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Sydney Program Guide
Page 1 of 39 Sydney Program Guide Sun Oct 20, 2019 06:00 TANGLED THE SERIES Repeat WS PG Great Expotations Cassandra is given the chance to be a guard for the Judge of the Exposition of the Sciences, but only if she can complete her handmaiden duties in time. Cons.Advice: Mild Violence 06:30 TANGLED THE SERIES Repeat WS PG Under Raps Rapunzel discovers that Cassandra has a new crush, but could Cassandra's new beau be interested in more than Cassandra's heart? Cons.Advice: Mild Violence 07:00 KIDS' WB SUNDAY WS PG Kids' WB is celebrating its 14th fantastic year with bigger and better prizes than ever! Join Lauren Phillips for lots of laughs, special guests, wacky challenges and all your favourite cartoons. 07:05 LOONEY TUNES CLASSICS WS PG Adventures of iconic Looney Tunes characters Bugs Bunny, Daffy Duck, Tweety, Silvester, Granny, the Tasmanian Devil, Speedy Gonzales, Marvin the Martian, Wile E. Coyote and the Road Runner. 07:30 BERRY BEES Captioned WS C The Milk Shakey Shook/Stars Fall The Milk Shakey Shake is ransacked, and the BIA receives a ransom demand: someone's stolen all the adult agents' files and they're going to release them if they don't get a skeleton key for all the zoo's in the country. 08:00 THE NEW LOONEY TUNES Repeat WS G Pork Lift / Thes In The City / Elmer's Fuddge / Angelo The Mighty Flea The hilarious, heroic and mischievous Bugs Bunny you love is back. The iconic carrot-loving rabbit will be matching wits against -- and getting the best of -- classic characters like Yosemite Sam and Wile E. -
Who's Got It, Who's Lost It, and Who's Behind the Scenes
Trump v the swamp Mike Baird Ninja Warriors Leaks flood the White House Why I quit politics TV’s hit machine brothers OCTOBER 2017 POWER 2017 Who’s got it, who’s lost it, and who’s behind the scenes 8 LEAH PURCELL Actor, playwright, director Because: She allows white audiences to see from an Aboriginal perspective. Her radical adaptation of Henry Lawson’s The Drover’s Wife broke new ground for Australian theatre. Among its string of awards was the NSW Premier’s Literary Award for best drama, whose judges described it as “a declaration of war on Australia’s wilful historical amnesia”. Purcell, a Goa-Gunggari-Wakka Wakka Murri woman, uses the full arsenal of drama to tell new stories. In 2016 she co-directed Cleverman, which screened on ABC TV and meshed Aboriginal dreamtime stories into contemporary sci-fi genre. She also co-directed The Secret Daughter, which screened on Seven Network last year and has now been signed for a second series. Starring Jessica Mauboy, it marks the first time a commercial network has put an Indigenous Australian as the lead in a drama series. Season one was the second-highest rating drama for the year. What the panel says: She’s an Indigenous woman with a very political view. The Drover’s Wife was an incredible achievement and will make for a brilliant film. She also has two mainstream TV series on air and she’s winning every single award. – Graeme Mason The Drover’s Wife told the story in a completely different way to which it has been told before. -
Unesco Creative Cities Membership Monitoring Report 2015-17 MEMBERSHIP MONITORING REPORT
unesco creative cities membership monitoring report 2015-17 MEMBERSHIP MONITORING REPORT GENERAL INFORMATION. CONTRIBUTION TO THE NETWORK’S GLOBAL MANAGEMENT. MAJOR INITIATIVES IMPLEMENTED AT LOCAL LEVEL. MAJOR INITIATIVES IMPLEMENTED THROUGH INTER-CITY COOPERATION. PROPOSED ACTION PLAN. ANGELINA JOLIE AT THE SYDNEY PREMIER OF UNBROKEN CONTENTS. 2015-17 MEMBERSHIP MONITORING REPORT With support from the NSW Government, the City of Sydney, and key screen industry stakeholders, Sydney was awarded the UNESCO City of Film designation in December 2010. The existing screen infrastructure in Sydney and the diversity and value of film culture of Sydney was a major reason for the success of Sydney’s bid. It placed Sydney as the second City of Film in the UCCN. As the specialist agency in screen matters, management of the status of the City of Film was given to the former agency Screen NSW, with the agreement of the City of Sydney and the support of the NSW Government and former Minister for the Arts. The UNESCO Creative City designation is consistent with the aims of the NSW Creative Industries Action Plan, which seeks to ensure that NSW, through Sydney, is recognised as a global creative centre and leader in creative industries. Sydney and its surrounds continue to be the location for high levels of both international and local production and post-production, as well as many Australian TV dramas. NSW is the dominant state for screen production in Australia with more than 60% of Australian production and post-production businesses located in here. With a suite of funding opportunities for the professional production sector, from early development to production finance and a range of industry development programs, the organization supports the continued growth and development of a creative sector that returns significant economic benefits, large numbers of jobs and high cultural and social returns to the community. -
Marriageability and Indigenous Representation in the White Mainstream Media in Australia
Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction …………………………………………………………………………. -
Showcast: Peter Cook
Peter Cook FREELANCE ARTIST P 0429 455 711 E [email protected] Details Gender Male Age Range 30 - 40 Height 180cm Base Location Sydney Sydney, Brisbane, Melbourne, Adelaide, Auckland, Australian Capital Available In Territory, Christchurch, International, Perth, Wellington Skills Actor, Presenter Hair Black Eye Brown Ethnicity Caucasian Credits 2016 TV Raff The Secret Daughter Seven Network, Leah Purcell 2015 ST Imre The Chain Bridge The Street Theatre, Caroline Stacey 2014 TV Father Australia, The Story of US Network 7, Hugh Ballantyne 2013 TV Police Officer Old School ABC TV, Various TV Detective Evans Secrets and Lies Network Ten, Peter Salmon 2012 TV Macca The Gods of Wheat Street ABC TV, Catriona McKenzie TV Jake REDFERN NOW ABC TV, Catriona McKenzie 2011 ST The Removalist The Removalists Queensland Theatre Co, Jo Mitchell 2010 TV Engineer Terra Nova 20th Century Fox TV, Alex Graves ST Michael Tender ...and moor theatre, Andrea Moor 2009 FF Duke Edward Beauty and The Beast Limelight International, David Lister FF Warren Down Under Mystery Tour Boom in Shot Productions, Michael Noonan 2008 ST Tamora Anatomy Titus Fall of Rome Bell Shakespeare / QTC, Michael Gow ST Abalone The Eistedfodd The Street Theatre, Canberra, Briget Balodis 2007 ST George Wet and Dry NIDA Directors Season, Georgie Alexander ST Ben / Ray Breathing Corpses The Street Theatre, Canberra, Camilla Blunden ST Beer Thore House Baze Productions, Danijela Hodges 2005 TV Shayne Henderson All Saints Channel 7, Lyn Hegarty ST Douglas Europe Queensland Theatre -
The Roving Party &
The Roving Party & Extinction Discourse in the Literature of Tasmania. Submitted by Rohan David Wilson, BA hons, Grad Dip Ed & Pub. School of Culture and Communication, Faculty of Arts, University of Melbourne. October 2009. Submitted in total fulfilment of the requirements of the degree of Master of Arts (Creative Writing). Abstract The nineteenth-century discourse of extinction – a consensus of thought primarily based upon the assumption that „savage‟ races would be displaced by the arrival of European civilisation – provided the intellectual foundation for policies which resulted in Aboriginal dispossession, internment, and death in Tasmania. For a long time, the Aboriginal Tasmanians were thought to have been annihilated, however this claim is now understood to be a fallacy. Aboriginality is no longer defined as a racial category but rather as an identity that has its basis in community. Nevertheless, extinction discourse continues to shape the features of modern literature about Tasmania. The first chapter of this dissertation will examine how extinction was conceived of in the nineteenth-century and traces the influence of that discourse on contemporary fiction about contact history. The novels examined include Doctor Wooreddy’s Prescription for Enduring the Ending of the World by Mudrooroo, The Savage Crows by Robert Drewe, Manganinnie by Beth Roberts, and Wanting by Richard Flanagan. The extinctionist elements in these novels include a tendency to euglogise about the „lost race‟ and a reliance on the trope of the last man or woman. The second chapter of the dissertation will examine novels that attempt to construct a representation of Aboriginality without reference to extinction. -
Online & on Demand 2017: Introduction
Online & On Demand 2017 Trends in Australian online viewing habits Online & On Demand 2017: Introduction Most Australians use the internet to watch professionally produced screen content. Online viewing is a new normal – one that supplements and challenges cinema and broadcast television, and that evolves as quickly as the technology that drives it. Screen Australia provides research on industry facts and trends to Contents inform government, industry and audiences. In 2014, Screen Australia released the ‘Online and on Demand’ report using Nielsen data, which Introduction 2 Key findings 3-4 showed how Australian audiences were using new online options. This Drivers, influencers and barriers 5-7 updated report examines major changes since 2014, including the Devices, locations and social media 8-11 Australian launch of subscription platforms such as Netflix and Stan, Viewing behaviours of VOD users 12-25 Overall platform use 12-16 the evolution of TV broadcaster online services, and the growth of Most-used services 17-23 YouTube, Facebook and other social services. Piracy 25 Attitudes of VOD users (to SVOD, companions) 26-27 Australian content behaviours 28-30 The findings are extensive. Australian video on demand users still Australian content attitudes 31-41 watch via traditional platforms, and they are watching more video – Dramas and documentaries 31 using broadcaster, subscription and advertising-driven options. They Paying for content 32 Children’s content 34 are pirating less. They choose what to watch based on old and new Favourite Australian titles 36-41 factors. And with the world’s content at their fingertips, Australian Appendix: Methodology, sample, terms 42-44 VOD users are seeking out Australian content, and want new Australian screen stories. -
Australian Cinema Umbrella Australian Cinema
20152017 UMBRELLAUMBRELLA CATALOGUECATALOGUE AUSTRALIAN CINEMA UMBRELLA AUSTRALIAN CINEMA DVD DVD DCP DVD BD THE ADVENTURES OF BARRY MCKENZIE ANGEL BABY AUTOLUMINESCENT Reviled by the critics! This year marks the 20th Anniversary of this Containing a selection of rare footage and moving interviews Adored by fair-dinkum Aussies! landmark Australian Drama. with Rowland S. Howard, Nick Cave, Wim Wenders, Mick Harvey, Lydia Lunch, Henry Rollins, Thurston Moore, In this fan-bloody-tastic classic, directed by Bruce Beresford Winner of 7 AFI Awards, including Best Film, Best Director, Best Actor and Best Actress. Bobby Gillespie, and Adalita, AUTOLUMINESCENT traces (his first feature) Australia’s favourite wild colonial boy, the life of Roland S. Howard, as words and images etch Barry McKenzie (Barry Crocker), journeys to the old country Written and directed by Michael Rymer (Hannibal) and light into what has always been ‘the mysterious dark’. accompanied by his Aunt Edna Everage (Barry Humphries) starring Jacqueline McKenzie (Romper Stomper), John to take a Captain Cook and further his cultural and intellectual Lynch (In the Name of the Father) and Colin Friels (Malcolm), “ IF YOU MAKE SOMETHING THAT IS SO MAGICAL, SO UNIQUE education. this multi-award winning drama tells a tragic tale of love YOU WILL PAY THE PRICE... IT’S THE DEVIL’S BARGAIN.” between two people with schizophrenia as they struggle with LYDIA LUNCH life without medication. “ HEARTBREAKINGLY GOOD AND FILLED WITH A DESPERATE INTENSITY.” JANET MASLIN, THE NEW YORK TIMES FOR ALL ENQUIRIES REGARDING UMBRELLA’S THEATRICAL CATALOGUE umbrellaent.films @Umbrella_Films PLEASE CONTACT ACHALA DATAR – [email protected] | 03 9020 5134 AUSTRALIAN CINEMA BP SUPER SHOW DVD LOUIS ARMSTRONG One of the greatest musical talents of all time, Louis ‘Satchmo’ Armstrong raised his trumpet and delivered a sensational concert for the BP Supershow, recorded at Australia’s Television City (GTV 9 Studios) in 1964. -
M Ed Ia R Elea Se
$15 MILLION FOR FIFTEEN PROJECTS: SCREEN AUSTRALIA’S LATEST FILM AND TV FUNDING ROUND INCLUDES FRED SCHEPISI’S ANDORRA AND A REMAKE OF 1976 CLASSIC STORM BOY Tuesday 29 November 2016: The latest round of Screen Australia funding supports a diverse slate of stories that venture across the globe and cater to all kinds of audiences - from family-friendly content like the remake of Australian classic Storm Boy and season two of The Secret Daughter, bold war dramas Jirga and Fighting Season, romantic thriller Andorra, the music biopic Friday On My Mind and sports drama Sunshine. Seven films and eight television series were approved for production investment funding at the latest Screen Australia board meeting on Friday November 11, totalling more than $15 million in funding. Graeme Mason, CEO of Screen Australia said: “This is a bumper slate of titles for our last production investment funding round of the calendar year. We are delighted to be supporting TV projects from so many of the major players all in one round including Foxtel, Channel Seven, Network Ten, the ABC and SBS. And in film we look forward to seeing the latest from acclaimed talents Fred Schepisi, Jonathan Teplitzky and John Maynard.” The successful feature film projects are: • An inspired and contemporary re-imagining of the 1976 classic family film Storm Boy from writer MEDIA RELEASE Justin Monjo (The Secret Daughter, Spear), director Shawn Seet (Deep Water, The Code) and Ambience Entertainment producers Michael Boughen and Matthew Street (Tomorrow When the War Began – 2016 TV series and 2010 film). This time around we first meet Mike ‘Storm Boy’ Kingley as a grandfather who recounts his childhood adventures to his conflicted teenage granddaughter, and how his life changed forever when he formed a special bond with orphaned pelican Mr Percival. -
3 March 2017
3 MARCH - 19 MARCH 2017 VOL 34 - ISSUE 5 CELEBRATING NSW SENIORS FESTIVAL There are a number of events happening in the Hills Shire and the Hawkesbury City to celebrate NSW seniors festival, which runs from Friday, 3 March to Sunday, 12 March 2017. Highlights include: Discover Digital- Senior’s Walk Castle Hill Tech Savvy Seniors Facebook for Seniors March 6, 2017 - 10-12pm Intro to Tablets March 6, 2017 - 10-12pm Heritage Park Drive March 7, 2017 - 9.30-11.30 Castle Hill Library Castle Hill Vinegar Hill Library FREE - Call 9761 4510 FREE - Call 9843 0534 FREE - Call 8889 5200 NRMA Older Driver’s Education Program Aqua Aerobics Beginner Class On The March 7, 2017 - 10.30am Waves Aquatic Centre Use Of Tablets Council Admin Buidling Tue, Thur 7pm / Sat 11am March 14, 2017 - 10-11.30am 3 Columbia Court, Baulkham Hills 44 Mileham Ave, Baulkham Hills Hawkesbury Central Library FREE - CALL 9843 0534 FREE - Call 9639 6133 Bookings essential 4560 4460 Born in Sydney with over 30 years finance experience over a broad range of industries, I am well qualified to provide you with tailor- Sandstone made solutions. I can access competitive rates across a complete range of financial products such as housing/personal loans, MARK VINT bridging finance, asset financing, business loans and for property Sales developments. I simplify the process for you. 9651 2182 Buy Direct From the Quarry I am qualified with a B.Com and an MBA. My passion is in finance and 270 New Line Road helping people and have won awards. -
Leah Purcell
LEAH PURCELL Leah Purcell is one of Australia’s leading actors, writers, and directors with award-winning roles across all mediums. She is a proud Goa-Gunggari-Wakka Wakka Murri woman from QLD. The Drover’s Wife The Legend Of Molly Johnson is Leah’s debut feature film which premiered at SXSW as part of their Narrative Spotlight programme in March 2021. The film is directed by and written by Leah, co-produced by her production company Oombarra Productions, and sees Leah star in the leading role of Molly Johnson. Her previous adaptations of The Drover’s Wife include the multi-award winning theatrical play which was a sell-out success at Belvoir St Theatre, and the novel which is currently available through Penguin Random House. Leah’s extensive career has seen her in leading roles in the TV series Police Rescue, Redfern Now, and Janet King. She is currently playing the main role of Rita Connors in Foxtel / Fremantle’s internationally acclaimed series Wentworth, where she was nominated for Best Lead Actor in a Television Series at the AACTA Awards. Notable theatrical performances include Marriage of Figaro (QTC) opposite Geoffrey Rush, Neil Armfield’s Stuff Happens (Company B); Parramatta Girls (Company B), The Story of the Miracles at Cookie’s Table (Griffin Theatre, Malthouse Theatre, QPAC) Michael Attenborough’s When the Rain Stops Falling (Almeida Theatre, London); and Bell Shakespeare’s 20th Anniversary production of King Lear. Off-camera Leah has written for Black Chicks Talking (stage play and documentary), My Place (ABC), Redfern Now (ABC), Ready for This (ABC/Blackfella Films), and was the indigenous story consultant for Love Child (Nine/Playmaker). -
Sbs Submission to the Department of Infrastructure, Transport
SBS SUBMISSION TO THE DEPARTMENT OF INFRASTRUCTURE, TRANSPORT, REGIONAL DEVELOPMENT AND COMMUNICATIONS SUPPORTING AUSTRALIAN STORIES ON OUR SCREENS – OPTIONS PAPER JULY 2020 The Special Broadcasting Service Corporation (SBS) appreciates the opportunity to submit to Screen Australia and the Australian Communications and Media Authority (the ACMA), regarding the Supporting Australian Stories on Our Screens—Options Paper (the Options Paper), as part of the Government’s consultation on options to support Australian stories on our screens in a modern, multi-platform environment (the Consultation). For over 40 years, SBS has developed compelling and thought-provoking content that tells the stories of a truly diverse Australia. SBS content is delivered free across broadcast and online platforms to all Australians in multiple languages. As part of SBS, National Indigenous Television (NITV) continues to deliver cultural benefits to audiences through its distinctive content and landmark events. NITV creates inspiring storytelling for all Australians, sharing trusted children’s content, news and current affairs, sport and entertainment programming through an Indigenous lens. There is a pressing need to review the current regulatory framework governing the production and communication of Australian stories and SBS is uniquely placed to play an even greater role in supporting the production of high-quality Australian content, if additional funding is made available to SBS to commission additional Australian stories untold by other media. The Options Paper sets out a broad spectrum of potential reforms. SBS does not endorse any of the proposed models as written in the Options Paper, but Option 3 with a number of variations, as outlined in this submission, is preferred.