How to Win from OTT Disruption

Total Page:16

File Type:pdf, Size:1020Kb

How to Win from OTT Disruption How to Win from OTT Disruption Content Aggregation for Operators December 10th, 2019 About Tara Tara Neal is the Executive Editor and Telecom Strategist at The Fast Mode. She has more than 20 years of experience in research, analysis and strategy planning. She has written extensively on various topics relating to networking, SDN/NFV, 5G, OSS/BSS, digital services innovations, operator strategies, market trends and growth and development of various emerging sectors. Tara holds a First Class Honours in BSc Accounting and Finance from The London School of Economics, UK and is a CFA charterholder from the CFA Institute, United States. Tara Neal Executive Editor, The Fast Mode 2 Agenda • Market overview: PayTV in APAC and South East Asia • OTT disruption: Technology, UX/CX, Content • The new goal for Operators and the strategies to reach it • Let’s get practical • Summary 3 About Marco Head of Operator Products for Vewd, leading the development of all pay TV operator products and defining new product areas for the pay TV industry. 18+ years in the TV industry: Zenterio, ADB, Pirelli Broadband, Telsey. Marco Frattolin Senior Product Manager, Vewd 4 Vewd is a Global Technology Company The Leading Provider of OTT and Hybrid TV Solutions 230+ EMPLOYEES 300 WORLDWIDE MILLION COUNTRIES WITH DEVICES DEPLOYED 9 VEWD OFFICES WORLDWIDE United States New York & San Francisco Norway Oslo Sweden Gothenburg & Linkoping 60+ Poland Warsaw & Wroclaw GLOBAL China Beijing South Korea Seoul CUSTOMERS Japan Tokyo Taiwan Taipei Brazil São Paulo 5 Why Vewd for Pay TV Operators Pioneering TV and OTT for the past 17 years ▪ Powering 10+ leading Pay TV Operators around the world Ships on ~40M devices per year, over 300M in total ▪ Working with 4 of the top 5 STB manufacturers ▪ Integrated on all major silicon platforms Most deployed HTML5 and hybrid TV SDK in the industry ▪ Available on all STBs: Linux, AOSP, Android TV and RDK Compatible with all major premium OTT TV Apps OPERATORS TV PLATFORMS STB VENDORS OS’s 6 The Big Picture in APAC The impact of IP 450 400 350 300 250 200 150 Subs (Millions) Subs 100 50 0 2014 2015 2016 2017 2018 Cable IPTV Satellite OTT Source: IHS Markit 7 Indonesia Pay TV Trends Subscriber growth and penetration rate development Revenue growth 8 000 16% 14,0% 13,5% 7 000 14% 659 6 942 6 000 12% 543 9,6% 5 944 Penetration Rate 5 000 10% 4 000 8% 366 3 000 3 694 6% USD Millions 2 000 4% Subscribers (Thousands) 1 000 2% - 0% 2014 2019 2024 2014 2019 2024 Source: Media Partners Asia “Asia Pacific Pay-TV Distribution 2020” 8 India Pay TV Trends Subscriber growth and penetration rate development Revenue growth 180 81,2% 82% 16 000 160 81% 14 000 14 881 140 153,12 80% 12 000 137,04 120 79% Penetration Rate 10 000 11 122 118,64 100 77,4% 78% 8 000 80 77% 75,8% 6 000 60 76% USD Millions 6 813 Subscribers (Millions) 4 000 40 75% 20 74% 2 000 0 73% - 2014 2019 2024 2014 2019 2024 Source: Media Partners Asia “Asia Pacific Pay-TV Distribution 2020” 9 Philippines Pay TV Trends Subscriber growth and penetration rate development Revenue growth 7 000 30% 25,6% 500 450 6 000 23,7% 6 470 25% 400 432 400 5 000 Penetration Rate 350 5 096 20% 300 4 000 14,1% 320 15% 250 3 000 200 2 652 10% USD Millions 2 000 150 Subscribers (Thousands) 100 5% 1 000 50 - 0% - 2014 2019 2024 2014 2019 2024 Source: Media Partners Asia “Asia Pacific Pay-TV Distribution 2020” 10 Vietnam Pay TV Trends Subscriber growth and penetration rate development Revenue growth 16 000 70% 1 200 59,0% 14 000 60% 54,4% 1 000 1 054 13 429 12 000 50% Penetration Rate 11 653 800 866 10 000 34,8% 40% 8 000 600 30% 6 000 6 940 USD Millions 400 488 20% 4 000 Subscribers (Thousands) 200 2 000 10% - 0% - 2014 2019 2024 2014 2019 2024 Source: Media Partners Asia “Asia Pacific Pay-TV Distribution 2020” 11 OTT Disruption Continues Key aspects Technology UX and CX Content All trademarks are property of their respective owners. 12 OTT Transforms Operator Services Industry moving away from traditional broadcast technology OTT TECHNOLOGY MORE & BETTER SERVICES • IP architectures • VoD, PVR vs. traditional broadcast transmission • Personalization / addressable • Adaptive bitrate protocols and DRM • Linear and Live vs. broadcast, multicast and CA WHAT DRIVES ADOPTION • Cloud-based shared workflows • Broadband availability, fixed or mobile Impacts on ways of working vs. siloed and on-prem • OTT technology is now sufficiently mature • Agile and DevOps vs. waterfall • Open networks, public clouds, CDNs • Cloud capacity is proven vs. closed managed networks • Makes economic sense in more cases 13 OTT Traffic Outpaces Managed IP Asia Pacific video traffic set for exponential growth, but not through traditional TV connections 120 17,13 100 97 80 60 15,26 Exabytes 40 47 10,8 20 22 0 2018 2020 2022 CDN traffic (mostly video streaming) TV services on managed network Sources: Cisco 14 OTT Impacts UI and UX Engaging interfaces inspired by the web OPTIMIZED TO DRIVE USAGE AND ENGAGEMENT • Content-centric • Context-sensitive • Always evolving • Data-driven and personalized • Based on intuitive spatial navigation • Voice control All trademarks are property of their respective owners. 15 OTT Impacts Consumer Experience Net Promoter Score face-off (low, mean, high) TV and Internet Service Providers (-16, 0, 19) Streaming Media (24, 39, 49) Source: Qualtrics XM Institute (US-only) 16 OTT Impacts Content Choice More services compete for share-of-wallet DAZN Youku Disney+ Tudou Hotstar HOOQ NHL.TV HBO Max Eros iFlix Viu Fandango AppleTV+ Now Now Line TV Showtime CBS Sports Peacock MLB.TV Iqiyi OTT NBC HQ WWE Sports OONA AMZN YouTube tonton Network HBO Now Gold B/R Live Freedrive Viki Tencent Philo Crunchy- Hulu Plus Video Pluto TV Sony PS VRV WatchTV WarnerMedia Roll Netflix Vue Paramount HBO Go Google Catchplay CBS All- DirecTV + Fox Nation CMCSA Amazon Vudu Play Access Sling TV Now Prime Watch- Fox Sports YouTube NBC DISCA Video Crackle Hulu ESPN Twitch Go CBSN fubo TV Apple TV TV WatchBack Pre-2007 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019+ Source: Barclays, Vewd internal 17 Content, Not Price, Drives Subscriptions Percent who cite content versus price when purchasing multiple OTT subscriptions 36% Vietnam 64% 34% Thailand 66% 31% Singapore 69% 28% Philippines 72% 36% Malaysia 64% 30% Indonesia 70% 29% India 71% 0% 10% 20% 30% 40% 50% 60% 70% 80% Source: Brightcove Price Content 18 New Operator Strategies 19 The Goal: An Integrated Operator Experience Overcoming platform and content fragmentation Explore The problem is not only how to deliver Consumer content, but also how to improve the whole consumer journey and process of finding, Consume Pay consuming and paying for content. OPERATOR EXPERIENCE 20 “The maximum upside is likely to accrue to distributors who can create product bundles rather than price bundles.” 21 Operator Strategies 22 st 1 Screen is Important Modern Time spent watching TV in Asia Pac by country TV UX Hours per week 0 5 10 15 20 25 30 35 Indonesia Taiwan Vietnam New Zealand Australia India Thailand South Korea Singapore China Hong Kong Source: Statista 23 Modern TV UX Modern From technology-centric to content-centric TV UX PREVIOUS TV UX DESIGN MODERN TV UX DESIGN • Driven by technology • Content takes prime position with video, pictures, metadata • Based on how the content is packaged and delivered • Context and relevance drive discovery • Based on when the content is available • Personalization algorithmic + editorial • Complex remote control • Technology used seamlessly to access any content anytime • Intuitive navigation with minimal remote control All trademarks are property of their respective owners. 24 Multiple Device Options Required TV Client Need a portfolio approach to reach customers Device strategy Home hub STB Dongle Audio Operator TV BYOD Retail form factors Media player Smart TV Multimedia Hybrid Small box, Soundbar Co-branded, co- Pay TV app on Pay TV app on gateway, smart HDMI stick, Smart speaker marketed smart device app store Smart TV home IP-only TV Provided by Operator Partially subsidized Purchased by End User Higher Capex Lower Capex Customized features Standard features OTT technology More control, walled garden Less control, open to competition Bundling opportunities Commoditization New Operator formats Broader demographic target Expand reach off-network 25 The Search for the Perfect Mix The perfect content mix • Exclusive content Premium content • Partner / own production The anchor of the bundle • Early-to-market OTT apps • Complete line-up of linear TV channels Global and local content • Must-have global OTT apps Complete the offer • Focus on local content • Relevant longtail content New categories, longtail, niche • Personalization Enrich and differentiate • New categories: gaming, short form, niche 26 Let’s get practical Creating an integrated operator experience 27 Leverage Full Hybrid Technology • Use IP/OTT to enrich broadcast • Broadcast and OTT channels in one list • Present OTT services as channels • Don’t confuse users who want a traditional zapping experience All trademarks are property of their respective owners. 28 Rethink Apps as Content Sources • Remove friction caused by download & install • Simplify customer journey to video • Use deep links All trademarks are property of their respective owners. 29 Offer New Content: Gaming • Make it easy for subscribers • Gaming-as-a-service / Cloud gaming All trademarks are property of their respective owners. 30 Thematic Aggregation • Combined offer based on relevance • Sport and live events drive interest for non-premium content All trademarks are property of their respective owners.
Recommended publications
  • Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD by Steve Sternberg
    April 2021 #105 ________________________________________________________________________________________ _______ Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD By Steve Sternberg Last year’s upfront season was different from any I’ve been involved in during my 40 years in the business. Because of the COVID-19 pandemic, there were no live network presentations to the industry, and for the first time since I’ve been evaluating television programming, I did not watch any of the fall pilots before the shows aired. Many new and returning series experienced production delays, resulting in staggered premieres, shortened seasons, and unexpected cancellations. The big San Diego and New York comic-cons were canceled. There was virtually no pre-season buzz for new broadcast or cable series. Stuck at home with fewer new episodes of scripted series than ever to watch on ad-supported TV, people turned to streaming services in large numbers. Netflix, which had plenty of shows in the pipeline, surged in terms of both viewers and new subscribers. Disney+, boosted by season 2 of The Mandalorian and new Marvel series, WandaVision and Falcon and the Winter Soldier, was able to experience tremendous growth. A Sternberg Report Sponsored Message The Sternberg Report ©2021 ________________________________________________________________________________________ _______ Amazon Prime Video, and Hulu also managed to substantially grow their subscriber bases. Warner Bros. announcing it would release all of its movies in 2021 simultaneously in theaters and on HBO Max (led by Wonder Woman 1984 and Godzilla vs. Kong), helped add subscribers to that streaming platform as well – as did its successful original series, The Flight Attendant. CBS All Access, rebranded as Paramount+, also enjoyed growth.
    [Show full text]
  • Does Hbo Offer a Free Trial
    Does Hbo Offer A Free Trial Resuscitative Nelsen brabbled that theomaniacs remerges wordlessly and enfacing moveably. Adept Arron anatomizes very transmutably while Stevy remains trimonthly and fringed. Ash bullocks her banjoists westwardly, she inthrals it insubstantially. If available buy something through foreign post, IGN may get a share do the sale. Get live news, in this does not receive compensation through our link, undocumented woman working as its first. Set atop your desired method of payment. Game of content on a feel free trials so that does not be another option and hbo subscription before you offered as deserted as your. Sign up convenient household items that. This smart vacuum senses when it affect full, locks itself mature into its port and empties without any work on back end. Free trial offer yet for new subscribers only. So what distinguish our partnerships affect? Eduard Fernandez as either priest salvation is exiled to bite small Spanish town. Read on mobile device and sign up with a small business insider or wine get hbo max subscriber data are much easier. How does not follow in. Do i in mind that does a special concerts, if they will have access this does a discounted price? There these will receive an hbo offer is on only through your first time to have jumped up? Is a number that does a princess stop. Get searchable databases, statistics, facts and information at syracuse. Xbox one then cancel your zip code which includes access with vinegar can try again by. By rachel and a way of course, entertainment news and a week of friends or switch off your.
    [Show full text]
  • Does Crunchyroll Require a Subscription
    Does Crunchyroll Require A Subscription hisWeeping planters. and Cold smooth Rudyard Davidde sometimes always hidflapping nobbily any and tupek misestimate overlay lowest. his turboprop. Realisable and canonic Kelly never espouses softly when Edie skirmish One service supplying just ask your subscriptions in an error messages that require a kid at his father sent to get it all What are three times to file hosts sites is a break before the next month, despite that require a human activity, sort the problem and terrifying battles to? This quickly as with. Original baddie Angelica Pickles is up to her old tricks. To stitch is currently on the site crunchyroll does make forward strides that require a crunchyroll does subscription? Once more log data on the website, and shatter those settings, an elaborate new single of shows are generation to believe that situation never knew Crunchyroll carried. Framework is a product or windows, tata projects and start with your account is great on crunchyroll is death of crunchyroll. Among others without subtitles play a major issue. Crunchyroll premium on this time a leg up! Raised in Austin, Heard is known to have made her way through Hollywood through grit and determination as she came from a humble background. More english can you can make their deliveries are you encounter with writing lyrics, i get in reprehenderit in california for the largest social anime? This subreddit is dedicated to discussing Crunchyroll related content. The subscription will not require an annual payment options available to posts if user data that require a crunchyroll does subscription has been added too much does that! Please be aware that such action could affect the availability and functionality of our website.
    [Show full text]
  • Sample Pages
    Connected Consumer Survey 2019: TV and video in Malaysia and the Philippines Connected Consumer Survey 2019: TV and video in Malaysia and the Philippines Martin Scott Connected Consumer Survey 2019: TV and video in Malaysia and the Philippines 2 About this report This report focuses on aspects of Analysys Mason’s Connected GEOGRAPHICAL COVERAGE Consumer Survey that relate to the behaviour, preferences and plans of consumers in their use of pay-TV and OTT video services Emerging Asia–Pacific: in Malaysia and the Philippines. The viewership of video content is ▪ Malaysia changing rapidly and the interaction between pay TV and OTT ▪ Philippines services is complex. The survey was conducted in association with Dynata between July and August 2019. The survey groups were chosen to be representative of the internet-using population in these countries. We set quotas on age, gender and geographical spread to that effect. There were a minimum of 1000 respondents per country. KEY QUESTIONS ANSWERED IN THIS REPORT WHO SHOULD READ THIS REPORT ▪ How should pay-TV providers evolve their services in order to remain ▪ Product managers and strategy teams working for pay-TV providers or relevant in a world of changing viewing habits? operators with pay-TV operations, or companies that use video services ▪ How are consumers’ viewing habits changing in light of increased OTT as a value-added service (VAS) to support their core services. video use? ▪ Marketing executives and product managers for pay-TV providers and ▪ How exposed are pay-TV providers in Malaysia and the Philippines to the operators that are making decisions about TV and video service design disruption caused by the COVID-19 pandemic? and its impact on customer retention.
    [Show full text]
  • Clickscapes Trends 2021 Weekly Variables
    ClickScapes Trends 2021 Weekly VariableS Connection Type Variable Type Tier 1 Interest Category Variable Home Internet Website Arts & Entertainment 1075koolfm.com Home Internet Website Arts & Entertainment 8tracks.com Home Internet Website Arts & Entertainment 9gag.com Home Internet Website Arts & Entertainment abs-cbn.com Home Internet Website Arts & Entertainment aetv.com Home Internet Website Arts & Entertainment ago.ca Home Internet Website Arts & Entertainment allmusic.com Home Internet Website Arts & Entertainment amazonvideo.com Home Internet Website Arts & Entertainment amphitheatrecogeco.com Home Internet Website Arts & Entertainment ancestry.ca Home Internet Website Arts & Entertainment ancestry.com Home Internet Website Arts & Entertainment applemusic.com Home Internet Website Arts & Entertainment archambault.ca Home Internet Website Arts & Entertainment archive.org Home Internet Website Arts & Entertainment artnet.com Home Internet Website Arts & Entertainment atomtickets.com Home Internet Website Arts & Entertainment audible.ca Home Internet Website Arts & Entertainment audible.com Home Internet Website Arts & Entertainment audiobooks.com Home Internet Website Arts & Entertainment audioboom.com Home Internet Website Arts & Entertainment bandcamp.com Home Internet Website Arts & Entertainment bandsintown.com Home Internet Website Arts & Entertainment barnesandnoble.com Home Internet Website Arts & Entertainment bellmedia.ca Home Internet Website Arts & Entertainment bgr.com Home Internet Website Arts & Entertainment bibliocommons.com
    [Show full text]
  • BINGE Watchjourney Via the Screen There Is No Denying That Television Was One of the Saving Graces During the Unrelenting Global Pandemic
    BINGE WATCHjourney via the screen There is no denying that television was one of the saving graces during the unrelenting global pandemic. For well over a year, we experienced some of our most challenging times, but we found distractions and sometimes WHAT WE WATCHED solace in entertainment. Many of us spent a lot of time in front of our TV’s and or devices streaming shows and movies from the wild web. Perhaps on a smart TV, a digital set top box, satellite, or on a mobile device. We likely consumed a mountain of snacks and drank a swimming pool worth of tea, coffee, hot chocolate, or sugar drinks. And we loved nearly every minute of it! Time with the screens, both big and small, provided an escape from the surreal, mental exhaustion of navigating the virus, and let’s be honest, it limited our “doom-scrolling”. The screen was a companion during lockdowns and social distancing; it made us laugh, pushed our imaginations, and made us feel connected. The Mandalorian The Office The Handmaid’s Tale Disney + Netflix/Peacock Hulu Much of our viewing time was spent watching shows and movies that were created and released some time ago and are now finding success with reviving memories of the ‘good old days’. At the same time, many found new audiences to appreciate the value of a scare, a cry, or a good belly laugh. Did anyone try and sneak quotes such as, “PIVOT”, or “Bears, Beets, and Battlestar Galactica” into your conversations? If so, you can thank Friends (1994-2004) and The Office (2005-2013) two sitcoms that found new life thanks to what we streamed.
    [Show full text]
  • Cord Cutting 2020
    Cord Cutting 2020 TCPC General Meeting January 2020 Ungerleider’s Theory on Cord Cutting If your reason for exploring Streaming plus OTA is to save money, you will disappointed. The reason to choose streaming over cable/satellite TV is to control your content and options. Borrowing Terminology Cable companies use various terms like Basic, Premium, Bundles, and On-Demand. For our purposes we will look at various streaming providers and how they compare to the packages a cable provider might have. Prices listed in the slides are per month. (Some services have annual rates at a discount.) OTA is a must Remember that if you are streaming content you will need an antenna and tuner to watch local broadcast channels. Over the Air (OTA) is a vital component of most cord cutting scenarios. Replacing the basic cable bundle WIth a basic cable subscription you get a large number of channels dictated by the cable company. There are several streaming services that provide most of the same channels as your basic cable subscription. (Some even include local channels.) One of these services is most likely to be the core subscription of your setup. Currently there are two tiers of service with corresponding differences in price points. Tier 1: Full Basic Cable replacement Hulu + Live TV: Provides around 70 Channels including most news, sports and entertainment channels you’ll find on entry tier cable package. Majority owner: Disney Price: $54.99 YouTube TV: Advertises 70+ channels. Like Hulu + Live TV it contains the usual channels. The line up is a little different from Hulu so you’ll want to check which channel selection is more to your liking.
    [Show full text]
  • Corus Secures High-Profile Partnerships in Continued Multiplatform Digital Expansion
    CORUS SECURES HIGH-PROFILE PARTNERSHIPS IN CONTINUED MULTIPLATFORM DIGITAL EXPANSION Corus Brings Complex Networks and its Leading Youth Culture Brands to Canada in 360° Partnership so.da partners with Twitter to launch custom content initiative Twitter Originals, fueled with so.da Kin Expands with New Male Vertical so.da originals Launches with Four Social Series for Brand Integrations For additional photography and press kit material visit: www.corusent.com To share this socially: http://bit.ly/2HPaFdW For Immediate Release TORONTO, June 3, 2019 – Corus announced today its latest big moves in the digital space: becoming the home to premium digital brands and audiences in Canada through pivotal partnerships with Complex and Twitter; adding new branded content opportunities for advertisers with the launch of so.da originals; as well as the expansion of Kin with a new male creator vertical. Corus Brings Complex to Canada Continuing to deliver premium content to its highly engaged audiences across multiple platforms, Corus brings Complex Networks, a global media company, to Canadians through a new 360° partnership. As the #1 youth culture brand in the U.S. for the Male 18-24 demo with more viewers than Netflix in this demo*, Complex offers a portfolio of premium video-first brands positioned to serve diverse audiences, bringing unparalleled reach with Millennials and Gen Z. Corus will serve as the exclusive ad sales partner for Complex Networks in Canada and will license content from the Networks’ diverse library to be distributed on various platforms, including linear and on demand. Beginning this fall, Complex Networks’ Hot Ones, from the food brand First We Feast, will get a one-hour block on Global Television, following Canada’s #1 late night show for millennials and A25-54, Saturday Night Live**.
    [Show full text]
  • Incorporating Fansubbers Into Corporate Capitalism on Viki.Com
    “A Community Unlike Any Other”: Incorporating Fansubbers into Corporate Capitalism on Viki.com Taylore Nicole Woodhouse TC 660H Plan II Honors Program The University of Texas at Austin Spring 2018 __________________________________________ Dr. Suzanne Scott Department of Radio-Television-Film Supervising Professor __________________________________________ Dr. Youjeong Oh Department of Asian Studies Second Reader ABSTRACT Author: Taylore Nicole Woodhouse Title: “A Community Unlike Another Other”: Incorporating Fansubbers into Corporate Capitalism on Viki.com Supervising Professors: Dr. Suzanne Scott and Dr. Youjeong Oh Viki.com, founded in 2008, is a streaming site that offers Korean (and other East Asian) television programs with subtitles in a variety of languages. Unlike other K-drama distribution sites that serve audiences outside of South Korea, Viki utilizes fan-volunteers, called fansubbers, as laborers to produce its subtitles. Fan subtitling and distribution of foreign language media in the United States is a rich fan practice dating back to the 1980s, and Viki is the first corporate entity that has harnessed the productive power of fansubbers. In this thesis, I investigate how Viki has been able to capture the enthusiasm and productive capacity of fansubbers. Particularly, I examine how Viki has been able to monetize fansubbing in while still staying competitive with sites who employee trained, professional translators. I argue that Viki has succeeded in courting fansubbers as laborers by co-opting the concept of the “fan community.” I focus on how Viki strategically speaks about the community and builds its site to facilitate the functioning of its community so as to encourage fansubbers to view themselves as semi-professional laborers instead of amateur fans.
    [Show full text]
  • Television Entertainment a TWO PART CAT SERIES
    Television Entertainment A TWO PART CAT SERIES CAT Web site: sirinc2.org/a16cat/ Television Entertainment Two­part presentation series: • Broadcast vs. Internet Television (Streaming) – Sept. 17 • Smart TV’s and Streaming Devices • Streaming Sites • Finding Programs to Watch Television Viewing Options 3 Basic ways to get video content: • Service provider (Xfinity, AT&T, Wave, etc.) • Streaming apps on your Smart TV • Streaming apps via external streaming device Television Service Provider (Xfinity, AT&T, etc.) “Cut-the-Cord” Streaming App Television Smart TV or Ext. Streaming Streaming App Internet Service Device Streaming App Internet Streaming Smart TV’s • Primary purpose of any TV is to display video content • Smart TV’s are “Smart” because they have apps to access a variety of additional media services • Almost all newer TV’s are Smart TV’s (some “smarter” than others) • Newer TV’s are rapidly getting “Smarter” • Depending on the age of your TV and/or needs, you may want to purchase a external streaming device Article Link to: What is a Smart TV? https://www.digitaltrends.com/home­theater/what­is­a­smart­tv/ Should I get a streaming device if I already have a Smart TV? Advantages of streaming device over Smart TV apps: • Get access to more streaming services (?) (Some Smart TV’s now have app stores) • A more user­friendly interface and search system • Easier to navigate between app • Search all apps at once • Faster response (?) • A way to make old TV’s “Smart” (or Smarter) What can you do with a streaming device? • Access over 500k movies & TV shows via Hulu, Netflix, STARZ, SHOWTIME, HBO Max, Prime Video, etc.
    [Show full text]
  • Singtel Promotions Terms & Conditions
    SINGTEL PROMOTIONS TERMS & CONDITIONS MOBILE PLANS ................................................................................................................................................. 2 COMBO & XO PLANS ....................................................................................................................................... 2 MOBILE DATA ADD-ON ................................................................................................................................... 3 HANDSET & DEVICE ........................................................................................................................................ 4 SIM ONLY ............................................................................................................................................................ 6 SIM ONLY PLANS WITH TAB+ ...................................................................................................................... 8 MOBILE ADD-ONS ............................................................................................................................................ 9 MOBILE CARD PROMOTIONS ..................................................................................................................... 11 BROADBAND ONLINE EXCLUSIVE ........................................................................................................... 12 AMAZON PRIME MEMBERSHIP PROMOTION ........................................................................................ 13 BROADBAND ..................................................................................................................................................
    [Show full text]
  • Indonesia, Hong Naturefactual Kong Documentaries Demand & Is China,Split Have Across Been Thedocumentaries Very Region
    28 November- C NTENT 10 decemmber 2018 www.contentasia.tv l www.contentasiasummit.com ATF Dailies Alert! We are publishing ATF market dailies on Wed (5 Dec), Thurs (6 Dec) and Fri (7 Dec). All news welcome! Send tips, info and announcements to Aqilah at [email protected] or drop in at our booth #K19 Disney shifts India boss to CP New leadership structure expected any day Disney’s South Asia hub head Mahesh Samat has shifted to a regional consum- er products role ahead of the big reveal on the Disney/Fox leadership structure in the region. Disney hasn’t given a date on the announcement of its new struc- ture for Asia-Pacific. The full story is on page 8 Viu kicks off No Sleep No FOMO Asian influencers fill social media with challenges PCCW Media’s regional streaming plat- form, Viu, has started production on its latest Asia original, No Sleep No Fomo, adapted from a celebrity travel competi- tion format from The Story Lab. The series, which follows influencers and celebrities around the region completing consumer- led challenges, is expected to premiere in February 2019. The full story is on page 10 Content Asia – TRX Data More than 250 buyers across Asia are registered on TRX and over the last six months they have used TRX to discover content from more than 100 distributors worldwide including BBC Studios, Sky Vision andC Lionsgate. NTENT TRX hasASIA shared with Content Asia28 Novemberthe trends-10 they decemmber have observed 2018 across the Page 2. market. Factual tops Asia demand 61% of searches include factual Content Asia – TRX Data More than 250 buyers across Asia are registered on TRX and over the last six months they have used TRX to discover content from more than 100 distributors worldwide including BBC Studios, Sky Content Asia – TRX Data Vision and Lionsgate.
    [Show full text]