Plato Laws 833C-834D and the Bears of Brauron Paula Perlman
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Greek Art in Motion Studies in Honour of Sir John Boardman On the Occasion of His 90Th Birthday
Greek Art in Motion Studies in honour of Sir John Boardman on the occasion of his 90th birthday edited by Rui Morais, Delfim Leão, Diana Rodríguez Pérez with Daniela Ferreira Archaeopress Archaeology © Archaeopress and the authors, 2019. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78969 023 1 ISBN 978 1 78969 024 8 (e-Pdf) © Archaeopress and the individual authors 2019 Cover: Head of Alexander in profile. Tourmaline intaglio, 25 x 25 mm, Ashmolean (1892.1499) G.J. Chester Bequest. Photo: C. Wagner. All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2019. Contents Preface ����������������������������������������������������������������������������������������������������������������������������������������������������������������������������������1 John Boardman and Greek Sculpture �����������������������������������������������������������������������������������������������������������������������������������3 Olga Palagia Sanctuaries and the Hellenistic Polis: An Architectural Approach �����������������������������������������������������������������������������������14 Milena Melfi ‘Even the fragments, however, merit scrutiny’: Ancient -
1 BRITISH SCHOOL at ATHENS 47Th Annual Course For
1 BRITISH SCHOOL AT ATHENS 47th Annual Course for Undergraduates The Archaeology and Topography of Ancient Greece 18th August – 7th September 2019 PROVISIONAL ITINERARY DATE DAY TIME SITE AUGUST 08.30-23.30 Arrival at the BSA Sunday 18 1 20.00 Informal dinner Monday 19 2 08.00-09.30 Breakfast 09.30-10.15 Introductory Session in Finlay Common Room 10.15-11.00 Library and Archive Tour 11.00-11.30 Coffee Break in Finlay 11.30-13.00 Key Themes I: The history of archaeology and the archaeology of history in Greece (Museum) 13.00-14.00 Buffet Lunch in Dining Room 14.00-15.30 Key Themes II: Ways of approaching archaeological sites (Museum) 15.30-17.00 Key Themes III: Archaeological Science (Fitch) 19.30 BBQ on the Finlay Terrace Tuesday 20 3 07.30-08.30 Breakfast 08.30 The Acropolis (including the interior of the Parthenon) (Lunch – self bought) The south Slope of the Acropolis Wednesday 21 4 07.30-08.30 Breakfast 08.30 The Athenian Agora and Museum The Areopagos, Philopappos Hill, The Pnyx (Lunch – self bought) The Acropolis Museum Thursday 22 5 07.30-08.30 Breakfast 08.30 Kerameikos Library of Hadrian (Lunch – self bought) Roman Agora, Little Metropolis, Arch of Hadrian, Temple of Olympian Zeus Friday 23 6 07.30-08.30 Breakfast 08.30 The National Archaeological Museum I (Mycenaean gallery, Pottery collection) (Lunch – self bought) The National Archaeological Museum II (Sculpture collection) Saturday 24 7 08.00-09.00 Breakfast 09.00 Piraeus Museum FREE AFTERNOON Sunday 25 8 FREE DAY 2 Monday 26 9 07.30-08.30 Breakfast 08.30 BSA Museum Cycladic -
Tomasz Grabowski Jagiellonian University, Kraków*
ELECTRUM * Vol. 21 (2014): 21–41 doi: 10.4467/20800909EL.14.001.2778 www.ejournals.eu/electrum THE CULT OF THE PTOLEMIES IN THE AEGEAN IN THE 3RD CENTURY BC Tomasz Grabowski Jagiellonian University, Kraków* Abstract: The cult of the Ptolemies spread in various ways. Apart from the Lagids, the initiative came from poleis themselves; private cult was also very important. The ruler cult, both that organ- ised directly by the Ptolemaic authorities and that established by poleis, was tangibly benefi cial for the Ptolemaic foreign policy. The dynastic cult became one of the basic instruments of political activity in the region, alongside acts of euergetism. It seems that Ptolemy II played the biggest role in introducing the ruler cult as a foreign policy measure. He was probably responsible for bringing his father’s nickname Soter to prominence. He also played the decisive role in popularising the cult of Arsinoe II, emphasising her role as protector of sailors and guarantor of the monarchy’s prosperity and linking her to cults accentuating the warrior nature of female deities. Ptolemy II also used dynastic festivals as vehicles of dynastic propaganda and ideology and a means to popu- larise the cult. The ruler cult became one of the means of communication between the subordinate cities and the Ptolemies. It also turned out to be an important platform in contacts with the poleis which were loosely or not at all subjugated by the Lagids. The establishment of divine honours for the Ptolemies by a polis facilitated closer relations and created a friendly atmosphere and a certain emotional bond. -
ATHENIAN Make Up
The Athenian Institution of the Khoregia The Chorus, the City and the Stage Peter Wilson University of Warwick The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge , UK http://www.cup.cam.ac.uk West th Street, New York, -, USA http://www.cup.org Stamford Road, Oakleigh, Melbourne , Australia © Cambridge University Press This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge 1 Typeset in Bembo ⁄2/ [] A catalogue record for this book is available from the British Library hardback Contents List of illustrations page x Preface xiii List of abbreviations xiv Introduction Part I THE INSTITUTION Private wealth for public performance A cultural revolution? Festival leitourgiai Serving Dionysos: the City Dionysia Processional leitourgiai: place and service in the city The Lenaia Anthesteria Service for Apollo Dancing for Hephaistos and Prometheus? Panathenaia Other services An ‘international’ khoregia ‘Whoever honours the gods best with khoroi are the best in war . .’ Organisation and operation The city and its khoregoi Appointment After nomination Poets, patrons and the polis The tasks of the khoregos vii In the khoregeion Recruitment Civic purity Training Materials of performance The politics -
Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011)
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 27 | 2014 Varia Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011) Angelos Chaniotis Electronic version URL: http://journals.openedition.org/kernos/2266 DOI: 10.4000/kernos.2266 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 November 2014 Number of pages: 321-378 ISBN: 978-2-87562-055-2 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, « Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011) », Kernos [Online], 27 | 2014, Online since 01 October 2016, connection on 15 September 2020. URL : http:// journals.openedition.org/kernos/2266 This text was automatically generated on 15 September 2020. Kernos Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011) 1 Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011) Angelos Chaniotis 1 The 24th issue of the Epigraphic Bulletin for Greek Religion presents epigraphic publications of 2011 and additions to earlier issues (publications of 2006–2010). Publications that could not be considered here, for reasons of space, will be presented in EBGR 2012. They include two of the most important books of 2011: N. PAPAZARKADAS’ Sacred and Public Land in Ancient Athens, Oxford 2011 and H.S. VERSNEL’s Coping with the Gods: Wayward Readings in Greek Theology, Leiden 2011. 2 A series of new important corpora is included in this issue. Two new IG volumes present the inscriptions of Eastern Lokris (119) and the first part of the inscriptions of Kos (21); the latter corpus is of great significance for the study of Greek religion, as it contains a large number of cult regulations; among the new texts, we single out the ‘sacred law of the tribe of the Elpanoridai’ in Halasarna. -
Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult
ΑΡΣΙΝΟΗ ΕΥΠΛΟΙΑ Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult Carlos Francis Robinson Bachelor of Arts (Hons. 1) A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2019 Historical and Philosophical Inquiry Abstract Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult By the early Hellenistic period a trend was emerging in which royal women were deified as Aphrodite. In a unique innovation, Queen Arsinoë II of Egypt (c. 316 – 270 BC) was deified as the maritime Aphrodite, and was associated with the cult titles Euploia, Akraia, and Galenaië. It was the important study of Robert (1966) which identified that the poets Posidippus and Callimachus were honouring Arsinoë II as the maritime Aphrodite. This thesis examines how this new third-century BC cult of ‘Arsinoë Aphrodite’ adopted aspects of Greek cults of the maritime Aphrodite, creating a new derivative cult. The main historical sources for this cult are the epigrams of Posidippus and Callimachus, including a relatively new epigram (Posidippus AB 39) published in 2001. This thesis demonstrates that the new cult of Arsinoë Aphrodite utilised existing traditions, such as: Aphrodite’s role as patron of fleets, the practice of dedications to Aphrodite by admirals, the use of invocations before sailing, and the practice of marine dedications such as shells. In this way the Ptolemies incorporated existing religious traditions into a new form of ruler cult. This study is the first attempt to trace the direct relationship between Ptolemaic ruler cult and existing traditions of the maritime Aphrodite, and deepens our understanding of the strategies of ruler cult adopted in the early Hellenistic period. -
Download Document
OBJECT LIST Note: Images for objects marked with ** are available on request. INTRODUCTION Amphora with the Birth of Athena Terracotta, H. 40.9 cm Statue of a Young Boy Attic black-figure, attributed to Marble, H. 87.6 cm Group E, ca. 550 BC Hellenistic, 2nd cent. BC–1st cent. AD New Haven, Yale University Art Virginia Museum of Fine Arts Museum Adolph D. and Wilkins C. Williams Fund Leonard C. Hanna, Jr., B.A., 1913 Fund ** Grave Stele of Girl Apollonia Marble, H. 112.4 cm, W. 63.5 cm, Calyx-Krater with Birth of D. 20 cm Erichthonios Hellenistic, ca. 100 BC Terracotta, H.37.9 cm. J. Paul Getty Museum Attic red-figure, attributed to the Nikias painter, ca. 400 BC Virginia Museum of Fine Arts MYTH Purchase, The Glasgow Fund Statue of a Child Hero, possibly Herakles Statuette of Silenos and Dionysos Bronze, H. 62.2 cm Terracotta, H. 12.7 cm Hellenistic, first century B.C. Late Classical, ca. 350 BC The Saint Louis Art Museum Walters Art Museum, Baltimore Stamnos with Theseus and the Minotaur Amphora with Achilles and the Terracotta, H. 36.4 cm Centaur Chiron Attic red-figure, attributed to the Terracotta, H. 41.3 cm Copenhagen Painter, ca. 470 BC Attic black-figure, attributed to the Private Collection Group of Würzburg 199, ca. 520–510 BC Calyx Krater with Medea’s Murdered Walters Art Museum, Baltimore Children; Baby Orestes Terracotta, H. 50.5 cm, Diam. 49.9 cm Coin with Hermes and Arkas Lucanian red-figure calyx-krater, Silver stater attributed to near the Policoro Painter, Pheneos, Arcadia, ca. -
1 from City-State to Region-State
The Athenian Experiment: Building an Imagined Political Community in Ancient Attica, 508-490 B.C. Greg Anderson http://www.press.umich.edu/titleDetailDesc.do?id=17798 The University of Michigan Press 1 FROM CITY-STATE TO REGION-STATE What exactly do we mean when we say that Attica in the classical period was politically “incorporated” or “uniµed”? If, for the purposes of analysis, we unpack the idea of the polis, we can distinguish three essential levels or sources of political unity in the Attic peninsula. First and most fundamental, the reach of Athenian state institutions ex- tended to the territorial limits of Attica, and this apparatus was recognized as the ultimate locus of political authority for the entire region. Second, all free, native-born, adult males in Attica were eligible to become citizens of Athens, entitling them—even obliging them—to participate in the civil, military, and religious life of the polis. From / on, enrollment took place locally in one of town and village units, or demes, scattered throughout the peninsula and was administered by one’s fellow demesmen. Third, despite the unusually large size of the polis, citizens appear to have been bound to one another by a pow- erful and at times distinctly chauvinistic form of collective consciousness or identity. Each citizen was encouraged to imagine himself a member of a sin- gle, extended, undifferentiated community of “Athenians,” sharing with his fellows a common history, culture, and destiny that set them apart from all other such communities. For most modern authorities, these distinctions will seem artiµcial and per- haps anachronistic, since it is widely felt that, unlike the nation-states of our own times, the Greek polis in general and the Athenian instance in particular 13 The Athenian Experiment: Building an Imagined Political Community in Ancient Attica, 508-490 B.C. -
Studia Varia from the J
OCCASIONAL PAPERS ON ANTIQUITIES, 10 Studia Varia from the J. Paul Getty Museum Volume 2 LOS ANGELES, CALIFORNIA 2001 © 2001 The J. Paul Getty Trust Getty Publications 1200 Getty Center Drive Suite 500 Los Angeles, California 90049-1682 www. getty. edu Christopher Hudson, Publisher Mark Greenberg, Editor in Chief Project staff: Editors: Marion True, Curator of Antiquities, and Mary Louise Hart, Assistant Curator of Antiquities Manuscript Editor: Bénédicte Gilman Production Coordinator: Elizabeth Chapin Kahn Design Coordinator: Kurt Hauser Photographers, photographs provided by the Getty Museum: Ellen Rosenbery and Lou Meluso. Unless otherwise noted, photographs were provided by the owners of the objects and are reproduced by permission of those owners. Typography, photo scans, and layout by Integrated Composition Systems, Inc. Printed by Science Press, Div. of the Mack Printing Group Cover: One of a pair of terra-cotta arulae. Malibu, J. Paul Getty Museum 86.AD.598.1. See article by Gina Salapata, pp. 25-50. Library of Congress Cataloging-in-Publication Data Studia varia. p. cm.—-(Occasional papers on antiquities : 10) ISBN 0-89236-634-6: English, German, and Italian. i. Art objects, Classical. 2. Art objects:—California—Malibu. 3. J. Paul Getty Museum. I. J. Paul Getty Museum. II. Series. NK665.S78 1993 709'.3 8^7479493—dc20 93-16382 CIP CONTENTS Coppe ioniche in argento i Pier Giovanni Guzzo Life and Death at the Hands of a Siren 7 Despoina Tsiafakis An Exceptional Pair of Terra-cotta Arulae from South Italy 25 Gina Salapata Images of Alexander the Great in the Getty Museum 51 Janet Burnett Grossman Hellenistisches Gold und ptolemaische Herrscher 79 Michael Pfrommer Two Bronze Portrait Busts of Slave Boys from a Shrine of Cobannus in Gaul 115 John Pollini Technical Investigation of a Painted Romano-Egyptian Sarcophagus from the Fourth Century A.D. -
The Divinity of Hellenistic Rulers
OriginalverCORE öffentlichung in: A. Erskine (ed.), A Companion to the Hellenistic World,Metadata, Oxford: Blackwell citation 2003, and similar papers at core.ac.uk ProvidedS. 431-445 by Propylaeum-DOK CHAPTKR TWENTY-FIVE The Divinity of Hellenistic Rulers Anßdos Chaniotis 1 Introduction: the Paradox of Mortal Divinity When King Demetrios Poliorketes returned to Athens from Kerkyra in 291, the Athenians welcomed him with a processional song, the text of which has long been recognized as one of the most interesting sources for Hellenistic ruler cult: How the greatest and dearest of the gods have come to the city! For the hour has brought together Demeter and Demetrios; she comes to celebrate the solemn mysteries of the Kore, while he is here füll of joy, as befits the god, fair and laughing. His appearance is majestic, his friends all around him and he in their midst, as though they were stars and he the sun. Hail son of the most powerful god Poseidon and Aphrodite. (Douris FGrH76 Fl3, cf. Demochares FGrH75 F2, both at Athen. 6.253b-f; trans. as Austin 35) Had only the first lines of this ritual song survived, the modern reader would notice the assimilaüon of the adventus of a mortal king with that of a divinity, the etymo- logical association of his name with that of Demeter, the parentage of mighty gods, and the external features of a divine ruler (joy, beauty, majesty). Very often scholars reach their conclusions about aspects of ancient mentality on the basis of a fragment; and very often - unavoidably - they conceive only a fragment of reality. -
W&L Traveller
W&L Traveller presents THE ANCIENT STONES OF ATHENS A Comprehensive Exploration of Europe’s Oldest City From Antiquity to the Present The Parthenon on the Athenian Acropolis May 29 - June 6, 2020 GREECE Aegean Sea Ionian “Look once more e’re we leave this specular Sea Marathon mount, Westward, much nearer by south-west, Daphni behold Athens Where on the Aegean shore a City stands Eleusis Braur on Built nobly, pure the air, and light the soil, Aegina Lavrion Athens, the eye of Greece, mother of arts and eloquence, native to famous wits.” Sounion John Milton Paradise Regained e invite you to experience the enduring legacy and con - sites and monuments - those that are well known, such as the tem - temporary vitality of Athens on this special W&L Traveller journey. ples on the Acropolis, and those that are hidden away, as for ex - WThe oldest city in Europe, Athens has been inhabited since the Ne - ample, Plato’s Academy. We will also venture into Attica, the olithic period, c. 5000 BC, and was named after Athena, the god - countryside of Athens, to explore sites that played a crucial role in dess of wisdom, who became the city’s patron. More than any other the city’s history including Marathon, site of the great battle be - city, Athens had a profound and lasting effect on the development tween the Athenians and Persians, and Eleusis, home of the great of the history of the Western world. The ideas and concepts at the Sanctuary of Demeter and of the Eleusian Mysteries. -
BRAURON the Sacred Sanctuary of Artemis Brian Clark
BRAURON The Sacred Sanctuary of Artemis Brian Clark ‘Once one has seen her, one can never forget the glory and the serenity of the admirable face of the goddess on the Brauron reliefs who so wonderfully suits her landscape.’1 The sanctuary of Artemis at Brauron is situated near a small bay in eastern Attica, about 38 kilometres from Athens. In ancient times the sanctuary was on the coast. However, today the acropolis is about ½ kilometre from the Bay of Vraona. The Brauron sanctuary lies in the Erasinos valley close to the mouth of the river, behind Mounts Pentelicus and Hymettus. Artemis was a goddess of the margins and the outdoors, associated with hunting and wildlife. One of her functions was presiding over the young and vulnerable, both animal and human, especially during transitional stages in the life cycle. As a goddess of childbirth she watched over pregnant women during the perilous, peri-natal transition. Concerned with fertility she also protected the young in the transition into puberty. Reflecting this transitional aspect, her sanctuaries were often located in marginal regions or at junctions where boundaries were unclear. Common features of the location of Artemis’ sanctuaries were in areas of transition either on the edge of cultivation or in transitional zones 1 Lily Kahil, “Mythological Repertoire of Brauron”, from Warren G. Moon (ed.), Ancient Greek Art and Iconography, University of Wisconsin Press (Madison, WI: 1983), page 243. I visited the sanctuary of Brauron in May 1999 and was overwhelmed by the ‘glory and serenity’ of the setting. near the juncture of land and water.