Charlayne Woodard – Playwright & Actress
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More- for Immediate Release CENTER THEATRE GROUP
For immediate release CENTER THEATRE GROUP ANNOUNCES 2018 — 2019 SEASON AT THE MARK TAPER FORUM AND KIRK DOUGLAS THEATRE THE 2018 — 2019 SEASONS FEATURE TWO WORLD PREMIERES, A PULITZER PRIZE-WINNING PLAY, A NEW WORK BY A PULITZER WINNER, A POWERFUL WORK BY A LOS ANGELES FAVORITE, AN EXCITING SOLO WORK, A RECENT NEW YORK HIT, AN ACCLAIMED PRODUCTION OF A CLASSIC PIECE AND THE THIRD ANNUAL BLOCK PARTY: CELEBRATING LOS ANGELES THEATRE The 2018-2019 Season at the Mark Taper Forum Includes “Sweat,” “Valley of the Heart,” “Linda Vista,” “Lackawanna Blues” and “Happy Days” Begins August 29, 2018, and Runs Through June 30, 2019 The 2018-2019 Season at the Kirk Douglas Theatre Includes “School Girls; Or, the African Mean Girls Play,” “Quack,” Block Party: Celebrating Los Angeles Theatre and “From the Words and Writings of Dana H.” Begins September 2, 2018, and Runs Through June 23, 2019 Two Subscriber Bonus Options Offered as Part of Off Center Center Theatre Group Collaborations with Arts Partners Around Town [For complete listing of plays and performance dates, please see final pages of release.] Center Theatre Group Artistic Director Michael Ritchie has set the 2018 — 2019 seasons at both the Mark Taper Forum and Kirk Douglas Theatre. Together, the seasons feature new plays, classic works and the continuation of Block Party, which celebrates the rich array of theatre produced every year in Los Angeles. “The eight shows scheduled in the 51st season at the Taper and the 15th season at the Douglas run the gamut from world premiere comedies to enduring classics,” said Ritchie. -
John Logan Koepke and David G. Robinson* in the Last Five Years
DANGER AHEAD: RISK ASSESSMENT AND THE FUTURE OF BAIL REFORM John Logan Koepke and David G. Robinson* In the last five years, legislators in all fifty states and many localities have made changes to their pretrial justice systems. Reform efforts aim to shrink jails by incarcerating fewer poor, low-risk defendants, and particularly, fewer racial minorities. Many jurisdictions are embracing pretrial risk assessment instruments — statistical tools that use historical data to forecast which defendants can safely be released — as a centerpiece of these changes. Scholars, system practitioners, advocates, and journalists are increasingly questioning the extent to which pretrial risk assessment instruments actually serve these goals. Existing scholarship and debate centers on how the instruments may reinforce racial disparities, and on how their opaque algorithms may frustrate due process interests. In this article, we highlight three underlying challenges that have yet to receive the attention they require. First, today’s risk assessment tools make what we term “zombie predictions.” That is, the predictive models are trained on data from older bail regimes, and are blind to the risk-reducing benefits of recent bail reforms. This will lead to predictions that systematically overestimate risk. Second, the “decision- making frameworks” that mediate the court system’s use of risk estimates embody crucial moral judgments, yet currently escape public scrutiny. Third, in the longer term, these new tools risk giving an imprimatur of scientific objectivity to ill-defined concepts of “dangerousness”; pave the way for a possible increase in preventive detention; and may entrench the Supreme Court’s historically recent blessing of preventive detention for dangerousness. -
V'j/SO14 RCA's Broadcast Antenna Center
V'J/SO14 Broadcast and Teleproduction Happenings PTL-'The Inspirational Network" Expands WDZL -TV, New 24 -Hour UHF RCA's Broadcast Antenna Center Quality Video's Mobile Unit www.americanradiohistory.com On the move. for you! 4,-. ..._V,. at" \ ,,\ 1 bt, . V I . O.. I . ` . .,S{+?f " \ Y '1 y^$(.. 4 , ,. P .. 1N " 1 , ; rÿ: I:IYf . ;-- ' !Í "' II-, i..R . a. : RCA Y{RWJä1sCAb7 6Y&Taa -1 f, ...,p,a- -.Ni l¡ JI ^ Idi.1 0 1 f' .i.w , +u. --^jyL ' r +,., p _ f ÿ'S 1, y, wpkM3.xyn. ,, nasr : . l . r -.-- / ( ,r w. }'Y, ) `r---._ .:. , a./ _ .*.Yd.g j 'i2N'-rE .., 3 s!Y ` 5 -,:. .` 'ß` ,...7.!: r.i/ .. 1 c.i` 1,'fy.VrY, *--rit, j+i .. ;j -'' - , }. - r* 1,:& r.1. `da .a ..\.". 47-77::` N1u " ` yy',, C ` .a..s"ç. _- 1, - l'3aa-y..í.-,.+D:.. `... View from United Slates Avenue There is a new RCA Broadcast Systems Di- We're moving toward a full integrated vision, operating from a new headquar- operation -consolidating administration, ters location in Gibbsboro, New Jersey. engineering and manufacturing in one Administrative operations- marketing, area for added efficiency and customer - product management, Tech Alert, cus- responsive service. tomer service and finance -are already in RCA Broadcast Systems move to Gibbs - place on site, and a new building is under boro reaffirms our commitment to remain construction. When completed later this the industry's leading supplier of quality year, TV transmitter engineering and pro- products, with unequalled support duction will move from Meadow Lands, services. -
42" 1080P LCD Flat Panel HDTV
L42FHD37 42" 1080p LCD Flat Panel HDTV Features and Benefits For the ultimate in High Definition viewing, RCA introduces the new Full 1080p L42FHD37. It featuresFull 1080p HDTV technology performance for crisp, lifelike details, SRS® WOW Audio Enhancement, fast panel response times, and 5 HD inputs: 3 HDMI (v1.3) and 2 HD Component. This television is also HDMI-CEC compliant making it easier to control your components connected via HDMI with the TV’s remote control. The RCA L42FHD37 is an incredible value that is designed to be a breeze to operate with stunning picture performance and sensible innovations. RCA HDTV. Color Beyond Reality. This TV is ENERGY STAR® qualified and features RCA’sIntuilight™ light sensor which detects ambient room light to automatically adjust contrast on the screen. The result is more energy-efficiency that is perfectly balanced for your room’s environment—night or day. PRODUCT SIZE (W X H X D) WITH stand: 40 X 28.4 X 10.2 INCHES || W/O stand: 40 X 26 X 4.4 INCHES * Cable TV subscription required. Check with your cable company for availability in your area. L42FHD37 Specifications JACK paNELS Side Panel Back Panel TECHNOLOGY REAR CONNECTIONS — OUTPUTS Tuner NTSC/ATSC/QAM Digital Audio Output (SPDIF) 1 - Optical Analog Video Formats (NTSC/480i) Composite, S-Vid, Component SIDE PANEL — INPUTS Video Formats (480p, 720p, 1080i, Component, RGB, HDMI Composite Video Input 1 1080p) S-Video Input 1 R L HDTV Capability Yes Audio Input for Composite 1 R L Category LCD HDMI Inputs ** 1 DVI AUDIO INPUT USB Input 1 - SW -
Ripe Frenzy Program (Download PDF)
WELCOME Greenway Arts Alliance has been honored to serve thousands of students, artists and community members for the last twenty years. Did you know that you are on the campus of Fairfax High School in a building designed and constructed by Fairfax students as a “Social Hall” in the 1940’s? Based on articles in the school newspaper, the students were committed to building a home in which to “socialize.” Greenway continues this commit- ment through our mission to unite communities through our productions at the Greenway Court Theatre, which give our patrons the opportunity to share in the communal experience of live theatre. Jennifer Barclay's Ripe Frenzy, produced through the National New Play Network's Rolling World Premiere program, is the culminating production of Greenway's 20th Anniversary season. In it we showcase our recommitment to producing important new works that explore the pressing social issues of our time. As we write this letter in preparation for Opening Night, we do so with the knowledge that students, teachers and parents in Santa Fe, Texas, are mourning their friends and children lost in yet another school shooting. Since Columbine, we have watched in horror as 85 similar shootings have occurred, killing 223 people. As a theatre in residence on a high school campus, we say ENOUGH, and hope that this produc- tion will inspire our audiences to interrogate society's role in the proliferation of these events, and look for ways to work toward ending them. We regard Greenway Court Theatre as our home and are grateful that you are here. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
The 2017 Remodel of LA Theater
The 2017 remodel of LA theater laobserved.com/intell/2017/12/the_2017_remodel_of_la_theater.php By Don Shirley | December 23, 2017 9:09 AM If you see only one satire of musicals this month, "Something Rotten!" is the better choice. Photo by Jeremy Daniel. 2017 was a pivotal year for Los Angeles theater, but not because the quality was better or worse than usual. It's because of institutional changes. After two years of heated debate, new Actors' Equity rules finally took full effect in smaller theaters. Receiving far less attention were changes in the leadership of four of LA's larger nonprofit theater companies. Meanwhile, "Hamilton" - at the Pantages -- dominated the second half of the year, not only in terms of attendance, attention and profits but also in terms of innovation. In most of my previous year-end summaries, I briefly comment on my favorite shows, arranged in alphabetical order. I'm still mentioning most of my personal theatrical faves this year, but I'm weaving my references to them into the context of discussions about these larger changes. Because I've already written about most of my favorites in earlier columns (which are available here), I'm going to restrict longer mentions only to those few shows that were highlights but which didn't fit into earlier columns. 1/7 Also, for those readers who simply want some recommendations about what to see during the holidays, feel free to skip to the last section of the column. Let's start with our biggest nonprofit company, Center Theatre Group - the proprietor of the Ahmanson, Mark Taper Forum and Kirk Douglas Theatre. -
Exposing Eddie Cantor, Trouble -Maker Why Frank Munn Sings to a Lost Love
THE LARGEST CIRCULATION OF ANY RADIO MAGAZINE FRED ALLEN AND PORTLAND HOFFA EXPOSING EDDIE CANTOR, TROUBLE -MAKER WHY FRANK MUNN SINGS TO A LOST LOVE . www.americanradiohistory.com New Kind of Dry Rouge aCt y Ataiz.0 on ag cz'ary. ALL NIGMT f , ,d,u.,.,g,r.,,,, ,1,1 de, ,,,h, , . ra :°;'.r,;, NAIL 1,1_ How often you have noticed that most dry rouge seems to lose the i uiry of its color within an hour or so of its application. That is beeatse the sr.droucc particles are so coarse ve n texture, , that they simply, fall areuy from your skin. SAVAGE Rouge, as Your ,nse of touch will instantly tell you, is a great ,lead finer in restore and :miter thin ordinary rouge. Its particles being so infinitely line. adhere much more closely to the skin than rouge has ever clung before. In leer, SAVAGE Rouge, for this reason, clings so insistently, it seems to bee a part of the skin itself ... refusing to y eld, even to the savage caresses its tempting smoorhirers and poise- quickening color might easily invite. The price its ?Cc and the shades, to keep sour lips and cheeks in thrilling harmony, match perfects' drove of SAVAGE LIPSTICK . known as the o transparent-colored indelible lipstick that aer1.1,11y keeps lips seductively soft instead Of drain.e them as indelible lipstick usually does. Apply it rub it in, and delight i ,hiding your lips lusciously, lastingly tinted, yet utterly grease- less. Only :Cc .rid each or the tout hues is as vibrantly alluring, as completely intoxicating as a ¡oriole niche Everyone has found them so. -
Arts, Culture, & Creative Economy
• • • • • • • • • • • Give Me Your Hand by Milton Davis, 1995. Art in Public Places Program. Source: Art in Public Places Program. Culver City’s first movie studio, circa 1915. Source: Culver City Historical Society. 1 Sources for this section are: 1) the City’s history webpages, https://www.culverCity.org/how-do-i/learn/about-culver- City/history-of-culver-City, 2) Culver City, California: The First Hundred Years, Julie Lugo Cerra, 3) Culver City Chronicles, Julie Lugo Cerra, 2013, and 4) stakeholder interviews. Umbrella by Eric Owen Moss, 1999, in the Hayden Tract. Designated Architecture as Art, Art in Public Places Program. Source: Eric Owen Moss Architects 2 Creatives are individuals with advanced training and experience in the design and production of a broad range of cultural products and services, including many individual artists of all disciplines. 3 John Howkins. The Creative Economy, www.creativeeconomy.com 4 United Nations Development Program, http://www.hdr.undp.org/en/content/how-cultural-and-creative-industries-can- power-human-development-21st-century 5 WESTAF Creative Suite 2017 6 Creative sector jobs include four classes of workers: Extended Proprietors, Non-QCEW Employees, QCEW Employees, Self-employed. Source: Economic Modeling Specialists International (EMSI). The arrival of Amazon Studios brings new creative jobs to Culver City. Source: Culver Steps. ▪ ▪ ▪ ▪ ▪ The Kirk Douglas Theatre is located in downtown Culver City and available for rentals. Source: EKYR Architects. ▪ ▪ ▪ ▪ ▪ ▪ ▪ VMB hosts creative programming in Culver City. Source: City of Culver City ▪ ▪ Arlette Cardenes, Music Director, Culver City Chamber Orchestra Source: Culver City Chamber Orchestra Table 1: Nonprofit Arts and Cultural Organizations in Culver City 1. -
Bengal Tiger at the Baghdad Zoo
BENGAL TIGER AT THE BAGHDAD ZOO BY RAJIV JOSEPH DRAMATISTS PLAY SERVICE INC. BENGAL TIGER AT THE BAGHDAD ZOO Copyright © 2012, Rajiv Joseph All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BENGAL TIGER AT THE BAGHDAD ZOO is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BENGAL TIGER AT THE BAGHDAD ZOO are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
The Pin-Up Boy of the Symphony: St. Louis and the Rise of Leonard
The Pin-Up Boy of the Symphony St. Louis and the Rise of Leonard Bernstein BY KENNETH H. WINN 34 | The Confluence | Fall/Winter 2018/2019 In May 1944 25-year-old publicized story from a New Leonard Bernstein, riding a York high school newspaper, had tidal wave of national publicity, bobbysoxers sighing over him as was invited to serve as a guest the “pin-up boy of the symphony.” conductor of the St. Louis They, however, advised him to get The Pin-Up Boy 3 Symphony Orchestra for its a crew cut. 1944–1945 season. The orchestra For some of Bernstein’s of the Symphony and Bernstein later revealed that elders, it was too much, too they had also struck a deal with fast. Many music critics were St. Louis and the RCA’s Victor Records to make his skeptical, put off by the torrent first classical record, a symphony of praise. “Glamourpuss,” they Rise of Leonard Bernstein of his own composition, entitled called him, the “Wunderkind Jeremiah. Little more than a year of the Western World.”4 They BY KENNETH H. WINN earlier, the New York Philharmonic suspected Bernstein’s performance music director Artur Rodziński Jeremiah was the first of Leonard Bernstein’s was simply a flash-in-the-pan. had hired Bernstein on his 24th symphonies recorded by the St. Louis Symphony The young conductor was riding birthday as an assistant conductor, Orchestra in the spring of 1944. (Image: Washing- a wave of luck rather than a wave a position of honor, but one known ton University Libraries, Gaylord Music Library) of talent. -
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