Teaching Resource: Interview Methods
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Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21. -
DRAMATURGY GUIDE School of Rock: the Musical the National Theatre January 16-27, 2019
DRAMATURGY GUIDE School of Rock: The Musical The National Theatre January 16-27, 2019 Music by Andrew Lloyd Webber Book by Julian Fellowes Lyrics by Glenn Slater Based on the Paramount Film Written by Mike White Featuring 14 new songs from Andrew Lloyd Webber and all the original songs from the movie Packet prepared by Dramaturg Linda Lombardi Sources: School of Rock: The Musical, The Washington Post ABOUT THE SHOW Based on the hit film, this hilarious new musical follows Dewey Finn, a failed, wannabe rock star who poses as a substitute teacher at a prestigious prep school to earn a few extra bucks. To live out his dream of winning the Battle of the Bands, he turns a class of straight-A students into a guitar-shredding, bass-slapping, mind-blowing rock band. While teaching the students what it means to truly rock, something happens Dewey didn’t expect... they teach him what it means to care about something other than yourself. For almost 200 years, The National Theatre has occupied a prominent position on Pennsylvania Avenue – “America’s Main Street” – and played a central role in the cultural and civic life of Washington, DC. Located a stone’s throw from the White House and having the Pennsylvania Avenue National Historic Site as it’s “front yard,” The National Theatre is a historic, cultural presence in our Nation’s Capital and the oldest continuously operating enterprise on Pennsylvania Avenue. The non-profit National Theatre Corporation oversees the historic theatre and serves the DC community through three free outreach programs, Saturday Morning at The National, Community Stage Connections, and the High School Ticket Program. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
1 the Pitiful Encounter
ODDBALLS Wil liam Sleator c William Sleator THE PITIFUL ENCOUNTER When my sister Vicky and I were teenagers we talked a lot ab out hating p eople Hating came easily to us We would b e walking down the street notice a p erfect stranger and b e suddenly struck by how much we hated that p erson And at the dinner table we would go on and on ab out all the p opular kids we hated at high scho ol Our father who has a very logical mind sometimes cautioned us ab out this Dont waste your hate he would say Save it up for imp ortant things like your family or the President We resp onded by quoting the famous line from Medea Loathing is endless Hate is a b ottomless cup I p our and p our But b eing hated by us was not the worst thing we could say ab out a p erson There was an even lower category for which Vicky and her two b est friends Ann and Emily had coined a sp ecial term pituh There was no word in the English language that sp ecied all the particular characteristics that made someone pituh Though it was pronounced something like the rst two syllables of pitiful the term certainly did not mean that the p erson was pitiful or pathetic in the sense of b eing an outcast On the contrary most of the p eople our group considered to b e pituh were the reigning leaders of the p opular clique the girls with p erfectly gro omed b eehive hairdos who giggled and irted and were always xing their makeup the arrogant guys they irted with athletes and class leaders who considered me a nonentity b ecause I was lousy at sp orts It was these slaves to p eer -
What I Learned in Pittsburgh Forestalling Ecocide with the Age of Stupid
North of CeNter Wednesday, OctOber 7, 2009 Free take home and read VOluMe I, Issue 11 Faust summoned What I learned in Pittsburgh to set Lex ablaze The 2009 G20 summit and protests, part 1 Krautrockers play Boomslang By Trevor Tremaine In the mid 1990s, I was a subur- ban teenager entering a lifelong obses- sion with strange, adventurous music. before Myspace, peer-to-peer fileshar- ing, Mutant sounds and other blogs of its ilk , and without regular access to many interesting all-ages gigs or the sorts of fantastic record stores that were found in louisville or cincinnati (each requiring an hour-plus drive), discovering such sounds was a rather labor-intensive process. Often, I would just peruse the CDs in (the legendary, long-gone lexington record store) cut corner’s scant, rarely- restocked avant-garde section and select a disc based solely on the cover art, the description, or the instrumen- tation, if the credits were visible (i.e. if personnel were attributed with “tapes and electronics,” I knew I had to check it out—an axiom that still holds true today). For guidance, I sought The Wire magazine, a UK journal of experimen- tal music from around the world. One memorable issue listed “100 records that set the World on Fire (While no One Was listening),” and I made it my MICHAEL MARCHMAN mission to hear as many of these very, Crowds of protestors gather in downtown Pittsburgh during the recent G20 meetings. very obscure records as I could find. Faust was a name that popped up By Michael Dean Benton gesture of political optimism. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Dear SMASH Families, Let's Combine Our Commitment to Helping Those
[email protected] November 1, 2019 Dear SMASH Families, Let’s combine our commitment to helping those impacted by the fires with our commitment to gath- ering together as a SMASH community to appreciate the practice stamina, stage presence bravery and talents of our students. The Fire Relief Benefit - SMASH Student Talent Show will be Thursday, November 14 6-7:30pm in the Cafetorium. Students will be collecting donations towards a PTSA selected fire relief fund. Thank you to Teagan’s Derek for donating his time and talent as the DJ of the night! Entrance to the event is free. Talent act sign-ups begin November 4, come in, call or email Ania in the office. Open to SMASH students. Performances are limited to 3 minutes. Students can sign up for only 1 performance (individual or group - not both). Sign-ups are for the first 20 acts. Names of alternates will be taken. Don’t wait to sign up. No sign ups the night of the show. Jessica DATES TO REMEMBER! Monday, Nov 4 SMASH Family Conferences 1:30pm Dismissal K-8 Tuesday, Nov 5 SMASH Family Conferences 1:30pm Dismissal K-8 Wednesday, Nov 6 PTSA Executive Board Meeting 8am PTSA General Meeting 8:30am Site Council in Annes’s room 12:30pm SMASH Family Conferences 1:30pm Dismissal K-8 Thursday, Nov 7 SMASH Family Conference 1:30pm Dismissal K-8 Friday, Nov 8 SMASH Family Conferences 1:30pm Dismissal K-8 Monday, Nov 11 Veteran’s Day Holiday NO SCHOOL Thursday, Nov 14 Talent Show 6-7:30pm CORE 1 NEWS PARENT-TEACHER CONFERENCES ARE HAPPENING NEXT WEEK. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Dec 2020 Nuts Bolts V5 Issue 6
E! NUTS & BOLTS ‘Every man needs a shed’ Vol 5 | Issue 6 | December 2020 [Covid-19 Edition 7] In This Edition Page 2 Melbourne Cup BBQ Lunch Page 3 Bulimba Markets Page 4 Corrugated Shed Update Message from the Editor Page 5 Vetrans Grant Activities Editor: Ray Peddersen Page 6 Care Kits for Kids Qld visit [email protected] Page 7 Contract Bridge Corner Page 8 N&B Archive Page 9 Poetry Corner - Lest We Forget Page 10 Shoulder to Shoulder This is the last “Nuts& Bolts” for 2020, so please enjoy. Page 11 Time in Uniform Page 13 Great Moments in Science As this crazy year of covid draws to a close, I would like to Page 14 Puzzles, Jokes & Trivia thank all those members who have contributed poems travel photos, jokes and articles for Nuts & Bolts and I wish every member of the shed and their families a very Happy and Safe Christmas. Mens Shed Carina Inc., Clem Jones Centre Ph: 07 3395 0678 56 Zahel Street E: [email protected] CARINA, QLD, 4152 W: www.carinamensshed.org.au Carina Men’s Shed valued supporters include: Amanda Van de Hoef 1 Nuts & Bolts Newsletter | Carina Men’s Shed Vol 5 | Issue 6 | December 2020 Member’s News Melbourne Cup Lunch Tuesday 03 November Small field of about 25 turned up for the Melbourne Cup lunch, Paul Gardiner did a great job on the BBQ lunch refreshments and thanks to Roger Appleby and John Abbott for organising the sweeps. 2 Nuts & Bolts Newsletter | Carina Men’s Shed Vol 5 | Issue 6 | December 2020 Member’s News Bulimba Markets Sunday 15 November Eddie Haselich, John Kirkwood, Freddie Butler, Rex Gelfius and David Sim set up our stall at the Bulimba Markets and had a very successful afternoon raising $1600 from the sale of our shed’s glass, wood and leather items. -
Download Ebook (PDF)
The Pilgrims Books by Chester Eagle Hail and Farewell! An evocation of Gippsland (non-fiction, 1971) Who could love the nightingale? (novel, 1974) Four faces, wobbly mirror (novel, 1976) At the window (novella, 1984) The garden gate (novel, 1984) Mapping the paddocks (non-fiction, 1985) Play together, dark blue twenty (non-fiction, 1986) House of trees (reissue of Hail and Farewell! 1987) Victoria Challis (novel, 1991) House of music (stories, 1996) Wainwrights’ mountain (novel, 1997) Waking into dream (novel, 1998) didgeridoo (stories, 1999) Janus (travel pieces, 2001) The Centre & other essays (essays, 2002) Love in the Age of Wings & other operas (librettos, 2003) Melba: an Australian city (essays, 2004) The Wainwright Operas (librettos, 2005) Oztralia (essays, 2005) Cloud of knowing (novel, 2006) Benedictus (essays, 2006) Central Station Sydney & other operas (librettos, 2006) The Sun King & other operas (librettos, 2007) The Well in the Shadow (literary essays, 2008) All the Way to Z (memoir/essay, 2009) This Enchanted World & other operas (librettos, 2009) Running The Race (novel, 2010) A Mob Of Galahs & other operas (librettos, 2011) Brighter Than Black (libretto, 2012) The Pilgrims (novel, 2012) (See also mini-mags over the next page.) If you would like to know more about the books listed above or to download any of them for yourself, FREE OF CHARGE, visit trojanpress.com.au. The Pilgrims Chester Eagle The Pilgrims is published by Chester Eagle, 23 Langs Road Ivanhoe 3079 Australia, operating as Trojan Press. Phone is 61 3 9497 1018 and email address is [email protected] Copyright is held by Chester Eagle. -
CHARTED TERRITORY by NETA GORDON Thesis Submitted to The
CHARTED TERRITORY Women Nriting Genealogy in Recent Canadian Fiction by NETA GORDON Thesis submitted to the Department of English In conformity with the requirements fx The degree of Doctor of Philosophy Queen's University Kingston. Ontario. Canada November. 200 1 Copyright O Neta Gordon 2001 uisiaans and Acquisitions et 3-Bi mgogrPphic Services seMees WliraphQues The author has granted a non- L'auteur a accordé une Licence non exclwive licence aiiowing the exclusive permettant à la National Li- of Canada to Bibliothèque nationale du Canada de reproduce, loan, distri'bute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownetshtp of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette dièse. thesis nor substantial extracts fbmit Ni la thése ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract This dissertation argues that the recent refashioning of the genealogical plot by Canadian women entails a dual process whereby, on the one hand, the idea of family is radically redefined and, on the other hand, the conservative traditions of family are in some way recuperated. For my analysis of the multi-generational family history, 1 develop a complex critical framework which demonstrates that the organizing principles goveming any particular conception of family will also influence the way that family's story is nmted.