Showcast: Peter Cook

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Peter Cook FREELANCE ARTIST P 0429 455 711 E [email protected] Details Gender Male Age Range 30 - 40 Height 180cm Base Location Sydney Sydney, Brisbane, Melbourne, Adelaide, Auckland, Australian Capital Available In Territory, Christchurch, International, Perth, Wellington Skills Actor, Presenter Hair Black Eye Brown Ethnicity Caucasian Credits 2016 TV Raff The Secret Daughter Seven Network, Leah Purcell 2015 ST Imre The Chain Bridge The Street Theatre, Caroline Stacey 2014 TV Father Australia, The Story of US Network 7, Hugh Ballantyne 2013 TV Police Officer Old School ABC TV, Various TV Detective Evans Secrets and Lies Network Ten, Peter Salmon 2012 TV Macca The Gods of Wheat Street ABC TV, Catriona McKenzie TV Jake REDFERN NOW ABC TV, Catriona McKenzie 2011 ST The Removalist The Removalists Queensland Theatre Co, Jo Mitchell 2010 TV Engineer Terra Nova 20th Century Fox TV, Alex Graves ST Michael Tender ...and moor theatre, Andrea Moor 2009 FF Duke Edward Beauty and The Beast Limelight International, David Lister FF Warren Down Under Mystery Tour Boom in Shot Productions, Michael Noonan 2008 ST Tamora Anatomy Titus Fall of Rome Bell Shakespeare / QTC, Michael Gow ST Abalone The Eistedfodd The Street Theatre, Canberra, Briget Balodis 2007 ST George Wet and Dry NIDA Directors Season, Georgie Alexander ST Ben / Ray Breathing Corpses The Street Theatre, Canberra, Camilla Blunden ST Beer Thore House Baze Productions, Danijela Hodges 2005 TV Shayne Henderson All Saints Channel 7, Lyn Hegarty ST Douglas Europe Queensland Theatre Co, Phillip Stork ST Lead Stray Way SHort and Sweet, ST Lead The No Man Short and Sweet, Peter Cook Page 1 2004 SF David Self Serve Trop Fest Finalist, Frazer Bailey ST Various QLD Premier's Drama Awards Workshops Queensland Theatre Co, Michael Gow 2003 ST Alistair Cigarettes & Chocolate See-Saw Theatre Co, Rachel Aveling SF Ivan The Last Aussie Hero #3 Boom-In-Shot Prod, Michael Noonan SF Charlie Interaction (Winner, Best Actor, QNFA) QUT Film School, Jasmine Sladden 2002 SF Ricky Love is Blind Metro Screen, Josephine Canto SF Tim The Addict Metro Screen, Daniel Rooney TV Truck Driver (Guest) Young Lions Quicksilver productions, Robert Klenner FF Troy(News Reporter) Danny Deckchair Deckchair Productions, Jeff Balsmeyer 2001 ST Bottom A MidsummerNights Dream VCA Co. 2001, Lindy Davies ST Nazar Children of the Sun VCA, Gregori Ditiatkovski ST John Millen Observe the Sons of Ulster Marching Towards the Somme VCA, Peter Evans ST Assistant Director SOUL MUSIC Aboriginal Centre for the Performing Arts, Stephen Helper Skills & Attributes Shoe Size 10 Clothing Size Male - L Waist 90cm Chest 125cm Natural Accent Australian American Standard, East Coast American, Brooklyn, West Coast American, English, Greek, Irish, Mid Western, Scottish, Accent Skills South Western, Southern, Western Hair Length Collar Hair Style Straight Abseiling, AFL Football, Athletics, Basketball, Boxing, Cricket, Cycling, Horse Riding, Rowing, Rugby League, Rugby Sport and Athletic Union, Snow Skiing, Soccer, Squash, Tennis, Yoga Memberships M.E.A.A Drivers Licence Car Notes 2001 ST; Corbett; Dolores in the Department Store; VCA Company 2001; dir: Richard Murphett 2000 ST; Sir Toby Belch; Twelfth Night; VCA Company 2001; dir: David Symons 2000 ST; Yepihodov; The Cherry Orchard; VCA Company 2001; Lindy Davies 2000 ST; Mephistopholes; Dr Fastus Lights The Lights; Directors Season; Stephen Schiller 2000 ST; Barney; The Summer Of the 17th Doll; VCA Company 2001; Robert Draffin 1998 SF; SPeaking/Young Man; Bathurst Advertisement; Leo Burnett; Various Peter Cook Page 2.

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Who's Got It, Who's Lost It, and Who's Behind the Scenes
Trump v the swamp Mike Baird Ninja Warriors Leaks flood the White House Why I quit politics TV’s hit machine brothers OCTOBER 2017 POWER 2017 Who’s got it, who’s lost it, and who’s behind the scenes 8 LEAH PURCELL Actor, playwright, director Because: She allows white audiences to see from an Aboriginal perspective. Her radical adaptation of Henry Lawson’s The Drover’s Wife broke new ground for Australian theatre. Among its string of awards was the NSW Premier’s Literary Award for best drama, whose judges described it as “a declaration of war on Australia’s wilful historical amnesia”. Purcell, a Goa-Gunggari-Wakka Wakka Murri woman, uses the full arsenal of drama to tell new stories. In 2016 she co-directed Cleverman, which screened on ABC TV and meshed Aboriginal dreamtime stories into contemporary sci-fi genre. She also co-directed The Secret Daughter, which screened on Seven Network last year and has now been signed for a second series. Starring Jessica Mauboy, it marks the first time a commercial network has put an Indigenous Australian as the lead in a drama series. Season one was the second-highest rating drama for the year. What the panel says: She’s an Indigenous woman with a very political view. The Drover’s Wife was an incredible achievement and will make for a brilliant film. She also has two mainstream TV series on air and she’s winning every single award. – Graeme Mason The Drover’s Wife told the story in a completely different way to which it has been told before.
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Unesco Creative Cities Membership Monitoring Report 2015-17 MEMBERSHIP MONITORING REPORT
unesco creative cities membership monitoring report 2015-17 MEMBERSHIP MONITORING REPORT GENERAL INFORMATION. CONTRIBUTION TO THE NETWORK’S GLOBAL MANAGEMENT. MAJOR INITIATIVES IMPLEMENTED AT LOCAL LEVEL. MAJOR INITIATIVES IMPLEMENTED THROUGH INTER-CITY COOPERATION. PROPOSED ACTION PLAN. ANGELINA JOLIE AT THE SYDNEY PREMIER OF UNBROKEN CONTENTS. 2015-17 MEMBERSHIP MONITORING REPORT With support from the NSW Government, the City of Sydney, and key screen industry stakeholders, Sydney was awarded the UNESCO City of Film designation in December 2010. The existing screen infrastructure in Sydney and the diversity and value of film culture of Sydney was a major reason for the success of Sydney’s bid. It placed Sydney as the second City of Film in the UCCN. As the specialist agency in screen matters, management of the status of the City of Film was given to the former agency Screen NSW, with the agreement of the City of Sydney and the support of the NSW Government and former Minister for the Arts. The UNESCO Creative City designation is consistent with the aims of the NSW Creative Industries Action Plan, which seeks to ensure that NSW, through Sydney, is recognised as a global creative centre and leader in creative industries. Sydney and its surrounds continue to be the location for high levels of both international and local production and post-production, as well as many Australian TV dramas. NSW is the dominant state for screen production in Australia with more than 60% of Australian production and post-production businesses located in here. With a suite of funding opportunities for the professional production sector, from early development to production finance and a range of industry development programs, the organization supports the continued growth and development of a creative sector that returns significant economic benefits, large numbers of jobs and high cultural and social returns to the community.
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Marriageability and Indigenous Representation in the White Mainstream Media in Australia
Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction ………………………………………………………………………….
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Online & on Demand 2017: Introduction
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M Ed Ia R Elea Se
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Leah Purcell
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The Secret Daughter Is Brought to Life
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MEDIA KIT As at 22.8.16
Screen Australia and Seven Network present A Screentime Production MEDIA KIT As at 22.8.16 NETWORK PUBLICIST Elizabeth Johnson T 02 8777 7254 M 0412 659 052 E [email protected] ABOUT THE PRODUCTION Screen Australia and Seven Network present a Screentime, a Banijay Group company, production The Secret Daughter produced with the assistance of Screen Australia and Screen NSW. The major new drama for Channel Seven - THE SECRET DAUGHTER starring Jessica Mauboy, was filmed in Sydney and country NSW. The ARIA and AACTA award-winning singer and actress leads the cast as Billie Carter, a part- time country pub singer whose life changes forever after a chance meeting with wealthy city hotelier Jack Norton, played by acting great Colin Friels. Bonnie Sveen (Home and Away) plays Billie’s best friend Layla. The feel-good drama also stars Matt Levett (A Place To Call Home, Devil’s Playground), David Field (Catching Milat, No Activity), Rachel Gordon (Winter, The Moodys, Blue Heelers), Salvatore Coco (Catching Milat, The Principal), Jared Turner (The Almighty Johnsons, The Shannara Chronicles) and outstanding newcomer Jordan Hare. Supporting cast members include former Miss World Australia Erin Holland, J.R. Reyne (Neighbours), Libby Asciak (Here Come The Habibs), Johnny Boxer (Fat Pizza vs Housos), Terry Serio (Janet King), Jeremy Ambrum (Cleverman, Mabo) and Amanda Muggleton (City Homicide, Prisoner). Seven’s Director of Network Production, Brad Lyons, said: “Seven is the home of Australian drama and we’re immensely proud to be bringing another great Australian story to the screen. Jessica Mauboy is an amazing talent and this is a terrific yarn full of warmth, humour and music and we can’t wait to share it with everyone.” Screentime CEO Rory Callaghan, added: "We are delighted that this heart-warming production has attracted a cast of such depth and calibre.” THE SECRET DAUGHTER is a Screentime, a Banijay Group company, production for Channel Seven produced with the financial assistance of Screen Australia and Screen NSW.
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