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Francesco Meli Is One of the Most Fascinating and Sought-After Tenors in the World
Saverio Clemente Andrea De Amici Luca Targetti Francesco Meli is one of the most fascinating and sought-after tenors in the world. He was born in Genoa in 1980 and began studying singing at the age of seventeen with the soprano Norma Palacios at the Conservatorio Paganini. He continued his studies with Vittorio Terranova and established himself at several competitions for opera singers, including the Caruso and the Zandonai competitions. In 2002 he debuted in Macbeth, the Petite Messe Solonelle and in Puccini's Messa di gloria at the Festival dei Due Mondi in Spoleto. This marked the start of an outstanding career performing a repertoire of Bel canto and Rossini. He made his debut at La Scala at the age of just 23 in Les Dialogues des Carmelites conducted by Maestro Riccardo Muti and has returned there over the years to perform in new productions of Otello, Idomeneo, Don Giovanni, Maria Stuarda and Der Rosenkavalier. To date, Francesco Meli Francesco Meli can count eighteen playbills at Milan's La Scala. In 2005 he operned the Rossini Opera Festival season with a new production of Tenor Bianca e Falliero and the Carlo Felice opera season in Don Giovanni. He made his debut in Il Barbiere di Siviglia in Zurich, in Don Giovanni at the Théatre des Champs-Elysées in Paris, La Sonnambula in Lyon for a Virgin recording with Natalie Dessay, in Così fan tutte under conductor Riccardo Muti in Vienna, where he also performed in Anna Bolena, in Maometto II in Tokyo and in Rigoletto in his debuts at Covent Garden and at the Metropolitan. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Cast Amendment for Il Trovatore
8 DECEMBER 2015 CAST AMENDMENT IL TROVATORE (Giuseppe Verdi) 2, 4, 5, 7, 8, 9, 11, 12, 14 and 15 July at 7.15pm ; 17 July at 6.30pm Italian soprano Carmen Giannattasio has withdrawn from singing the role of Leonora in Il trovatore on 4, 7, 9, 12 and 15 July. The role will now be sung by Italian soprano Anna Pirozzi , who will make her Royal Opera debut in this new production by German director David Bösch . She will share the role with Armenian soprano Lianna Haroutounian (2, 5, 8, 11, 14 and 17 July) as previously announced. Anna Pirozzi was born in Naples and studied at the Istituto Musicale in Valle d’Aosta and at the Turin Conservatory with Silvana Moyso. She has won widespread acclaim for her performances as Abigaille ( Nabucco ), the role in which she made her Salzburg Festival debut in 2013 conducted by Riccardo Muti and which she has sung in Florence, Bologna, Parma, Leipzig, Stuttgart, Tel Aviv, Beijing, Valencia, and for Arena di Verona. Her other engagements include Amelia ( Un ballo in maschera ) for Teatro Regio, Turi, and in Parma, Lady Macbeth ( Macbeth ) in São Paulo and Bologna, Leonora (Il trovatore ) in Bologna, Santuzza ( Cavalleria rusticana ) for Rome Opera and Teatro di San Carlo, Naples, Elvira ( Ernani ) in Rome, Tosca for Deutsche Oper Berlin and in Leipzig and Turin, Luisa Miller in Genoa, Leonora and Maddalena ( Andrea Chénier ) for Teatro di San Carlo, Santuzza and Nedda ( Pagliacci ) in Macerata, Aida in Turin, and Elisabetta ( Roberto Devereux ) at the ABAO Bilbao. The rest of the cast remains unchanged, -
Macerata Opera Festival from 20 July to 12 August 2018 the 2018 Theme Is #Verdesperanza
! The Sferisterio arena The Sferisterio arena is unique in its shape and structure. Built on the initiative of the Hundred Comrades (Cento Consorti), it was designed in 1829 by Neoclassical architect Ireneo Aleandri to host the game with ball and bangle. In 1921, it was used as an opera theatre for the first time (the first opera to be staged was Aida) and it’s still the only open-air opera theatre with boxes." After Gioconda, which was performed in 1922, activities were summoned again only in 1967. The season opened with Giuseppe Verdi’s Otello, featuring Mario Del Monaco in the leading role. Since then, the Sferisterio has welcomed the most extraordinary artists of our time: Luciano Pavarotti, Katia Ricciarelli, Renato Bruson, Montserrat Caballé, Placido Domingo, José Carreras, Raina Ka- baivanska, Mariella Devia, Anna Caterina Antonacci, Désirée Rancatore, Francesco Meli, Rolando Villazon, Rudolf Nureyev, Carla Fracci, Roberto Bolle." With its 2,500 seats, 104 boxes and one of the longest stages in Europe, the Sferisterio ensures perfect visibility and wonderful acoustics." A majestic yet intimate theatre, the Sferisterio was thus defined by tenor Luciano Pavarotti: “it is the most fascinating open-air theatre I have ever seen, I will never forget it”. Macerata Opera Festival" From 20 July to 12 August 2018 The 2018 theme is #verdesperanza The main issues threaded into our next summer festival are connected with a green, clean envi- ronment and sustainability, with planting the seeds of a better future through the art of hope. Our aim is to build strong ties with other bodies and institutions working on these issues, building a dia- logue on sustainability and bringing together culture, nature and the community. -
Turandot.Pdf
Turandot Program Cover.indd 1 11/2/2017 4:19:31 PM LYRIC OPERA OF CHICAGO Table of Contents REED HUMMELL/NASHVILLE OPERA IN THIS ISSUE Turandot – pp. 20-35 6 From the General Director 12 Administration/Administrative Staff/ 53 Look to the Future Production and Technical Staff 8 From the Chairman 54 Major Contributors – Special Events 14 From the Inside Out: 10 Board of Directors and Project Support Lyric's Backstage Tours 11 Women’s Board/Guild Board/Chapters’ 20 Tonight’s Performance 55 Lyric Unlimited Contributors Executive Board/Young Professionals/ Ryan Opera Center Board 21 Synopsis 56 Commemorative Gifts 23 Cast 57 Ryan Opera Center 24 Artist Profiles Lyric's 58 Ryan Opera Center Alumni 30 Opera Notes Around the World Backstage 34 Director's Note Tours 59 Ryan Opera Center Contributors 35 After the Curtain Falls pp. 14-18 60 Planned Giving: The Overture Society 36 Musical Staff/Orchestra/Chorus 62 37 Backstage Life Corporate Partnerships 38 Artistic Roster 63 Matching Gifts, Special Thanks and 39 Lyric and Social Media Acknowledgements 40 Patron Salute 64 Annual Individual and 43 Aria Society Foundation Support 52 Breaking New Ground 71 Facilities and Services/Theater Staff On the cover: Painting by Fu Baoshi (1904-1965) 2 | December 5, 2017 - January 27, 2018 Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Arnie Hoffman - Greg Pigott Executive Editor Southeast Michael Hedge 847-770-4643 Southwest Betsy Gugick & Associates 972-387-1347 Lisa Middleton East Coast Manzo Media Group 610-527-7047 Marketing and Sales Consultant David L. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
El Camino De Verdi Al Verismo: La Gioconda De Ponchielli the Road of Verdi to Verism: La Gioconda De Ponchielli
Revista AV Notas, Nº8 ISSN: 2529-8577 Diciembre, 2019 EL CAMINO DE VERDI AL VERISMO: LA GIOCONDA DE PONCHIELLI THE ROAD OF VERDI TO VERISM: LA GIOCONDA DE PONCHIELLI Joaquín Piñeiro Blanca Universidad de Cádiz RESUMEN Con Giuseppe Verdi se amplificaron y superaron los límites del Bel Canto representado, fundamentalmente, por Rossini, Bellini y Donizetti. Se abrieron nuevos caminos para la lírica italiana y en la evolución que terminaría derivando en la eclosión del Verismo que se articuló en torno a una nutrida generación de autores como Leoncavallo, Mascagni o Puccini. Entre Verdi y la Giovane Scuola se situaron algunos compositores que constituyeron un puente entre ambos momentos creativos. Entre ellos destacó Amilcare Ponchielli (1834-1886), profesor de algunos de los músicos más destacados del Verismo y autor de una de las óperas más influyentes del momento: La Gioconda (1876-1880), estudiada en este artículo en sus singularidades formales y de contenido que, en varios aspectos, hacen que se adelante al modelo teórico verista. Por otra parte, se estudian también cuáles son los elementos que conserva de los compositores italianos precedentes y las influencias del modelo estético francés, lo que determina que la obra y su compositor sean de complicada clasificación, aunque habitualmente se le identifique incorrectamente con el Verismo. Palabras clave: Ponchielli; Verismo; Giovane Scuola; ópera; La Gioconda; Italia ABSTRACT With Giuseppe Verdi, the boundaries of Bel Canto were amplified and exceeded, mainly represented by Rossini, Bellini and Donizetti. New paths were opened for the Italian lyric and in the evolution that would end up leading to the emergence of Verismo that was articulated around a large generation of authors such as Leoncavallo, Mascagni or Puccini. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Francesco Meli Vanta Diciotto Diverse Locandine Alla Scala Di Milano
Saverio Clemente Andrea De Amici Luca Targetti Nato a Genova nel 1980, ha iniziato gli studi di canto a diciassette anni con il soprano Norma Palacios al Conservatorio Paganini e li ha proseguiti con Vittorio Terranova, affermandosi successivamente in vari concorsi lirici, compresi il Caruso e lo Zandonai. Nel 2002 ha debuttato in Macbeth, Petite Messe Solennelle e Messa di gloria di Puccini al Festival dei due Mondi di Spoleto, iniziando una strepitosa carriera nel repertorio belcantistico e rossiniano. Ha debuttato alla Scala a soli 23 anni ne Les Dialogues des Carmelites diretto dal M° Riccardo Muti, e vi è poi tornato negli anni successivi per nuove produzioni di Otello, Idomeneo, Don Giovanni, Maria Stuarda e Der Rosenkavalier. Ad oggi, Francesco Meli vanta diciotto diverse locandine alla Scala di Milano. Nel 2005 ha aperto la stagione del Rossini Opera Festival con una nuova produzione di Bianca e Falliero e quella del Carlo Felice in Don Giovanni. Ha debuttato ne Il Barbiere di Siviglia a Zurigo, in Don Giovanni al Théatre des Champs-Elysées a Parigi, La Sonnambula a Lyon per Francesco Meli un’incisione Virgin a fianco di Natalie Dessay, nel Così fan tutte a Tenore Vienna diretto da Riccardo Muti dove è poi tornato per una nuova produzione di Anna Bolena, in Maometto II a Tokyo e in Rigoletto per i suoi debutti al Covent Garden e al Metropolitan. Dal 2009 ha abbandonato progressivamente i ruoli del Belcanto a favore di quelli più lirici: dopo I Lombardi alla prima crociata, Simon Boccanegra e Werther a Parma, ha debuttato i maggiori -
Student Staff Reclaim Weekly Pay a Quota System on Asylum Seekers Has Sparked a Heat- Ed Debate
The big red ball Bungee running in Wye Marky magic A fiery film The Juggling Club show us A new way to raise money for Felix reaches The End with DJ Our reviewer turns up the heat how it’s done, page 8 the tsunami appeal, page 11 Marky and friends, page 18 with Ladder 49, page 22 The student newspaper of Imperial College ● Established 1949 ● Issue 1313 ● Thursday 27 January 2005 ● www.felixonline.co.uk Immigration issues The Conservative Party’s recent proposal to introduce Student staff reclaim weekly pay a quota system on asylum seekers has sparked a heat- ed debate. Felix looks at the By Dave Edwards monthly pay was made in Operations Committee Imperial College Union, told said: “It was acknowledged national newspapers’ views Editor order to cut costs and make reversed the decision. One Felix: “The situation with that paying students on a on this contentious issue. it easier for the College to co- student, who has worked for part time student staff has monthly cycle was leading to uNEWS page 2 Following a highly unpopu- ordinate payments. Student the College for two years, been unfortunate, and I hope recruitment problems in our lar change to monthly pay in staff complained about a cautiously welcomed the those who have been incon- organisation.” State of the Union December, students who work range of issues, including a news: “We’re all incredibly venienced will be compensat- Meanwhile, the introduc- The President’s views on hall part time for Imperial College lack of communication, insuf- pleased, but as far as I’m ed appropriately. -
Gran Gala Lirico Al Teatro Olimpico Premio Alla Carriera Al Baritono Juan Pons Madrina D'eccezione Katia Ricciarelli
Comunicato stampa Gran Gala Lirico al Teatro Olimpico premio alla carriera al baritono Juan Pons madrina d'eccezione Katia Ricciarelli Serata con le star della lirica al Teatro Olimpico giovedì 2 luglio per Vicenza in Lirica. Novità nel programma del festival è l'appuntamento al Teatro Olimpico che vedrà protagoniste vere star del mondo della lirica. Il festival lirico porta a Vicenza due nomi importanti del panorama lirico internazionale che hanno calcato i più celebri palcoscenici del mondo. La serata di gala è coronata dalla presenza di una madrina d'eccezione, il soprano Katia Ricciarelli,e da un'ospite di caratura internazionale, il baritono drammatico Juan Pons, riconosciuto come uno dei baritoni più importanti a livello mondiale. Due personaggi che attraverso la loro voce hanno portato il nome delle rispettive nazioni, l’Italia e la Spagna, nel mondo. Con l'occasione sarà consegnato, per la prima volta nella storia del festival, il premio alla carriera al baritono Juan Pons alla presenza della collega ed amica di sempre, il soprano Katia Ricciarelli. Il premio, fortemente voluto da Concetto Armonico, associazione culturale che ha ideato e realizza “Vicenza in Lirica” con la compartecipazione del Comune di Vicenza, verrà consegnato al celebre cantante, riconosciuto come uno dei migliori baritoni drammatici della nostra epoca, per il contributo artistico donato all'arte dell'Opera Lirica. Il premio sarà consegnato direttamente dal vicesindaco del Comune di Vicenza Jacopo Bulgarini d'Elci. Nella serata di gala non poteva mancare la grande musica lirica che sarà interpretata da due tra i vincitori del 69° Concorso “Comunità Europea” per Giovani Cantanti Lirici 2015 del Teatro Lirico Sperimentale di Spoleto “A. -
De L'opéra À La Chanson
1 NATALIE DESSAY De l’opéra à la chanson 1 « Si Harpo Marx était né sous l’étoile d’une soprano colorature, il aurait été Natalie Dessay. Car aucune Fille dans La Fille du Régiment n’a été aussi comique. Par contre, il est difficile d’imaginer, 2 depuis Maria Callas, une soprano plus dramatique en Lucia ou plus hypnotique dans La Sonnambula. Tragédienne ou Comédienne, Natalie a régné en souveraine dans notre théâtre. » Peter Gelb Directeur du Metropolitan Opera - New York “If Harpo Marx had been born a coloratura soprano, he would have been Natalie Dessay. As the Daughter in The Daughter of the Regiment, no soprano has ever been physically funnier. But for that matter, it is hard to imagine any soprano since Callas to be more dramatic in Lucia or more hypnotic in La Sonnambula. When it comes to both tragedy and comedy, Natalie has reigned supreme on our stage.” Peter Gelb General Manager of the Metropolitan Opera House-New York City 2 LÉO DELIBES 1836-1891 VINCENZO BELLINI 1801-1835 1 Les Filles de Cadix, chanson espagnole. 4.42 7 La Sonnambula : Ah! non credea mirarti... De Berliner Sinfonie-Orchester · Michael Schønwandt Ah non3 giunge (acte II, scène II) 2 Lakmé : Tu m’as donné le plus doux rêve Amina, Elvino, chœur . 8.22 Avec Francesco Meli Elvino (acte III) Lakmé. 2.18 Orchestre National du Capitole de Toulouse · Michel Plasson Orchestre et Chœurs de l’Opéra de Lyon · Evelino Pidò (Chef des chœurs : Alan Woodbridge) GIUSEPPE VERDI 1813-1901 WOLFGANG AMADEuS MOzArT 1756-1791 La traviata 8 Zaïde : ruhe sanft, mein holdes Leben (acte I) Zaïde ���������� 6.21 3 È strano!..