Juilliard Orchestra Jeffrey Milarsky, Conductor Jaewon Wee, Violin
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nasher Sculpture Center's Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Macke
Nasher Sculpture Center’s Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Mackey to be Performed at City Performance Hall; Guaranteed Seating with Soundings Season Ticket Package Brentano String Quartet Performance of One Red Rose, co-commissioned by the Nasher with Carnegie Hall and Yellow Barn, moved to accommodate bigger audience. DALLAS, Texas (September 12, 2013) – The Nasher Sculpture Center is pleased to announce that the JFK commemorative Soundings concert will be performed at City Performance Hall. Season tickets to Soundings are now on sale with guaranteed seating to the special concert honoring President Kennedy on the 50th anniversary of his death with an important new work by internationally renowned composer Steven Mackey. One Red Rose is written for the Brentano String Quartet in commemoration of this anniversary, and is commissioned by the Nasher (Dallas, TX) with Carnegie Hall (New York, NY) and Yellow Barn (Putney, VT). The concert will be held on Saturday, November 23, 2013 at 7:30 pm at City Performance Hall with celebrated musicians; the Brentano String Quartet, clarinetist Charles Neidich and pianist Seth Knopp. Mr. Mackey’s One Red Rose will be performed along with seminal works by Olivier Messiaen and John Cage. An encore performance of One Red Rose, will take place Sunday, November 24, 2013 at 2 pm at the Sixth Floor Museum at Dealey Plaza. Both concerts will include a discussion with the audience. Season tickets are now available at NasherSculptureCenter.org and individual tickets for the November 23 concert will be available for purchase on October 8, 2013. -
6 Program Notes
UMD Wind OrchestraUMD VIRTUOSI University Maryland of School Music of Presents March 3, 2018 . 8PM DEKELBOUM CONCERT HALL at The Clarice University of Maryland School of Music presents VIRTUOSI University of Maryland Wind Orchestra PROGRAM Michael Votta Jr., music director James Stern, violin Audrey Andrist, piano Kammerkonzert .........................................................................................................................Alban Berg I. Thema scherzoso con variazioni II. Adagio III. Rondo ritmico con introduzione James Stern, violin Audrey Andrist, piano INTERMISSION Serenade for Brass, Harp,Piano, ........................................................Willem van Otterloo Celesta, and Percussion I. Marsch II. Nocturne III. Scherzo IV. Hymne Danse Funambulesque .....................................................................................................Jules Strens I wander the world in a ..................................................................... Christopher Theofanidis dream of my own making 2 MICHAEL VOTTA, JR. has been hailed by critics as “a conductor with ABOUT THE ARTISTS the drive and ability to fully relay artistic thoughts” and praised for his “interpretations of definition, precision and most importantly, unmitigated joy.” Ensembles under his direction have received critical acclaim in the United States, Europe and Asia for their “exceptional spirit, verve and precision,” their “sterling examples of innovative programming” and “the kind of artistry that is often thought to be the exclusive -
Alan Shockley Kojiro Umezaki
dead, and a letter to a friend that he had written the previous year describing the passage of time in prison was later published. Rzewski read the letter, and set this excerpt. ABOUT KOJIRO UMEZAKI Born to a Japanese father and Danish mother, Kojiro Umezaki grew up in Tokyo and is a performer of the shakuhachi, a composer of electro-acoustic works, and a technologist with interests in developing portable and mobile interactive music systems for live performance. He performs regularly with the Grammy-nominated Silk Road Ensemble with whom he appears on the recordings Beyond the Horizon (Sony BMG, 2005), New Impossibilities (Sony BMG, 2007), Off the Map (World Village, 2009), NEW MUSIC and A Playlist Without Borders (Sony Masterworks, 2013). Other notable recordings of his work have been released on Brooklyn Rider's Dominant Curve (In A Circle, 2010); Yo-Yo Ma's Appassionato (Sony BMG, 2007) and Songs of Joy and Peace (Sony BMG, 2008); Beat in Fractions' Beat Infraction (Healthy Boys, 2007); and The Silk Road: A Musical Caravan (Smithsonian Folkways, 2002). Recent commissioned compositions and producer credits ENSEMBLE include those for Brooklyn Rider (2009), Joseph Gramley (2009, 2010), Huun Huur Tu (Ancestors Call, 2010), and the Silk Road Ensemble (2012). As Assistant Professor of Music at the University of California, Irvine, he is ALAN SHOCKLEY a core faculty member of the Integrated Composition, Improvisation, and Technology (ICIT) group where his research focuses on forms of hybrid music at the intersection of tradition and technology and intercultural DIRECTOR musical practices across the historic Silk Road regions and beyond. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Concert: Chamber Music of Steven Mackey Steven Mackey
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-17-2011 Concert: Chamber Music of Steven Mackey Steven Mackey Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Mackey, Steven, "Concert: Chamber Music of Steven Mackey" (2011). All Concert & Recital Programs. 155. http://digitalcommons.ithaca.edu/music_programs/155 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Chamber Music of Steven Mackey The 2010-2011 Husa Visiting Professor of Composition Hockett Family Recital Hall Sunday, April 17, 2011 4:00 p.m. Indigenous Instruments Jacqueline Christen*, flute/piccolo Adam Butalewicz*, clarinet Kate Goldstein*, violin Nathan Gulla*, piano Richard Faria**, conductor Measures of Turbulence Eric Pearson, Matt Gillen, Nick Throop, Nick Malishak, Russ Knifin, guitar Dave Moore, Scott Card, electric guitar Sam Verneuille, electric bass Chun-Ming Chen, conductor Intermission Gaggle and Flock Gaggle Flock Nicholas DiEugenio**, Susan Waterbury**, Isaac Shiman, Sadie Kenny, violin Zachary Slack, Max Aleman, viola Elizabeth Simkin**, Peter Volpert, cello Jeffery Meyer**, conductor * Ithaca College Alumni ** Ithaca College Faculty Biography Steven Mackey Steven Mackey was born in 1956 to American parents stationed in Frankfurt, Germany. His first musical passion was playing the electric guitar, in rock bands based in northern California. He later discovered concert music and has composed for orchestras, chamber ensembles, dance, and opera. He regularly performs his own works, including two electric guitar concertos and numerous solo and chamber works, and is also active as an improvising musician and performs with his band Big Farm. -
Network Notebook
Network Notebook Spring Quarter 2020 (April - June) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Nobodys Jigg for Oboe and Guitar Mp3 Sheet Music
Nobodys Jigg For Oboe And Guitar Mp3 Sheet Music Download nobodys jigg for oboe and guitar mp3 sheet music pdf now available in our library. We give you 1 pages partial preview of nobodys jigg for oboe and guitar mp3 sheet music that you can try for free. This music notes has been read 2993 times and last read at 2021-09-24 01:56:03. In order to continue read the entire sheet music of nobodys jigg for oboe and guitar mp3 you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Acoustic Guitar, Classical Guitar, Oboe Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Nobodys Jigg For Oboe And Guitar Nobodys Jigg For Oboe And Guitar sheet music has been read 2817 times. Nobodys jigg for oboe and guitar arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-24 23:45:33. [ Read More ] Nobodys Jigg For Recorder And Guitar Mp3 Nobodys Jigg For Recorder And Guitar Mp3 sheet music has been read 2861 times. Nobodys jigg for recorder and guitar mp3 arrangement is for Intermediate level. The music notes has 1 preview and last read at 2021-09-24 05:12:46. [ Read More ] Variations On Nobodys Jigg Trio For Alto Recorder Violin Guitar Variations On Nobodys Jigg Trio For Alto Recorder Violin Guitar sheet music has been read 3004 times. Variations on nobodys jigg trio for alto recorder violin guitar arrangement is for Early Intermediate level. The music notes has 6 preview and last read at 2021-09-24 12:54:07. -
Norfolk Chamber Music Festival Also Has an Generous and Committed Support of This Summer’S Season
Welcome To The Festival Welcome to another concerts that explore different aspects of this theme, I hope that season of “Music you come away intrigued, curious, and excited to learn and hear Among Friends” more. Professor Paul Berry returns to give his popular pre-concert at the Norfolk lectures, where he will add depth and context to the theme Chamber Music of the summer and also to the specific works on each Friday Festival. Norfolk is a evening concert. special place, where the beauty of the This summer we welcome violinist Martin Beaver, pianist Gilbert natural surroundings Kalish, and singer Janna Baty back to Norfolk. You will enjoy combines with the our resident ensemble the Brentano Quartet in the first two sounds of music to weeks of July, while the Miró Quartet returns for the last two create something truly weeks in July. Familiar returning artists include Ani Kavafian, magical. I’m pleased Melissa Reardon, Raman Ramakrishnan, David Shifrin, William that you are here Purvis, Allan Dean, Frank Morelli, and many others. Making to share in this their Norfolk debuts are pianist Wendy Chen and oboist special experience. James Austin Smith. In addition to I and the Faculty, Staff, and Fellows are most grateful to Dean the concerts that Blocker, the Yale School of Music, the Ellen Battell Stoeckel we put on every Trust, the donors, patrons, volunteers, and friends for their summer, the Norfolk Chamber Music Festival also has an generous and committed support of this summer’s season. educational component, in which we train the most promising Without the help of so many dedicated contributors, this festival instrumentalists from around the world in the art of chamber would not be possible. -
Steve Mackey's Music Has Muscle. It Behaves Like An
Steve Mackey’s music has muscle. It behaves like an animal. It’s not polite, this music. It’s not music as math by another means. This is emotional music; this is dance music—at times angry, at times mysterious, at times ethereal, at times primitive, always intensely searching, and yes, at times heady (that too is part of moving about in the world). This music doesn’t wait for us. It isn’t looking back to make sure we’re following, or stopping to explain why it’s moving as it does. Even when it’s still, almost placid, it isn’t waiting. It’s tracking something, closing in on it, in the dark, resolutely, with measured steps, or in daylight at a dead run. It’s not quite safe here, is it? And that raw electric sound of his, it’s his. Those rough licks, tricky, virtuosic, a controlled wildness, an infectious brashness that drives the powerful unisons in Heavy Light. This guitar sound seems to challenge the timbral assumptions of those nineteenth-century instruments, invite them on the road trip. And yet, with MOSAIC it makes exquisite sense. Together they’re like the smartest garage band you’ll ever hear. MOSAIC has the sand, the wit, and the skill to make this adventure work. MOSAIC would appear to be a perfect word here: MOSAIC: At home in any world, a timeless practice—bright, distinct, individual tiles, formed in the aggregate to flow like water, or threaten like a hungry dog, or speak of God. Where are we, anyway? The jungle? Second Avenue? Both and . -
Eighth Blackbird Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 9-13-2004 Eighth Blackbird Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Eighth Blackbird" (2004). Music Department Concert Programs. 351. https://scholarship.richmond.edu/all-music-programs/351 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Monday, September 13, 2004 • 7:30 pm Modlin Center for the Arts Camp Concert Hall, Booker Hall of Music ICM Artists, Ltd. presents eighth blackbird Molly Alicia Barth, flutes Michael J. Maccaferri, clarinets Matt Albert, violin Nicholas Photinos, cello Matthew L. Duvall, percussion Lisa Kaplan, piano Department ofMusic Ensemble-in-Residence Exclusive Management: ICM Artists, Ltd. 40 West 57th Street New York, New York 10019 David V. Foster, President and CEO Tonight's Program Critical Moments 2 (2001) GEORGE PERLE (b. 1915) Les Moutons des Panurge (1969) FREDERIC RZEWSKI (b. 1938) Indigenous Instruments (1989) STEVE MACKEY (b. 1956) -Intermission- Cendres (1998) KAIJA SMRIAHO (b. 1952) Dramamine (2002) DAVID M. GORDON (b. 1976) Molly Alicia Barth plays on a Lillian Burkart flute and piccolo A·b out t h e Art is t s eighth blackbird Molly Alicia Barth, flutes Michael J. Maccaferri, clarinets Matt Albert, violin & viola Nicholas Photinos, cello Matthew Duvall, percussion Lisa Kaplan, piano Hailed as ambassadors of new music, eighth blackbird has a growing reputation for its astounding musical versatility as well as its dedication to the works of today's composers. -
Boston Symphony Orchestra 2019-2020 Season Program Listing (All Programs and Artists Are Subject to Change.) *Denotes BSO Debut **Denotes BSO Subscription Debut
Boston Symphony Orchestra 2019-2020 Season Program Listing (All programs and artists are subject to change.) *denotes BSO debut **denotes BSO subscription debut Thursday, September 19 Thursday, October 17 Friday, September 20, 1:30 p.m. Friday, October 18, 1:30 p.m. Saturday, September 21 Saturday, October 19 Andris Nelsons, conductor Sir András Schiff, conductor and piano Lucas and Arthur Jussen, pianos* (Poulenc Concerto) J.S. BACH Piano Concerto in F minor, BWV 1056 Arthur Jussen, piano (Beethoven) BEETHOVEN Piano Concerto No. 1 Nicole Cabell, soprano BRAHMS Variations on a Theme by Haydn Vocal Fellows of the Tanglewood Music Center BARTÓK Dance Suite Tanglewood Festival Chorus, _________________________ James Burton, Conductor POULENC Concerto in D minor for two pianos and Thursday, October 24 orchestra Friday, October 25, 1:30 p.m. BEETHOVEN Fantasy in C minor for piano, chorus Saturday, October 26 and orchestra Susanna Mälkki, conductor Eric NATHAN Concerto for Orchestra Andreas Haefliger, piano (world premiere; BSO commission) FAURÉ Pavane POULENC Gloria, for soprano, chorus, and orchestra Dieter AMMANN New work for piano and orchestra ______________________ (American premiere; BSO co-commission) MESSIAEN “Alleluia on the trumpet, Thursday, September 26 alleluia on the cymbal” from L’Ascension Friday, September 27, 1:30 p.m. DEBUSSY La Mer Saturday, September 28 Tuesday, October 1 Leipzig Week in Boston Andris Nelsons, conductor Augustin Hadelich, violin Sunday, October 27, 3 p.m. BEETHOVEN Violin Concerto (Non-subscription concert)+ STRAUSS Symphonia domestica Gewandhausorchester Leipzig _________________________ Andris Nelsons, conductor Leonidas Kavakos, violin Thursday, October 3, 10:30 a.m. (Open Rehearsal) Gautier Capuçon, cello Thursday, October 3 BRAHMS Double Concerto for violin, cello, and orchestra Friday, October 4, 1:30 p.m. -
Boston Symphony Orchestra Concert Programs, Summer, 1992
IS HiM Hi Tanglew®d Music Center Festival of Contemporary Music July 27 -August 2, 1992 G* Schirmer, Inc. and Associated Music Publishers, Inc. applaud John Harbison 1992 Composer- irvResidence i wp< wm Tanglewood Music Center Works available for sale Opera A Full Moon in March (1977) Vocal score, 50236490 Orchestra Concerto for Double Brass Choir and Orchestra (1988) Score, 50481513 Concerto for Piano (1978) Piano reduction, 50236210 The Merchant of Venice, Incidental Music (1971) for string orchestra Score, 50488508 Remembering Gatsby, Foxtrot for Orchestra (1985) Study Score, 50480538 Symphony No. 1 (1981) Study Score, 50480027 Chorus Ave Maria (1959) for women's chorus a cappella Score, 50481511 Five Songs of Experience (1971) for soloists, chorus, and ensemble Vocal score, 50231780 The Flight into Egypt, Sacred Ricercar (1986) for chorus and ensemble Vocal score, 50480255 He Shall Not Cry (1959) for women's chorus a cappella Score, 50481512 Music When Soft Voices Die (1975) for mixed chorus and harpsichord or organ Score, 50231750 Nunc Dimittis (1975) for men's chorus Score, 50233830 Chamber/Vocal/Solo Christmas Vespers (1988) for brass quintet and reader (in movement II) Score and parts, 50481660 Two Chorale Preludes for Advent (1987) The Three Wise Men (1988) Little Fantasy on "The Twelve Days of Christmas" (1988) Duo (1961) for flute and piano Score and part, 50488894 Fantasy Duo (1988) for violin and piano Score and part, 50481281 Mirabai Songs (1982) for soprano and ensemble Vocal score, 50480104 Mottetti di Montale (1980) for soprano and piano Vocal score, 50480303 Music for 18 Winds (1986) Score, 50488840 November 19, 1828 (1988) for piano quartet Score and parts, 50481406 Quintet for Winds (1979) Score and parts, 50481208 String Quartet No.