A Magnificent and Worthy Sequel
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Doctor Sleep : Film Tie-In PDF Book
DOCTOR SLEEP : FILM TIE-IN PDF, EPUB, EBOOK Stephen King | 512 pages | 19 Sep 2019 | HODDER & STOUGHTON | 9781529375077 | English | United Kingdom Doctor Sleep : Film Tie-In PDF Book Related Posts. Store Locations. This item will be sent through the Global Shipping Programme and includes international tracking. Another major connection is alcoholism. Description Details GoodReads Reviews Stephen King returns to the characters and territory of one of his most popular novels ever, The Shining, in this instantly riveting novel about the now middle-aged Dan Torrance the boy protagonist of The Shining and the very special year-old girl he must save from a tribe of murderous paranormals. Learn More - opens in a new window or tab. Tine minte cum ai ales sa iti folosesti datele cu caracter personal pe acest site. Tom Reimann Articles Published. People who viewed this item also viewed. Title of the book contains:. Memoreaza numarul comenzii pe care tocmai ati plasat-o pentru a va oferi optiuni suplimentare in pagina urmatoare. Contact seller. Replacement 15 days easy replacement. The consignee will be responsible for both customs clearance and payment of customs duties and local taxes where required. Description Postage and payments. Due to our competitive pricing, we may have not sold all products at their original RRP. He lives in Bangor, Maine, with his wife, novelist Tabitha King. Beneficiezi de preturi promotionale. All of our paper waste is recycled and turned into corrugated cardboard. So, both The Shining and Doctor Sleep begin with father and son respectively being given a second chance to stop destroying themselves with liquor. -
Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’S the Hinins G Bethany Miller Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Department of English, Literature, and Modern English Seminar Capstone Research Papers Languages 4-22-2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g Bethany Miller Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ english_seminar_capstone Part of the Film Production Commons, Literature in English, North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Other Film and Media Studies Commons, and the Screenwriting Commons Recommended Citation Miller, Bethany, "“Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g" (2015). English Seminar Capstone Research Papers. 30. http://digitalcommons.cedarville.edu/english_seminar_capstone/30 This Capstone Project is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in English Seminar Capstone Research Papers by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Miller 1 Bethany Miller Dr. Deardorff Senior Seminar 8 April 2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The Shining Stanley Kubrick’s horror masterpiece The Shining has confounded and fascinated viewers for decades. Perhaps its most mystifying element is its final zoom, which gradually falls on a picture of Jack Torrance beaming in front of a crowd with the caption “July 4 th Ball, Overlook Hotel, 1921.” While Bill Blakemore and others examine the film as a critique of violence in American history, no scholar has thoroughly established the connection between July 4 th, 1921, Jack Torrance, and the rest of the film. -
Jack Torrance S Haunting in
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Ondřej Parýzek Jack Torrance’s Haunting in Stephen King’s The Shining Bachelor’s Diploma Thesis Supervisor: Mgr. Jan Čapek 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ……………………………………………… Author’s signature Acknowledgement I would like to thank my supervisor Jan Čapek for his guidance and invaluable advice. Table of Contents Introduction .............................................................................................................................. 5 1. Theoretical Section ............................................................................................................ 7 1.1. The Gothic .................................................................................................................. 7 1.1.1. The Haunted Place and its Place in the New American Gothic ..................... 7 1.1.2. The Ghost ............................................................................................................ 9 1.2. Psychoanalysis .......................................................................................................... 12 1.2.1. The Uncanny, Haunting and Mirroring ......................................................... 12 1.2.2. Narcissistic Injury ............................................................................................ 15 2. Analytical Section ........................................................................................................... -
The Shining - King and Kubrick Would 0 Be Proud!
HOTEL GUEST GUIDE READ ME FIRST! Welcome to the Overlook Hotel Danny and Wendy need your help to escape! Something malevolent has sunk its claws into the very soul of Jack Torrance and it’s up to you to help his family escape from the Overlook Hotel before he finds them and does something unspeakable. Take on the roles of Wendy and Danny Torrance as you learn more about the twisted history of the sinister hotel. Can you keep your wits about you and solve the mysteries of the Overlook Hotel? Before looking at any other contents in this box, READ THIS HOTEL GUEST GUIDE! CONTENTS 4 Journals, 4 Room Tiles, 44 Clue Cards, 2 Character Standees, 11 Secret Envelopes, 1 Hotel Guest Guide 1 1 101 103 104 Wendy Torrance 1000-1999 105 COMPOSITION 101 BOOK Wendy Torrance 13 2000-2999Dan © & ™ WBEI. (s20) ny Torr 3000-4999 ance ROOM TILE 1 108 106 © & ™ WBEI. (s20) 1 Visitor Room Tiles Clue Cards 5000-9999 Book EnvelopeEnvelope 1 2 Do not open until instructed. Colorado Rockies, Colorado Envelope 3 Colorado Rockies, Colorado © & ™ WBEI. (s20)Do not open until instructed. Colorado Rockies, Colorado Colorado Rockies, Colorado Do not open until instructed. © & ™ WBEI. (s20) Envelope 4 Journals © & ™ WBEI.Do (s20) not open until instructed. © & ™ WBEI. (s20) 2 Secret Envelopes Character Standees SETUP 1. Hand out the Journals between as many different players as possible so that more people can participate in looking up results. 2. Place the stack of Room Tiles face-down. 3. Place the deck of Clue Cards face-down in numerical order next to the Room Tiles. -
Комментарии И Словарь О.Н. Прокофьевой УДК 811.111(075) ББК 81.2 Англ-9 К41 Stephen King the SHINING Дизайн Обложки А.И
Комментарии и словарь О.Н. Прокофьевой УДК 811.111(075) ББК 81.2 Англ-9 К41 Stephen King THE SHINING Дизайн обложки А.И. Орловой Печатается с разрешения издательства Doubleday, an imprint of h e Knopf Doubleday Group, a division of Penguin Random House, LLC. Grateful acknowledgment is made to the following for permission to reprint previously published material: Alfred Publishing Co., Inc: Excerpt from “Twenty Flight Rock,” words and music by Ned Fairchild and Eddie Cochran. Copyright © 1957 renewed by Unichappell Music Inc. and Elvis Presley Music Inc. All rights on behalf of Elvis Presley Music Inc. administered by Unichappell Music Inc. All rights reserved. Reprinted by permission of Alfred Publishing Co., Inc. Hal Leonard Corporation: Excerpt from “Bad Moon Rising,” words and music by John Fogerty. Copyright © 1969 by Jondora Music, copyright renewed. International copyright secured; excerpt from “Call Me (Come Back Home),” words and music by Willie Mitchell, Al Green and Al Jackson, Jr. Copyright © 1973 by Irving Music, Inc., Al Green Music, Inc. and Al Jackson, Jr. Music. Copyright renewed. All rights for Al Green Music, Inc. controlled and administered by Irving Music, Inc. All rights for Al Jackson Jr. Music administered by Bug Music. All rights reserved. Reprinted by permission of Hal Leonard Corporation. Sony/ATV Music Publishing LLC: Excerpt from “Your Cheatin’ Heart” by Hank Williams, Sr. Copyright © 1951 by Sony/ATV Music Publishing LLC. All rights administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203. All rights reserved. Reprinted by permission of Sony/ATV Music Publishing LLC. Кинг, Стивен. -
The Shining Mazes Roberto Milazzi
The Shining Mazes Roberto Milazzi Originally published in Caerdroia 41 (2012), p.49-51 “The Shining” was the third novel published by the American author Stephen King in January 1977, and three years later a film based on the novel, produced and directed by Stanley Kubrick and starring Jack Nicholson was released. The subject of this note is a key element featuring in the film, but not in the novel, a hedge maze.1 It plays a key role in the development of the plot, narrating the story of a family of three (Jack Torrance, his wife Wendy and their son Denny), set in and around the remote Overlook Hotel among the snowy mountains of Colorado. The position of caretaker is vacant and Jack secures the job, but is required to stay all winter long, when the extreme weather conditions prevent guests reaching the hotel. When the Torrance family arrives at the hotel we see them passing in front of the maze, right in front of the hotel, acknowledged by a plan of the maze on a notice board standing near its entrance. Later, while Wendy and Denny go outside to explore, we see Jack approaching a model of the maze set in the hotel’s lounge. Even if we may be not completely aware of it, its plan matches the one we saw earlier on the sign. Above: the Overlook Maze sign board Left: plan of the maze model and as shown on the sign Below: Jack studying the model in the hotel As the view shifts from an impersonal point of view to the one we assume to be Jack's own, we find ourselves drawn into what is seemingly an aerial view of the real maze, with Wendy and Denny crossing the central ‘chamber’ of the maze. -
Inside the Interpretative Maze of the Shining (1980). the Search for Meaning in Crisis
Essais Revue interdisciplinaire d’Humanités Hors-série 4 | 2018 Stanley Kubrick Inside the interpretative maze of The Shining (1980). The search for meaning in crisis Vincent Jaunas Electronic version URL: http://journals.openedition.org/essais/622 DOI: 10.4000/essais.622 ISSN: 2276-0970 Publisher École doctorale Montaigne Humanités Printed version Date of publication: 1 July 2018 Number of pages: 79-104 ISBN: 979-10-97024-04-8 ISSN: 2417-4211 Electronic reference Vincent Jaunas, « Inside the interpretative maze of The Shining (1980). The search for meaning in crisis », Essais [Online], Hors-série 4 | 2018, Online since 01 December 2019, connection on 10 December 2020. URL : http://journals.openedition.org/essais/622 ; DOI : https://doi.org/10.4000/ essais.622 Essais Inside the interpretative maze of The Shining (1980). The search for meaning in crisis Vincent Jaunas “People can misinterpret almost anything so that it coincides with views they already hold”1, Stanley Kubrick told Michel Ciment regarding The Shining. At the time, Kubrick could not have imagined that for almost 40 years, The Shining would arouse such a myriad of interpretations, many of which bordering on pure speculation. And yet the director proves how aware he was as to the challenge his film represented for whoever wished to give it an excessively coherent interpretation. Today, one only needs to explore online forums for a few minutes to observe how spectators are capable to go beyond the limits of hermeneutics to detect supposed hidden meanings in the film. The Shiningis widely regarded as un film à clef, the hidden secrets of which only a handful of sufficiently smart and tenacious spectators could discover. -
Exposing Traumas in Stephen King's the Shining and Doctor Sleep
Volume 2 Issue 3 INTERNATIONAL JOURNAL OF HUMANITIES AND December 2015 CULTURAL STUDIES ISSN 2356-5926 Exposing traumas in Stephen King’s The Shining and Doctor Sleep Jessica Folio University of Reunion Island, France Abstract This article aims at casting an innovative light on Stephen King’s The Shining (1977) and its sequel, Doctor Sleep (2013) by showing how theories of trauma are applicable to the mainstream American writer’s work. On the stage set up for his readers, King unveils a journey of traumas but he also lifts up the curtain on the ways to cope with the consequences of these traumas. Both narratives follow the flawed hero, Danny Torrance, reveal the shattering experiences lived by the latter as a five-year-old child in The Shining and the ensuing post traumatic disorders in Doctor Sleep. The texts not only offer a coalescence of traumas, representing a journey of repression and haunting but they equally open the way on the possibility of healing. Keywords: trauma, repression, regression, disorders, repetition compulsion, healing. http://ijhcschiefeditor.wix.com/ijhcs Page 328 Volume 2 Issue 3 INTERNATIONAL JOURNAL OF HUMANITIES AND December 2015 CULTURAL STUDIES ISSN 2356-5926 “The tears that heal are also the tears that scald and scourge”.1 This quotation from King’s The Shining (1977) encompasses the themes of the monstration of physical and psychological suffering, the repression but equally the resurgence of traumatic events or the quest for redemption. On the stage set up by the mainstream American writer in The Shining and its sequel, Doctor Sleep (2013), King unveils a journey of traumas but also lifts up the veil on the consequences of these traumas and on the ways to roam the path of healing. -
The Uncanniness of the Shining
Araştırma Makalesi YAZ 2020/SAYI 24 Research Article SUMMER 2020/ISSUE 24 Erensoy, Ş. F. (2020). The uncanniness of The Shining. yedi: Journal of Art, Design & Science, 24, 37-44. doi: 10.17484/yedi. 685208 The Uncanniness of The Shining Cinnet’in Tekinsizliği Şirin Fulya Erensoy, Department of Film and Television, Istanbul Bilgi University Abstract Özet Stanley Kubrick’s 1980 film The Shining has been examined and Stanley Kubrick’in 1980 yapımı The Shining (Cinnet) filmi, bugüne analyzed countless times up until today. Even though 40 years have kadar sayısız defa incelenmiş ve analiz edilmeye çalışılmıştır. 40 yıl gone by since its release, the film’s full meaning and the events geçmiş olmasına rağmen, filmin gerçekte neyi anlatmak istediği, happening to the Torrance family are still unclear. The film unfolds in Torrance ailesinin başına gelen olayların aslı, hala tam olarak a limbo-like state, between dream and reality. While writing the script, anlaşılmamıştır. Hayal ile gerçek arasında, belirsiz bir alanda Kubrick states that he was inspired by Sigmund Freud’s Das süregelen filmin senaryosunu oluştururken Kubrick, Sigmund Unheimlich (1919) essay. According to Freud, things or people that Freud’un Das Unheimlich (1919) isimli makalesinden yararlandığını arouse feelings of dread and horror belong to the realm of the belirtmiştir. Türkçe’ye tekinsizlik olarak çevrilmiş the uncanny, aşina uncanny. The uncanny is related to what is frightening, but more olduğumuz insan ve şeylerin içinde yatan rahatsız edici duyguların importantly it entails a duality, an ambiguity because it encompasses neden olduğu korku ve endişe olarak nitelendirmektedir. Terimin the familiar with the unfamiliar. This study aims to locate the uncanny temelinde bir ikilik yatmaktadır. -
The Haunted House of Memory in the Fiction of Stephen King
Napier, Will (2008) The haunted house of memory in the fiction of Stephen King. PhD thesis. http://theses.gla.ac.uk/516/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] The Haunted House of Memory in the Fiction of Stephen King Will Napier Submitted in fulfilment of the requirements for the Degree of Doctorate of Philosophy University of Glasgow Department of English Literature July 2007 © Will Napier 2007 For Elaine, Ethan, Zac, Alex and Brody ii Acknowledgements Over the past four years I have been in contact with many people as I researched material for this book. Some of those people were instrumental in assisting with putting the following pages together. I’ll start with Willy Maley, a mentor and a friend and one of the most inspiring individuals I know. As my supervisor at the University of Glasgow Willy has looked at too many versions of drafts and listened to too many ideas for me to list them, and never once did he leave a single word unread or refrain from responding to my chattering. -
Elevator to Nostalgia
Jan Arild Martinsen Elevator to Nostalgia May 2020 Bachelor’s thesis NTNU Norwegian University of Science and Technology Faculty of Humanities Department of Art and Media Studies Bachelor’s thesis 2020 Jan Arild Martinsen Elevator to Nostalgia Bachelor’s thesis May 2020 NTNU Norwegian University of Science and Technology Faculty of Humanities Department of Art and Media Studies Bachelor Thesis, FILM2000 Candidate Number: 10029 Elevator to Nostalgia By looking at three contemporary examples that replicate the elevator scene in Stanley Kubrick’s The Shining, how does the recreation of an iconic film scene refer back to the original and use it for its own pursuits? 7948 words Reference style: APA 1 Table of Contents Introduction 3 Part 1: The Shining 5 1.1 Plot Summary 5 1.2 The Elevator Scene: Thematic Adaptation 6 Part 2: Doctor Sleep 9 2.1 Plot Summary 9 2.2. Serving Two Masters 10 2.3. The Elevator Scene: A Faded Memory 12 Part 3: Ready Player One 14 3.1 Plot Summary 14 3.2 Nostalgia and Homage 15 3.3 The Elevator Scene: A Roller Coaster Ride 16 Part 4: The Mountain Dew Super Bowl Ad 19 4.1 Commercial as Art? 19 4.2 The Elevator Scene: Acid for Blood 20 Conclusion 22 Sources 24 2 Introduction A staple of popular culture is the reference, repetition, and reproduction of iconic film scenes. The most iconic moments in film history are so omnipresent in our culture that they can be familiar to us even when we haven’t seen the films, even when their context and genuine artistic meaning is lost on us. -
Minnesota Opera Presents the World Premiere of the Shining
FOR IMMEDIATE RELEASE: Contact: Eric Broker, Communications Specialist, 612-342-1612, [email protected] Carol Schuler, 612-281-7030, [email protected] Minnesota Opera Presents the World Premiere of The Shining Stephen King’s best-selling novel comes to life in a gripping new opera by Pulitzer Prize-winning composer Paul Moravec and librettist Mark Campbell MINNEAPOLIS (April 13, 2016) – Minnesota Opera concludes its 2015-2016 season with the highly anticipated world premiere of The Shining, a new opera by Pulitzer Prize-winning composer Paul Moravec and librettist Mark Campbell, premiering at the Music Theater at the Ordway in St. Paul, Minnesota on May 7, 2016. Based on the 1977 best-selling novel, The Shining is the iconic, supernatural horror story that firmly established Stephen King as the genre’s definitive voice. The novel, like the opera, is a gripping thriller about the struggles of Jack Torrance, his wife Wendy and their son Danny, to survive the isolation of the Overlook Hotel in Colorado where Jack has been engaged as winter caretaker. The family endeavors to remain together in spite of their growing isolation from the world, the hotel’s paranormal activity and Jack’s abusive nature, alcoholism and growing madness. “It’s tremendously exciting that Stephen King granted us permission to adapt The Shining into an opera,” said Minnesota Opera’s Artistic Director Dale Johnson. “Opera has the unique ability to amplify a story’s emotions. By putting one of the most powerfully imagined stories of our time into the hands of Paul Moravec and Mark Campbell, we’ve created an intensely thrilling horror opera.