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WorldMags.net Willie Nelson (left) and “Montauk, with its high-low culture, has a unique ‘Wild, Jimmy Buffett gave a surprise performance at Wild East’ quality unlike anywhere else on the East Coast.” Montauk’s Surf Lodge in 2013. Right: A view of —SEAN MACPHERSON, THE CROW’S NEST HOTEL AND RESTAURANT the beach at Gurney’s Montauk Resort. of Commerce presents a free concert series, at and dive bar located in the heart of Montauk Dive Bars To Gosman’s Dock but stay for the music. During 6:30 p.m. every Monday, starting at the end of Village. The Stones’ 1976 hit helped put the Die For July and August, the seafood restaurant is June (beach chairs and blankets not included). place on the map (reportedly, however, Mick known for its Sunday evening concerts, from If you’re an early planner, mark your calendars Jagger only actually stepped onto the grounds Liar’s Saloon, 401 6 p.m. to 8 p.m. “We have some of the better for 2015’s Montauk music fest, which sup- of the Memory once), and the motel is now W. Lake Drive This local acts out here,” boasts Chris Gosman, one ports the area’s local musicians and this year known to out-of-towners and locals alike briny dive bar still of the co-owners of the clam bar and fi sh mar- included more than 75 bands and singers, like for its jukebox and live music. Don’t expect off ers $1 draft Buds. ket, who names The Nancy Atlas Project and Consuelo Vanderbilt, Butchers Blind and The Cranks. to see Jagger on the lineup anytime soon (or A popular choice: The Lone Sharks as examples. “But the real mudslides. Keith Richards or Harvey Mandel), but Less treat is the venue. It’s outdoors with a fabu- Montauket Hotel, The Memory Motel, 692 Montauk Highway You Than Zero, 3am, DJ Dodge, Kashmere and lous stage, wide open green, free concerts,” 88 Firestone Road Rolling Goldilocks would think an establishment with a are all expected this summer. This 60-year-old he says. “[It’s a] really nice event.” Stones song named after it could aff ord a few watering hole has new TV sets in its rooms. But that’s the charm Gosman’s Dock, 500 West Lake Drive Both one of the best HIPSTER HOTSPOTS of the Memory Motel, the 13-room roadhouse locals and tourists come for the view at views in Montauk. Shagwong Sole East Resort, 90 Second House Road If you The Surf Lodge has hosted such acts as Restaurant, 774 like your hotel with a side of music, Sole East Courtney Love (right). Below: Dinnertime at Main St. Since 1927, may be the place for you. The boutique hotel The Crow’s Nest Restaurant. the strong drinks at has 60 rooms, seven renovated bungalow .1 this dive have been suites and a constantly spinning poolside DJ. attracting the likes of Its summer concert series has attracted Citizen The Rolling Stones, Cope and Holy Ghost in past seasons. Guests John Lennon, Maxi Yoko Ono and get to watch acts, which have included Paul Simon. The Priest, Pete Yorn and Rufus Wainwright, in the Sloppy Tuna, 148 hotel’s Backyard Restaurant. S. Emerson Ave. At this new- generation Ruschmeyer’s, 161 Second House Road This oceanfront dive, 19-room hotel may seem like a no-frills sleep- the drinks are away camp for adults by day, but at night pricier, the bathrooms Ruschmeyer’s turns into a thumping dance cleaner and the party and bar that attracts guests ripped bar name more straight out of an Opening Ceremony ad. sexually charged. Phantogram, Charlie Klarsfeld from the band The Americans, DJ Jonny Famous and DJ Chelsea Leyland all performed at the quaint and somewhat FOOD: COURTESY OF THE CROW’S NEST. LODGE: COURTESY OF THE SURF LODGE. LODGE. SURF THE OF COURTESY LODGE: NEST. CROW’S THE OF COURTESY FOOD: kitschy locale in summer 2013. WorldMags.net MAY 24, 2014 | WWW.BILLBOARD.COM 21.

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The Rolling Stones Complete Recording Sessions 1962 - 2020 Martin Elliott Session Tracks Appendix
THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962 - 2020 MARTIN ELLIOTT SESSION TRACKS APPENDIX * Not Officially Released Tracks Tracks in brackets are rumoured track names. The end number in brackets is where to find the entry in the 2012 book where it has changed. 1962 January - March 1962 Bexleyheath, Kent, England. S0001. Around And Around (Little Boy Blue & The Blue Boys) (1.21) * S0002. Little Queenie (Little Boy Blue & The Blue Boys) (4.32) * (a) Alternative Take (4.11) S0003. Beautiful Delilah (Little Boy Blue & The Blue Boys) (2.58) * (a) Alternative Take (2.18) S0004. La Bamba (Little Boy Blue & The Blue Boys) (0.18) * S0005. Go On To School (Little Boy Blue & The Blue Boys) (2.02) * S0006. I'm Left, You're Right, She's Gone (Little Boy Blue & The Blue Boys) (2.31) * S0007. Down The Road Apiece (Little Boy Blue & The Blue Boys) (2.12) * S0008. Don't Stay Out All Night (Little Boy Blue & The Blue Boys) (2.30) * S0009. I Ain't Got You (Little Boy Blue & The Blue Boys) (2.00) * S0010. Johnny B. Goode (Little Boy Blue & The Blue Boys) (2.24) * S0011. Reelin' And A Rockin' (Little Boy Blue & The Blue Boys) * S0012. Bright Lights, Big City (Little Boy Blue & The Blue Boys) * 27 October 1962 Curly Clayton Sound Studios, Highbury, London, England. S0013. You Can't Judge A Book By The Cover (0.36) * S0014. Soon Forgotten * S0015. Close Together * 1963 11 March 1963 IBC Studios, London, England. S0016. Diddley Daddy (2.38) S0017. Road Runner (3.04) S0018. I Want To Be Loved I (2.02) S0019.
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Love You Live IORR the Album Andy Warhol's Diary Entry for Tuesday
Love You Live IORR The Album Andy Warhol’s diary entry for Tuesday, April 12, 1977. “Mick wants me to do the cover on his next album. I’m trying to think of ideas, how to do “Rolling Stones,” one of those little plastic games where you have to roll the stones into the holes.” Remember those games? Imagine one with stones instead of tiny B-B’s, a Rolling Stones theme on a piece of cardboard about one-foot square. That is what Love You Live could have been. Instead, this album is probably remembered more for the art created by Andy Warhol than for any of the songs it includes. The album was recorded in Los Angeles, London, Paris and Toronto, most of these during the tour for 1976's Black and Blue. One writer has described Love You Live as an album that captures the transition from “a lean, lethal rock & roll band to accomplished showmen.” Showmen may not be as compelling as rockers but they do know their art. Love You Live, a double album, was released 23 September 1977. The Title The story about the title is not how it came to be so much as how it came to be written on the cover. The provenance of the album’s title is not documented in available literature but it is almost an automatic choice for a live album, we Love You Live and just about any other way the Stones found their way onto vinyl. Andrew Loog Oldham, the Stones manager during their early days, started a bit of a tradition by leaving the band’s name and the album title off the Stones first two album covers (1964 and 1965).
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No Security What Did You Think When You First Saw This Album Cover
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Memory Motel
Memory Motel Sources NOTES: The following list of published sources is not a complete bibliography of The Rolling Stones but is basically an acknowledgement of those works which were indispensable in the preparation of this project and the two books that preded it, “Heart of Stone” (Ann Arbor, 1985) and “The Rolling Stones, 1962-1995: The Ultimate Guide” (Bromley, 1996). The Rolling Stones Paytress, Mark. “Sticky Fingers”, Record Collector, No. 205 (Sep. 1995), pp. 20-27; “Bill Wyman & The End”, Basement News. Quarterly, ed. by Dieter Hoffmann ibid., No. 212 (April 1997), pp. 106-110; “Rolling (Rodgau, Germany, since 1991) Stones 1987-1998”, ibid., No. 231 (Dec. 1998), Bonanno, Massimo. The Rolling Stones Chronicle pp. 27-33 (London: Plexus Publishing, 1997) Phelge, James. Phelge’s Stones (Kingswood, Surrey: Doggett, Peter. “The Rolling Stones: Dancing with Mr. Buncha Asshole Books, 1998) SACD”, Record Collector., No. 279 (Nov. 2002), Precious Stones – Illustriertes Newsmagazin, ed. by Olaf pp. 40-48 Boehme (Bautzen, Germany, since 1989) Egan, Sean. “Brian Jones”, Record Collector., No. 345 Rawlings, Terry, and Keith Badman with Andrew Neill. (Jan. 2008), pp. 64-68 Good Times, Bad Times - The Definitive Diary Of The Garner, Ken. In Session Tonight (London: BBC Books, Rolling Stones, 1960-1969 (London: Complete Music 1993) Publications/A Writings Wrong Book, 1997) Giuliano, Geoffrey (collector and consultant: Chris Reuthebuch, Olaf, and Andreas Zimmermann. The Eborn). The Rolling Stones Album. Thirty Years Of Rolling Stones - Words Of Wonder Vols. 1-5 Music And Memorabilia (New York: Viking Studio (Hamburg, Germany: Stoneware Publishing, 1993- Books, 1993) 1997) Hoffmann, Dieter. Das Weissbuch Recording Index 1961- Ride, Graham: Foundation Stone (Sandbach: Broad Brush 2003 (Rodgau, Germany, 2003) Publishing, 2002) Hoffmann, Dieter.
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The Rolling Stones Complete Recording Sessions 1962 - 2021 Martin Elliott Live Tracks in Date Order Index
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Variations on a Theme: Forty Years of Music, Memories, and Mistakes
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Variations on a Theme: Forty years of music, memories, and mistakes Christopher John Stephens University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Stephens, Christopher John, "Variations on a Theme: Forty years of music, memories, and mistakes" (2009). University of New Orleans Theses and Dissertations. 934. https://scholarworks.uno.edu/td/934 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Variations on a Theme: Forty years of music, memories, and mistakes A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts In Creative Non-Fiction By Christopher John Stephens B.A., Salem State College, 1988 M.A., Salem State College, 1993 May 2009 DEDICATION For my parents, Jay A. Stephens (July 6, 1928-June 20, 1997) Ruth C.
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Rolling Stones - Memory Motel Acknowledgements and Sources for Felix Aeppli’s “The Ultimate Guide” A project like this cannot be undertaken without help from a great number of people. A lot of friends have provided assistance and inspiration over the course of countless years (and with many, when I met them personally, I shared a lot more in common than the love for The Rolling Stones’ music). So I would like to thank everybody involved, especially: Arthur Flueckiger (Berne, Switzerland) whose perpetual flow of letters, photocopies and e- mails has been invaluable for this project; Edi Schwager (Zurich), music and media expert whose generosity and knowledge has been felt ever since the first phase of my “Heart of Stone” manuscript in the early 1980s; Werner Dwenger (Hamburg) and Nico Zentgraf (Berlin), acclaimed authors and editors obliging with almost any missing Rolling Stones information or CD-R within 36 hours; and Roland Hiss (Waiblingen, Germany), an ardent collector who regularly points out obscure bonus features on CD/DVD or outstanding offers on eBay; Richard Read (Brisbane, Australia), serious collector who won’t even let an edited remix on a Malaysian audio cassette go unnoticed plus expert of commercial internet downloads; and Misha Milojkovic (Palo Alto, USA) who cares as much about the decent digital representation of The Stones’ catalogue as he does about the latest “in house” promo release; Fred Aiese (USA); Jens Backlund (Finland); Rene Baechtold (Schleitheim, Switzerland); Philip Bajo (Vienna); guitarist Dave Lee Bartel (Pasadena); Juergen Barthel (Essen, Germany); guitarist Eric Bazilian (USA); Milan Ber (Ptuj, Slovenia); Olaf Boehme (Bautzen, Germany); Denis Bouakkaz (Bottens, Switzerland); Gene M.
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How to Do the Montauk Music Scene, Where Willie Nelson, Courtney Love and More Rock
How to Do the Montauk Music Scene, Where Willie Nelson, Courtney Love and More Rock By Carson Griffith | Billboard.com May 20, 2014 3:05 PM EDT From Sky Ferriera to 'SNL'-style karaoke, what's new and noteworthy in Montauk, on the laid-back tip of Long Island. From local concerts at Gosman's Dock to big-name headliners at the Surf Lodge, the scene in Montauk has made the formerly sleepy fishing village practically synonymous with music. But that's only one of the many factors that have been attracting hordes of visitors to the growing number of restaurants, bars and hotels in the farthest of the Hamptons. "At the end of Long Island with its romantic lighthouse, dramatic seaside bluffs and ramshackle surf shacks, Montauk, with its high-low culture, has a unique 'Wild, Wild East' quality unlike anywhere else on the East Coast," says hotelier Sean MacPherson, who owns Montauk's Crow's Nest Hotel and Restaurant.The view. New or Noticeably Different Gurney's Montauk Resort & Seawater Spa, 290 Old Montauk Highway - There's something for (nearly) every music lover at Gurney's this summer. Under new leadership, the food and beverage program will be headed by Jennifer Oz Leroy, the granddaughter of film producer-director Mervyn LeRoy. "We're very welcoming," says LeRoy. "Anyone can come." The new lineup includes electronic violinist ELEW in residency each weekend and a Saturday afternoon concert and fashion show series for 500 people titled "Sound Waves at the Beach" beginning July 19. Every other Thursday, the Club Room will host Arlene's World Famous Live Rock N Roll Karaoke Band (the official 2013-14 "Saturday Night Live" after-show party band).
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The Rolling Stones, December, 1974 - May, 1975
TUMBLING DICE 1974 Pt.1 A. Media Appearances (No Live Performances) JANUARY Songs 1-3: Probably premiered in the US in “Don Kirshner’s 14-28 Musicland Studios, Munich (see Section B) Rock Concert”, TV show, October 19, 1974; released on BEAST OF EDEN (BT CD); on GET A LINE ON YOU (BT CD); on KEITH RICHARD AND HIS ROLLING APRIL STONES (BT). 10-15 Rolling Stones Mobile (RSM), Stargroves, Newbury, Songs 1, 2 (both incomplete): Shown in “ROLLING STONES Berkshire (see Section B) - DIE ERSTEN 20 JAHRE”, Austrian TV (ORF), June 26, 1982. JUNE Song 2: Probably premiered in the UK in late July, 1974; 1 Promotional film recordings, LWT Studios, London released in “VIDEO REWIND: THE ROLLING STONES GREAT VIDEO HITS”, Vestron 11016/MA 1016, November 4, 1984; in “25 X 5: THE CONTINUING DECEMBER ADVENTURES OF THE ROLLING STONES”, CMV 6-14 Musicland Studios, Munich (see Section B cont.) Video 49027-2/CMV 190-49027, February 13, 1990 (incomplete); in “ROCK‘N’ROLL THE GREATEST JUNE 6, 1974 ♦ PROMOTIONAL FILM RECORDINGS, LWT YEARS: ‘74”, The Video Collection VC4097, early STUDIOS, LONDON, Director Michael Lindsay-Hogg 1991. NOTES: Songs 1-3: Instrumental backing tracks of official 1 Till The Next Goodbye versions; Song 2: New lead guitar, different back-up 2 It’s Only Rock ‘n Roll vocals. 3 Ain’t Too Proud To Beg (Whitfield, Holland) B. Studio Sessions JANUARY 14-28, 1974 ♦ MUSICLAND STUDIOS, MUNICH, 12 Drift Away (Williams) Producers: The Glimmer Twins, Engineers: Andy Cuts 1-5: Released on IT’S ONLY ROCK ‘N ROLL, Rolling Johns, Keith Harwood Stones Records COC 79101/COC 59103, October 15/ October 18, 1974; IT’S ONLY ROCK ‘N ROLL (CD), 1 Till The Next Goodbye Virgin Records 39500-2 (Collector’s Edition), June 28, 2 Time Waits For No One 1994, and Virgin Records 39522-2, July 26, 1994.
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Gender and 1960S Youth Culture: the Rolling Stones and the New Woman
Contemporary British History ISSN: 1361-9462 (Print) 1743-7997 (Online) Journal homepage: http://www.tandfonline.com/loi/fcbh20 Gender and 1960s Youth Culture: The Rolling Stones and the New Woman Andrew August To cite this article: Andrew August (2009) Gender and 1960s Youth Culture: The Rolling Stones and the New Woman, Contemporary British History, 23:1, 79-100, DOI: 10.1080/13619460801990104 To link to this article: http://dx.doi.org/10.1080/13619460801990104 Published online: 07 Apr 2009. Submit your article to this journal Article views: 3309 View related articles Citing articles: 6 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=fcbh20 Download by: [Jason Oakes] Date: 24 September 2015, At: 11:14 Contemporary British History Vol. 23, No. 1, March 2009, pp. 79–100 Gender and 1960s Youth Culture: The Rolling Stones and the New Woman Andrew August In the 1960s some young British women challenged established gender roles, pursuing education, careers and personal freedom. Many of them grew frustrated with the limitations of 1960s youth culture, and particularly of new permissive sexual norms. The Rolling Stones, as a signiﬁcant cultural force and symbol of London youth culture and sexual ‘freedom’, became a focus for criticism of this culture growing out of the women’s liberation movement at the end of the decade and developing in the years since then. However, the Rolling Stones’ response to changing gender roles in this period was complex and contradictory. At times, their songs endorsed women’s subordination, rejecting their claims to independence.
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Black and Blue IORR Controversy Controversy Does Not Haunt the Rolling Stones
Black and Blue IORR Controversy Controversy does not haunt the Rolling Stones. The Rolling Stones haunt controversy. Sure, the music is offensive to some bluebloods, but the quickest way to piss off a whole bunch of people all at once is with a controversial album cover. Many people who will never listen to a song can see that and get offended. And the Stones were good at that when they wanted to be. And even when the cover art and title were not inherently offensive it only takes a little marketing to make it so. And so it was with Black and Blue. The Title The title of this 1976 album could have sprung naturally from a number of places. In 1976 The Rolling Stones were black and blue. Keith Richards was spiralling even further into the haze of drug-induced indifference. Getting US visas to tour was harder than ever. Mick Taylor’s heroin addiction had gotten so bad he feared for his life if he stayed with the Stones. He quit the band. The black reggae and funk sounds along with the blues roots of this album make the title a descriptive natural. Mick Jagger explained the title another way. Asked in 1976 why the album is called Black and Blue, Jagger provided the official explanation, “Because it's black and it's blue... Well, black and blue... It's a play on Blonde On Blonde. Blue for the blues - the blues have always been part of our music. Mmmm... it's as good a title as any other, isn't it? They could have called it Cowbell for all I care.
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Rolling Stones 2019
Rolling Stones 2019 Relevant Additions To “The Ultimate Guide” – Monthly Updates © Felix Aeppli 2019-12 0.118 AUGUST 4-12, 1966 RCA STUDIOS, HOLLYWOOD, Producer: Andrew L. Oldham; Engineer: Dave Hassinger 6 Who’s Been Sleeping Here? 7 Miss Amanda Jones 8 Something Happened To Me Yesterday 14 It’s Been Quiet Here At Home (Nanker, Phelge) 15 Avant Garde Up (Nanker, Phelge) Cuts 6-8, 14, 15 (6-8 possibly early versions): Circulated on a number of United Recording acetates, Summer, 1966. NOTES: Cut 14: Alternate title of Hear It, the instrumental recorded at the Andrew Oldham Orchestra and demo session, Pye Recording and/or Decca Studios, London, August 31-September 4, 1964 (see Entry 0.040); mistakenly known as Condemned.Cut 15: Continuous warm-up jam (featuring kazoos), rather than a proper song title. 1065A January 14, 1972 The New Temple Missionary Baptist Church, Los Angeles: ARETHA FRANKLIN, “AMAZING GRACE” (documentary, original footage directed by Sydney Pollack, premiered at the DOC NYC, New York City, Nov. 12, 2018; released on DVD, Universal Pictures Home Enter- tainment 36207036 [US], Aug. 6, 2019/StudioCanal OPTD42090 [UK], Sep. 2, 2019): 1. “Climbing Higher Mountains” (Trad. arr. Franklin), 2. “Old Landmark” (Brewster, Brunner) MJ: hand-clapping; Charlie Watts: attending the event (1); Aretha Franklin: vocals; backed by The Southern California Community Choir under the direction of Alexander Hamilton: Rev. James Cleveland: host, piano; Cornell Dupree: guitar; Kenny Luper: organ; Chuck Rainey: bass; Poncho Morales: percussion; Bernard Purdie: drums; – NOTES: It is unlikely that MJ’s contribu- tions are to be heard on the original album ARETHA FRANKLIN, AMAZING GRACE (Atlantic SD 2-906 [US], Jun 1, 1972) and the subsequent re-releases).
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