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Directing and Assisting Credits American Theatre
917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White. -
July 8-18, 2021
July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months. -
“Hot in Cleveland” Airs 100Th Episode on Wednesday, August 27Th
“HOT IN CLEVELAND” AIRS 100TH EPISODE ON WEDNESDAY, AUGUST 27TH New York, NY – August 26, 2014 – TV Land’s hit sitcom “Hot in Cleveland,” starring Valerie Bertinelli, Jane Leeves, Wendie Malick and Betty White, is hitting a huge milestone with its 100th taped episode, entitled “Win, Win,” airing on Wednesday, August 27th at 10pm ET/PT. “Win, Win” will see a big night for the Clevelanders – Elka (White), who is at the finish line for her City Council election, and Victoria (Malick), who is up for an Academy Award at long last, with Joy (Leeves) and Melanie (Bertinelli) in tow. The episode also guest stars Debra Monk (“Damages”) as Melanie’s mother and Georgia Engel, back as Elka’s best friend Mamie Sue. “When we first pulled together this group of extraordinary women and saw their chemistry, we knew it had everything we wanted for our first original sitcom,” said Larry W. Jones, President of TV Land. “Before ‘Hot in Cleveland,’ there hadn’t been a comedy in decades that explored life’s funny moments for women over 40, and now in just four short years, we’ve reached 100 episodes and have fans of all ages tuning in every week. We couldn’t be prouder and more excited for the cast, crew and all the people who worked so hard to get ‘Hot in Cleveland’ to this landmark occasion.” “Hot in Cleveland,” currently in its fifth season and in production on its sixth, has seen some amazing guest stars over the past four years, ranging from Chris Colfer, Jesse Tyler Ferguson and Jennifer Love Hewitt to Carol Burnett, Carl Reiner and a full reunion of the female cast of “The Mary Tyler Moore Show” – Mary Tyler Moore, Cloris Leachman, Valerie Harper, Georgia Engel, and of course, series star Betty White. -
Equity News Summer 2019
SUMMER 2019 | VOLUME 104 | ISSUE 3 ACTORS’ EQUITY ASSOCIATION Equity NEWS A CENTURY OF SOLIDARITY CELEBRATING THE 100TH ANNIVERSARY OF THE VERY FIRST EQUITY STRIKE EquityDIRECTORY EASTERN REGION WESTERN REGION BUSINESS THEATRE Kaitlyn Hoffman [email protected], x322 SPECIAL APPEARANCE, GUEST AND DINNER THEATRE ARTIST Philip Ring [email protected], x106 CABARET Kaitlyn Hoffman [email protected], x322 WITHIN LA - 99 SEAT Albert Geana-Bastare [email protected], x118 CASINO Doria Montfort [email protected], x334 TYA, STOCK, LOA TO COST & LOA TO WCLO Christa Jackson [email protected], x129 DINNER THEATRE Gary Dimon [email protected], x414 SPT, HAT Gwen Meno [email protected], x110 DINNER THEATRE ARTIST Austin Ruffer [email protected], x307 LORT Ethan Schwartz [email protected], x150 DISNEY WORLD Donna-Lynne Dalton [email protected], x604 Buckly Stephens [email protected], x602 LOA TO LORT Lyn Moon [email protected], x119 GUEST ARTIST Austin Ruffer [email protected], x307 CONTRACTS WITHIN NORTHERN CALIFORNIA Ethan Schwartz [email protected], x150 LABS/WORKSHOPS Corey Jenkins [email protected], x325 CONTRACTS WITHIN SOUTHERN CALIFORNIA Albert Geana-Bastare [email protected], x118 LOA-NYC Raymond Morales [email protected], x314 CONTRACTS WITHIN TEXAS & UTAH Christa Jackson [email protected], x129 LOA-PP Timmary Hammett [email protected], x376 Gary Dimon [email protected], x414 CONTRACTS -
Michael Schweikardt Design
Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019. -
West Side Story
West Side Story West Side Story is an American musical with a book rary musical adaptation of Romeo and Juliet . He prpro-o- byby Arthur Laurents, mmususiic bbyy Leonard Bernstein,, posed that the plot focus on the conflict between an Irish libretto/lyrics by Stephen Sondheim, and conception and Catholic family and a Jewish family living on the Lower choreography byby Jerome Robbins..[1] It was inspired by East Side ofof Manhattan,,[6] during the Easter–Passover William Shakespeare's play Romeo and Juliet .. season. The girl has survivvived the Holocaust and emi- The story is set in the Upper West Side neighborhood grated from Israel; the conflict was to be centered around in New York City in the mid-1950s, an ethnic, blue- anti-Semitism of the Catholic “Jets” towards the Jewish “Emeralds” (a name that made its way into the script as collar ne neighighborhood. (In the early 1960s much of thethe [7] neineighborhood would be clecleared in anan urban renewal a reference). Eager to write his first musical, Laurents project for the Lincoln Center, changing the neighbor- immediately agreed. Bernstein wanted to present the ma- hood’s character.)[2][3] The musical explores the rivalry terial in operatic form, but Robbins and Laurents resisted between the Jets and the Sharks, two teenage street gangs the suggestion. They described the project as “lyric the- of different ethnic backgrounds. The members of the ater”, and Laurents wrote a first draft he called East Side Sharks, from Puerto Rico, are taunted by the Jets, a Story. Only after he completed it did the group realize it white gang.[4] The young protagonist, Tony, a former was little more than a musicalization of themes that had member of the Jets and best friend of the gang leader, alreadybeencoveredinin plaplaysys liklikee Abie’s Irish Rose. -
Ron Destefano AEA Contact: (917) 532-6169 Vocal Range: TENOR (To C) Strong Falsetto Extension
Ron DeStefano AEA Contact: (917) 532-6169 Vocal Range: TENOR (to C) Strong Falsetto Extension HEADLINER ACTS (self-produced via EPIC Arts Management) TWO ON TAP (created 2009, 100+ performances annually) Song and Tap Dance Duo Co-Created with Melissa Giattino SHADES OF BUBLÉ (created 2015, 100+ performances annually) Male Vocal Trio EPIC Arts Management BROADWAY/EUROPEAN TOURS FIDDLER ON THE ROOF (dir./chor. Sammy Dallas Bayes) Mendel (Motel u/s) Nederlander (w/ Theodore Bikel) EVITA (dir. George Martin/chor. Ken Urmston) Ensemble Wolfgang Bocksch (European) REGIONAL THEATRE SWEENEY TODD (dir. Mark Cuddy) Adolfo Pirelli Geva Theatre Mainstage (dir. Irene Lewis) Tobias Baltimore Center Stage HOW TO SUCCEED... (dir. Eleanor Reissa/chor. Lorin Latarro) Bud Frump White Plains Performing Arts Center THE SECRET GARDEN (dir. Bill Wesbrooks) Dickon North Shore Music Theatre ANYTHING GOES (dir./chor. Marcia Milgrom Dodge) Purser Riverside Theatre & Maltz Jupiter, FL NO, NO, NANETTE (dir./chor. Stephen Terrell) Tom Trainor u/s (performed) Goodspeed Musicals 42ND STREET (dir. Casey Colgan/chor. Mark Santoro) Billy Lawlor Arts Center – Hilton Head, SC THE WORLD GOES ‘ROUND (dir./chor. Stephen Nachamie) Man 1 Seven Angels/Polka Dot, CT CINDERELLA (dir. Gabriel Barre/chor. Jennifer Paulson Lee) Ensemble Paper Mill Playhouse SUGAR BABIES (dir./chor. Richard Sabellico) Quartet Tenor (Juvenile u/s) Downtown Cabaret Theatre, CT CONVENIENCE (Premiere, dir. Mark Cuddy) Ethan & Young Vince Geva Theatre Mainstage/Nextstage KRIS KRINGLE THE MUSICAL (w/ Eve Plumb) Sky Banner Proctors Theatre, Schenectady WALLENBERG (Premiere, dir. Annette Jolles) Ensemble/Dance Captain White Plains Performing Arts Center THE FULL MONTY (dir. Betsi Morrison/chor. -
Fred Ebb & Bob Fosse
Barry & Fran Weissler in association with Kardana/Hart Sharp Entertainment WELCOME. present LADIES AND GENTLEMEN, YOU ARE ABOUT TO SEE A Lyrics by Music By Book by STORY OF Fred Ebb John Kander Fred Ebb & Bob Fosse MURDER, Original Production Directed and Choreographed by Bob Fosse Based on the play by Maurine Dallas Watkins GREED, Supervising Music Director Music Director Rob Fisher Leslie Stifelman Scenic Design Costume Design Lighting Design John Lee Beatty William Ivey Long Ken Billington Sound Design Orchestrations Dance Music Arrangements CORRUPTION, Scott Lehrer Ralph Burns Peter Howard Script Adaptation Musical Coordinator Hair Design David Thompson Seymour Red Press David Brian Brown VIOLENCE, Casting Original Casting Duncan Stewart and Company Jay Binder Technical Supervisor Dance Supervisor Production Stage Manager Arthur Siccardi Gary Chryst David Hyslop Executive Producer Presented in Association with EXPLOITATION, Alecia Parker Broadway Across America General Manager Press Representative B.J. Holt Jeremy Shaffer The Publicity Office ADULTERY & Based on the presentation by City Center’s Encores!SM Choreography by Ann Reinking in the style of Bob Fosse TREACHERY Directed by Walter Bobbie – ALL THOSE THINGS WE HOLD Cast Recording on RCA Victor NEAR AND DEAR TO OUR HEARTS. AMY SPANGER STEPHANIE POPE This production isn’t just smoke and mirrors. It’s flesh and blood shaped by discipline and artistry into a parade of vital pulsing talent. If there’s any justice in this world (and Chicago insists there isn’t), audiences will be -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Davy Joan Green
Davy JoAn Green Hair Color: Red Eye Color: Blue-Green COMMERCIAL Frontier City – Lead – Boiling Point Media 2017 Fowler Honda - Lead - Skyline Media 2017 Century 3 Chevrolet - Extra - Skyline Media 2017 Fowler Honda - Co-Star - Real World Marketing 2016 Metro Ford - Lead - Boiling Point Media 2016 Bob Mills Furniture - Extra - Magna Talent Agency 2016 Mathis Brothers Furniture - Extra - Magna Talent Agency 2015 Honda San Marcos - Co-Star - One Voice Communications Inc. 2013 FILM/TELEVISION Please Don’t – Lead – Boiling Point Media 2017 Pax Masculina – Gallows Extra - Chris Freihofer Casting 2015 Carnival Eats – Food Network 2014 America’s Got Talent - NBC 2013 Balance Beam - Bermuda Dunes Productions 2013 Clash of the Choirs - NBC 2008 PUBLISHED MODELING ADS The Key Car Dealership Website Campaign 2016 Occhio Appello Magazine – Sevelin Makeup Austin, TX 2016 Altar’d State Clothing Campaigns (Email, Instagram, Twitter, and Facebook) 2015 Austin Lifestyle Magazine 2010 MODELING AND RUNWAY Cause and Affect Models Halloween Fashion Show 2016 Oklahoma City Ballet Ball - Table Modeling for Three Fourteen Entertainment 2015 Austin Fashion Week – Summer Styles at Sunset – Butterfly Entertainment 2013 Austin Monthly's Bridal Bash Fashion Show – Butterfly Entertainment 2012 Austin Fashion Week – Wilhelmina Brown Agency 2011 -Kick Off Event Fashion Show -Material/Aziz Salon Fashion Show Vicio Fashion Design Show - Dominic Anton Models and Fashion 2011 Salon Industry Night II Fashion Show – Dominic Anton Models and Fashion 2011 Austin Fashion Week -
2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 2012 2012 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "2012 Illinois Shakespeare Festival Program" (2012). Illinois Shakespeare Festival. 25. https://ir.library.illinoisstate.edu/isf/25 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. 'The Snyder Comyanies yresentin3 ponsors of the ... ~ 012 1([inois Shake~eare 'FestivaO ~ g~~ i) (~ JILILINOIS1 Sponsored by SHAKESPEARE (~..- - -..,.-D-ER~) THE SNYDER COMPANIES FIESlflVAL APARTMEITTS I HOTRS I INSURANCE I REAL ESTATE 2012 ·.· ]Jfft JCa,J()f! As You Like It by William Shakespeare June 27, 28,July 1, 6, 8, 12, 14, 20, 27, August 1, 5, 7, 11 Othello by William Shakespeare June 26, 29, 30, July 5, 7, 13, 15, 21, 25, 28, 31, August 3, 9 The Rivals by Richard Brinsley Sheridan July 18, 19, 22, 24, 26, 29, August 2, 4, 8, 10 Comedy of Errors by William Shakespeare (Theatre for Young Audiences) July 11, 14, 18, 21, 22, 25, 28, August I, 4, 8, 11 Three Wills and a Shakespeare (Green Show Performances) Every night of the Festival! DEB ALLEY DICK FOLSE JANET WILSON Artistic Director Managing Director Producer The 2012 Illinois Shakespeare Festival is made possible in part by funding and support provided by individuals, businesses, foundations, government agencies, and organizations. -
AUG 22 – 26, 2018 Joan H
2 PRC AUG 22 – 26, 2018 Joan H. Gillings Center for Dramatic Art | playmakersrep.org | 919.962.7529 VIVIENNE BENESCH PRODUCING ARTISTIC DIRECTOR Dear Friends, As a Next Level Artist supported by the U.S. Department of State, Kane Smego has spent the past four years traveling to Zimbabwe, Thailand, Brazil, and Morocco to promote understanding and conflict resolution through hip hop, and to support the professional development of artists in those communities. As a theatre artist, Kane is an heir to Shakespeare, Molière, and Lope de Vega—and I’m not exaggerating. Kane’s extraordinary gift is to bend, turn, twist, and massage words in ways that make them feel entirely new again, and to arrange them into sentences, stanzas, images, and metaphors that drop our jaws and leave us panting to keep up. As both creator and citizen, Kane is a living embodiment of how art can make a tangible difference in people’s lives. What a lucky stroke it is, then, to have him return to his home turf and kick off our 2018/19 season: Shifting Ground: Theatre that Moves. Kane comes to us through our friend and frequent collaborator, Joseph Megel. Through Joseph’s acclaimed UNC program, The Process Series, Kane found an artistic home back on the campus where he honed his craft as an ungraduate student. We’re thrilled to offer Joseph and Kane an opportunity to deepen their collaborative rapport, and to further amplify this international touring artist’s local impact. For this production, building upon PRC2’s ongoing “Act Two” of post-show conversation, we’ve curated a series we’re calling “Pass the Mic.” Several audiences will get to meet a veritable Who’s Who of poetic talent from the Triangle and witness the breadth of the form.