The Provocateurs: a Master Series - Black Lives Matter
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Media Advocacy. Fighting Defamation. Changing Hearts and Minds
GAY & LESBIAN AllIANCE AgAINST DEFAMATION PERFORMANCE REPORT 2007 Media Advocacy. Fighting Defamation. Changing Hearts and Minds. Personal Stories That Move Public Opinion 70280_GLAAD_r2.indd 1 6/26/08 1:04:19 PM GLAAD PERFORMANCE REPORT 2007 1 Letter from the President 1 Letter from the National Board Co-Chairs 2 Changing Hearts and Minds: Harnessing the Power of the Media to Move Public Opinion 8 Media Advocacy: Focused on Issues of Faith 14 Fighting Defamation: Holding Media Accountable 20 Timeline of Accomplishments 23 18th Annual GLAAD Media Awards 24 Support 30 Independent Auditors’ Report 31 Financial Statements 32 Board of Directors, Staff, Media Fellowships and Internships 70280_GLAAD_r2.indd 2 6/26/08 1:04:19 PM GLAAD PERFORMANCE REPORT 2007 1 Letter from the President Letter from the National Board Co-Chairs I often say that how our lives are portrayed in the media doesn’t On behalf of the GLAAD National Board of Directors and our make a bit of difference; it makes all the difference. Media advocacy, senior volunteers across the country, we are pleased and proud fighting defamation, and changing hearts and minds are at the to offer you this Performance Report for 2007. core of GLAAD ’s mission. Throughout 2007 and for over 22 years, GLAAD has met significant programmatic and operational our culture-changing work has helped empower Americans who milestones in 2007 that are critical to our continued success believe in fairness for all people. The visibility of the lesbian, gay, as the LGBT community’s national media advocacy and anti- bisexual and transgender (LGBT ) community, telling our individual defamation organization. -
JULIANNE “JUJU” WATERS Choreographer
JULIANNE “JUJU” WATERS Choreographer COMMERCIAL CHOREOGRAPHY EXPENSIFY // Expensify This // Dir: Andreas Nilsson KLARNA // The Coronation of Smooth Dogg // Dir: Traktor Frontier // Dream Job // Dir: The Perlorian Wish // Amazing Things // Dir: Filip Engstrom Vitamin Water // Drink Outside the Lines // Dir: Traktor Old Navy // Holiyay, Rockstar Jeans // Dir: Joel Kefali Money Supermarket // Bootylicious // Dir: Fredrik Bond LG // Jason Stathum // Dir: Fredrik Bond Dannon // Stayin Alive // Dir: Fredrik Bond Ritz // Putting on the Ritz // Dir: Fredrik Bond FILM Bring It On Cinco // Dir:Billy Woodruff American Carol // Dir: David Zucker Spring Breakdown // Dir: Ryan Shiraki A Cinderella Story// Dir: M. Rosman Bring It On Again // Dir: D. Santostafano TELEVISION Super Bowl XXXVIII // JANET JACKSON feat. JUSTIN TIMBERLAKE Super Bowl XLV // THE BLACK EYED PEAS feat. USHER Fashion Rocks // “Candyman” // CHRISTINA AGUILERA Good Morning America // “Touch my Body” & “That Chick” // MARIAH CAREY Good Morning America // “With Love” // HILARY DUFF Soul Train Awards // "I Like The Way You Move" // OUTKAST feat. SLEEPY BROWN Dancing with the Stars // KYLIE MINOGUE Dancing with the Stars // FATIMA ROBINSON TRIBUTE American Music Awards // 2009, 2010, 2011 // THE BLACK EYED PEAS American Music Awards // “Better in Time” // LEONA LEWIS American Music Awards // “Fergalicious” // FERGIE American Music Awards // "Lights, Camera, Action" // P DIDDY feat. MR. CHEEKS & SNOOP DOGG Teen Choice Awards // "Promiscuous" // NELLY FURTATO feat. TIMBERLAND Teen Nick // “With Love” // HILARY DUFF Billboard Music Awards // “Fergilicious” // FERGIE VH1 Big in ’06 // “London Bridge & Fergilicious” // FERGIE VIBE Music Awards // “This is How We Do” // THE GAME & 50 CENT Ellen Show // Special Birthday Performance // ELLEN DEGENERES Ellen Show // “With Love” // HILARY DUFF Jay Leno // “With Love” // HILARY DUFF Jay Leno // "She Bangs" // WILLIAM HUNG Jimmey Kimmel // “With Love & Stranger” // HILARY DUFF BET Awards // “Come Watch Me” // JILL SCOTT feat. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Smr Td Resume 2011
FILM | TELEVISION MUSIC VIDEOS PRODUCTION DESIGNER PRODUCTION DESIGNER Disney XD • Zero Displacement • Director: Pat Notaro DUFFY • Keeping the Baby • Director: Petro Pappa • DRAW PICTURES Babylon Beach • Infidelis Productions • Director: Eric Bergemann FRANKI LOVE • Shadows • Director: Bryan Robbins • DI POST Red Weather • ABC | Disney • Director : Jordan Downey (Pre - Production) • Super Duper Love • Director: David LaChapelle • HSI JOSS STONE Small Town News (pilot) • STN LLC • Directors : Holt Bailey & Eric Steele PLACEBO • Follow the ... • Director: Daniel Askill • RADICAL MEDIA Lost • SILVERCREST FILM • Director: Darren Lemke • Producer : Ralph Winter THRICE • Come All You... • Director : Zach Merck • RADICAL MEDIA Down South • BEDFORD FILMS • Director : Hank Bedford SWITCHFOOT • Oh! Gravity • Director: P.R. Brown • RADICAL MEDIA Emergency • EMERGENCY LLC • Director : Jordan Downey Way of the Tiger • THE MINE • Director: Chris Salzgeber TRANSPLANTS • What I Can’t... • Director: Estevan Oriol • HSI THE BRAVERY • Fearless • Director: Diane Martel • DNA THE ACADEMY IS • The Phrase...• Director: Marvin Jarrett • TOYSTORE ART DIRECTOR • [2nd Unit / Pick-Ups] SHANE M. RICHARDSON Harold and Kumar... • SENATOR FILMS • Director : Danny leiner VHS OR BETA • You Got Me • Director: Ryan Rickett • REFUSED TV [email protected] LIMBECK • People Don’t Change • Director: Ryan Rickett • REFUSED TV SET DECORATOR | PROPMASTER KARRI KIMMEL • Not Make Believe • Director: Garreth O’Neil • DISNEY www.tandemdesign.biz Jingles (reality gameshow) • MARK -
Creativity and Color
Bowling Green State University ScholarWorks@BGSU Visual Communication and Technology Education Faculty Publications Visual Communication Technology 2017 Creativity and Color Antonio Scontrino Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/vcte_pub Repository Citation Scontrino, Antonio, "Creativity and Color" (2017). Visual Communication and Technology Education Faculty Publications. 42. https://scholarworks.bgsu.edu/vcte_pub/42 This Book Chapter is brought to you for free and open access by the Visual Communication Technology at ScholarWorks@BGSU. It has been accepted for inclusion in Visual Communication and Technology Education Faculty Publications by an authorized administrator of ScholarWorks@BGSU. First International Design Conference 110eLAB and INBAR | Trapani IDENTITY THE COLORS OF PROJECT EX STABILIMENTO FLORIO DELLE TONNARE DI FAVIGNANA E FORMICA 30 GIUGNO – 1 LUGLIO 2017 Abstract Creativity and originality of style are key elements to affirm themselves in an increasingly crowded and competitive world of advertising photography. Some photographers challenge conventions to assert their innovative ideas. Dealing with extremely delicate social issues and using them effectively in the advertising world is a very rare and difficult task. Oliviero Toscani and David LaChapelle marked an era in advertising photography using similar content but with totally different technique and style. They have written and started a new phase of fashion photography, inventing a revolutionary approach to business, communication and public relations. There are many similarities in the two photographers work, but a big difference in the implementation and execution of the photographic project. The following article aims to highlight resemblances and differences between two artists considered among the most important and influential photographers of the 20th century. -
TMR Volume 13 16Feb21
MOTHERSTRUCK!: THE ILLUSION OF CHOICE XINGJIAN LI espite having oscillated from “radical feminist” to “moderate feminist” to “better-informed radical feminist,” I’ve always been ambivalent about a D popular feminist topic: abortion. “XingJian,” you might say, “you intern at Planned Parenthood. What could you possibly be ambivalent about?” The answer lies in my annoyance with the rhetoric that equates a pro-choice stance exclusively with abortion access. Abortion access is important. Nevertheless, in the fight for reproductive freedom, it’s easy to overlook that the decision to have a child can be just as controversial and stigmatized as the decision to abort a fetus. Furthermore, the social acceptance of this decision is inextricably linked to a woman’s race, class, ability, sexual orientation, and many more factors. To put it bluntly, for women without a white picket fence, a stable white-collar job (or a white-collar breadwinner), and a wholesome, heterosexual marriage, having a kid can be a much frowned-upon decision. Staceyann Chin, a single Jamaican lesbian poet living in a not-yet-gentrified part of Brooklyn, chronicles this decision in MotherStruck!, her one-woman show. The show, which was directed by Cynthia Nixon, ran from December 2015 to January 2016 at the Lynn Redgrave Theater—only a few steps away from the Manhattan clinic of Planned Parenthood. When I heard Chin was doing a one-woman show, I was beyond excited. Chin is an incredible writer and a renowned activist. Her slam poem, “All Oppression is Connected,” is one of the most powerful manifestos for intersectionality that I have ever experienced. -
Staceyann Chin 2-3
Out of The Basement Basement Scoville Basement Scoville -GSC- Gender and Sexuality Center Gender Center and Sexuality Features January2008 Staceyann chin 2-3 Election 2008 4-5 Research in pune, India 6-7 Carleton dates 8-9 New in the gsc libe 10 Vagina monologues 11 Events 12 Volume 7, Issue 4 By Angelica Johnson On Friday, January 25th, a dynamic lesbian poet from Montego Bay, Jamaica, will perform in Arena Theatre at 7:30 p.m. Staceyann Chin has performed at the Nuyorican Poets’ Café, poetry slams all over the U.S. and abroad, various colleges and universities such as Harvard, Cornell, and NYU and on Def Poetry Jam. Chin is known for her fierce, radical rhetoric calling for an end to the injustices committed against oppressed peoples of the world: people of color, the poor, women and children, people who identify as lesbian, gay, bisexual, transgender, or queer, etc. Her poetry is also reflective of her bittersweet growth as a powerful lesbian woman of color through artistically painting images of her experiences of child abuse, poverty, racism, sexism, and homophobia. Such experiences have shaped her political agenda to mobilize people to stand up against dehumanization. Her social activism is her poetry. She uses art as a means of inspiration and resistance. As the lesbian feminist poet and writer Audre Lorde states so eloquently about the power of poetry: …poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. -
A Manipulação Fotográfica De David Lachapelle
UNIVERSIDADE FEDERAL DO ESPÍRITO SANTO CENTRO DE ARTES PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES ELAINE SPAGNOL TEATRALIZAÇÃO E CARNAVALIZAÇÃO: A MANIPULAÇÃO FOTOGRÁFICA DE DAVID LACHAPELLE VITÓRIA 2015 ELAINE SPAGNOL TEATRALIZAÇÃO E CARNAVALIZAÇÃO: A MANIPULAÇÃO FOTOGRÁFICA DE DAVID LACHAPELLE Dissertação apresentada ao Programa de Pós- graduação em Artes do Centro de Artes da Universidade Federal do Espírito Santo, como requisito parcial para obtenção do título de Mestre em Artes, na área de concentração Teoria e História da Arte. Orientadora: Profª. Drª. Almerinda da Silva Lopes. VITÓRIA 2015 ELAINE SPAGNOL TEATRALIZAÇÃO E CARNAVALIZAÇÃO: A MANIPULAÇÃO FOTOGRÁFICA DE DAVID LACHAPELLE Dissertação apresentada ao Programa de Pós-Graduação em Artes da Universidade Federal do Espírito Santo, como requisito parcial para a obtenção do grau de Mestre em Artes, na área de concentração Teoria e História da Arte. Aprovada em 03 de setembro de 2015. COMISSÃO EXAMINADORA __________________________________________ Profª Drª. Almerinda da Silva Lopes (Orientadora – PPGA/UFES) _________________________________________ Profª Drª. Gisele Barbosa Ribeiro (Membro Interno – PPGA/UFES) _________________________________________ Prof. Dr. Domingos Tadeu Chiarelli (Membro Externo – USP) Ao meu pai Valdir (in memoriam). À minha avó Maria, que não teve a oportunidade de estudar. À minha filha Vivian, que me enche de vida. AGRADECIMENTOS Ao meu esposo Léo, por ter me ajudado e apoiado, de todas as formas, a concluir essa etapa e pelo seu amor. À minha família, mãe, irmão, avôs, tios, primos e sogros, por acreditarem na minha escolha e torcerem por mim. À minha orientadora Almerinda da Silva Lopes, pela paciência, confiança, dedicação e estímulos a mim concedidos. Aos professores Gisele Barbosa Ribeiro e Tadeu Chiarelli, que gentilmente aceitaram o convite para participarem da banca de defesa. -
Exclusive: A&F's New Ruehl
SOUNDS OF STYLE, A SPECIAL REPORT/SECTION II WWDWomen’s Wear Daily • TheTHURSDAY Retailers’ Daily Newspaper • September 2, 2004 • $2.00 Sportswear A knit display in A&F’s latest format, Ruehl. Exclusive: A&F’s New Ruehl By David Moin informally more like a big man on campus than the NEW ALBANY, OHIO — The chairman wears jeans and flip- company chieftain, the approach to brand-building is flops to work and his 650 associates follow suit at the anything but casual. The intensity is as evident as sprawling, campus-style Abercrombie & Fitch ever with A&F’s latest retail brand and its Teutonic- headquarters here. sounding name, Ruehl. That’s just the veneer, though, because for Michael And Ruehl is just the first of three new retail Jeffries and the youthful army of workers he greets See New, Page 4 PHOTO BY DAVID TURNER DAVID PHOTO BY 2 WWD, THURSDAY, SEPTEMBER 2, 2004 WWW.WWD.COM WWDTHURSDAY Hilton Launches Jewelry With Amazon Sportswear By Marc Karimzadeh GENERAL Paris Hilton in A&F ceo Michael Jeffries lays out the strategy for Ruehl, the firm’s latest chain “It’s just being a girl; every girl NEW YORK — her multicross aimed at post-college shoppers, set to open Saturday in Tampa, Fla. loves jewelry.” necklace. 1 It’s as simple as that for Paris Hilton, who on U.S. textile groups fired up the pressure on the Bush administration, saying Wednesday launched the Paris Hilton Collection of 2 they will file dozens of petitions to reimpose quotas on Chinese imports. jewelry in an exclusive agreement with Amazon.com. -
Jeri Slaughter Television
Jeri Slaughter Television: The Voice / Seasons 2-12 Performance Producer NBC The Voice (Artist Performance Producer NBC Performance) Coldplay, Ellie Goulding, Cher, Kelly Clarkson, Maroon 5, 50 Cent, The Killers, Michael Buble, Matchbox 20, Jason Aldean, Christina Aguilera & Cee Lo, Pitbull & Neyo Super Bowl 50 Halftime Show Creative Director CBS w/ Coldplay, Bruno Mars, & Beyonce Last Call With Carson Daly w/ Creative Director / NBC Carmen Elektra & The Choreographer Bombshells VH1 Divas Live w/ Leona Creative Director VH1 Lewis The Ellen Degeneres Show w/ Creative Director / NBC Leona Lewis & Christina Choreographer Aguilera Jimmy Kimmel Live w/ Leona Creative Director / ABC Lewis & Mariah Carey Choreographer Late Show David Letterman Creative Director / CBS w/ Leona Lewis & Christina Choreographer Aguilera Saturday Night Live w/ Creative Director / NBC Christina Aguilera Choreographer Dick Clark's New Year's Creative Director / ABC Rockin Eve w/ Jennifer Choreographer Hudson & Christina Aguilera The Today Show w/ Leona Creative Director / CBS Lewis, Christina Aguilera, & Choreographer Mariah Carey America's Got Talent w/ Robin Creative Director NBC Thicke, Leona Lewis & Ashley Tisdale So You Think You Can Dance Creative Director FOX w/ Leona Lewis Oprah w/ Christina Aguilera Creative Director / ABC Choreographer X-Factor w/ Whitney Houston Creative Director / FOX/SYCO & JLS Choreographer Dancing With The Stars w/ Creative Director / ABC Jennifer Hudson, Pitbull & Choreographer Neyo, Christina Aguilera, Leona Lewis, Whitney Houston Good Luck Charlie Choreographer Disney The Tonight Show with Jay Creative Director / NBC Leno w/ Christina Aguilera Choreographer American Idol w/ Jennifer Creative Director / FOX Hudson & Christina Aguilera Choreographer The Mindy Project Choreographer NBC Rising Star Creative Producer ABC I Can Do That Creative Producer NBC 2016 NBA All Star Half Time Creative Director / NBA Show w/ Walk The Moon Choreographer 2015 NBA All Star Opening Creative Director / NBA/Three Wishes Performance w/ Christina Choreographer Productions Inc. -
In Post-Colonial Discourse in Staceyann Chin's
Anthurium: A Caribbean Studies Journal Volume 12 Issue 1 An Other Moment: Un-Collapsing the Chinese Article 10 Presence in the Caribbean May 2015 'Talking Back' in Post-Colonial Discourse in Staceyann Chin’s The Other Side of Paradise Julie Morrissy Ryerson University, [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/anthurium Recommended Citation Morrissy, Julie (2015) "'Talking Back' in Post-Colonial Discourse in Staceyann Chin’s The Other Side of Paradise," Anthurium: A Caribbean Studies Journal: Vol. 12 : Iss. 1 , Article 10. Available at: http://scholarlyrepository.miami.edu/anthurium/vol12/iss1/10 This Essay is brought to you for free and open access by Scholarly Repository. It has been accepted for inclusion in Anthurium: A Caribbean Studies Journal by an authorized editor of Scholarly Repository. For more information, please contact [email protected]. 'Talking Back' in Post-Colonial Discourse in Staceyann Chin’s The Other Side of Paradise Cover Page Acknowledgments I would like to thank Dr Anne-Marie Lee-Loy for her guidance in my writing this paper. This essay is available in Anthurium: A Caribbean Studies Journal: http://scholarlyrepository.miami.edu/anthurium/vol12/iss1/10 Morrissy: 'Talking Back' in Post-Colonial Discourse In her 2009 memoir The Other Side of Paradise, Staceyann Chin recounts her turbulent childhood in Jamaica. However, her story is more than a sentimental dissection of the tribulations of growing up in a post-colonial society. Chin’s memoir addresses the notable anxiety in post-colonial scholarship around the construction of binary divisions in the representation of the post-colonial subject, as well as the uneasiness surrounding generalized narratives of the post-colonial experience. -
Too Many Flavors for One Platform: Staceyann Chin's Facebook Poems and Slam Poetry Performances
https://lib.uliege.be https://matheo.uliege.be Too Many Flavors for One Platform: Staceyann Chin's Facebook Poems and Slam Poetry Performances Auteur : Caiola, Melissa Promoteur(s) : Romdhani, Rebecca Faculté : Faculté de Philosophie et Lettres Diplôme : Master en communication multilingue, à finalité spécialisée en communication économique et sociale Année académique : 2019-2020 URI/URL : http://hdl.handle.net/2268.2/10893 Avertissement à l'attention des usagers : Tous les documents placés en accès ouvert sur le site le site MatheO sont protégés par le droit d'auteur. Conformément aux principes énoncés par la "Budapest Open Access Initiative"(BOAI, 2002), l'utilisateur du site peut lire, télécharger, copier, transmettre, imprimer, chercher ou faire un lien vers le texte intégral de ces documents, les disséquer pour les indexer, s'en servir de données pour un logiciel, ou s'en servir à toute autre fin légale (ou prévue par la réglementation relative au droit d'auteur). Toute utilisation du document à des fins commerciales est strictement interdite. Par ailleurs, l'utilisateur s'engage à respecter les droits moraux de l'auteur, principalement le droit à l'intégrité de l'oeuvre et le droit de paternité et ce dans toute utilisation que l'utilisateur entreprend. Ainsi, à titre d'exemple, lorsqu'il reproduira un document par extrait ou dans son intégralité, l'utilisateur citera de manière complète les sources telles que mentionnées ci-dessus. Toute utilisation non explicitement autorisée ci-avant (telle que par exemple, la modification du document ou son résumé) nécessite l'autorisation préalable et expresse des auteurs ou de leurs ayants droit.