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Section on Art Libraries; Section on Geography and Map Libraries; Section on Government Libraries; Section on Science and Technology Libraries DOCUMENT RESUME ED 356 789 IR 05b. 480 TITLE IFLA General Conference, 1992. Division of Special Libraries: Section on Art Libraries; Section on Geography and Map Libraries; Section on Government Libraries; Section on Science and Technology Libraries. Papers. INSTITUTION International Federation of Library Associations and Institutions, London (England). PUB DATE Sep 92 NOTE 278p.; Papers presented at the International Federation of Library Associations and Institutions (IFLA) General Conference (58th, New Delhi, India, August 30-September 3, 1992). Reproducibility of papers it poor. For additional conference papers, see IR 054 468-483. PUB TYPE Speeches/Conference Papers (150) EDRS PRICE MFO1 /PC12 Postage. DESCRIPTORS Access to Information; *Art; Developing Nations; Documentation; Foreign Countries; Geography; Government (Administrative Body); Law Libraries; *Library Collection Development; *Maps; National Libraries; *Scientific and Technical Information; *Special Libraries; Users (Information) IDENTIFIERS Afghanistan; Asia (Southeast); England; India; Indochina; Indonesia; International Federation of Library Associations; Manuscript Collections; Mexico; Netherlands; Philippines; Russia; UNESCO ABSTRACT The following 21 papers were delivered for the Special Libraries Division of the International Federation of Library Associations and Institutions at its 1992 annual meeting: (1) "From Indochina to Afghanistan: Arts from Abroad in Parisian Libraries" (M. F. Macouin);(2) "The Indonesian Archeology Photograph an' Documentation System (IAPDS) in Leiden" (H.I. R. Hinzler);(3) "The Collection Development and Organisation of Art Materials: The Cultural Center of the Philippines in Context" (E. R. Peralejo);(4) "Resources for the Conservation of Southeast Asian Art" (S. G. Swa.itzburg);(5) "The Moravian Mission and Its Research on the Language and Culture of Western Tibet: A Case Study for Collection Development" (H. Walravens); (6) "The National Art Library and the Indian Collections of the Victoria and Albert Museum, London" (J. F. van der Wateren); (7) "Collection Development and Acquisition of Art Materials with Special Reference to South and South-East Asia: A Case Study of the Indira Gandhi National Centre for the Arts" (A. P. Gakhar);(8) "Map Collection of the National Library and Its Users' Pattern" (D. K. Mittra and A. K. Ghatak);(9) "Russian Maps of Asia" (N. Ye. Kotelnikova); (10) "A Survey of Maps and Atlases Published in India" (A. K. Ghatak); (11) "Government Libraries in India: An Overview" (M. K. Jain); (12) "Technology as an Agent for Communication" (E.J. Valauskas); (13) "Changing Duties: Relations between Library and Information Work" (A. G. A. Staats); (14) "Access to Scientific and Technical Information: The Greenlight or Not?" (D. Stoica);(15) "Initiatives To Facilitate Access to S&T (Science and Technology) Information in India" (A. Lahiri); (16) "Improving Access to Scientific Literature in Developing Countries--A UNESCO Programme Review" (A. Abid);(17) "Science, Technology and Libraries in French-Speaking Africa" (H. Sene); (18) "Productivity, Impact and Quality of Scientific Work at the UNAM (National Autonomous University of Mexico): Actions for their Acknowledgement" (P. Dector); (19) "The Post-Perestroyika Sci-Tech Libraries: Will They Survive?" (A. Zemskov); (20) "Access to Information and Science Development in the Developing World" (S. Arunachalam); and (21) "Manuscript Collections in Indian Libraries with Special Emphasis on National Library" (S. Akhtar). (SLD) _ FLA.-GENERAL CONFERENCE NEWDELHI 1992 Division: SPECIAL LIBRARIES U S DEPARTMENT OF EDUCATION Section/RT: E Hese.Etant inviroretnent ART LIBRARIES OUCAnr,NAL RIsounct sINF ORMAI ION rf NTE R ;ERIC. 1, on. nas oet, ed as ,ece .ec , ha, f e Joint Meeting with: --------.ec.ocluc P ,r!s MU(U WORKSHOPTHEME (IF APPLICABLE):Collection Development and Acquisition of Art Materials with special reference to South and South East Asia From Indochina to Afghanistan: Arts from abroad in Parisian libraries by M. Francis Macouin Head Librarian of the Library of the Muses National des Arts Asiatiques Guimet Paris For internal use only: Meeting No: Ae5 "PERMISSION TO REPRODUCE MATERIAL HAS THIS SI: ras/no BEEN GR ANTEDBY :.L. VanYosu.lael Estimated number of participants 7 " 11; a RLE in tL, .oecting: 17.' 1 ( \j TO THE EDUCATIONAL INFORMATION RESOURCES CENTER (ERIC).- From Indochina to Afghanistan: arts from abroad in Parisian libraries Francis Macouin I wanted to find a way of keeping you interested and so have avoided creating a dry list of organisations in Paris connected with the art of those regions which stretch from Vietnam to Afghanistan.I am therefore going to try to explain the present situation, letting myse;f be guided by history, and to remind you of the changes currently under way. The interest which first took the French to India and to th_ area which since the end of the 19th century has been called Indochina - although at the time it was called India across the Ganges - was at first political, commercial and religious. However the exchange of embassies between Louis XIV and the King of Siam, Phra Narai, in the 17th century came to nothing. French ambitions in the Indian peninsula were abandoned with the Treaty of Paris in 1763, which concluded one of the numerous wars between France and England. Nonetheless there was as a result a certain amount of intellectual curiosity about these regions and I cannot miss the chance of reminding you of the first French Indianist, Anquetil-Duperron (1731-1805). He got himself taken on as a soldier in the Compagnie des Indes in 1754 in order to research the books Of Zoroaster (Zarathustra) and the Vedas. In 1801-1802 he published a Latin translation of the Upanishads, which was consulted intensively by Schopenhauer.He also got together the collection of Sanskrit manuscripts which was added in the 18th century to the Bibliotheque Nationale (then the Bibliottkue Royale). By way of detail I should point out that an Englishman, Alexander Hamilton, was responsible for the first catalogue of these manuscripts, while he was held prisoner in Paris in 1803 during another war between France and England. In the course of the 19th century oriental studies developed considerably. To remind you of a few of the stages: teaching cf Sanskrit (and also of Chinese) began in 1814 at the Collge de France, which is the highest and most specialised educational institution in France. A learned society, the SocietAsiatique, was founded in 1822. A Chair of Malay and Javanese was created in 1841 at the Ecole des Langues Orientales Vivantes, now the Institut National des Langues et Civilisations Orientales (NALCO). The Soci6t6Asiatique, which was set up in Paris on the model of the Societe des Sciences et Art de Batavia (founded in 1778) and of the Societe Asiatique de Calcutta (formed in 1784), is still in existence and brings together almost all French specialists in the field. 1 Although its area of interest covers all of Asia and even further afield, from North Africa to Japan, it plays an important role in the Indian domain. It also manages an important orientalist library containing exchanges and donations (the Alfred Foucher legacy) in which one can find valuable early documentation on art. But although oriental studies were developing in the 19th century, it was not until the end of the century that oriental art, or more exactly archaeology, i.e. the study of ancient arts and monuments, became a specific area of study to which several institutions devoted themselves. No doubt this change was partly due to the problem posed by the discovery of Angkor and of the other Cambodian monuments after France had begun to colonise the Indochinese peninsula in the 1860s. To cope with these impressive architectural ensembles, laryely buried in the surrounding vegetation, the Commission Archeologique del'Indochine was created in 1898. In 1901 this became the Ecole Francaise d'Extreme-Orient (EFEO).This is not a teaching establishment but a body which offers young researchers the opportunity to undertake long study visits to the Far East. Its remit goes beyond Indochina and archaeology, since it is responsible for the listing and protection of antiquities in the countries which were under French administration, and it works like a directorate for the historic monuments of Indochina. In particular it continued the restoration of Angkor up until 1975. Prior to 1954 it had its headquarters and library in Hanoi, but decolonisation and wars, the latter especially in the Indochinese peninstila, forced it to move back to Paris and to reorganise its activities. In particular it had to rebuild its library, today a rich collection of some 65,000 volumes of which 20 per cent are on art. Part of the original collections, which remained in Hanoi, ended up in the Bibliotheque des Sciences G4nerales de Ho-chi-minh-ville (Saigon). Oddly enough the French were aiso present at the other end of the geographical area I am discussing here, in Afghanistan. In 1922 an agreement was signed between that country and France. The first article stated: 'Because of the friendly relations which so happily exist between the two governments and because of the particular developments in science achieved by France His Majesty the King of Afghanistan grants to the government of the Republic of France the exclusive privilege of carrying out excavations in the entire extent of Afghan territory.' This agreement, later tacitly renewed, allowed the French to make archaeological surveys 2 until 1975. It also established precise rules for the division of the finds between the two countries. The French organisation in charge of these activities, the Delegation Archeologique Francaise en Afghanistan (DAFA), worked very closely with the Mus6e Guimet, where the French part of these findings is held. This museum is named after its rich industrialist founder, Emile Guimet. It opened in Paris in 1889 as a museum of the history of religions. Its creator had tried to assemble, around his existing important Japanese collection, ritual objects and representations of the pantheons of many Asiatic religions.
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