DOCSLIB.ORG

Fonds Guy Mauffette Et Famille

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fonds Guy Mauffette Et Famille Library and Archives Bibliothèque et Archives Canada Canada Division du patrimoine culturel / Cultural Heritage Division FONDS GUY MAUFFETTE ET FAMILLE R8111 Finding Aid No. 1741 / Instrument de recherche no 1741 Prepared in 1989 and revised in 2011 by Préparé en 1989 et révisé en 2011 par Andrée Andrée Lavoie of the Literary Archives Lavoie de la Section des archives littéraires. Section. TABLE DES MATIÈRES GUY MAUFFETTE Manuscrits Oeuvres publiées de poésie et de contes pour enfants 5 Projets de publication de poésie et de contes pour enfants 6 Projets de films 7 Textes pour la radio 7 Poèmes et écrits divers 8 Textes d’émissions réalisées (radioromans) 11 Textes d’émissions réalisées (radiothéâtre) 14 Textes d’émissions réalisées (divers) 16 Textes d’émissions animées et produites 26 Documentation relative à la réalisation d’émissions 28 Correspondance personnelle et d’affaires 34 Correspondance d’admirateurs et d’admiratrices 42 Programmes de films, de pièces de théâtre et d’événements relatifs à Guy Mauffette 46 Programmes de théâtre conservés par Guy Mauffette 47 Projets soumis 48 Textes radiophoniques divers conservés par Guy Mauffette 51 Dossiers-sujets 52 Documents relatifs aux honneurs, aux hommages et expositions de dessins 59 Documents personnels 61 Coupures de presse et articles sur Guy Mauffette 63 Publications diverses 67 Photographies 68 Dessins 75 ESTELLE MAUFFETTE Correspondance personnelle 100 Textes de rôles interprétés à la radio 103 Textes de rôles divers 108 Dossiers-sujets 109 Documents personnels 110 Programmes divers relatifs à Estelle Mauffette 112 Documents familiaux 112 Coupures de presse relatives à Estelle Mauffette, la famille Mauffette et autres personnes 113 Photographies 114 LUCIEN THÉRIAULT Correspondance personnelle 114 Textes d’émissions réalisées 115 Textes d’émissions écrites ou adaptées 119 Rextes d’émissions écrites et réalisées 130 Documentation relative à la réalisation d’émissions 131 Projets soumis 133 Dossiers-sujets 133 Manuscrits 134 Documents personnels 136 Publications 137 Photographies 138 BÉRENGÈRE MAUFFETTE-THÉRIAULT Correspondance 139 Manuscrits 139 Documents personnels 140 Photographies 140 JEANNE MAUFFETTE-NOISEUX Correspondance et documents personnels 140 ARTHUR BUIES Correspondance 140 PÈRE CARMEL BROUILLARD Correspondance 141 FONDS GUY MAUFFETTE ET FAMILLE R8111 Contenant DossierTitre du dossier Date Manuscrits de Guy Mauffette Oeuvres publiées de poésie et de contes pour enfants 30 1 Un petit mousse (1964) - Maquettes incluant la maquette finale [ca 1960] de la publication (copie imprimée). Texte de Guy Mauffette, dessins de Frédéric Back 30 2 Le petit âne (1964) - Projet de maquettes de la publication (copie [ca 1961] originale non utilisée pour la publication). Texte de Guy Mauffette, dessins de Frédéric Back 30 3 Le soir qui penche. Chanson pour garçon perdu et autres [entre 1936 et publications de Guy Mauffette - Textes dactyl., quelques-uns 1983] olographes avec annotations 30 4 Chanson pour garçon perdu (1972) - Textes dactyl. avec août 1968 annotations 30 5 Chanson pour garçon perdu (1972) - Projet de maquette de la [ca 1972] publication (copie originale). [Maquette conçue par Solange Lévesque] d’après un dessin de Guy Mauffette 30 6 Le soir qui penche ((1989) - Épreuves annotées, p. 5-68 [ca 1989] 40 1 Le soir qui penche ((1989) - Épreuves annotées, p. 3-82 [ca 1989] 30 7 La fête porte violet (Le soir qui penche, 2004) - Textes [n.d.],1999, olographes, avec annotations, pagination éparse 2000,2002 30 8 La fête porte violet (Le soir qui penche, 2004) - Textes [n.d.],1999, olographes de certains poèmes, avec annotations, pagination 2002 éparse 30 9 La fête porte violet (Le soir qui penche, 2004) - Textes [n.d.],2001 olographes, avec annotations, pagination éparse 30 10 La fête porte violet (Le soir qui penche, 2004) - Textes [n.d.],1999, olographes et dactyl., avec annotations, pagination éparse 2002 30 11 La fête porte violet (Le soir qui penche, 2004) - Textes 2003-2004 olographes et tapuscrit 30 12 La fête porte violet (Le soir qui penche, 2004) - Tapuscrit avec [n.d.],2003 annotations, p. 1-37 30 13 La fête porte violet (Le soir qui penche, 2004) - Tapuscrit avec [ca 2004] annotations, p. 2-19; p. 1-16; p. 1-20; 4 FONDS GUY MAUFFETTE R8111 Contenant DossierTitre du dossier Date p. 1-19; p. 1-19 30 14 La fête porte violet (Le soir qui penche, 2004) - Tapuscrit, [ca 2004] p. 1-20; p. 1-16; p. 1-16 30 15 Textes publiés dans les périodiques - Extraits des textes publiés [entre 1944 et avec annotations (comprend quelques originaux) 1982],1991 30 16 Texte publié dans le programme du Théâtre Acte3 - Copie du 1986 programme et texte olographe publié dans le programme Manuscrits de Guy Mauffette Projets de publication de contes pour enfants et de poésie 30 17 Petit Pierrot de l’île Perrot - Maquette (originale) d’un livre de [n.d.] contes pour enfants. Texte de Guy Mauffette et illustrations de Lucyl Martel (artiste-peintre) 30 18 Les P’tits bouts d’choux - Deux maquettes pour des projets de [n.d.],1953 livres de contes pour enfants (copies originales). Textes de Guy Mauffette et illustrations de Jean P. Ladouceur (illustrateur, réalisateur et directeur de films d’animation) et du caricaturiste Robert La Palme 30 19 Liste A - Liste et textes de poèmes olographes et dactyl., [entre 1940 et numérotés A-1 à A-60 (quelques numéros manquent), avec 1997] annotations 30 20 Liste AN - Liste et textes de poèmes olographes et dactyl., [n.d.],2000 numérotés AN-1 à AN-43, avec annotations 30 21 Liste B - Liste et textes de poèmes olographes et dactyl., [entre 1944 et numérotés B-1 à B-14, avec annotations 1994] 31 1 Liste Radio 1 - Liste et textes de poèmes olographes et dactyl., [entre 1934 et numérotés R-1 à R-39, avec annotations 1992] 31 2 Liste Radio 1 - Liste et textes de poèmes olographes et dactyl. [entre 1934 et numérotés R- 40 à R-77, avec annotations 1992] 31 3 Liste Radio 1 - Liste et textes de poèmes olographes et dactyl., [entre 1934 et numérotés R-78 à R-100, avec annotations 1992] 31 4 Liste Pour radio 2 - Liste et textes de poèmes olographes et [entre 1944 et dactyl., numérotés R-101 à R-141, avec annotations 1998] 31 5 Liste Pour radio 2 - Liste et textes de poèmes olographes et [entre 1944 et dactyl., numérotés R-142 à R-180, avec annotations 1998] 31 6 Liste T - Liste et textes de poèmes olographes et dactyl. [entre 1940 et numérotés T-1 à T-40, avec annotations 1984] Manuscrits de Guy Mauffette Projets de films 31 7 Scénarios pour divers projets de films - Textes olographes et [n.d.],1936, dactyl. Comprend le texte original de Guy Mauffette qui a fait 1940,1941, R8111 FONDS GUY MAUFFETTE 4 Contenant DossierTitre du dossier Date l’objet de la création du ballet Bérubé par les Grands Ballets 1944,1947, 1966 canadiens en 1960 (voir programme des Grands Ballets canadiens, contenant 34, dossier 17) 31 8 Le pain et l’amour ou Le roman d’un disc-jockey - 1957,1959 Correspondance et scénario olographe et dactyl., avec annotations d’un projet de film Manuscrits de Guy Mauffette Textes pour la radio 31 9 Poèmes et autres écrits - Textes olographes avec annotations (1 [n.d.] cahier et feuilles détachées) 31 10 Poèmes et autres écrits - Textes olographes avec annotations (3 [n.d.] cahiers et feuilles détachées) 31 11 Poèmes : Prières et lettres au Bon Dieu - Textes olographes et [entre 1940 et dactyl. avec annotations 1984] 31 12 Votre univers - Textes olographes et dactyl. avec annotations [n.d.],1942, 1943,1945 31 13 Poèmes et autres écrits - Textes olographes avec annotations [1944?] (1 cahier et feuilles détachées) 32 1 Ildège (Samedi-Jeunesse) - Textes dactyl. incluant des textes de [n.d.],1946 production et un texte olographe avec annotations 32 2 [L’oncle 5 heures 30 ou P’tits bout de chou] - Textes dactyl. [195-?] 32 3 Radiomonde - Textes olographes et dactyl. avec annotations 4 sept. 1946 32 4 Chez Miville - Textes dactyl. avec annotations [n.d.],1960 32 5 Textes pour diverses émissions - Textes olographes et dactyl. [n.d.],1965, avec annotations 1977,1980 32 6 Villon - Textes olographes et dactyl. avec annotations [n.d.],1968 32 7 Poèmes et autres écrits - Textes olographes avec annotations 1971-1979 (1 cahier contenant des dessins de Guy Mauffette) 32 8 Le cabaret du soir qui penche - Textes dactyl. avec annotations [n.d.],1973 32 9 Feux verts - Un texte olographe et textes dactyl. pour différentes févr. - avr. 1973 émissions 32 10 Écrits pour la radio - Textes olographes avec annotations (1 1977,2003 cahier contenant quelques dessins de Guy Mauffette) 32 11 Ce Vendredi-là - Textes des poèmes, publicité, notes de studio, [n.d.],1944, coupures de presse sur cette émission spéciale diffusée le 28 1945,1954, mars 1997 dans laquelle il fait revivre ses textes d’anciennes 1960,1969, émissions spéciales du Vendredi-Saint (dossier 1 de 2) 1975,1980, 1984,1997 32 12 Ce Vendredi-là - Textes des poèmes, publicité, notes de studio, [n.d.],1944, 4 FONDS GUY MAUFFETTE R8111 Contenant DossierTitre du dossier Date coupures de presse sur cette émission spéciale diffusée le 28 1945,1954, mars 1997 dans laquelle il fait revivre ses textes d’anciennes 1960,1969, émissions spéciales du Vendredi-Saint (dossier 2 de 2) 1975,1980, 1984,1997 Manuscrits de Guy Mauffette Poèmes et écrits divers 32 13 Poèmes et chansons - Textes «à travailler» olographes et dactyl. [n.d.] avec annotations 32 14 Poèmes et notes - Textes olographes et dactyl. avec annotations 1926?,1944, (comprendraient ses premiers poèmes) 1945,1965, 1982,1984, 1986 32 15 Poèmes - Textes olographes et dactyl. avec annotations 1944,1945, 1947,1966 32 16 Poèmes utilisés dans des spectacles - Textes olographes et [n.d.],1944, dactyl.
Load more

Recommended publications
  • July 22, 196543 Toronto
    Volume 24, Number 14 July 22, 196543 Toronto British American Oil Company's Musical Showcase, a half-hour weekly television quiz - and -music program, goes national August 1. Twenty-two Western -Canadian stations are being added to the 31 -strong eastern roster. Other switches, to more elaborate production and all -live prize displays instead of graph- ics, will follow. So will a change to a paid quiz panel. (B-A wants more money fed into customer prizes - less to the on -air panel participants). The oil company's April dealer letter is reported to credit Showcase with pulling close to a million mail entries and in- creasing the rate of B -A credit card applica- tions by 300 per cent since first airing March 28. In the photo (1. to r.) are: Phil Lauson, Foster Advertising (Montreal); Jack Neuss, retail programs director for B -A (and creator of Showcase); George LaFlêche, emcee and singing star; Denny Vaughn, musical director; Peter Lussier, director -producer, and Bob McNicol, Foster Advertising (Toronto). This is baseball? That's what CFCB Radio in Cornerbrook, Newfoundland, and the local CBC Radio employees seem to think. At least they recently played a three -inning grudge match in their outlandish outfits and called it softball - even agreed on a 2-2 tie score once the shenanigans were over. It was all in a good cause - for the local Royal Canadian Legion. Price of admission to the game was set at one forget-me-not (the flower of remem- brance) per customer. Evidently the Legion's `lower sales were helped considerably.
    [Show full text]
  • 1951 Year Book Canadian Motion Picture Industry
    YEAR BOOK CANADIAN MOTION PICTURE INDUSTRY Edited by HYE BOSSIN That's high tribute from the men "behind the show." That's what projectionists everywhere are saying about the . The Projectionist's PROJECTOR Sold By GENERAL THEATRE SUPPLY Co. Limited SAINT JOHN MONTREAL TORONTO WINNIPEG VANCOUVER Coast to Coast Theatre Television, Sound & Projection Service LX* 7 everybody's Book Sho>, / I 317 W. 6th - L. A, 900)« 6t :■ fi MA. 3-1032 1921 1951 s4&&ocicitecl Seneca IfecM limited Montreal — Toronto A COMPLETE LABORATORY SERVICE 35 MM — 16 MM CONTACT AND REDUCTION PRINTING COLOUR — BLACK <5, WHITE Producers of • The famous CANADIAN CAMEO Series of theatrical shorts Released in Canadian theatres and throughout the World. • Commercial & non-theatrical Motion Pictures tor Industrial Sales-Training and Consumer use. • Theatre trailers of every description Made to your order or from Stock. • Tailored sound tracks Recorded and synchronized to silent films—16MM or 35 MM. Distributors of Q motion picture cameras, projectors, screens and all types of photographic accessories and supplies through BENOGRAPH, REG'D, a division of ASSOCIATED SCREEN NEWS. "JtatuHuzl Service 'Pkmi (fatet fo (?<KUt i CANADA'S FINEST THEATRE SEATING Kroehler Push Back Chairs, and Chair No, 301 Manufactured and Distributed by CANADIAN THEATRE CHAIR CO. LTD. 40-42 ST. PATRICK ST. TORONTO, CANADA 2 1951 YEAR BOOK CANADIAN MOTION PICTURE INDUSTRY FILM PUBLICATIONS of Canada, Ltd, 175 BLOOR ST. EAST TORONTO 5, ONT. CANADA Editor: HYE BOSSIN Assistants: Miss E. Silver and Ben Halter LARGEST INDEPENDENT CONCESSIONAIRES IN CANADA POPCORN, POPCORN EQUIPMENT AND SUPPLIES, CANDY MACHINES, DRINK MACHINES, CANDY SUPPLIES ★ We Will Build and Operate a Complete Candy Bar Setup CANADIAN AUTOMATIC CONFECTIONS LIMITED 119 SHERBOURNE ST.
    [Show full text]
  • CBC Times 490410.PDF
    Miss Verna g. Weber, SE:RGE!I. Al tao PRAIRIE REGION SCHEDULE April 10 • 16, 1949 Issued ~ach Week by the Canadian Broadcasting Corporation VOLUME n No. IS ISSUED AT WINNIPEG. APRIL I 5c PER COPY-$I.OQ PER YEAR This Week: Holy Week Meditations (Pages 1-3) * St. Matthew Passion (Page 5) * Rossini's Stabat Mater (Page 7) * Cuckoo Clock House ~ THIS IS Mathilda, the obliging bird ot the Cuckoo Clock House. testing her voice for the special Easter edition of the program on April 16. With her are Beth Robinson and Kenny Graham, the two young Torontonian~ who have boon on the popular children's pro­ gram since it started more than three years ago. Mathilda's cheerful song is heard each week, heralding the program and marking the transi­ lion from onc "room" of the 'nouse" to another. Cuckoo Clock House is heard on the CBC Dominion network Saturdays at 5:00 p.m. CST, 5:30 p.m. MST. * * * Easter Easter is a time of special delight to young people. Indeed all the symbols associated with it-hot-cross buns. Easter eggs, rabbits, Bowers and new bonnets-suggest new life and reflect the atmosphere of youth and spring. For chil­ dren and others interested in the folk customs of the festival, Charles Wasserman of Montreal will trace their origin and explain how some of them came to Canada. He will speak on April 16 in the program Thi.l Week. Holy Week Meditations Winnipeg Concert Many other programs during the week will Each day during Holy Week, special quarter­ The Winnipeg Concert this week (Sunday, have Easter themes.
    [Show full text]
  • Tentative Pact Ends Afm Strike Against Movie/Tv Producers
    E Official Journal of the AMERICAN FEDERATION OF MUSICIANS of the United States & Canada lkifeerbiARY, 1981 TENTATIVE PACT ENDS AFM STRIKE IMPORTANT NOTICE AGAINST MOVIE/TV PRODUCERS REPORTING OF ENGAGEMENTS jaundiced eye by the general public, A tentative agreement between representatives withdrew mu- Pursuant to the authority granted the International Exec- sicians' demand for residual pay- the musicians' strike against the the American Federation of Mu- utive Board with the adoption of Amended Recommen- sicians and the Association of ments for television and film work. producers gathered considerable dation 1 by the 1980 Convention ( Federation Work Dues), Motion Picture and Television An agreement was then reached in a support. Prior to the settlement, Producers and the Alliance has prolonged one-day meeting in Los Cash Box, arespected musical trade the IEB on October 21, 1980, adopted the following ruling brought to an end the musicians' Angeles. publication, ran a particularly relating to the reporting of Local engagements effective strike that began last August 1. In Fuentealba asserted that " We sympathetic editorial titled, " The January 1, 1981. his announcement, AFM President are of course pleased with the reso- Absurdity of It All." In it, Cash Box Each Local leader or Local individual member performing Victor W. Fuentealba said that the lution of the strike and gratified by declared, " The musicians have dis- settlement was reached on January the ternas of the agreement." He played integrity in their fight to get alone, prior to the time an engagement is performed, must 14, 1981, at 8:45 P.M., at a meeting added that the approximately 5,000 paid for the a% ork they do.
    [Show full text]
  • John Weinzweig and the Canadian Mediascape, 1941-1948
    John Weinzweig and the Canadian Mediascape, 1941-1948 by Erin Elizabeth Scheffer A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Music University of Toronto © Copyright by Erin Elizabeth Scheffer 2019 John Weinzweig and the Canadian Mediascape Erin Elizabeth Scheffer Doctor of Philosophy Graduate Department of Music University of Toronto 2019 Abstract This dissertation explores John Weinzweig’s incidental music for radio and film and its context in Canadian cultural life. Between 1941 and 1948, Weinzweig composed music for nearly one hundred CBC radio docudrama episodes and for four National Film Board documentaries. Weinzweig’s time at the CBC and NFB was his first large scale success as a working composer, following his graduate studies at the Eastman School of Music. Weinzweig’s incidental music was publicly broadcast across Canada, and can be interpreted in light of how it represents Canada during an anxious and difficult yet significant time in the nation’s history through the Second World War and the immediate post-war era. These works, featuring new music broadcast by organizations in their infancy, helped to shape audience perceptions of a rapidly changing country. I begin by situating Weinzweig’s documentary music both temporally and philosophically. The opening chapter explores his biography, the musical context of the 1940s in Canada, and the creation of the CBC and NFB, and it closes by discussing significant themes in the works: indigeneity, northernness, dominion over the landscape, and nation and national affect. The subsequent three chapters divide Weinzweig’s docudramas and documentaries by topic: World War Two propaganda and postwar reconstruction, Canada’s north, and finally a discussion of Weinzweig’s only radio drama The Great Flood , which premiered on CBC’s ii cultural program Wednesday Night in 1948.
    [Show full text]
  • Library and Archives Canada Music Section the MOE KOFFMAN
    Library and Archives Canada Music Section THE MOE KOFFMAN FONDS NUMERICAL LIST BY DAVID FRASER (PRINCIPAL AUTHOR) WITH CHERYL GILLARD AND NEAL JOHNSTONE GATINEAU 2007 2 TABLE OF CONTENTS INTRODUCTION............................................................................................................. 5 ABBREVIATIONS AND ACRONYMS......................................................................... 6 ABOUT THE FONDS ...................................................................................................... 8 DESCRIPTION OF THE FONDS ................................................................................ 13 MUS 315/A PERSONAL AND FAMILY RECORDS. ............................................ 13 MUS 315/B PERSONAL AND PROFESSIONAL CORRESPONDENCE AND ASSOCIATED MATERIAL.......................................................................................... 21 MUS 315/B1 CHRONOLOGICAL FILES .............................................................. 21 MUS 315/B2 SUBJECT AND NOMINAL FILES................................................... 28 MUS 315/C BUSINESS RECORDS........................................................................... 30 MUS 315/C1 GENERAL BUSINESS FILES........................................................... 31 MUS 315/C2 PERFORMANCE CONTRACTS FILES ......................................... 38 MUS 315/C3 FILES CONCERNING CONCERTS AND OTHER LIVE ENGAGEMENTS........................................................................................................ 43 MUS 315/C4 GEORGE’S
    [Show full text]
  • THE SACRED CHORAL MUSIC of HEALEY Wll-LAN
    7.737" .—_ _ . .-.- THE SACRED CHORAL MUSIC OF HEALEY WlL-LAN Thesis for the Degree OfiPh. D. _ MICH‘GAN STATEU-NiVERSITY " WlL-UAM EBWARDT‘MARWICK 1970 IITTITIWIWHHIHITFTH'HTITm LIBRARY 3 1293 00839 Michigan THF'C‘C State University This is to certify that the thesis entitled The Sacred Choral Music of Healey Willan presented by William Edward Marwick has been accepted towards fulfillment of the requirements for PH.D. degree in MUSlC (Meg, [em/Z Major professor 0-169 “was 0 7 1994 [5 it 9 ABSTRACT THE SACRED CHORAL MUSIC OF HEALEY WILLAN By William Edward Marwick Healey Willan is probably the most outstanding Canadian composer of the first century of Canada's nationhood. It has been the writer's good fortune to have been closely associated with Dr. Willan from 19H5 to his death in 1968. The text of this thesis contains a detailed biography of the composer and a theoretical analysis of thirty—one representative works chosen from the unaccom- ‘panied, accompanied, and longer works. The final chapter compares the general types of works examined and gives an estimation of the composer by leading Canadian musicians. In the appendices there is a comprehensive listing of all compositions by Healey Willan as complete as it is possible to be at this time. The harmonic analysis tabulates all sonorities, root movements, modulations, rhythms, melodic motion and contrapuntal devices in each work, ending with a summary William Edward Marwick pointing out any distinguishing features. A more extensive summary is found at the end of the three main divisions of works.
    [Show full text]
  • CBC Times 490925.PDF
    Miss Verna E. Weber. BERGE:I, Alta. PRAIRIE REGION SCHEDULE Sept. 25· Oct. 1, 1949 Issued Each Week by the Canadian Broadcasting Corporation VOLUME 11 No. 39 ISSUED AT WINNIPEG SEPTEMBER 16 5c PER COPY $1.00 PER YEAR This Week: Sir Thomas Beecham Stage 50 (Page 2) CBC Wednesday* Night- Toronto Symphony Vatican Organist (Page 5) * Winnipeg Drama (Page 6) * Junior Clubs (Page 8) * Drllmatis Personae » ERHAPS TIUS L'35t of players in the CBe's P Stage 50 drama series may be laughing at a joke 2,000 yeats old. Rehearsals have begun for the first program of the '50 series-a radio adapta­ tion by Lister Sinclair of The Birds, an Athenian {.'omedy by Aristophancs. Other programs in the famous series are discussed in an article on this page by Andrew Allan, CBC Supervisor of Drama. *** Stage 50 CBC's lamous drama series resumes with ancient Greek comedy (BII ANDREW ALLAN, CBe Supervisor of Drama) \Vhen Stage 50 begins on Sunday September 25, the broadcast will not only mark the opening of the seventh season of our Sunday night Stages, hut will also mark the first time we have attempted anything su daring as an ancient Greek <..'omedy, The comedy is The Birds, written in 414 B.C. by Aristophancs, and now newly adapted for us by Stage 50 Cast Lister Sinclair, Although Mr. Sinclair has been successful in his adaptations of two Greek tragedies, Oedipus l'he King and Antigone, even his expert­ tunes in. Mr. Sinclair has, quite properly, trans­ The lyrics which 1\1r.
    [Show full text]
  • Native Studies Audio-Visuals and Other Media
    NATIVE STUDIES JOHN A. PRICE, EDITOR NATIVE STUDIES AUDIO-VISUALS AND OTHER MEDIA This is primarily a summary of radio, television, records, audiotapes, slides, filmstrips, videotapes, and films that are easily available and appropriate for the teaching of university level courses in Native studies. There is a review of the various media forms and how they can be used in teaching. Finally there is an assessment of the importance of Native studies media in an even larger sense, including books, university courses, and home videotapes. One conclusion on the use of audio-visuals in teaching is that the teacher is advised to acquire a private collection of audiotapes, slides, and filmstrips, rather than relying heavily on videotapes and movies. This mode of operation (1) is inexpensive, (2) gives the lecturer more control over the content of the presentation and allows the lecturer to relate the course readings and discussions to the audio-visuals while they are in progress, and (3) is easier in terms of flexibility of scheduling and the set up and operation of equipment. There is a fourth reason, but it is based more on impressions than on hard facts. It seems that the new television generation of students has become so comfortable with entertainment through television and movies that they tend to shift out of an intensive learning mental pattern and into a relaxed, recreational mental pattern when you turn on the videotape or movie. They enjoy the experience but have a hard time telling you what they learned. However, with a medium such as a slide lecture there is a high level of feedback between the lecturer and the students and it seems that more learning takes place, at least the kind of learning that the student can talk about.
    [Show full text]
  • 1954-55 Year Book Canadian Motion Picture Industry
    4* 4- 4* OLUMBIA 4* looks forward 4> with confidence 4» 4* and pride in its product 4* * as the unprecedented 4* boxoffice success of 4* 4* «< THE CAINE MUTINY' 4* 4> is being followed by 4> 4* it THE BLACK KNIGHT 99 4> 4* it 4* it 99 THREE FOR THE SHOW 4* 4> it ROUGH COMPANY' 4* 4* and coming soon 4* 4> a THE LONG GRAY LINE1 rUL&e, o/ /y /r everybody's Book She*. *17 W. 6th - L. A. 9001* CkL d*L ^ MA. 3-1032 NEW Manley Aristocrat BUILDS BONUS BUSINESS! OUTSTANDING FEATURES That Make Money For You! • Has color, flash, eye-appeal that will pull in dollars where other machines get only dimes. • Lucious, flaky popcorn cascades in all direc¬ tions—a buying impulse. • Designed to mix corn, salt and oil evenly. Prevents burning. • Simple release lever disengages kettles for easy change. • Disposable Filter traps steam, salt, oil par¬ ticles, and other impurities. • Cheese and caramel corn as easy to make as buttered corn. With a Manley Machine you can handle crowds 50% faster and increase your gross profit. "MANLEY" is the most workable and eco¬ nomical machine ever designed and built. Get particulars NOW from your Canadian Distributor listed below. GENERAL OFFICES 1920 WYANDOTTE STREET KANSAS CITY 8, MO. THE BIGGEST NAME IN POPCORN SALES AND SERVICE OFFICES IN 27 CITIES Canadian Distributor: Super Pulft Popcorn Ltd. 97 DUKE STREET, TORONTO 243 LILAC STREET, WINNIPEG l A National Theatre Service Supplying SHOW BUSINESS cvit& Everything for the Theatre including CENTURY Projectors and Sound Systems ASHCRAFT Lamps Motor Generators Anamorphic Lenses NEUMADE Products Astrolite Screen Theatre Chairs ASHCRAFT LAMPS SALES and SERVICE DOMINION SOUND EQUIPMENTS LIMITED HEAD OFFICE 4040 ST.
    [Show full text]
  • CBC Program Schedule 450311.PDF
    NEWS CBK BROADCASTS WJ~~T_RAN_N_ET_SW_C_t:_R_~_D_A_1 • ~~¥:J~~ ~ DAILY I WATROUS Trans·Canada Network: (Trans-Canada Nelwork) 8;00,9.00 a.m. 1 ;00. 6;30, 540 Kcs. 9:00 p.m. 12 Midni3ht PROGRAM CBC Dominion Network: . SCHEDULE Prairie Region 10:00 p.m. CRC Transmitter Times given in this Schedule are Central Daylight DATE OF ISSUE, MARCH 3, 1945 PRAIRIE REGION Wuk of March 11 th, 1945 612 Telephone Bldg., Winnipeg/Canada What is Seen at CBK Kerry Wood To Tell Radio News? New Series Of Yarns esc Chief Editor Discusses it on Kerry Wood, the Outdoor Philos­ Basis of Entertainment Versus In­ opher of Red Dee.r, Alberta, will be formation heard in a series of Canadian Yarns, beginning Sunday, March 11, at 11: 15 The following article, by D. C. Mc­ a.m. Arthur, chief editor of the CBC Mr. Wood's stories of Canadian National News Service, is reprinted from "Radio," the staff magazine of places, people, and animals are fami­ liar to CBC listeners. He was the the CBC. prairie pilgrim who described his Radio news-the latest and speed­ travels to the western coast so en­ iest means of getting news to the tertainingly last fall. His first "yarn" public-had its principal develop­ is called Big Fleas and Little Fleas ment in the period between the first -the story of a man who collected great war and the present one. It fleas! - and collected them by started during the 'twenties; and, crawling into a bag beside the dead like almost everything else, reflected body of an animal whose fleas were the feverish and slap-happy char­ wanted.
    [Show full text]
  • The Mathieu Family Fonds the Mathieu Family Fonds
    The Mathieu Family Fonds The Mathieu Family Fonds Numerical List by Stéphane Jean Ottawa 1997 Canadian Cataloguing in Publication Data National Library of Canada The Mathieu family fonds [computer file] Issued also in printed format on demand. Includes index. Mode of access: National Library of Canada WWW site. ISBN 0-662-25325-6 Cat. GCC no SN3-317/1997E-IN 1. Mathieu, Rodolphe, 1890-1962--Archives--Catalogs. 2. Mathieu, André, 1929-1968--Archives--Catalogs. 3. Mathieu family--Archives--Catalogs. 4. National Library of Canada. Music Division--Archives-- Catalogs. I. Jean, Stéphane, 1964- II. Title. ML136.O88M431 1997 016.78’092’271 C97-900251-6 Cover: Matin d'été of Rodolphe Mathieu, A4/1,6 Cover design: Denis Schryburt ã Her Majesty the Queen in Right of Canada (1997), as represented by the National Library of Canada. This publication may be reproduced without permission provided the source is fully acknowledged. However, reproduction of this publication, in whole or in part, for the purpose of resale or redistribution requires prior written permission from the National Library of Canada, Ottawa, Canada K1A 0N4. Cat. No. SN3-317/1997E-IN ISBN 0-662-25325-6 TABLE OF CONTENTS INTRODUCTION................................................................................................ 7 LIST OF ABBREVIATIONS AND ACRONYMS............................................. 9 ABOUT THE FONDS .........................................................................................11 DESCRIPTION OF THE FONDS......................................................................17
    [Show full text]