List of Past Performances
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5 Music Cruises 2019 E.Pub
“The music is not in the notes, but in the silence between.” Wolfgang Amadeus Mozart RHINE 2019 DUDOK QUARTET Aer compleng their studies with disncon at the Dutch String Quartet Academy in 20 3, the Quartet started to have success at internaonal compeons and to be recognized as one of the most promising young European string quartets of the year. In 20 4, they were awarded the Kersjes ,rize for their e-ceponal talent in the Dutch chamber music scene. .he Quartet was also laureate and winner of two special prizes during the 7th Internaonal String Quartet 0ompeon 20 3 1 2ordeau- and won st place at both the st Internaonal String Quartet 0ompeon 20 in 3adom 4,oland5 and the 27th 0harles 6ennen Internaonal 0hamber Music 0ompe7 on 20 2. In 20 2, they received 2nd place at the 8th 9oseph 9oachim Internaonal 0hamber Music 0ompeon in Weimar 4:ermany5. .he members of the quartet ;rst met in the Dutch street sym7 phony orchestra “3iccio=”. From 2009 unl 20 , they stu7 died with the Alban 2erg Quartet at the School of Music in 0ologne, then to study with Marc Danel at the Dutch String Quartet Academy. During the same period, the quartet was coached intensively by Eberhard Feltz, ,eter 0ropper 4Aindsay Quartet5, Auc7Marie Aguera 4Quatuor BsaCe5 and Stefan Metz. Many well7Dnown contemporary classical composers such as Kaija Saariaho, MarD7Anthony .urnage, 0alliope .sou7 paDi and Ma- Knigge also worDed with the quartet. In 20 4, the Quartet signed on for several recordings with 3esonus 0lassics, the worldEs ;rst solely digital classical music label. -
A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Welcome Anthea Kreston! the Artemis Quartet Welcomes Its New Member
Welcome Anthea Kreston! The Artemis Quartet welcomes its new member Berlin, 18 January 2016 In the past six months, amidst mourning the death of Friedemann Weigle, the Artemis Quartet also came to the decision of continuing its work as an ensemble. Now, the Artemis Quartet is pleased to announce its new member: the American violinist Anthea Kreston, who will take over the second violin position with immediate effect. In a musical chairs scenario, Gregor Sigl will assume the viola position in the quartet. Andrea Kreston, born in Chicago, studied with Felix Galimir and Ida Kavafian at the renowned Curtis Institute of Music in Philadelphia, as well as chamber music with the Vermeer Quartet and Emerson String Quartet. Anthea Kreston was a member of the Avalon Quartet - with whom she won the ARD Competition in 2000 - for seven years. In 1999, she founded the Amelia Piano Trio. She has given many concerts in the United States and Europe with both ensembles. Eckart Runge and Anthea Kreston have known each other for twenty years. They met, as members of different ensembles, at a masterclass given by the Juilliard String Quartet. Eckart Runge: “Already then, Anthea struck me as an extraordinarily brilliant musician and someone who has a big personality. She applied for the available position, travelled to the audition from the West Coast [of the United States] and impressed us with her warm-heartedness, boundless energy and - above all - her fantastic qualities as a musician and violinist. All three of us immediately felt that, in her own way, Anthea reflects the soul of Friedemann and will bring new energy to our quartet.” Anthea Kreston: “It is with a full heart that I join the Artemis Quartet, my favourite quartet since we were all students together at the Juilliard Quartet Seminar 20 years ago. -
The Juilliard Journal
FACULTY PORTRAIT Paul Neubauer Viola Faculty March 2017 After graduating from Juilliard, Paul Neubauer (BM '82, MM '83) became, at age 21, the youngest string principal ever to join the New York Philharmonic, where he spent six years before leaving in 1990 to pursue solo and chamber work. Along the way he joined the Juilliard faculty and the Chamber Music Society of Lincoln Center, in 1989. Appointed last spring as artistic director of the Mostly Music series in New Jersey, he'll make his Chicago Symphony debut in 2018. Why did you become a violist? It truly was my destiny. My godfather was the Viennese-born violist Paul Doktor (faculty 1971–89), and he was a major influence in my musical and personal evolution from a very early age. I also studied with him during my teenage summers and at Juilliard. On top of this, my older siblings played the violin and cello, so viola was the perfect choice since this would complete a string trio. Unfortunately that string trio lasted about 10 minutes since my siblings were not as committed to a life in classical music. And you're still part of a musical family … Yes, my wife, Kerry McDermott, is a violinist with the New York Philharmonic, and our children, Oliver and Clara, both play the violin and attend the Juilliard Pre-College program. I have told my children countless times that the viola is a superior instrument to the violin, but they unfortunately have not taken my advice as of yet. On occasion, we enjoy playing four-violin quartets with three violins and a viola. -
Quatuor Ébène Pierre Colombet Violin • Gabriel Le Magadure Violin Marie Chilemme Viola • Raphaël Merlin Cello
Wednesday 12 December 2018 7.30pm Quatuor Ébène Pierre Colombet violin • Gabriel Le Magadure violin Marie Chilemme viola • Raphaël Merlin cello Ludwig van Beethoven String Quartet in F Op. 18 No. 1 Johannes Brahms String Quartet in C minor Op. 51 No. 1 I n t e r v a l (20 minutes) Ludwig van Beethoven String Quartet in F Op. 135 This evening’s concert will be streamed live, and will be available to watch afterwards on the Wigmore Hall website. PROGRAMME: £3 CAVATINA Chamber Music Trust has donated free tickets for 8-25 year-olds for the concert on 12 December 2018. For details of future concerts please call the Box Office on 020 7935 2141. 2018 cover-autumn test print.indd 1 29/08/2018 10:28 Ludwig van Beethoven Beethoven arrived in Vienna in 1792, a year after Mozart’s tragic death. The young, (1770–1827) Bonn-born composer was effectively travelling to the Habsburg capital to take up where the late, lamented composer had String Quartet in F Op. 18 No. 1 left off. He even carried a letter to that end, (1798–1800) written by his friend Count von Waldstein: Allegro con brio ‘You are going to Vienna in fulfilment Adagio affettuoso ed appassionato of your long-frustrated wishes. The Scherzo. Allegro molto Genius of Mozart is still mourning and Allegro weeping the death of her pupil. She found a refuge but no occupation with the inexhaustible Haydn; through him Johannes Brahms she wishes once more to form a union (1833–1897) with another. -
Juilliard String Quartet
JUILLIARD STRING QUARTET ARETA ZHULLA - VIOLIN RONALD COPES - VIOLIN ROGER TAPPING - VIOLA ASTRID SCHWEEN - VIOLONCELLO „Decisive and uncompromising...Juilliard’s confidently thoughtful approach, rhythmic acuity and ensemble precision were on full display." – The Washington Post With unparalleled artistry and enduring vigor, the Juilliard String Quartet continues to inspire audiences around the world. Founded in 1946 and hailed by the Boston Globe as “the most important American quartet in history,” the Juilliard draws on a deep and vital engagement to the classics, while embracing the mission of championing new works, a vibrant combination of the familiar and the daring. Each performance of the Juilliard Quartet is a unique experience, bringing together the four members’ profound understanding, total commitment, and unceasing curiosity in sharing the wonders of the string quartet literature. Ms. Areta Zhulla joins the Juilliard Quartet as first violinist beginning this 2018-19 season which includes concerts in Hong Kong, Singapore, Shanghai, London, Oslo, Athens, Vancouver, Toronto and New York, with many return engagements all over the USA. The season will also introduce a newly commissioned String Quartet by the wonderful young composer, Lembit Beecher, and some piano quintet collaborations with the celebrated Marc-André Hamelin. In performance, recordings and incomparable work educating the major artists and quartets of our time, the Juilliard String Quartet has carried the banner of the United States and the Juilliard School throughout the world. Having recently celebrated its 70th anniversary, the Juilliard String Quartet marked the 2017-18 season with return appearances in Seattle, Santa Barbara, Pasadena, Memphis, Raleigh, Houston, Amsterdam, and Copenhagen. It continued its acclaimed annual performances in Detroit and Philadelphia, along with numerous concerts at home in New York City, including appearances at Lincoln Center and Town Hall. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
Schubert's Flights of Fantasie
Kristian Chong & Friends Schubert’s Flights of Fantasie LOCAL Monday, 2 May 2016 6pm, Salon HEROES Presented by Melbourne Recital Centre and Kristian Chong & Friends ARTISTS Sophie Rowell, violin Kristian Chong, piano PROGRAM WOLFGANG AMADEUS MOZART Sonata for Piano and Violin in B-flat, K.454 I Largo - Allegro II Andante III Rondo: Allegretto ANDREW SCHULTZ Night Flight (2003) FRANZ SCHUBERT Fantasie for Piano and Violin in C, D.934 Andante molto–Allegretto–Andantino–Tempo I–Allegro vivace–Allegretto–Presto ABOUT THE MUSIC As was customary at the time, Mozart termed his early examples “sonatas for piano with violin ad libitum” but not the later Sonata K454, which he characterised as a “sonata for piano with violin accompaniment”. Yet this is a true chamber partnership, with K454 demanding a violinist of consummate skill. The opening commences with a stately Largo; it quickly retreats into a tender statement before launching into a swift Allegro with many conversational imitations and parallel lines. An Andante follows in which Mozart achieves a masterly blend of cantabile and beauty. A minor episode darkens the mood while maintaining enchanting lyricism. The concluding movement opens with a statement first spoken by the violin, with intervening episodes sandwiched between reprises of the theme giving opportunities to express Mozart’s penchant for unexpected and delectable melodic twists and turns. Night Flight was originally written as the fourth movement from a sextet called Mephisto in 1990. Ukranian violinist Dmitri Tkachenko commissioned this transcription and debuted it with Kristian Chong in London in 2003. The piece is a danse macabre for the modern age. -
I.," American String Quartet
HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC present the AMERICAN STRING QUARTET PETER WINOGRAD, VIOLIN LAURIE CARNEY, VIOLIN DANIEL AVSHALOMOV, VIOLA MARGO TATGENHORST, CELLO THURSDAY OCTOBER 17, 2002 8:00P.M. STUDE CONCERT HALL ALICE PRATT BROWN HALL RICE UNIVERSITY I.," THIS PROJECT IS FUNDED IN PART BY TIIE CITY OF HOUSTON ~: AND THE TEXAS COMMISSION ON TIIE ARTS THROUGH TIIE CULTURAL ARTS COUNCIL OF IIOUSTON/lL-\RRJS COUNTY. AMERICAN STRING QUARTET -PROGRAM- WOLFGANG AMADEUS MOZART (1756-1791) • Quartet in E-flat Major, K. 42 8 Allegro non troppo Andante con moto Menuetto: Allegro Allegro vivace DMITRI SHOSTAKOVICH (1906-1975) Quartet No. 3 in F Major, Op. 73 (1946) Allegretto Moderato con moto Allegro non troppo Adagio Moderato - INTERMISSIO - MAURICE RAVEL (1875-1937) String Quartet in F Major Allegro moderato: Tres doux Assez vif: Tres rhythme Tres lent .,... Vif et agite WOLFGANG AMADEUS MOZART (1756-1791) Quartet in E-flat Major, K. 428 . t • Until the great quartets of Haydn and Mozart, eighteenth century · t r chamber music had been written primarily for the private use of ama - r teurs. As the century progressed, the dominance of complex, Baroque compositional methods had diminished and the style of writing had been simplified, making it easier for an amateur to master. Yet, at the same time in Vienna, the public performance of larger-scale, symphonic music came into vogue. And as this was written for professionals, the composer could explore greater complexity, even bringing back some of the intricate devices of baroque music such as fugues. Furthermore, in the last decades of the century, a full-time, professional quartet was maintained in Vienna by Count Razumovsky for performances at the great houses. -
Whlive0012 Booklet 14/8/06 12:12 Pm Page 2
WHLive0012 booklet 14/8/06 12:12 pm Page 2 WHLive0012 Also Available Made & Printed in England NASH ENSEMBLE Beethoven Clarinet Trio in Bb Mendelssohn Octet SIR THOMAS ALLEN baritone WHLive0001 MALCOLM MARTINEAU piano Songs by Beethoven, Wolf, Butterworth Vaughan Williams and Bridge 0002 ARDITTI QUARTET WHLive Nancarrow String Quartet No. 3 Ligeti String Quartet No. 2 DAME FELICITY LOTT soprano Dutilleux String Quartet ‘Ainsi la nuit’ GRAHAM JOHNSON piano 0003 WHLive Fallen Women and Virtuous Wives Songs by Haydn, Strauss, Brahms and Wolf WHLive0004 ACADEMY OF ANCIENT MUSIC Concerti and Concerti Grossi by Handel, JS Bach and Vivaldi PETER SCHREIER tenor WHLive0005 ANDRÁS SCHIFF piano Schubert Songs WHLive0006 NASH ENSEMBLE Schumann Märchenerzählungen Moscheles Fantasy, Variations & Finale DAME MARGARET PRICE soprano Brahms Clarinet Quintet in B minor GEOFFREY PARSONS piano WHLive0007 Songs by Schubert, Mahler and R Strauss JOYCE DIDONATO mezzo-soprano WHLive0008 JULIUS DRAKE piano Songs by Fauré, Hahn and Head KOPELMAN QUARTET Arias by Rossini and Handel Schubert String Quartet in D minor 0009 WHLive ‘Death and the Maiden’ Tchaikovsky String Quartet in Eb minor WHLive0010 SOILE ISOKOSKI soprano MARITA VIITASALO piano Songs by Sibelius, Strauss and Berg WHLive0011 Available from all good record shops and from www.wigmore-hall.org.uk/live WHLive0012 booklet 14/8/06 12:12 pm Page 3 Ysaÿe Quartet Debussy String Quartet in G minor Stravinsky Concertino Three Pieces for String Quartet Double Canon Fauré String Quartet in E minor WHLive0012 booklet 14/8/06 12:12 pm Page 4 Ysaÿe Quartet CLAUDE DEBUSSY String Quartet in G minor Op. 10 (1893) 01 Animé et très décidé 07.04 02 Assez vif et bien rythmé 03.50 03 Andantino, doucement expressif 08.17 04 Très modéré – Très mouvementé avec passion 07.24 IGOR STRAVINSKY 05 Concertino (1920) 07.00 Three Pieces for String Quartet (1914) 06 ‘Dance’ 00.49 07 ‘Eccentric’ 01.51 08 ‘Canticle’ 04.46 09 Double Canon (1959) 02.16 GABRIEL FAURÉ String Quartet in E minor Op. -
Digital Booklet Porgy & Bess
71 TRACKS THE AMADEUS QUARtet ReCORDINGS VOL. I BEETHOVEN Berlin, 1950-1967 recording producer: Wolfgang Gottschalk (Op. 127) Hartung (Op. 59, 2) Hermann Reuschel (Op. 18, 2-5 / Op. 59, 1 / Op. 130-133 / Op. 135 / Op. 29) Salomon (Op. 18, 1+6 / Op. 59, 3 / Op. 95) recording engineer: Siegbert Bienert (Op. 18, 5 / Op. 130-133 / Op. 29) Peter Burkowitz (Op. 18, 6) THE Heinz Opitz (Op. 18, 2 / Op. 59, 1+2 / Op. 127 / Op. 135) Preuss (Op. 18, 1 / Op. 59, 3 / Op. 95) Alfred Steinke (Op. 18, 3+4) AMADEUS QUARtet ReCORDinGS Berlin, 1950-1967 Eine Aufnahme von RIAS Berlin (lizenziert durch Deutschlandradio) recording: P 1950 - 1967 Deutschlandradio research: Rüdiger Albrecht remastering: P 2013 Ludger Böckenhoff rights: audite claims all rights arising from copyright law and competition law in relation to research, compilation and re-mastering of the original audio tapes, VOL. I BEETHOVEN as well as the publication of this CD. Violations will be prosecuted. The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, MstASTER RELEASE which attain an astonishingly high quality, even measured by today’s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally com- petent and sensitively applied – also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based 1 on private recordings from broadcasts cannot be compared with these. AMADEUS-QUARtett further reading: Daniel Snowman: The Amadeus Quartet. The Men and the Music, violin I Norbert Brainin Robson Books (London, 1981) violin II Siegmund Nissel Gerd Indorf: Beethovens Streichquartette, Rombach Verlag (Freiburg i. -
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom