MF 1104 MF DOOM Operation Doomsday Cassette Tin AC

Total Page:16

File Type:pdf, Size:1020Kb

MF 1104 MF DOOM Operation Doomsday Cassette Tin AC MF DOOM OPERATION: DOOMSDAY CASSETTE TIN Though currently considered one of the most legendary releases in hip hop’s storied history the project was independently produced and released in 1999 and issued on Bobbito’s Fondle ‘Em imprint. Stripped down hip-hop in all it’s glory, the release cemented the MC’s return to the scene after his early years in the group KMD. As the story goes, DOOM had been chewed up and spit out of the major label system, lost his brother and musical partner Subroc, and then disappeared only to return to the stage rocking a mask and an obscured identity. In under two years, OPERATION DOOMSDAY was already reissued on another label with an altered track list. During the time DOOM started working with Madlib on the Madvillain record, DOOMSDAY went out of print, got bootlegged, and somewhere along the way emerged as a hip-hop classic. DOOM’s own imprint Metalface Records nally re-issued the denitive version of the remastered album in 2011 – a CD (in a lunch box) and metal-covered 4LP set was released. Now we are proud to present Metalface’s cassette edition of OPERATION DOOMSDAY. Housed in a metal box the set contains two cassettes. Tape 1 features the original album and original cover by Lord Scotch 79 (Blake “KEO” Lethem). Tape 2 collects the instrumentals, b-sides and alternate versions, along with the 2011 album cover by Jason Jagel. CASSETTE ONE | SIDE ONE: The Time We Faced Doom (Skit) • Doomsday • Rhymes Like Dimes (Featuring Cucumber Slice) • The Finest (Featuring Tommy Gunn) Back In The Days (Skit) • Go With The Flow • Tick, Tick... (Featuring MF Grimm) • Red And Gold (Featuring King Ghidra) • The Hands Of Doom (Skit) CASSETTE ONE | SIDE TWO: Who You Think I Am (Featuring King Ceasar, Rodan, Megalon, Kamakiras & Kong) • Doom, Are You Awake (Skit) • Hey! Operation Greenbacks (Featuring Megalon & King Ghidra) • The Mic • The Mystery Of Doom (Skit) • Dead Bent Gas Drawls • ? (Featuring Kurious) • Hero vs. Villain (epilogue) (Featuring E. Mason) CASSETTE TWO | SIDE ONE: Dead Bent (Original 12" Version) • Gas Drawls (Original 12" Version) • Hey! (Original 12" Version) • Greenbacks (Original 12" Version) Go With The Flow (Feat. Sci.Fly) (Original 12" Version) • Go With The Flow (Raw Rhymes) • I Hear Voices Pt. 1 (Original 12" Clean Version) I Hear Voices Pt. 2 (Feat. MF Grimm) (Original 12" Clean Version) • Tick, Tick (Original 12" Main Mix Version) • ? (Extended Raw Rhymes Version) Dead Bent (Original 12" Instrumental Version) • Gas Drawls (Original 12" Instrumental Version) CASSETTE TWO | SIDE TWO: Hey! (Original 12" Instrumental Version) • Greenbacks (Original 12" Instrumental Version) • The Mic (Original 12" Instrumental Version) Red and Gold (Original 12" Instrumental Version) • I Hear Voices (Original 12" Instrumental Version) • Doomsday (Instrumental) • Rhymes Like Dimes (Instrumental) The Finest (Instrumental) • The Hands of Doom (Instrumental) • Who You Think I Am (Instrumental) • ? (Instrumental) FORMAT: CASSETTE TIN LABEL: METAL FACE RECORDS CATALOG: MF1104-AC STREET: 06/17/2014.
Recommended publications
  • Is Hip Hop Dead?
    IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work.
    [Show full text]
  • Helter Skelter” and Sixties Revisionism “Helter Skelter” Et L'héritage Polémique Des Années 1960
    Volume ! La revue des musiques populaires 9 : 2 | 2012 Contre-cultures n°2 “Helter Skelter” and Sixties Revisionism “Helter Skelter” et l'héritage polémique des années 1960 Gerald Carlin and Mark Jones Electronic version URL: http://journals.openedition.org/volume/3407 DOI: 10.4000/volume.3407 ISSN: 1950-568X Printed version Date of publication: 15 December 2012 Number of pages: 34-49 ISBN: 978-2-913169-33-3 ISSN: 1634-5495 Electronic reference Gerald Carlin and Mark Jones, « “Helter Skelter” and Sixties Revisionism », Volume ! [Online], 9 : 2 | 2012, Online since 15 June 2014, connection on 10 December 2020. URL : http:// journals.openedition.org/volume/3407 ; DOI : https://doi.org/10.4000/volume.3407 This text was automatically generated on 10 December 2020. L'auteur & les Éd. Mélanie Seteun “Helter Skelter” and Sixties Revisionism 1 “Helter Skelter” and Sixties Revisionism “Helter Skelter” et l'héritage polémique des années 1960 Gerald Carlin and Mark Jones EDITOR'S NOTE This text was published in Countercultures & Popular Music (Farnham, Ashgate, 2014), while its French translation appeared in this issue of Volume! in 2012. “Helter Skelter” and the End of the Sixties Volume !, 9 : 2 | 2012 “Helter Skelter” and Sixties Revisionism 2 1 In late August 1968, within a few days of each other, new singles were released by the Beatles and the Rolling Stones. The unusual proximity of release dates by the world’s two most significant rock bands was echoed by the congruity of the songs’ themes: the Stones’ “Street Fighting Man” and the Beatles’ “Revolution” were both responses to the political unrest and protest which characterised the spring and summer of 1968.
    [Show full text]
  • System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
    NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera.
    [Show full text]
  • Hip Hop As English Curriculum A
    BETWEEN THE LINES: HIP HOP AS ENGLISH CURRICULUM A THESIS Presented to the University Honors Program California State University, Long Beach In Partial Fulfillment Of the Requirements for the University Honors Program Certificate William Godbey Spring 2018 1 2 Acknowledgements This thesis would not have been possible without the help and guidance of my advisor, Professor David Hernandez. This was a somewhat unorthodox topic, yet he not only took it in stride, he believed in my ability to continue the conversation on this topic in a new and insightful way. I owe him great thanks for this. I would also like to thank my family for their never-ending support and love not only through this process, but through the entirety of my college experience. Especially to my mother, who was always a phone call away if I ever needed assistance or to touch base back home. I owe you all so much for your encouragement and belief in me. and to Breanika Schwenkler, for always having my back. 3 ABSTRACT Between the Lines: Hip Hop as English Curriculum By William Godbey Spring 2018 This thesis examines the effectiveness of introducing hip hop into English curriculum at a high school level. To showcase this, this thesis presents a framework, broken up into three sections, that highlight the ways hip hop lyrics can be used to teach a variety of different literary devices, historical contexts, and how to analyze a text beyond its surface value. The three sections include Simple Literary Devices, Complex Literary Devices, and Contexts. Each section is demonstrated with a unique song and artists, to show how this framework could function as well as the versatility of talent in hip hop.
    [Show full text]
  • Mf Doom Unexpected Guests Zip
    1 / 4 Mf Doom Unexpected Guests Zip ... doom albums ranked|mf doom all caps lyrics|mf doom album zip|mf ... unexpected guests vinyl|mf doom .... DOOMs Discography mfdoom Reddit. This track guests Ghostface Killah, who has great synergy with MF DOOM. GHOSTFACE on DrLyrics .... ... followed up by a record as unruly, uncompromising, and unexpected as Cosmogramma. ... Both records zip past you like lightspeed hallucinations, all radiantly blurred and ... using larger budgets and high-profile special guests to take his music to the next level. ... MF DOOM – “Lunch Break” (Prod. Flying .... I've fallen from King Geedorah is without doubt my favorite MF Doom alter ego. ... Here you can download free take me to your leader king geedorah zip shared files ... Jun 17, 2003 · The featured guests (Kurious, Scienz of Life, Grimm, Rodan, ... Jan 02, 2021 · With MF Doom's unexpected passing, I wanted to go back to the .... Free 2-day shipping. Buy MF Doom - Unexpected Guests - Vinyl at Walmart.com.. [SHARE] MF DOOM Discography [FLAC] [6.33GB] · Studio albums -. DOOM - BORN LIKE THIS (2009). King Geedorah - Take Me To Your Leader (2003).. DOOM felt more involved in underground hip-hop than ever before and with this ... it became clear to already hip hop veterans Madlib and MF DOOM that the next ... Of course, Elucid also guests on a couple of tracks here, alongside Navy Blue, ... enough to throw something so unexpected at the listener with no preamble. Jan 3, 2021 (No Guests): MF DOOM TRIBUTE. Dec 27 ... Estee Nack “Unexpected Come Ups” (Giallo Point Remix); Aliano “Maintain” (prod. by Sample Kubrick) ...
    [Show full text]
  • The Beacon, September 27, 2004 Florida International University
    Florida International University FIU Digital Commons The aP nther Press (formerly The Beacon) Special Collections and University Archives 9-27-2004 The Beacon, September 27, 2004 Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/student_newspaper Recommended Citation Florida International University, "The Beacon, September 27, 2004" (2004). The Panther Press (formerly The Beacon). 135. https://digitalcommons.fiu.edu/student_newspaper/135 This work is brought to you for free and open access by the Special Collections and University Archives at FIU Digital Commons. It has been accepted for inclusion in The aP nther Press (formerly The Beacon) by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. The Student Hurricanes affect Newspaper South Florida sports of Florida International world, hurt local University teams. 12 THE BEACON Vol. 17, Issue 9 WWW.BEACONNEWSPAPER.COM September 27, 2004 Spiritual leader speaks on compassion 14th Dalai Lama revisits FIU, addresses students By ALEJANDRA DIAZ admitted to not having a and C. JOEL MARINO full understanding of the Editor In Chief Tibetan leader’s impor- News Editor tance, a major world celeb- rity’s visit to the campus Rain fell as the crowd was enough to make them made its way into the interested in the event. Pharmed Arena on Sept. “I was exhausted so I 22, drenching the masses couldn’t be there. But, I waiting in line since the was going to go just to say early morning hours to I saw him,” said sopho- catch a glimpse of Tenzin more Natalie Quinn.
    [Show full text]
  • MF DOOM LUNCH BOX SHEET 1-2 Sm
    2xCD LTD. EDITION BOX SET THROWBACK TIN LUNCH BOX REMASTERED, EXPANDED, 2xCD SET INCLUDES ORIGINAL ALBUM CUTS ALTERNATE VERSIONS, B-SIDES & INSTRUMENTALS 32-PAGE FULL COLOR LYRIC BOOK & DOOMSDAY MC’S CARD SET DESIGNED EXCLUSIVELY BY JASON JAGEL CLICK HERE TO WATCH PRODUCT PROMOTION! http://www.youtube.com/user/getondowntv APRIL 19TH 2xCD LTD. EDITION BOX SET THROWBACK TIN LUNCH BOX Ask any true hip-hop fan and he can tell you exactly where and when he first heard DOOM’s Operation: Doomsday. Against seeming insurmountable odds, the album - bootlegged mercilessly, floating in and out of print on various labels since it’s release in 1999 - gained mythical status amongst music aficionados of all backgrounds as one of the landmark releases of the past decade. At its core? One man, a microphone, an MPC 2000 and a Roland VS 1680. By the time of Operation: Doomsday’s recording, DOOM was a DISC ONE DISC TWO transformed man: a veteran of hip hop’s aging “new ORIGINAL ALBUM FULL-LENGTH ALTERNATE VERSIONS, B-SIDES school” reinvented as the masked, abstract wordsmith TRACK LISTING AND INSTRUMENTALS 1 The Time We Faced Doom (Skit) 1 Dead Bent (Original 12" Version) of the NOW. His pointed wit, subtly subversive lyrics 2 Doomsday 2 Gas Drawls (Original 12" Version) 3 Rhymes Like Dimes (Featuring Cucumber 3 Hey! (Original 12" Version) 4 Greenbacks (Original 12" Version) and stream-of-consciousness flow over adventurous Slice) 5 Go With The Flow Feat. Sci.Fly (Original 12" 4 The Finest (Featuring Tommy Gunn) sample-based production created the measuring Version) 5 Back In The Days (Skit) 6 Go With The Flow (Raw Rhymes) stick by which rappers in the coming decade would 6 Go With The Flow 7 I Hear Voices Pt.
    [Show full text]
  • "What Is an MC If He Can't Rap?"
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2019 "What Is An MC If He Can't Rap?" Dominique Jimmerson California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Ethnomusicology Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Jimmerson, Dominique, ""What Is An MC If He Can't Rap?"" (2019). Capstone Projects and Master's Theses. 569. https://digitalcommons.csumb.edu/caps_thes_all/569 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Dominique Jimmerson Capstone Sammons 5-18 -19 “What Is an MC if He Can’t Rap?” Hip hop is a genre that has seen much attention in mainstream media in recent years. It is becoming one of the most dominant genres in the world and influencing popular culture more and more as the years go on. One of the main things that makes hip hop unique from other genres is the emphasis on the lyricist. While many other genres will have a drummer, guitarist, bassist, or keyboardist, hip hop is different because most songs are not crafted in the traditional way of a band putting music together. Because of this, the genre tends to focus on the lyrics.
    [Show full text]
  • MF DOOM and Tommy Orange's "There, There"
    Rhode Island College Digital Commons @ RIC Open Books -- Open Minds: All Submissions 4-1-2021 Intrigue and Identity: MF DOOM and Tommy Orange's "There, There" Madeleine Frost Follow this and additional works at: https://digitalcommons.ric.edu/obom Recommended Citation Frost, Madeleine, "Intrigue and Identity: MF DOOM and Tommy Orange's "There, There"" (2021). Open Books -- Open Minds: All Submissions. 24. https://digitalcommons.ric.edu/obom/24 This Article is brought to you for free and open access by Digital Commons @ RIC. It has been accepted for inclusion in Open Books -- Open Minds: All Submissions by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. Frost 1 Madeleine Frost Dr. Duneer ENGL 327 30 April 2021 Intrigue and Identity: MF DOOM and Tommy Orange’s There There English author Virginia Woolf wrote, “I am not one and simple, but complex and many” (Woolf 57). Woolf analyzes the role of identity and perception as she suggests an individual does not have one identity, but many. Her analysis alludes to the idea of many individuals struggling with defining themselves and absorbing one, distinct identity for others to perceive them with. Individuals sometimes create several personalities to present to others depending on their audience. British-American rapper Daniel Dumile, also known as MF DOOM functions as an example of an individual who has multiple identities. His, however, has relation to his musical career as he creates several personas, some with a physical mask, for when he performs. In a similar way, Tommy Orange presents numerous Native Americans that struggle with their identity in his novel There There.
    [Show full text]
  • Eastern Progress, Thursday
    ► In the gutter The Eastern As Eastern's bowling alley is shipped to Virginia, the university is considering options to fill the now vacant space. Turn inside to read what students suggested should go in the former bowling alley. Progress NEWS/ A4 vuwi id. hmond Ky Student publication o( f astern Kentucky University since 1922 Vol 83/No 9 .14 paqcs October 21 2004 Dorms adding security system embedded into it. If the chip Scanners will is in the proximity of the card- reader, the door will unlock. electronically Middleton said The card-readers will be check student programmed with the II) num- bers of residents who live IDs at door in that specific hall. Middleton said. The installation of the RAC rHAYNES system will be a three-week Assistant news editor process, Middleton said. 'Hie ()n-campus residents will first week will be spent install- soon have to use their student ing the wiring for the system. IDs to obtain electronic access The second week, the hard- to residence halls. ware will be installed. The Installation of the third week, the system will be Residential Access Control activated. system began Oct. 13 in Case Along with installing card- anil Combs halls, According to readers, there will be an alarm Kenna Middleton, director of installed, Middleton said. The university housing alarm will be activated when Residence halls will be com- any entrance door is left open pleted in sets ol two halls at a too long and will not turn off time, Middleton said. Residents until the door is shut.
    [Show full text]
  • You're Doing a Lot of Really Fantastic Concept Albums, Such As Monster
    1 Sarah Dupuis Thomas DeFrantz 21M.775 December 10, 2007 The Uprising of Ibilys: A Violent Fantasy He was known as a ruthless drug dealer who would kill for money without second thought. He survived two murder attempts and ten bullets, one of which took the life of his stepbrother. Confined to a wheelchair, he continued to manage his successful drug ring until met with a life sentence for conspiracy to sell narcotics. Through his own ingenuity he was released just three years later, and has since released a plethora of albums – including hip-hop’s first triple-disc release, American Hunger – and authored DC Comics’ first hip-hop graphic novel, an autobiography entitled Sentences: The Life of MF Grimm. I e-mail him to ask for an interview on a whim, half expecting no response. I’ve almost only written about small-scale independent rock bands, and though MF Grimm is firmly rooted in the hip-hop underground, I doubt he has time to speak with a college reporter, much less one at MIT. But within an hour, he e-mails back. And he tells me he’s honored, three times. And he can’t wait to get started on our interview. --- Percy Carey, the man behind Mad Flows (or Mother Fucking) Grimm has been on the New York rap scene a long time. Longer than friend-turned-nemesis Daniel Dumile a.k.a. MF Doom, who took his MF title from Carey himself. Long enough to have apparently ghostwritten for Dr. Dre’s groundbreaking 1992 album The Chronic.
    [Show full text]
  • Theft, Transformation, and the Need of the Immaterial: a Proposal for a Fair Use Digital Sampling Regime
    ASHTAR_FORMAT_YS.DOCX 9/20/2009 1:17 PM THEFT, TRANSFORMATION, AND THE NEED OF THE IMMATERIAL: A PROPOSAL FOR A FAIR USE DIGITAL SAMPLING REGIME By Reuven Ashtar* TABLE OF CONTENTS I. INTRODUCTION ...................................................................... 263 II. MUSICAL COPYRIGHT IS INCOHERENT .......................... 265 A. SAMPLING AS THEFT ................................................. 265 1. Grand Upwrong ........................................................ 265 2. Trolling for Samples ................................................. 268 3. Malice and Deceit ..................................................... 269 B. THE DISJOINTED LICENSING SCHEME ................ 269 1. Master Use & Synchronization Licenses ................ 270 2. The Scope of Musical Copyrights ............................ 270 3. Moral Rights ............................................................. 271 4. Licensing Rates ........................................................ 273 5. Penalties ................................................................... 276 C. COURTS MUDDLE THE REGIME .............................. 276 1. Bridgeport Music ...................................................... 276 2. Newton ...................................................................... 279 III. CREATIVE SAMPLING & COPYRIGHT .................................... 280 A. THE ORIGINS OF COPYRIGHT .................................. 281 1. English Origins ........................................................ 281 2. American Origins ....................................................
    [Show full text]