Convict Lease System Lesson Plan
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Twin Cities Public Television, Slavery by Another Name
Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Public Programs application guidelines at http://www.neh.gov/grants/public/americas-media-makers-production-grants for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Public Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Slavery By Another Name Institution: Twin Cities Public Television, Inc. Project Director: Catherine Allan Grant Program: America’s Media Makers: Production Grants 1100 Pennsylvania Ave., N.W., Rm. 426, Washington, D.C. 20506 P 202.606.8269 F 202.606.8557 E [email protected] www.neh.gov SLAVERY BY ANOTHER NAME NARRATIVE A. PROGRAM DESCRIPTION Twin Cities Public Television requests a production grant from the National Endowment for the Humanities (NEH) for a multi-platform initiative entitled Slavery by Another Name based upon the 2008 Pulitzer Prize-winning book written by Wall Street Journal reporter Douglas Blackmon. Slavery by Another Name recounts how in the years following the Civil War, insidious new forms of forced labor emerged in the American South, keeping hundreds of thousands of African Americans in bondage, trapping them in a brutal system that would persist until the onset of World War II. -
Slavery by Another Name History Background
Slavery by Another Name History Background By Nancy O’Brien Wagner, Bluestem Heritage Group Introduction For more than seventy-five years after the Emancipation Proclamation and the end of the Civil War, thousands of blacks were systematically forced to work against their will. While the methods of forced labor took on many forms over those eight decades — peonage, sharecropping, convict leasing, and chain gangs — the end result was a system that deprived thousands of citizens of their happiness, health, and liberty, and sometimes even their lives. Though forced labor occurred across the nation, its greatest concentration was in the South, and its victims were disproportionately black and poor. Ostensibly developed in response to penal, economic, or labor problems, forced labor was tightly bound to political, cultural, and social systems of racial oppression. Setting the Stage: The South after the Civil War After the Civil War, the South’s economy, infrastructure, politics, and society were left completely destroyed. Years of warfare had crippled the South’s economy, and the abolishment of slavery completely destroyed what was left. The South’s currency was worthless and its financial system was in ruins. For employers, workers, and merchants, this created many complex problems. With the abolishment of slavery, much of Southern planters’ wealth had disappeared. Accustomed to the unpaid labor of slaves, they were now faced with the need to pay their workers — but there was little cash available. In this environment, intricate systems of forced labor, which guaranteed cheap labor and ensured white control of that labor, flourished. For a brief period after the conclusion of fighting in the spring of 1865, Southern whites maintained control of the political system. -
The Thirteenth Amendment: Modern Slavery, Capitalism, and Mass Incarceration Michele Goodwin University of California, Irvine
Cornell Law Review Volume 104 Article 4 Issue 4 May 2019 The Thirteenth Amendment: Modern Slavery, Capitalism, and Mass Incarceration Michele Goodwin University of California, Irvine Follow this and additional works at: https://scholarship.law.cornell.edu/clr Part of the Constitutional Law Commons Recommended Citation Michele Goodwin, The Thirteenth Amendment: Modern Slavery, Capitalism, and Mass Incarceration, 104 Cornell L. Rev. 899 (2019) Available at: https://scholarship.law.cornell.edu/clr/vol104/iss4/4 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell Law Review by an authorized editor of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. THE THIRTEENTH AMENDMENT: MODERN SLAVERY, CAPITALISM, AND MASS INCARCERATION Michele Goodwint INTRODUCTION ........................................ 900 I. A PRODIGIOUS CYCLE: PRESERVING THE PAST THROUGH THE PRESENT ................................... 909 II. PRESERVATION THROUGH TRANSFORMATION: POLICING, SLAVERY, AND EMANCIPATION........................ 922 A. Conditioned Abolition ....................... 923 B. The Punishment Clause: Slavery's Preservation Through Transformation..................... 928 C. Re-appropriation and Transformation of Black Labor Through Black Codes, Crop Liens, Lifetime Labor, Debt Peonage, and Jim Crow.. 933 1. Black Codes .......................... 935 2. Convict Leasing ........................ 941 -
UNIVERSITY of CALIFORNIA, SAN DIEGO the Penitentiary at Richmond
UNIVERSITY OF CALIFORNIA, SAN DIEGO The Penitentiary at Richmond: Slavery, State Building, and Labor in the South’s First State Prison A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Hilary Louise Coulson Committee in charge: Professor Rebecca Jo Plant, Chair Professor Stephen D. Cox Professor Mark Hanna Professor Mark Hendrickson Professor Rachel Klein 2016 Copyright Hilary Louise Coulson, 2016 All Rights Reserved The Dissertation of Hilary Louise Coulson is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my parents, Richard and Laura Coulson who always believed I could, and for my husband, Frank Fernandez, who helped me prove it. iv EPIGRAPH “You know we don’t have our prisons like yours of the North, like grand palaces with flower-yards.” –Keeper of the Virginia Penitentiary, c. 1866 v TABLE OF CONTENTS Signature Page ............................................................................................... iii Dedication ...................................................................................................... -
Award Winners
RITA Awards (Romance) Silent in the Grave / Deanna Ray- bourn (2008) Award Tribute / Nora Roberts (2009) The Lost Recipe for Happiness / Barbara O'Neal (2010) Winners Welcome to Harmony / Jodi Thomas (2011) How to Bake a Perfect Life / Barbara O'Neal (2012) The Haunting of Maddy Clare / Simone St. James (2013) Look for the Award Winner la- bel when browsing! Oshkosh Public Library 106 Washington Ave. Oshkosh, WI 54901 Phone: 920.236.5205 E-mail: Nothing listed here sound inter- [email protected] Here are some reading suggestions to esting? help you complete the “Award Winner” square on your Summer Reading Bingo Ask the Reference Staff for card! even more awards and winners! 2016 National Book Award (Literary) The Fifth Season / NK Jemisin Pulitzer Prize (Literary) Fiction (2016) Fiction The Echo Maker / Richard Powers (2006) Gilead / Marilynn Robinson (2005) Tree of Smoke / Dennis Johnson (2007) Agatha Awards (Mystery) March /Geraldine Brooks (2006) Shadow Country / Peter Matthiessen (2008) The Virgin of Small Plains /Nancy The Road /Cormac McCarthy (2007) Let the Great World Spin / Colum McCann Pickard (2006) The Brief and Wonderous Life of Os- (2009) A Fatal Grace /Louise Penny car Wao /Junot Diaz (2008) Lord of Misrule / Jaimy Gordon (2010) (2007) Olive Kitteridge / Elizabeth Strout Salvage the Bones / Jesmyn Ward (2011) The Cruelest Month /Louise Penny (2009) The Round House / Louise Erdrich (2012) (2008) Tinker / Paul Harding (2010) The Good Lord Bird / James McBride (2013) A Brutal Telling /Louise Penny A Visit -
Community Viewing Guide
COMMUNITY VIEWING GUIDE COMMUNITY VIEWING GUIDE CONTENTS INTRODUCTION ....................................................................................................................................................................... 1 BEYOND THE BROADCAST.................................................................................................................................................. 3 USING THIS GUIDE .................................................................................................................................................................. 4 FILM SYNOPSIS......................................................................................................................................................................... 5 ORGANIZING A SCREENING ................................................................................................................................................ 8 FOSTERING PRODUCTIVE DIALOGUE .......................................................................................................................... 10 THE DIALOGUE: Discussion Prompts ........................................................................................................................... 13 THE DIALOGUE: Suggested Topics ................................................................................................................................. 14 MOVE TO ACTION ................................................................................................................................................................ -
SLAVERY by ANOTHER NAME INTRODUCTION 3 the Company for the Duration of His Sentence
BY ANOTHER NAME QUO THE RE-ENSLAVEMENT OF BLACK PEOPLE IN AMERICA FROM THE CIVIL WAR TO WORLD WAR II DOUGLAS A. BLACKMON DOUBLEDAY N E W YORK LONDON TORONTO SYDNEY AUCKLAND CONTENTS A Note on Language x i Introdngtion: The Bricks We Stand’ On 1 PART ONE: THE SLOW POISON I. THE WEDDING Fruits o f Freedom 13 II. AN INDUSTRIAL SLAVERY “Niggers is cheap. ” 3 9 III. SLAVERY’S INCREASE “Day after day toe looked Death in the face if was cfraid to speak. ” 5 8 IV. GREEN COTTENHAM’S WORLD “The negro dies faster. ” 8 4 PART TWO: HARVEST OF AN UNFINISHED WAR V. THE SLAVE FARM OF JOHN PACE “I don’t owe you anything. ” in \ \ \ X CONTENTS VI. SLAVERY IS NOT A CRIME shall have to kill a thousand. .. to get them back to their places. ” 155 VII. THE INDICTMENTS “I was whipped nearly every day. ” 181 V III. A SUM M ER OF TR IA LS , 1903 ''‘The 'master treated the slave unmercifully. ” 217 IX. A RIVER OF ANGER A N 0 T F The South Is “an armed camp. ” 233 X. THE DISAPPROBATION OF GOD ON LANGUAGE “It is a very rare thing that a negro escapes. ” 246 XI. SLAVERY AFFIRMED a “Cheap cotton depends on cheap niggers. ” 270 XII. NEW SOUTH RISING “Thisgreat corporation.” , 278 Periodically throughout this book, there are quotations from individuals PART THREE: who used offensive racial labels. I chose not to samtize these historical THE FINAL CHAPTER OF AMERICAN SLAVERY statements but to present the authentic language of the period, whenever documented direct statements are available. -
Lynched for Drinking from a White Man's Well
This site uses cookies. By continuing to browse this site you are agreeing to our use of cookies.× (More Information) Back to article page Back to article page Lynched for Drinking from a White Man’s Well Thomas Laqueur This April, the Equal Justice Initiative, a non-profit law firm in Montgomery, Alabama, opened a new museum and a memorial in the city, with the intention, as the Montgomery Advertiser put it, of encouraging people to remember ‘the sordid history of slavery and lynching and try to reconcile the horrors of our past’. The Legacy Museum documents the history of slavery, while the National Memorial for Peace and Justice commemorates the black victims of lynching in the American South between 1877 and 1950. For almost two decades the EJI and its executive director, Bryan Stevenson, have been fighting against the racial inequities of the American criminal justice system, and their legal trench warfare has met with considerable success in the Supreme Court. This legal work continues. But in 2012 the organisation decided to devote resources to a new strategy, hoping to change the cultural narratives that sustain the injustices it had been fighting. In 2013 it published a report called Slavery in America: The Montgomery Slave Trade, followed two years later by the first of three reports under the title Lynching in America, which between them detailed eight hundred cases that had never been documented before. The United States sometimes seems to be committed to amnesia, to forgetting its great national sin of chattel slavery and the violence, repression, endless injustices and humiliations that have sustained racial hierarchies since emancipation. -
The Man Booker Prize This Prestigious Award Is Awarded to The
The Man Booker Prize The National Book Foundation presents this Listed here are the Best Novel winners. This prestigious award is awarded to the award, one of the nation=s most preeminent best contemporary fiction written by a literary prizes. 2008 Powers by Ursula Le Guin 2007 The Yiddish Policemen’s Union by Michael citizen of the Commonwealth or the Republic Chabon of Ireland. 2008 Shadow Country by Peter Matthiessen 2006 Seeker by Jack McDevitt 2007 Tree of Smoke by Denis Johnson 2005 Camouflage by Joe Haldeman 2006 Echo Maker by Richard Powers 2008 The White Tiger by Aravind Adiga 2004 Paladin of Souls by Lois McMaster Bujold 2005 Europe Central by William T. Vollmann 2007 The Gathering by Anne Enright 2004 The News from Paraguay by Lily Tuck 2006 Inheritance of Loss by Kiran Desai 2003 The Great Fire by Shirley Hazard PEN/Faulkner Award 2005 The Sea by John Banville The PEN/Faulkner Foundation confers this 2004 The Line of Beauty by Alan Hollinghurst 2003 Vernon God Little by DBC Pierre annual prize for the best work of fiction by an American author. The Edgar Award The National Book Award for Nonfiction 2009 Netherland by Joseph O’Neill 2008 The Hemingses of Monticello: An American The Edgar Allan Poe Awards are given by 2008 The Great Man by Kate Christensen Family by Annette Gordon-Reed 2007 Everyman by Philip Roth the Mystery Writers of America to honor 2007 Legacy of Ashes: The History of the C.I.A. 2006 The March by E.L. Doctorow authors of distinguished work in various by Tim Weiner 2005 War Trash by Ha Jin categories. -
Understanding the Convict Lease System: the Longer Life of Alabama Black Enslavement
Understanding the Convict Lease System: The Longer Life of Alabama Black Enslavement By Sarah Carmack. 2020. All rights reserved by author. Anti-Emancipation in the South Alabama had the nation’s longest-running system of Convict Leasing, made legal from 1846 until 1928. In the decades before the Civil War, the state leased white prisoners to private individuals for profit to the state. Prior to Emancipation, Black men and women were not brought into a formal criminal justice system or prison system. They were either unjustly punished by enslavers or killed for alleged crimes by local mobs. The effects of state prison practices would rise and spread throughout the Southern Black community after Emancipation. Convict Leasing is one of the least understood and most dangerous systems of Black oppression in the post-Civil War South and was disguised and accepted as a perpetual and necessary source of revenue for local and state governments. In Alabama, profitability sent most forced-work prisoners underground to coal mines with a high chance they would not return alive. During many periods of this long-practiced horror, one in ten men did not survive forced prison work. Understanding this history makes us even more watchful of current prison policy and work practices in a state that incarcerates the third largest prison population in the U.S. with no sign of decrease. Loop Holes, Black Codes, and a New Imprisonment A broken, oppressive economic system created a broken civil war and backfired on the former Confederate South – industry and agriculture were in a post-Civil War shambles. -
Convict Leasing and the Construction of Carceral
RAGGED BATTALIONS, PLOTTING LIBERTY: CONVICT LEASING AND THE CONSTRUCTION OF CARCERAL CAPITALISM IN FLORIDA, 1875-1925 E. Carson Eckhard AN HONORS THESIS in HIstory Presented to the Faculty of the Department of HIstory of the UniversIty of Pennsylvania in PartIal Fulfillment of the Requirements for the Degree of Bachelor of Arts wIth Honors 2021 Warren Breckman, Honors Seminar Director Mia Bay, Thesis Advisor _____________________________ Sinyen Fei Undergraduate Chair, Department of History I Acknowledgements This project would not have been possIble wIthout the many people who supported me along the way. I would lIke to thank my advisors, MIa Bay and Warren Breckman for theIr constant support, encouragement and feedback on every draft. I am also grateful to the Andrea MItchell Center for the Study of Democracy, whose financIal support made my archival research possIble. I would also lIke to thank Jeff Green, Matt Shafer, GIdeon Cohn-Postar and Paul Wolff MItchell for theIr feedback and support throughout this Process. Thank you also to Scott WIlds for his genealogical assIstance, on this project and on others throughout my tIme at Penn. I would also lIke to thank Kathleen Brown for InsPIring me to pursue historical research and supportIng me these past four years, and Gabriel Raeburn, for IntroducIng me to Penn’s HIstory Department. AdditIonally, NatalIa Rommen and MIsha McDaniel’s love, lIstening and support empowered me throughout this project. Lastly, I am endlessly grateful to my famIly and friends, whose encouragement and patIence made this process possIble and enjoyable. I am especIally thankful for my grandparents, Janie and Harry ClIne, who have nurtured my love of history sInce I was a child. -
The Devil Is Watching You: Lynching and Southern Memory, 1940–1970
THE DEVIL IS WATCHING YOU: LYNCHING AND SOUTHERN MEMORY, 1940–1970 A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by MARI N. CRABTREE August 2014 ©2014 Mari N. Crabtree ii THE DEVIL IS WATCHING YOU: LYNCHING AND SOUTHERN MEMORY, 1940–1970 Mari N. Crabtree, Ph.D. Cornell University, 2014 This dissertation is a cultural history of lynching in African American and white southern memory. Mob violence had become relatively infrequent by 1940, yet it cast a long shadow over the region in the three decades that followed. By mining cultural sources, from folklore and photographs to my own interviews with the relatives of lynching victims, I uncover the ways in which memories of lynching seeped into contemporary conflicts over race and place during the long Civil Rights Era. The protest and counter-protest movements of the 1950s and 1960s garner most of the attention in discussions of racial violence during this period, but I argue that scholars must also be attentive to the memories of lynching that register on what Ralph Ellison called “the lower frequencies” to fully understand these legacies. For instance, African Americans often shielded their children from the most painful memories of local lynchings but would pass on stories about the vengeful ghosts of lynching victims to express their disgust with these unpunished crimes. By interpreting these memories through the lenses of silence, haunting, violence, and protest, I capture a broad range of legacies, from the subtle to the overt, that illustrate how and why lynching maintained its stranglehold on southern culture.