollages. London, and New York. Her work can be found Therese Zemlin. Paper Press, Chicago, May assemblages. 5-June 9,1990. "New Work," steel and in numerous public collections, including the Don Grant. Downtown Oakland Gallery, handmade paper sculpture. Metropolitan Museum of Art and the Museum SOUTHEAST! California College of Arts and Crafts, Oakland, of Modern Art in New York.. Donald AndenlOn. Greenville Museum of Art, February S-March 9, 1990. Mixed-media Keith Haring, artist, died February 16, 1990, in Greenville, N January 9-February 19, 1990. sculpture. NORTHEAST! .c., New York. He was 31. Haring was best known "Figurative Abstract Works on Paper and Karin Batten. June Kelly Gallery, New York, Richard Notkin. Seattle Art Museum, Seattle, for his cartoonlike paintings and drawings of Canvas, 1986-1989," paintings. February 3-24, 1990. Paintings. Wash., May 31-July 29,1990. "Documents people and animals, executed with staccato Northwest: Strong Tea: Richard Notkin and the strokes. He started as a graffiti artist, using Nancy Bowen. Annina Nosei Gallery, New Rebecca DesMarais. Hodges-Taylor Gallery, Yixing Tradition," ceramics. York, March 24-Apri118, 1990. Charlotte, N.C., February 1-28, 199O."Surfaces," white chalk on black paper and applying it to mixed-media paintings. City Gallery, Char­ unclaimed advertising spaces. He then moved leston, S.c., January 28-March 7, 1990. "Road into painting. sculpture, and murals, Since 1981 Wor~ " mixed-media paintings. he was represented by the Tony Shafrazi Gallery

CAA NEWS MARCHI APRIL 1990 14 CAA NEWS MARCH; APRIL 1990 15 Academe Bruce H. Yenawine, dean of the Corcoran David W. Scott has been named acting director The Oregon School of Arts and Crafts, in School of Art, Washington, D.C., has resigned, and chief executive officer of the Corcoran Portland, receiving accreditation from the effeclive July 1,1990. Yenawine, who had Programs, National Association of Schools of Art and MIDWEST/ Gallery of Art in Washington, D.C., while the criticized the Corcoran Gallery's cancellation of board searches for a permanent director. Design, has become the only professionally Michael Hoff and Alison Stewart have been the Mapplethorpe exhibition, plans to pursue accredited, independent post-secondary school appointed assistant professors of art history at graduate studies. David F. Sheldon, currently headmaster at New & in America dedicated exclusively to education the University of Nebraska-Lincoln. Middlesex School in Concord, Mass., has been in crafts. appointed executive director of the Shelburne Lydia Thompson, fonnerlydiredor of the The Pacific Asia Museum in Pasadena has been WEST/ Museum, Shelburne, Vt. He will assume this Revised educational opportunity program, assistant to designated a California State Historic land­ Jocelyn de Noblet has been appointed art newly created position on July 1,1990. the dean for minority affairs, and affirmative mark. The museum, dedicated to the arts of Asia council chair at the UCLA Department of adion officer at Alfred University, Alfred, N.Y., Sarah Elliston Weiner has been named director and the Pacific Rim, was constructed in the Design for the winter quarter of 1990. has been appointed assistant dean of multicultu­ of the Wallach Art Gallery at Columbia 1920s in the Period Revival style based on a rare The Center for Machine~Readable Texts in the ral/ minority affairs at the School of the Art University, New York. She will continue her Chinese model. Institute of Chicago. post as curator of art properties at Columbia. Humanities is a joint project to be undertaken Organizations by Rutgers and Princeton universities. The The Toledo Museum of Art, Toledo, Ohio, has center will act as a central source of information announced that the Art in Glass Gallery and the NORTHEAST/ SOUTH/ on humanities data tiles and a selective source Classic Court will be closed for renovation until MIDWEST/ Laura L. Meixner has been promoted to William B. Jordan, deputy diredor of the of data files themselves. It seeks 10 complement late August. The work is part of a long-term Ellen (Nan) Plummer has been named associate professor in the History of A rt Kimbell Art Museum in Fort Worth, Tex., has data collection and provide bibliographic plan to renovate the internal space of the executive direclor of Michigan Artrain in Ann Department at Cornell University, Ithaca, N.Y. resigned his position, effective March 31, 1990. control to already existing data files. For museum. Arhor. She succeeds Daniel O'Leary, who has information: Marianne Gaunt, Alexander The University of Miami, F1a" has announced accepted the position of assistant director of the Library, Rutgers University, College Ave., New SOUTH/ Minneapolis Institute of Arts. that the Tobishima Corporation has donated Brunswick, NJ 09803; Robert Hollander, Dept. of Peter W. Guenther, professor of art history at SOUTHEAST/ funds that will aid in building a new art Comparative Literature, Princeton University, the University of Houston, Tex., has been Shroeder James Cherry, currently museum museum on campus. The new facility will educator at the J. Paul Getty Museum, Malibu, Princeton, NJ 08544. KeHh Haring, 1958-1990 honored with the establishment of an endowed Museums and Galleries expand the activities of the existing Lowe Art COURTESY TONY SHAFRAZI GAllERY, NEW YORK Calif., has accepted the position of director of scholarship for art history majors and a Guild Hall, East Hampton, N.Y., has announced Museum. education and community at the Baltimore proclamation by the mayor of Houston, in view that a bequest from the late THo Spiga, a Vassar College, Poughkeepsie, N.Y., has Museum of Art, effective late spring. of his forthcoming retirement in May 1990. MIDWEST/ designer, artist, and collector who lived in East received $7.5 million from Frances Lehman Loeb in New York, and he exhibited internationallv. Kevin E. Consey has been appointed director Brian Dursum, acting director of the University Hampton, will enable the museum to build a for the construction of a new art center and the His work can be found in numerous public - and chief executive officer of the Museum of of Miami's Lowe Art Museum, has been gallery for the exhibition of the permanent renovation of existing art facilities, to be known collections, including the Beaubourg at the SOUTHEAST/ Contemporary Art, Chicago. appointed the museum's director. He replaces collection. The THo Spiga Permanent Collection as the Frances Lehman Loeb Art Center. Loeb's Pompidou Center in Paris, the Stedelijk Nat Dean, formerly director of career develop_ Ira Licht, who served as director for over 10 Gallery will open in September 1990. gift to her alma mater is the largest donation to a Museum in Amsterdam, and the Whitney ment and planning at California Institute of the Karen (Kitty) Ulrich is the new coordinator at years. Harvard University Art Museums,in Cam­ college by a living individual. Museum of American Art in New York. He was Arts, has accepted the same position at Ringling the Indianapolis Museum of Art-Columbus bridge, Mass., have received a gift from the supportive of various social and political causes, School of Art and Design in Sarasota, Fla. Gallery, Columbus, Ind. Franklin Kelly, curator of the permanent particularly those involving AIDS. Haring collection at the Corcoran Gallery of Art in Trustees of the International Exhibitions Foundation in honor of Annemarie Henle Pope, strived to eliminate the distinclions between Nat Dean Washington, D.C., resigned his post. Kelly, a high and low art, and he will be remembered for NORTHEAST/ historian of American art, is going to the its founder and president. The gift will establish his unique style of illustration. Thomas N. Armstrong 3d, director of the National Gallery of Art as research curator of a special exhibitions endowment that will fund Whitney Museum of American Art, New York. AmericanArt. temporary exhibitions at the art museums. Oswaldo Rodrigues Roque, executive direclor for 15 years, was dismissed in March by the The Katonah Gallery, Katonah, N.Y., is Grants, of the Chipstone Foundation in Milwaukee, died museum's board of trustees. Armstrong had changing its name to the Katonah Museum of November 1, 1989. Born in Havana, Cuba, in been under fire in recent months forwhal was WEST/ 1949, he received both his BA and MA in art Art, effective March 1990. The museum is perceived by some to be indifference to Sherry Goodman has been made full-time & constructing a new building, which it will Awards, history from Yale University. An expert on scholarship, delays in the musem's planned education coordinator at the University Art American painting and decorative arts, he was a occupy in November 1990. expansion, and a lack of curatorial leadership. Museum, University of California, Berkeley. curator at the Metropolitan Museum of Art, Others point to the museum's board of trustees, This newly expanded position has been made The National Institute for the Conservation of Honors New York, and the Carnegie Institute, accusing them of poorly handling the possible by a grant from the San Francisco Cultural Property has announced its project Pittsburgh, Pa. He authored numerous articles A rmstrongsitualion. Foundation. Save Outdoor Sculpture! (50S!), a joint venture and books. Contributions toward a scholarship with the Smithsonian Institution's National Publication policy: 01/1.11 grants, awards, or honors Peter Doroshenko, tormerly curator of Martin Sullivan has resigned his position as at Yale University may be made payable to Museum of American Art. The project seeks to received ll.ll individunl or institutional members of the exhibitions at the Albany Museum of Art, director of the New York State Museum in "Yale University-Oswaldo Rodriguez Roque establish and maintain an inventory of all College Art Association are listed. TIle award/grant/ Albany, Ga., has been named curator of Albany, to become director of the Heard Memorial Fund" and forwarded to Nancy outdoor sculpture across the United Stales in 1I0nor alllount is llOt included. Please /lote the paintings and sculpture at Everson Museum of Museum in Phoenix, Ariz. Schneck, Chipstone Foundation, 777 E. order to monitor. its condition and provide the followingforlllat: cite name, institutional affiliation, Art in Syracuse, N.Y. Wisconsin Ave., Suite 3500, Milwaukee, WI responsible institution with care guidelines. For and title of ti,e award, grallt, or honor, and (optional) 53202. Jane Farver is the new director of the Lehman infonnation: 50S!, National Institute tor the use or purpose of grant. Please indicate that you area Peter von Blackenhagen, a professor emeritus College Art Gallery in New York. She replaces Conservation of Cultural Property, 3299 K St. CAA member. at the Institute of Fine Arts in New York, died Nina Castelli Sundell who was directot' since NW, Suite 403, Washington, DC 20007; 202/625- March 6, 1990, at the age of BO. Born in Latvia, the gallery's inception in 1984. Farverwas 1495. Blackenhagen received his PhD from the formerly director of the Tomoko Liguori Gallery The M. H. de Young Memorial Museum, San Marcia Allentuck, professor emerita of English University of Munich and taught at the Thomas Messer, former dir-ector of the Solomon in New York. Francisco, has three newly renovated galleries of and art history at City University of New York. received a 1989-90 grant from the Swann University of Hamburg. After World War II, he R. Guggenheim Museum in New York, has been John Ittman has been appointed visitingcuralor British art. As part of the reorganization of the Foundation for Caricature and Cartoon for went on to teach at the University of Chicago appointed senior advisor to the University of to the Department of Prints, DraWings, and Fine Arts Museums of San Francisco, the British "Iconography of Caricatures of the Sublime, the and Harvard until 1959 when he joined the Miami, Fla. He will counsel the universilv Photographs at the Philadelphia Museum of galleries will serve to introduce the de Young's Picturesque, and the Beautiful." Institute, remainingunlil1979. In 1982 hewas throughout the deveiopment of a major ~ew art Art, fora two-year term under a grant from the primary emphaSiS on American art. awarded the Gold Medal of the Archaeological museum. Andrew W. Mellon Foundation. Institute of America.

16 CM NEWS MARCHI APRIL 1990 CAl' NEIVS MARCHI APRIL 1990 17 Carol Farr has received an American Council of Ninth Annual Symposium on Contemporary ~Smithsonian Seminars: African Art,April ,. Art and Coercion is the topic of the firsl The Goodwill Arts Festival, organized in Learned Societies travel grant to attend the Art, sponsol'ed by Rutgers University and the 24-27, 1990; 150 Years of American Art, April conference of the Comite Mexicano de Historia conjunction with the Goodwill Games, will be Association of Art Historians of Britain Fashion Institute of Technology, will be held 24---27,1990; 20th.Centwy Furniture, April Opportunities del Arte, May 16-18, 1990, in Mexico City. The held July 2--August 5, 1990. The event will conference in Dublin, Ireland. Octobel' 26, 1990. Papers concerning art since 3O-May 4, 1990; French Impreooionism, May conference will explore the following themes: feature cultural performances and exhibitions in 1945 are sought. 500-1,OOOword abstl'acts to: 18-20,1990. For information: AmyWarneror Carol Grape re<:eived a 1990 grant from the art as persuasive language; the control of artistic music, drama, dance, theater, film, literary arts, Joan Marter, Dept. of Art History, Vool'hees MaryBethMuJlen,202!357-4700. Kentucky Foundation for Women to continue production by external agents; and the history and visual arts, with a special emphasis on the Repeat listings are indicated by an asterisk. Hall, Rutgers University, New Brunswick, NJ her work on sculpture as bookslbooks as ,. Annual Byzantine Symposium, Dumbarton of art as an exercise in powe.: For informatio~: arts of the Soviet Union. The major visual arts 08903. Dendlille: JUlie 15,1990. sculpture. Oaks, April 27-29,1990, will focus on the Lericia L6pez Orozco, lnstituto de Investiga­ and historical exhibitions will open in June and 26th International Congress on Medieval religiOUS, political, and social context of the holy ciones Esteticas, Centro Cultural Universitario, run through mid-October 1990. The festival is Marilyn Lanfear has won first prize in the Calls for Entries Studies, at the Medieval Institute, Western UNAM, Delegaci6Cyoyoacan, Mexico, DF held in Seattle and Tacoma, Wash. For Assistance LeagueofHouston's 22nd annual image. For information: Byzantine Symposium" Michigan University, Kalamazoo, May 1991. Dumbarton Oaks, 1703 32nd St. Nw, Washing­ Mexico;5/548-4117. information, call206/441-FEST. statewide competition, "Texas Art Celebration Association Villard de Honnecourt for the ton, DC 20007. Listings llave IlOt been screened, so artists should '90." Lanfear was awarded the prize based on TheContextofSynchromism: Americans in >I> Access to the Arts, a conference sponsored by Interdisciplinal'Y StUdy of Medieval Technology, cO/lSider making inquiries before submitting her sculpture "marilyn, with no middle name "Conservation Grant Seminar, Chicago Paris, 1910-1925,a symposium at the Montclair Mid Atlantic Arts Foundation, will be held in Science, and Art (AVISTA) is accepting materials, particularly wilen a large fee is required. she'll have one when she marries." Conservation Center, May 8, 1990, will focus on Art Museum, May 17, 1990. For information: Washington, D.C., July 9-10, 1990. The aim of to of proposals for its sessions "Numbers, Pmpor­ Due limited space, tile /lames jurors have not grant writing. fundraising, and management Linda Kugle~ Montclair Art Museum, the conference is to educate participants in ways Ruth K. Meyer has been made a chevalier in the tions, Weights and Measures." Papers been listed. strategy for conservation programs. Registration 3 S. Mountain Ave., Montclair, NJ 07042-1747; to make their organizations more accessible to Ordre des Arts et des Lettres for her work to concerning these topics should l'e1ate to the fee:$125. For information: Barry Bauman, 201/746-5555. disabled and older people. For information: Mid promote French culture and her activities in the following fields: metrology, horology, Director, Chicago Conservation Center, 730 N. Atlantic Arts Foundation, 11 E. Chase St., Suite ~Minnesota Vietnam Veterans Memorial, regional celebrations of the bicentennial of the numismatics, architecture, mathematics, ·The Structure of the Hagia from the Age of Franklin St., Suite 701, Chicago, IL 60610; 2A, Baltimore, MD 21202; 301/539-6656. national open design competition for a French Revolution. She is director of the Taft geometry, physics, or technology. lalks are Justinian to the Present, Princeton University, 312/944-540 I. memorial to those who died in the Vietnam Museum in Cincinnati, Ohio. limited to 20 minutes and graduate students are May 18-19, 1990. The conference will bring 47th International Congress of Americanists conflict to be built on the grounds of the encouraged to submit. Send one-page abstract, Herbert Revisited, a symposium on modem art together scholars and professionals from will meet in New Orleans, La., at Tulane Bela Petheo, professor of art at St. John'S Minnesota Slate Capitol in Saint Paul. Total indicating audiovisual needs, to: Ronald E. in honor of Robert L. Herbert, May 12, 1990,at different diSCiplines to exchange ideas and new University, July 7-11,1991. 'lbose interested in University, Collegeville, Minn., was artist-in­ budget is $500,000. For information: Minnesola Zupko, Chair/Organize~ Dept. of History, Yale University Art Gallery auditorium. Open 10 information pertaining to historical background, attending must write by September 1,1990, to: residence at Moorhead State University, Vietnam Veterans Memorial, Professional the public. For information: Matthew Drutt, physical enVironment, design, and the state of Secretariado ICA 1991, Roger Thayer Stone, Moorhead, Minn., January 8-12, 1990. He Charles L. Coughlin Hall, Marquette University, building structure over lime. For information: Center for Latin American Studies, Tulane Advisor;. Capitol Area Architectural and completed a portrait of President Roland Dille Milwaukee, WI 53213;414/288-7217. Dendlille: 203/432-2667. R. Mark,. School of Architecture, Princeton University, New Orleans, LA 70118-5698; Planning Board, Room B-46, State Capitol, Saint and gave two Ie<:tures based on his research. September 15, 1990. University, Princeton, NJ 08544. 504/865-5164. Paul, MN 55155; 612/2%-7138. Deadline: late Peg Weiss, research associate professor in the April 1990. The Italian Renaissance Frame, a symposium at "'Microcomputers inSlide and Photograph Department of Fine Arts at Syracuse University, To Attend the Metropolitan Museum of Art, New York, Collections, a workshop at the UniversHyof National Art Review is seeking artists in all Syracuse, N.Y., is currently an invited Getty June 5, 1990. For information: Office of Texas, Austin, July 11-14, 1990, for professionals media for an exhibition surveying contemporary scholar at the Getty Center for the History of Art art. Submissions must include: $5, made out to Art History, Culture Industry, Intellectual Academic Programs, Metropolitan Museum of in visual reSOUl'ce management. The workshop and Humanities, Santa Monica, Calif. SaWhill Gallery; 6-12slides and current resume; Fashion, a symposium organized by the Center Art,212/570-3874. will address such areas as potential automation in visual resource colleclions; introduction to self-addressed stamped post card to notify for the StUdy of Modernism, spons~red by the Printers' Impressions, a symposium at hardware and software; demonstrations of receipt of materials; SASE for return of slides: College of Fine Arts, University of Texas at Tamarind Institute, June 9-11, 1990, will focus software programs; and preparing and writing designate one slide to be kept for til!" Send to: Austin, April 20-21, 1990. Pap~rs will focus on on the role of the printmakerwithin the proposals. Registration limited. For infol'mation: Director, Sawhill Gallery, Art Dept., James the role of representation in general and artistic collaborative printmaking tradition and the Fine Arts Continuing Education, University of Madison University, Harrisonburg, VA 22807; representation in particular, within modern current issues affecting the contemporary print. Texas, FAB 2.4, Austin, TX 78712; 512/471-8862. 703/568-6407. DendUIJe: Mlly 1,1990. Conferences society. For information: Richard Shift Center For information: Tamarind Institute, 108 Cornell for the StUdy of Modernism, Dept. of Art, Ave. SE, Albuquerque, NM 87106; "'The Northeast Document Conservation ·Drive Smart, Drive Sober is the theme for the University of Texas, Austin, TX 78712; 512/471- 505/277-3901. Center offers a training program in preservation 6th annual Herb Lubalin International Student &Symposia 7547. microfilming. Participants will learn how to Design Competition, sponsored by International ·MargaretofYork,Simon Marmion,and the plan microfilm projects, develop specifications, Typeface Corporation. Students are invited to The Rise and Demise of the Artisan Painter in Visions of Tondal, a symposium sponsored by and write contracts with vendors; they will submit their visual interpretations of the theme, America, a symposium, will be held in the Department of Manuscripts of the J. Paul obtain hands-on experience in operating a which will be evaluated for quality of the Repeat listings are i"dicated by all asterisk. conjunction with the exhibition "Between the Getty Museum, June 22-24, 1990. For informa­ camera. A five-day intensive microfilm training concept as well as for excellence in design and Rivers: Itinerant Painters from the Connecticut tion: Dept. of Manuscripts, J. Paul Getty workshop will he held in August 1990. the use of typography. For a call for entries: ltC, to the Hudson," April 21, 1990, at the Sterling Museum, Box 2112, Santa Monica, CA 90406. Registration: $250. For information: Mary 2 Hammarskjold Plaza, New York, NY 10017; and Francine Clark Art Institute, Williamstown, The symposium will follow immediately the 5th Elizabeth Ruwell, Northeast Document 212/371-0699. Deadline: MllylB, 1990. Mass. For information: Mary Jo Carpente!; InterdisciplinaryCon ference on N eth~rlandic Conservation Cente!; 24 School St., Andover, Calls for Papers 413/458-9545. Studies to be held at UCLA, June 19-22, 1990. "36th Annual Drawing and Small Sculpture MA 01810; 508/470-1010. For information: Margriet Lacy, Minard 221, Show, October 7-November 4, 1990. All The Wadsworth Atheneum, Hartford, Conn., drawing and sculpture media; no prints; 10 ·Rusaian Painting 1965-1990 exhibition will North Dakota State University, Fargo, ND "'NEHSummerInstitutes. The National has annollnced that restoration is complete on works max. per person; 1 slide per drawing, 2 have a symposium at the Columbus Museum of its Goodwin Reception Room, a Victorian 58105. Endowment for the Humanities will be offering slides per sculpture. Entry fee: $10. For Art, October 12-13, 1990. Included in the 51 seminars for college teachers during the interior that contains a rare suite of Herter Cultural Definition and the Renaissance, prospectus and entry form: Ball State University exhibition will be works by Tyshler; Bulatov, summer of 1990. For a complete list and general Brothers furniture and textiles re-created by Courtauld Institute of Art, June 28-30, 1990. Art Gallery, 2000 W. University Ave., Muncie, Infante, Nemukhin, Zhilinsky, and Nazarenko. Scalamandre. A symposium on Victorian design information, call 202/786-0380. Sessions include: The Renaissance: Concept and I~ 47306; 317/285-5242. No SASE, please. Proposals for papers on all aspects of Russian will be held April 21, 1990, to celebrate the re­ Models; The Material Basis: The Case of visual art, 1%5-90, will be considered. Deadlille: 1\'1t1.1125,1990. opening of the room. Call 203/278-2670, Amml Philips, Harriet campbell Florence; The Cultural Image: Language, Art, Presentations not to exceed 20 minutes. Send "'Red Spot Outdoor Slide Theater, a nonprofit ext. 322, for information. (1B08-1881)Jca.1815,ollon canvas, and Gesture; Challenging the Paradigm: New one-page abstract to: Myroslava Ciszkewycz, visual arts organization, ol'ganizes four shows a Women, Religion, and the Arts in Early private collection, on loan to the Sterling Terms of Reference. For information: Patricia History of Art Dept., Ohio State University, 100 and francine Clark Art InstHute, year to be projected outdoors. Artists and Modern Europe, a conference, Amherst College, Rubin, Courtauld Institute, Somerset House, HayesHall, lOS N. Oval Mall, Columbus, OH Williamstown, Mass. In the exhibition organizations who are interested in making April 21-22, 1990. Forinformation: Craig The Strand, London WC2R ORN, England; 43210-1318;614/292-7481. Deadline: May 1,1990. M Between the Rivers: Hlnerant Painters 01/872'{)220. complete shows of artist-made slides should Monson, Music Dept., Amherst College, from the Connecticut to the Hudeon.· write: Red Spot Outdoor Slide Theater, 535 Amherst, MA 01002; 413/542-2364. Broadway, New York, NY 10012. Detldline: June 1990.

18 eAA NEWS MARCHI APRIL 1990 CAA NEWS MARCHI APRIL 1990 19 Publications Fairs and Festivals in the Northeast and Fairs information: Admissions CoordinatoI; MULTIPLES is seeking entries of works that The National Heritage Preservation Program, "The Getty Grant Program offers a wide variety and Festivals in the Southeast are each MacDowell Colony, 100 High St., Peterborough, exist in quantities greater than one for potential within the office of the National Endowment for of grants to institutions and individuals in art compilations of regional festival offerings. NH 03458; 603/924-3886 or 212/966-4860. solo exhibitions and special installation projects the Humanities, awards grants to institutions to history and the humanities for research, archival The Archives of American Art has developed a Listings include dates, deadlines, and informa­ Deadlines: April 15, 1990, for fall-Winter; September at Nexus Contemporary Art Center. Send no help stabilize material culture collections projects, publications, cataloguing of collections, presentation on what the Archives offer and tion with contact people for each entry. The 15,1990,forwillter-sprillg. more than 20 slides, supportive materials, and through support of conservation systems. Funds conservation, and other areas. Specific how to use them. To arrange an on-campus events are also indexed by state and run The Studio Museum in Harlem offers 3 SASE to: MULTIPLES, Gallery Director, Nexus are also available to institute national training information about the types of grants offered visit, call the Midwest director, Judith A. through March 1991. To order, send $8.50/book, residencies to emerging African American CAe Gallery, Box 54661, Atlanta, GA 30308; programs for conservators of such collections. and eligibility requirements is in the Grant Gustafson, 313/226-7544. or $15 for both (add $1 /book for first-class artists, providing them with studio space and II 404/688-2500. Deadline: June 15, 1990. Institutions may apply for grants up to $700,000. Program's brochure, which is available in Art Calendar is a monthly publication postage) to: Arts Extension Service, Division of fellowship for 12 months. For information: For information: Office of Preservation, Room English, French, Italian, German, and Spanish. International Art Competition is accepting providing information for visual artists about Continuing Education, University of Massachu­ Director of Education, Studio Museum in 802, National Endowment for the Humanities, Getty Grant Program, 401 Wilshire Blvd., Suite submissions in a wide variety of media. There professional opportunities and markets for their setts, Amherst, MA 01003; 413/ 545~2360. Harlem, 144 W. 125th St., New York, NY 10027; Washington, DC 20506; 202/786-0570. Deadline: 1000, Santa Monica, CA 90401. European will be a winners' exhibition at Marcuse Pfeifer work. Categories covered include: calls for GreatMenuGraphics,GreatPackaging 212/864--4500. Deadline: Mny 1,1990. April 18, 1990. applicants: Getty European Office, 13 rue Gallery, New York, and awards up to $7,000. entries; museums, alternative spaces, galleries, Graphics, Great Exhibit Graphics, and Great Casimir Perier, 75007, Paris, France. "The Millay Colony for the Arts, located on a For an application: LA.C., Dept. ED, PO Box National Association of Artists' Organizations and consultants open to reviewing new work; Retail Graphics are four new design books 6oo-acre national historic landmark site in 1058, 1OOi, NJ 07644; 201/646-0222. Deadli1le: (NAAO) is accepting organizational assistance "The Pollock-Krasner Foundation awards available funding; residencies. Subscriptions: available through Letraset. Each hook is $18.95. Austerlitz, N.Y., offers one-month residencies JundO, 1990. grant proposals from artists' organizations that grants to professional artists for their personal, $29/one year, $5I1two years (add $5/year for Fora catalog, call 800/526-9073. for artists. The 400-sqAt. artist's studio has a would benefit from the services of consultants. profesSional, and medical needs. The amount of first-class postage). Art Calendar, PO Box 1040, Osaka Triennale '90 will present an exhibition History, Theory, and Practice of Art Criticism 12-fool ceiling and a porch with a view of a Qualifying organizations' artists must have a the grant depends on the artist's situation. Equal Great Falls, VA 22066. geared toward the current state of painting. in Art Education hy Jim Cromer, professor of stream and woods. No fee. For application: central role in policy and dedsion~making and weight is given to the merit and financial need Prize money will be awarded. All entries must The Artist's Tax Workbook, by Carla Messman, art at the University of South Carolina, examines Millay Colony for the Arts, Steepletop, Auster­ be guaranteed full control of the presentation of of the applicant. Grants range from $2,000 to be able to be exhibited on a wall, completed in examines tax issues particular to artists and the application of art criticism theory into litz, NY 12017; 518/392-3103. Next deadline: their work. The organization must be committed $20,000. For an application: Pollock-Krasner 1989 or 1990, and never entered in another other self-employed professionals. The book educational practice, providing models and May I, 1990,for October-Jalluaryresidencies. to contemporary artists and ideas. Proposals Foundation, PO Box 4957, New York, NY 10185; competition. For application: Osaka Triennale offers instruction in establishing bookkeeping sample lessons. The hook is available in should he 1-2 typed pages with a description of 212/517~5400. "Mid Atlantic Arts Foundation Visual Arts Bureau, c/o Osaka Foundation of Culture, 333 systems and filing taxes. $16.95 plus $1.50 for paperback for $14, prepaid only, from the need and purpose, including evidence of Residency Program grants support toorganiza­ Bldg., 2-74 Tanimachi, Chuo-ku, Osaka 540, shipping. Resources & Counseling, 429 National Art Education Association,I916 adherence to the values of artists' organizations, tions that host residencies of 2 weeks to 3 Japan; Fax (06) 945-5739. Deadline:July 31,1990. Landmark Center:; 75 W. Fifth St., Saint Paul, Association Dr., Reston, VA 22091-1590. and the organization's budget for the most months hy individual artists and art critics. Any Calls for MN 55102;612/292-4381. Salon de Peinture et d'Estampe de Montreal, recently completed fiscal year. Send proposals Manuscripts lIE Books: Information about Higher not-for-profit organization in Del., nc., Md., an exhibition of the works of approximately 80 to: Organizational Assistance Program, NAAO, Canadian Conference of the Arts has numerous Education and International Exchange is a N.J., N.Y., Pa., Va., w.v" and the U.S. Virgin artists working in painting or graphics, will be 918 F SI. NW, Washington, DC 20004; publications available concerning the machina­ brochure on topics relative to international Islands may apply to host a resident from the held October 28-November 6, 1990. Send: 1-4 202/347-6350. "Scotia: American-CanadianJournalof tions of the arts in Canada. For information: education and contains a list of books that can region, but outside the host organization's state. slides or photographs with name, size, title, and Scottish Studies is an annual journal of Canadian Conference of the Arts, 189 Laurier be ordered concerning international study. lIE A pplications must be made by the host "Advanced Research Fellowships in India, value; resume (optional); $22 entry fee scholarly articles in all periods and areas of Ave. E., Ottawa, Ontario KIN 6Pl Canada. Books, 809 United Nations Plaza, New York, organization on behalf of specific residents. sponsored by the Indo-U.S. Subcommission on (nonrefundable); SASE. Entries to: Fondation Scottish studies, including art and architecture. NY 10017. Residencies must take place between November Education and Culture, are offered in all The Celtic Art Coracle is a monthly magazine pour la Recherche etla Realization en lndustrie Manuscripts for consideration should confonn 1,1990, and December31, 1991. The program academic disciplines, except clinical medicine. providing clear instructions and illustrations on National Humanities Alliance Annual Report Culturelle, c.P. 65, Succursale C, Montreal, to guidelines of the Chicago Manual of Style. will fund $2,000/ month for residency fees; $300 Twelve long-term (6-12 months) and nine short­ doing your own Celtic art illuminated summarizes the recent activilies of the Alliance, Quebec, Canada, H2L 4J7; 514/523-8763. Send submissions to: J. S. Hamilton, Ed., Scotia, toward project documentation and administra­ term (2-3 months) awards for 1991-92 research manuscripts. To subscribe send $25, or $2.50 for a Washington-based coalition of scholarly Deadline: September 15,1990. Dept. of History, Old Dominion Universit~ tion; and cost of one round trip between the a sample issue, to: Coracle Press, 4-771 Prior St., societies, museums, libraries, and other will be given. Applicants must be U.s. citizens at Norfolk, VA 23529-0091; 804/683-3942. Deadline resident's home and the residency site. For Salon d'Oeuvres sur Papier de Montreal, an Vancouver, BC, V6A 2G8, Canada. institutions dedicated to scholarship in the the postdoctoral or equivalent professional for sulJf1lissiotJ of manuscripts for vol. 14 (1990): application: Visual Arts Residency Program, exhibition of the works of approximately 100 humanities. The report was written by John level. Foran application: Council for Interna­ May 15,1990. Directory of Art Publishers, Book Publishers, Mid Atlantic Arts Foundation, 11 E. Chase St., artists working on paper, will be held Novem­ tional Exchange of Scholars, Attn: lndo­ and Record Companies is a reference source for Hammer, director of the Alliance. For informa­ Suite 2A, Baltimore, MD 21202; 301/539-6656. ber 25-December 4, 1990. Send: 1-4 slides or Art ]ouma] is seeking articles for the issue titled American Fellowship Program, 3400 Interna­ artists who create works suitable for reproduc­ tion: National Humanities Alliance, 1527 New Deadline: July 13,1990. photographs with name, size, title, and value; "Uneasy Pieces: Controversial Works in the Hampshire Ave. NlN, Washington, DC 20036. tional Dr., Suite M-500, Washington, DC 20008- tion on record jackets, posters, postcards, resume (optional); $22 entry fee (nonrefund­ 3097; 202/686-4013. Deadlille: JUlie 15,1990. History of Art from 1789 to 1950." Articles Atlanta College of Art is offering an artist/ critic greeting cards, lithographs, or calendars. To Studio Art: Praxis Symbol, Presence by able); SASE. Entries to: Fondation pour la should deal with works of art that caused l residency in painting and drawing. Experienced "Fulbright Grants for research and university order:; send $28 to: Directors Guild Publishers, Marilyn Zunnuehlen, head of Art Education al Recherche et la Realization en Industrie controversy such that attempts were made to artist and teacher with significant exhibition lectUring abroad in 1991-92 are offered by the PO Box .369, Renaissance, CA 95962; the U~iversity of Iowa, relays the theory and Cullurelle, c.P. 65, Succursale C, Montreal, censor the piece. The nature of the censorship record reqUired. POSSibility of funding to Council for International Exchange of Scholars. 800/383-0688. practice und~rlying the teaching of studio art. Quebec, Canada, H2L 4J7; 514/523-8763. could include prohibition or removal of the produce an original hand-printed lithographic About 1,000 grants are availahle for periods The book is available in paperback for $14, Deadline: October15, 1990. work from exhibition, modification of the work Directory of Fine Art Representatives and edition with a Tamarind master printer while in ranging from 3 months to a year. There are to make it more" acceptable," defacement or Corporate Art Collections, 2nd ed., is a guide to prepaid only, from the National Art Education residence. Stipend in mid-20s, preferably for one "Museum of American Folk Art America's openings in over 100 countries, and, in many actual destruction of the work (sanctioned or art consultants and corporate collections, Association, 1916 Association Dr., Reston, year but will consider a semester. For informa­ Flower Garden Quilt Contest. Open to living regions, the opportunity exists for multicountry unsanctioned), or restrictions as to who might induding style and media preferences, VA 22091-1590. tion: Barbara DeConcini, Altanta College of Art, artists worldwide. For entry form: America's research. Fulbright awards are granted in view the work. Proposals or manuscripts should geographic concentration, and requirements for Upholstery Conservation is a compilation of 1280 Peachtree St. NE, Atlanta, GA 30309. Flower Garden Quilt Contest, Museum of virtually all disciplines, and scholars in all be sent to: Gerald Silk. Tyler School of Art, reviewing work, as well as addresses and papers and photographs presented at the American Folk Art, 61 W. 62 St., New York, academic ranks are eligible to apply. Applica­ City Gallery, a nonprofit, municipal art galler~ Temple University, Beech and Penrose, Elkins telephone numbers. To order, send $4-4 to: International Upholstery Conservation NY 10023. Deadline: January 2,1991. tions are encouraged from retired faculty and funded and administered by the New York City Park, PA 19126. Deadline: July 15,1990. Directors Guild Publishers, PO Box 369, SympOSium. $30 plus $3 shipping. American independent scholars. Application materials are Department of Cultural Affairs, offers intern­ Renaissance,CA 95962; 800/383-0677. Conservation Consortium, 87 Depot Rd., East availahle from Council for Internalional "Fifth Centenary of Piero Della Francesca.ln ships in a variety of areas: research, exhibit Kingston, NH 03827. Grants and Fellowships Exchange of Scholars, 3400 International Dr., 1992, on the occasion of the fifth centenary of Duncanson'sMurals--NicholasLongworth's planning, and program development. For Suite M-SOO, Washington, DC 20008-3097; Piero's death, an exhibition and catalogue are Legacy to the Taft Museum is a video about the information: Director, City Gallery, New York 202/686-7866. Deadlines: JUlie 15, 1990-JaJ/uary 1, planned, All American Homage to Piero: 1945 to life and work of Robert Scotl Duncanson City Dept. of Cultural Affairs, 2 Columbus "National Endowment for the Humanities, Residencies 1991, depending on country. the Present. The exhibition is curated by James (1821-72), who is recognized as the first African Circle, New York. NY 10019; 212/974-1150, summary of upcoming deadlines: Directors, Rosen, Terence Dempsey, and Rosemary De American to earn an international reputation as ext. 382. April 1,1990. Office of Challenge Grants, May I, The Ruth Chenven Foundation will bestow Paolo. Send inquiries to: James Rosen, Augusta a landscape painter. The video is available for "The MacDowell Colony offers residencies to 1990. Guidelines and applications are available awards not to exceed $1,000 to craftspersons or professional and emergingarlists (composers, The National Gallery of Art is introducing an College, Augusta, GA 30910. loan from the Taft Museum to schools and from either the program or the Office of artists engaging in or_ planning a project. For writers, visual artists, film/video artists, inter­ internship program for African Americans, community groups. For infonnation: Abby Publications and Public Affairs, NEB, 1100 application infprmalion: Ruth Chenven Hispanic Americans, and Native Americans to Schwartz, acting curator of education, or Jaye disciplinary). Colony fellows receive room, Pennsylvania Ave. NW, Washington, DC 20506; Foundation, 7 Park Ave., New York. NY 10016. board, and the exclusive use of a studio. The increase their participation in museum Yorio, public relations manager, at 202/786-0438. Deadlille:July31,1990. average length of a residency is 6 weeks. For 513/241-0343.

CAA NEWS MARCHI APRIL 1990 21 20 CAA NEWS MARCH/APRIL 19

The Friends of Photography, in San Francisco, #100215-080,0812 TAPES $18.00 Joseph Beuys and the Third Generation will hold 7 workshops during spring and The Columbus Quincentenary and the summer 1990, focusing on the aesthetics of Ihe Art of Latin America: A Critical All cassettes are $9.00 each Evaluation (2-tape sessions - $18.00) #100215-090,0912 TAPES $18.00 all prices include shipping, handling & applicable taxes. Criticism and the Russian Avant-Garde ,------, Special Package Price #100215-100,1012 TAPES $18.00 Save OVER 20% - a savings of $100... $320.00 I Complete set of tapes in storage albums I Abstract Expressionism's Others Order Form Audio Archives was honored to provide our professional recording services for the 1990 conference. Our goallhroughout the meeting I was to provide professional taping services that produced clear verbatim cassette tapes. I Abstracts and Program Statements,1990 I Prices include domestic postage and handling. Add $1.00 per publication for AUDIO ARCHIVES MAll ORDER FORM I Please send me __ Abstracts and Program Statements, 1990 @ $15.00. ALL TAPES ARE COVERED BY A LIFETIME GUARANTEE foreign postage. Prepayment is required. Defective tapes will be replaced free 01 charge BY PHONE With your credit card; please call ToU-Free: I Checks, payable to College Art Association, • ALL TAPE PRICES INCLUDE APPLICABLE SALES TAX 800-747-8069 (no minimum order). I Amount Enclosed $----- must be drawn on a U.S. bank. • FREE CASSETTE STORAGE ALBUM WITH 6 TAPE PURCHASE. I BY MAIL Circle the session numbers you wish to purchase, We accept VISA, MasterCard, American Express, and )-__,,:. :'_. {j complete this form, mail to: AUDIO ARCHIVES iNTERNATIONAL, [NC. I personal or company checks with payment to: AUDIO "":!;';":",;;;,- 3043 Foothill Blvd., Suite #2, La Crescenta, CA 91214 I ARCHIVES. ~ NAME o CHECK 0 VISA 0 MasterCard 0 American Express D BY FAX 24 HRS/d.y. I Account Number ______I~:.;;;;:;IJ FAX your order form with credit card info to (818) 957·0876 I Signature Exp. Date ____ I AOORESS Ship to (PLEASE PRINT) __ Total selections at $9.00 ...... $... __ Name ______Total selections at $18.00 ...... $ ___ :c--ITY------'-TA-T-'------~-p------c/o ______Special package price $320.00 ...... ,... $ __ __ Additional 6 tape albums at $4.00 ...... $ _ ..__ Address ______I __ Additional 12 tape albums at $6.00 ...•...... $ __ L ______~ City/State/Zip ______Domestic Mailing & handling: $1 per tape up to $10 max $ ___ Foreign mailing & handling: $2 per tape up to $30 max $ ___ TOTAL ••...... ••••...... •••••...... $ __

22 eM NEWS MARCHI APRIL 1990 in Hangzhou. Application information: Classified Ads J. Sugarman, Atlantic Papern:orks, PO Box 2458, Datebook Providence, Rl 02906; 401/751-8888. Or call CET, TIle CAA newsletter accepts classified ads of a 8001225-4262. April 24 professional or semiprojessiollaillature (sales oj Interested in a New York Show? Prince Street Deadline for submitting material for the May1 libraries, summer rental or exclmllge of 1I0mes, etc.): Gallery, artists' co-op, offers tv.fO guest solo June newsletter 7St/word ($1 .25/word for nOl/members); $15 shows, fora fee, in May and June 1991. Open to mi"imum. all artists living outside tOO-mile radius of NYC. April 30 Deadline for Positiolls Listings submissions, to be Subject to approval by gallery members. For published May 24, 1990 information: Prince Street Gallery, 121 Wooster Art Workshop International. Assisi, Italy, St., New York, NY 10012, Attn: Out of Town June 3O-July 29,1990. Live and work with pro­ May31 Show; 212/ 226-9402. Applicatioll deadline: Deadline for submitting proposals to chairs of fessional artists/ teachers in an English-speaking Octol1er15,1990. art history, studio, and joint sessions for the convent surrounded by the Umbrian landscape. 1991 CAA annual conference. Instruction in all media for all levels. Separate Researcher in Florence. Available 1/90-8/91. program for professional and advanced artists, University of Michigan MA in Renaissance art. Junell no instruction. Housing, most meals, studio Access to major libraries 1research institutions. Research tasks from all disciplines welcome. Deadline for submitting material for the July 1 space, critiques, and lectures culminating in an August newsletter exhibition sponsored by the City of Assisi and $IO/hourplus expenses. Robin Crum, Via Inghirami, 13,50131 Florence, Italy. the Tourist Bureau. / / San Miguel de Allende, June15 Mexico, mid-December to mid-January, Tel: (055) 5000617. Deadline for PositiOlts Listings submissions, to be 1990-1991. Work and live on the grounds of the Tuscan Mountain Village. Restored antique published July 10, 1990 famous Instituto. Painting and graphic studios fannhouse near sculpture centers at Pietrasanta adjoining Hotel Aristos with swimming pool. and sandy beaches at Viareggio. Sleeps four. October 1 For information: Art Workshop, 463 West St., Spectacular views. $5001 week April-Odobet; Deadline for Millard Meiss Publication Fund #1028H, New York. NY 10014. $7501 month other. Also for sale. 203/927-3684. applications

Chinese Papermaking Villages. Study Umbria. Newly restored apartment, 2 bed­ Octoberl delegation, October 28-November 10, 1990. First rooms, center ~f Umbertide, charming village 30 Deadline for nominations for formal delegation invited by Chinese. Observe miles north of Perugia. Available after May I. Distinguished Teaching of Art, and document vanishing rural working Drake, Piazza San Calisto 9, Rome, Italy. Distinguished Teaching of Art History, papermakingvillages. Conferences, ledures, Tel: (06) 589-5156. Distinguished Body of Work. field trips, optional post-residential tour. Based Exhibition, Presentation or Performance, and Ditinguished Artist Award for Lifetime Achievement.

N E w s

College Art Association 275 Seventh Avenue New York. New York 10001

College Art Association Board ofDiredors

Ruth Weisberg, Presidetlt Larry Silvet; Vice-President Judith K. Brodsky, Secretary John W. Hyland, Jr., HOIlOrary Treasurer Barbara Hoffman, HotloraryCoullsel Susan Ball, Executive Director

Suzanne Preston Blier Marcia Hall Elizabeth Boone Samella Lewis Phyllis Bramson Catherine Lord WhitneyChadwick James Melchert Van Deren Coke Debra Pincus ThomasCrow MariCannen MurrayDePillars Ramirez-Garcia Sam Edgerton Danielle Rice Ruth Fine Faith Ringgold Audrey Flack Linda Seidel Thalia Gouma- Yoshiaki Shimizu Peterson Kenneth Silver