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30 the Anniversary Concert, 27 April, 2003, Sundin Music Hall, Hamline
table of contents 2002-03 Concert Season 4 The Dale Warland Singers 6 Dale Warland, Founder and Music Director 8 Artistic Staff 9 From the President 10 Special Guests, Aaron Jay Kernis and Tom Crann 11 30th Anniversary Concert 12 Program Notes 14 History of the Dale Warland Singers 22 30th Anniversary Awards 26 Alumni Singers 29 Former Board Members and Staff 31 The Singers 32 Honor Roll 36 Acknowledgements 39 Sponsors 40 Please note: No cameras or recording devices of any kind may be used during performances. Please turn off any electronic beeping devices (watches, pagers, etc.) or leave them with an usher prior to the performance. Please hold your applause until each section is completed. 3 2002-03 concert season Choral Ventures ™ Tuesday, May 13, 2003, 7:00 pm Sundin Music Hall Hamline University, St. Paul On May 13th, the Dale Wariand Singers presents the 16th annual Reading Session for the finalists of the 2003 Choral Ventures ,. program. This free concert is a unique opportunity for all interested in the process of composing. Four new works will be rehearsed by the Singers, then the floor is open for audience questions and comments. This year's semi-finalists, chosen from 149 applicants in 36 states are Luis Jorge Gonzalez, Jay Huber, Martha Sullivan, and Frances White. Don't miss out on the opportunity to let your voice be heard! FREE ADMISSION! Sponsored by Jerome Foundation 2003-2004 Season of Music Sponsored by Target, Mervyn's and Marshall Fields' with support from the Target Foundation An American Thanksgiving 11/01/03, 8:00 p.m., Nativity of Our Lord Catholic Church, St. -
Connecting Through Music
CONNECTING THROUGH MUSIC Public Radio Music Stations Serve Audiences, Artists & Communities Across America Spring 2019 New Orleans jazz musician Roderick Paulin and his band perform live on WWOZ’s Traditional Jazz with Leslie Cooper. Photo credit: Michael E. McAndrew CONNECTING THROUGH MUSIC ABOUT THE noncomMUSIC ALLIANCE The noncomMUSIC Alliance, which produced this report, celebrates noncommercial, nonprofit, local public radio’s role in connecting artists with the communities that enjoy and support their music. Established in 2018, the Alliance’s primary aim is to bring diverse noncommercial music constituencies together, amplify their voices, and inform others – particularly public policymakers – about the need to support public radio’s role in local communities across the United States. As this report describes more fully, the noncomMUSIC Alliance highlights five values public radio music stations share: Discovery Public radio is a space where listeners can find vast troves of new American music, classical traditions, and contemporary music from around the world. Curation Public radio music stations are one-of-a-kind community tastemakers that reflect and shape listeners’ love of music. Preservation Public radio stations provide the airtime and live performances that sustain and enable historic and regional music traditions, and develop audiences for American genres like jazz, bluegrass, and zydeco. Performance Public radio is a driving force in the local music scene, connecting musicians and listeners on air, on stage, online, on video, and on-the-go. Community Locally operated and community-based, public radio stations tailor their programming and services to meet community needs. noncomMUSIC Alliance Leadership EXECUTIVE DIRECTOR: Michael Riksen, Vice President, Policy & Representation, NPR ADVISORY COUNCIL: Brenda Barnes, CEO, KING FM • Shannon Connolly, Senior Vice President, Music, NYPR & General Manager, WQXR • Abby Goldstein, General Manager, WYEP • Val Hoeppner, Executive Director, WMOT • Nick Kereakos, Sr. -
9. Vivaldi and Ritornello Form
The HIGH BAROQUE:! Early Baroque High Baroque 1600-1670 1670-1750 The HIGH BAROQUE:! Republic of Venice The HIGH BAROQUE:! Grand Canal, Venice The HIGH BAROQUE:! VIVALDI CONCERTO Antonio Vivaldi (1678-1741) The HIGH BAROQUE:! VIVALDI CONCERTO Antonio VIVALDI (1678-1741) Born in Venice, trains and works there. Ordained for the priesthood in 1703. Works for the Pio Ospedale della Pietà, a charitable organization for indigent, illegitimate or orphaned girls. The students were trained in music and gave frequent concerts. The HIGH BAROQUE:! VIVALDI CONCERTO The HIGH BAROQUE:! VIVALDI CONCERTO The HIGH BAROQUE:! VIVALDI CONCERTO Thus, many of Vivaldi’s concerti were written for soloists and an orchestra made up of teen- age girls. The HIGH BAROQUE:! VIVALDI CONCERTO It is for the Ospedale students that Vivaldi writes over 500 concertos, publishing them in sets like Corelli, including: Op. 3 L’Estro Armonico (1711) Op. 4 La Stravaganza (1714) Op. 8 Il Cimento dell’Armonia e dell’Inventione (1725) Op. 9 La Cetra (1727) The HIGH BAROQUE:! VIVALDI CONCERTO In addition, from 1710 onwards Vivaldi pursues career as opera composer. His music was virtually forgotten after his death. His music was not re-discovered until the “Baroque Revival” during the 20th century. The HIGH BAROQUE:! VIVALDI CONCERTO Vivaldi constructs The Model of the Baroque Concerto Form from elements of earlier instrumental composers *The Concertato idea *The Ritornello as a structuring device *The works and tonality of Corelli The HIGH BAROQUE:! VIVALDI CONCERTO The term “concerto” originates from a term used in the early Baroque to describe pieces that alternated and contrasted instrumental groups with vocalists (concertato = “to contend with”) The term is later applied to ensemble instrumental pieces that contrast a large ensemble (the concerto grosso or ripieno) with a smaller group of soloists (concertino) The HIGH BAROQUE:! VIVALDI CONCERTO Corelli creates the standard concerto grosso instrumentation of a string orchestra (the concerto grosso) with a string trio + continuo for the ripieno in his Op. -
Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
Natura Artificiale Di Vivaldi
TORINO Martedì 5 settembre Conservatorio Giuseppe Verdi ore 17 LA NATURA ARTIFICIALE DI VIVALDI natura www.mitosettembremusica.it LA NATURA ARTIFICIALE DI VIVALDI Nei primissimi anni del Settecento, intrisi di razionalismo, si parla in continuazione di «Natura» come modello, e la naturalezza è il fine d’ogni arte. Quello che crea Vivaldi, molto baroccamente, è una finta natura: l’estremo artificio formale mascherato da gesto normale, spontaneo. E tutti ci crederanno. Il concerto è preceduto da una breve introduzione di Stefano Catucci Antonio Vivaldi (1678-1741) Concerto in la minore per due violini e archi da L’Estro Armonico op. 3 n. 8 RV 522a Allegro – [Adagio] – [Allegro] Sonata in sol maggiore per violino, violoncello e basso continuo RV 820 Allegro – Adagio – Allegro Concerto in re minore per violino, archi e basso continuo RV 813 (ms. Wien, E.M.) Allegro – [Adagio] – Allegro – Adagio – Andante – Largo – Allegro Concerto in sol maggiore per flauto traversiere, archi e basso continuo RV 438 Allegro – Larghetto – Allegro Sonata in re minore per due violini e basso continuo “La follia” op. 1 n. 12 RV 63 Tema (Adagio). Variazioni Giovanni Stefano Carbonelli (1694-1772) Sonata op. 1 n. 2 in re minore Adagio – Allegro Allegro Andante Aria Antonio Vivaldi Concerto in mi minore per violino, archi e basso continuo da La Stravaganza op. 4 n. 2 RV 279 Allegro – Largo – Allegro Modo Antiquo Federico Guglielmo violino principale Raffaele Tiseo, Paolo Cantamessa, Stefano Bruni violini Pasquale Lepore viola Bettina Hoffmann violoncello Federico Bagnasco contrabbasso Andrea Coen clavicembalo Federico Maria Sardelli direttore e flauto traversiere /1 Vivaldi natura renovatur. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
For Release: Tk, 2013
FOR RELEASE: January 23, 2013 SUPPLEMENT CHRISTOPHER ROUSE, The Marie-Josée Kravis COMPOSER-IN-RESIDENCE WORLD PREMIERE of SYMPHONY NO. 4 at the NY PHIL BIENNIAL New York Premiere of REQUIEM To Open Spring For Music Festival at Carnegie Hall New York Premiere of OBOE CONCERTO with Principal Oboe Liang Wang RAPTURE at Home and on ASIA / WINTER 2014 Tour Rouse To Advise on CONTACT!, the New-Music Series, Including New Partnership with 92nd Street Y ____________________________________ “What I’ve always loved most about the Philharmonic is that they play as though it’s a matter of life or death. The energy, excitement, commitment, and intensity are so exciting and wonderful for a composer. Some of the very best performances I’ve ever had have been by the Philharmonic.” — Christopher Rouse _______________________________________ American composer Christopher Rouse will return in the 2013–14 season to continue his two- year tenure as the Philharmonic’s Marie-Josée Kravis Composer-in-Residence. The second person to hold the Composer-in-Residence title since Alan Gilbert’s inaugural season, following Magnus Lindberg, Mr. Rouse’s compositions and musical insights will be highlighted on subscription programs; in the Philharmonic’s appearance at the Spring For Music festival; in the NY PHIL BIENNIAL; on CONTACT! events; and in the ASIA / WINTER 2014 tour. Mr. Rouse said: “Part of the experience of music should be an exposure to the pulsation of life as we know it, rather than as people in the 18th or 19th century might have known it. It is wonderful that Alan is so supportive of contemporary music and so involved in performing and programming it.” 2 Alan Gilbert said: “I’ve always said and long felt that Chris Rouse is one of the really important composers working today. -
2018/19 Utah Symphony | Utah Opera Season Calendar
2018/19 UTAH SYMPHONY | UTAH OPERA SEASON CALENDAR DATE TIME CONCERT PROGRAM CONDUCTOR / ARTISTS VENUE SERIES 11 7:00 PM 59th Annual Salute to Youth Conner Gray Covington conductor AH 14 & 15 7:30 PM Bernstein on Broadway Teddy Abrams conductor Morgan James vocalist AH Barlow Bradford Thierry Fischer conductor chorus director ANDREW NORMAN Suspend a fantasy for piano and orchestra Jason Hardink piano Kirstin Chávez mezzo-soprano 21 & 22 7:30 PM Beethoven’s “Ode to Joy” BEETHOVEN Symphony No. 9 “Choral” Joélle Harvey soprano AH A, D Issachah Savage tenor Patrick Carfizzi bass-baritone SEPTEMBER Utah Symphony Chorus University of Utah Choirs GERSHWIN An American in Paris 28 7:30 PM An American in Paris RAVEL Piano Concerto in G Thierry Fischer conductor Alexandre Tharaud piano AH B, E 29 5:30 PM SCHUBERT Symphony No. 9 “The Great C Major” 13 7:30 PM 15 7:00 PM Robert Tweten conductor Vera Calábria director 17 7:00 PM Gounod’s Romeo and Juliet CT Joshua Dennis Romeo Anya Matanoviĉ Juliet 19 7:30 PM 21 2:00 PM 26 7:30 PM BERNSTEIN Three Dances from Fancy Free OCTOBER Tchaikovsky’s 4th & The Red Violin 27 5:30 PM JOHN CORIGLIANO Violin Concerto “The Red Violin” Andrew Litton conductor Philippe Quint violin AH B, E 26 10:00 AM LITTON/QUINT FINISHING TOUCHES OPEN REHEARSAL TCHAIKOVSKY Symphony No. 4 2 & 3 7:00 PM Ghostbusters in Concert Peter Bernstein conductor Utah Symphony AH Thierry Fischer conductor Garnett Bruce director James Sale lighting designer Jonathan Johnson Candide B, E 9 7:30 PM Bernstein’s Candide with the Utah Symphony BERNSTEIN Candide Lauren Snouffer Cunegonde Hugh Russell Dr. -
Verdi Otello
VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers; -
The Fruits of Our Labors!
ISSUED 6 TIMES PER YEAR JANUARY & FEBRUARY 2010 VOLUME 38 ~ ISSUE 6 The WYSU & Mill Creek MetroParks Partnership: The Fruits of our Labors! During the past three WYSU To view images of the tree plant- on-air fund drives, members who ing site, as well as some examples contributed to WYSU at the $120 of the kinds of trees planted, please ‘Supporter’ level could choose to have visit this website: http://tinyurl.com/ a tree planted in their honor in Mill WYSUMetroParktrees Creek MetroParks as their thank-you So far, by virtue of the WYSU gift. community partnership with Mill The first group of such tree plant- Creek MetroParks and our special ings took place in autumn 2009 at tree planting premium, WYSU lis- the Mill Creek Preserve, located on teners have been responsible for the Western Reserve and Tippecanoe planting of 182 trees in Mill Creek Roads. The types of trees planted for MetroParks! this initial planting included: black Thank you for supporting walnut, serviceberry, black tupelo, WYSU—and our local environment. shagbark hickory, black oak, white pine, sweet birch, black cherry, crabapple, red maple, sugar maple, swamp white oak, and persimmon. These species were chosen because of their ability to provide wildlife habitat and supply food in the form of fruit, nuts, and berries. WYSU would like to thank everyone who elected to “go green” with their premium selection, thereby helping us preserve one of the last wild places in Mahoning County. Yours is a gift that will last a lifetime! WYSU’s 12th note 88.5 MHz, 90.1 MHz, 97.5 MHz Program Listings 2010 January & February MON TUES WED THURS FRI SAT SUN Mid. -
S H a P E S O F a P O C a Ly P
Shapes of Apocalypse Arts and Philosophy in Slavic Thought M y t h s a n d ta b o o s i n R u s s i a n C u lt u R e Series Editor: Alyssa DinegA gillespie—University of Notre Dame, South Bend, Indiana Editorial Board: eliot Borenstein—New York University, New York Julia BekmAn ChadagA—Macalester College, St. Paul, Minnesota nancy ConDee—University of Pittsburg, Pittsburg Caryl emerson—Princeton University, Princeton Bernice glAtzer rosenthAl—Fordham University, New York marcus levitt—USC, Los Angeles Alex Martin—University of Notre Dame, South Bend, Indiana irene Masing-DeliC—Ohio State University, Columbus Joe pesChio—University of Wisconsin-Milwaukee, Milwaukee irina reyfmAn—Columbia University, New York stephanie SanDler—Harvard University, Cambridge Shapes of Apocalypse Arts and Philosophy in Slavic Thought Edited by Andrea OppO BOSTON / 2013 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved. ISBN 978-1-61811-174-6 (cloth) ISBN 978-1-618111-968 (electronic) Book design by Ivan Grave On the cover: Konstantin Juon, “The New Planet,” 1921. Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. -
Radio WSKG-WSQX Grid JULY 2021
WSKG August '21 Binghamton 89.3 | Ithaca 90.9 | Hornell 88.7 | Elmira/Corning 91.1 | Oneonta 91.7 | Odessa 89.9 12am 12am 1am 1am 2am BBC 2am BBC World Service BBC World Service 3am 3am 4am 4am 5am 5am 6am Tech Nation Living on Earth 6am Morning Edition (NPR) 7am People's Pharmacy New Yorker Rad. Hr 7am 8am 8am 9am BBC Newshour Weekend Edition Weekend Edition 9am 10am 10am 1A (WAMU) Wait, Wait... Don't 11am Splendid Table 11am Tell Me 12pm The Takeaway (WNYC / PRI) This American Life Travel w/Rick Steves 12pm 1pm Here & Now The Moth Radio Hr A Way w/Words 1pm Here & Now (WBUR & NPR) 2pm Science Friday Snap Judgement TED Radio Hr. 2pm 3pm PRI's The World (PRI) RadioLab Selected Shorts 3pm 4pm BBC Newshour BBC Newshour 4pm All Things Considered (NPR) 5pm All Things Cons. All Things Cons. 5pm 6pm Marketplace Portfolio Wait, Wait… Don't Tell 6pm 6:30 The Daily (New York Times) (documentaries) Me 6:30 7pm Fresh Air (WHYY, NPR) Fresh Air Weekend On the Media 7pm 8pm On Point (WBUR) Living On Earth Reveal 8pm 9pm Capitol Pressroom Capitol Connection 9pm Capitol Pressroom 9:30 Weekend 51% 9:30 10pm PBS NewsHour Science Friday Alternative Radio 10pm 11pm BBC World Service (repeat) Interfaith Voices 11pm The current radio schedule grid is always available at www.wskg.org/guide WSKG Classical August '21 Binghamton 91.5 | Ithaca 92.1 | Corning 90.7 | Greene/Norwich 88.1 | Cooperstown 105.9 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 12am 12am Midnight Special 1am 1am 2am River City Folk 2am 3am Blues Before Sunrise E-Town 3am 4am Classical Music Thistle & Shamrock 4am 5am 5am Classical Music 6am 6am 7am Harmonia With Heart & Voice 7am 8am Concierto 8am 9am Ch Music Soc of Lincoln 9am Sunday Baroque Center 10am Midday Classics with Bill Snyder 10am By Special Invitation 11am From the Top 11am 12pm Weekend Radio E-Town 12pm 1pm Thistle & Shamrock 1pm Performance Today 2pm Café Jazz The Hour of Now 2pm 3pm Harmonia Pipedreams W/ Heart & Voice Class.