DAVID LACHAPELLE Press Images Available

Total Page:16

File Type:pdf, Size:1020Kb

DAVID LACHAPELLE Press Images Available DAVID LACHAPELLE Will You Still Love Me Tomorrow? December 13, 2018 - March 2, 2019 Opening Reception: December 13, 2018 6:00 - 8:00 pm “Will You Still Love Me Tomorrow?” is the first exhibition of David LaChapelle’s work at Staley-Wise Gallery in more than ten years. Many of the works included have never been previously exhibited. Since his early commissions from Andy Warhol as a portrait photographer for Interview magazine, many of LaChapelle’s photographs of well-known figures in contemporary culture have become iconic in their own right. Throughout this exhibition, LaChapelle’s images reveal an unusual level of collaboration and trust from his subjects. Featured in the collection is the last sitting of Mr. Warhol, a black and white portrait the artist made of his mentor in 1987. The show continues with a diverse anthology of profound and often prophetic scenes, featuring polarizing idols including Elton John, David Bowie, Faye Dunaway, Tupac Shakur, Dolly Parton, Amy Winehouse, Michael Jackson, and Hillary Clinton. The selected photographs not only showcase the famous in defining moments of their careers, but also serve as a mirror to our own obsessions and curiosities with fame itself. David LaChapelle’s photographs are included in the permanent collections of the National Portrait Gallery (London, UK), the National Portrait Gallery (Washington, DC), and the Los Angeles County Museum of Art (Los Angeles, USA), among others. Solo exhibitions of his work have opened worldwide, including at the Groninger Museum (The Netherlands), Casa dei Tre Oci (Venice, Italy), Beaux-Arts Mons (Mons, Belgium), Palazzo delle Esposizioni (Rome, Italy), Hangaram Design Museum (Seoul, South Korea), Kunst Haus Wein (Vienna, Austria), Monnaie de Paris (Paris, France), and the Tel Aviv Museum of Art (Tel Aviv, Israel). He has published more than ten books of his work, most recently “Lost + Found Part I” and “Good News Part II” (Taschen, 2017). David LaChapelle, Elton John: Egg On His Face, 1999 Press images available..
Recommended publications
  • A Conversation with Brandi Carlile by Frank Goodman (7/2007
    A Conversation with Brandi Carlile by Frank Goodman (7/2007. Puremusic.com) Raw talent vs. expensive packaging is always a pleasant surprise in the entertainment business. Brandi Carlile is the very rare exception to the rule; she and her band made their own EP, piece by piece with their own money, and Columbia ended up buying it and putting it out. Rolling Stone chose her as one of the 10 Artists to Watch in 2005. The subsequent Columbia full length debut CD contained new versions of a number of the songs from the EP. Relentless gigging leading up to the EP and through the debut had already moved her through various styles with her running twin partners, the Hanseroth Brothers. Tim and Phil had had a hard rock band called The Fighting Machinists, and they bring that honed edge to the BC sound. She is not only a vocalist that can literally do it all, the band itself moves fluidly and convincingly from flat out country right through edgy pop radio rock. She's the only artist you can see on CMT whose main cited influences are Elton John, k.d. lang, Jeff Buckley, and Radiohead. One hears all the time now about how acts getting tunes on Grey's Anatomy can practically launch their career, but in BC's case, there was a Grey's episode that actually debuted a version of the video for Brandi's big song "The Story." Overall, no less than four of her songs have been used in the show. She's hot, super talented, and a driven workaholic.
    [Show full text]
  • Aarhus Convention 122 Absurdocene 146 Accountability 7, 12, 16
    Index Aarhus Convention 122 Annan, Kofi 85 Absurdocene 146 Antarctica 38–9, 250–251 accountability 7, 12, 16–17, 23, 30, 44, Anthropocene 93–5, 145–8, 185, 186, 245 201 prosecutorial 42 avoiding Faustian 150–151 speciesism 235 humanity and technology in 148–50 activism, shallow 101 anthropocentrism 92, 96–7, 98, 136, 158, Acton, Lord 88 164, 165, 186–7, 235–6, 238, 242, Adams, J.L. 203, 259 245 Addams, Jane 258 Appiah, K.A. 61, 62 advertising 185, 269 Aquinas, Thomas 193, 195 Africa 87, 88, 220 Arab Charter on Humans Rights 122 African Charter on Human and Arab Spring 119 People’s Rights 122 Arctic Council 112 see also individual countries Arendt, H. 6, 26, 95, 96, 203, 205, 206, Agenda 21 39, 110, 111 212, 259 Agenda 2030 281 Argow, W. 255 Alley, R. 74 Aristotelianism 165, 191–2 Amnesty International 101 Aristotle 193, 247 Angus, I. 93–4 artificial intelligence (AI) 145, 148, 251 animals 82–3, 85, 87, 88, 91, 231–4, Asia 88 250–251 see also individual countries commodity value 170 assembly, freedom of 68 Earth systems science 94 assent/consent combination 162, 165, ecocentrism 97, 234–6 166 alternatives to axiological Aung Sang Suu Kyi 6 236–8 austerity 133, 218 human diet 188 Australia 150, 239 intrinsic value of 225, 236, 237, 240, authoritarianism 12, 209 241, 243, 244, 245 authority, exchange and persuasion remaking our covenant with 242–5 systems 130–132, 135, 139 rewilding with compassion 238–41 autocratic governments 118, 247, 248 rights of 15, 25, 230, 238, 243–4 Avatar 223 welfare 243–4 293 Peter Burdon, Klaus Bosselmann and Kirsten Engel - 9781786430878 Downloaded from Elgar Online at 09/26/2021 12:17:04PM via free access 294 The crisis in global ethics and the future of global governance Bacon, Francis 183, 188 Cambodia 192 Bakken, P.
    [Show full text]
  • Christmas Timeline Challenge ___ 1
    Christmas Timeline Challenge ___ 1. God first promised to send a Savior a. 1954 AD ___ 2. Irving Berlin’s White Christmas premiered b. 1946 AD ___ 3. The first Christmas card was sold c. 1892 AD ___ 4. Charles Dickens wrote A Christmas Carol d. 1843 AD ___ 5. It’s a Wonderful Life was released e. 1843 AD ___ 6. Handel’s Messiah was first presented f. 1823 AD ___ 7. First Hanukkah festival was observed g. 1776 AD ___ 8. Wise men visited the Christ child h. 1742 AD ___ 9. Michelangelo completed The Holy Family i. 1518 AD ___ 10. Isaiah foretold the virgin birth j. 1504 AD ___ 11. Angels announced Christ’s birth to the shepherds k. 1495 AD ___ 12. The Nutcracker premiered l. circa 300 AD ___ 13. Washington crossed the Delaware on Christmas Eve m.circa 4 BC ___ 14. Leonardo da Vinci painted The Madonna in the Grotto n. circa 4 BC ___ 15. Micah prophesied that Christ would be born in Bethlehem o. circa 4 BC ___ 16. Caesar Augustus called for a census to be taken p. circa 6 BC ___ 17. “A Visit from St. Nicholas” was published anonymously q. 165 BC ___ 18. Raphael painted The Sistine Madonna r. circa 700 BC ___ 19. David’s Psalms referred to the coming Messiah s. circa 700 BC ___ 20. St. Nicholas served as a bishop in Asia Minor t. circa 1000 BC ___ 21. Jesus was born in a stable in Bethlehem u. 4000 BC or earlier C 2012 www.flandersfamily.info Christmas Timeline Challenge ___ 1.
    [Show full text]
  • I Want My MTV”: Music Video and the Transformation of the Sights, Sounds and Business of Popular Music
    General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 98T Course Title “I Want My MTV”: Music Video and the Transformation of The Sights, Sounds and Business of Popular Music 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This seminar will trace the historical ‘phenomenon” known as MTV (Music Television) from its premiere in 1981 to its move away from the music video in the late 1990s. The goal of this course is to analyze the critical relationships between music and image in representative videos that premiered on MTV, and to interpret them within a ‘postmodern’ historical and cultural context. 3. "List faculty member(s) who will serve as instructor (give academic rank): Joanna Love-Tulloch, teaching fellow; Dr. Robert Fink, faculty mentor 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Winter Spring X Enrollment Enrollment 5. GE Course Units 5 Proposed Number of Units: Page 1 of 3 6. Please present concise arguments for the GE principles applicable to this course.
    [Show full text]
  • A Southern California Visionary with Northern Michigan Sensibilities
    John Lautner By Melissa Matuscak A SOUTHERN CALIFORNIA VISIONARY WITH NORTHERN MICHIGAN SENSIBILITIES 32 | MICHIGAN HISTORY Architect John Lautner would have turned 100 years old on July 16, 2011. Two museums in his hometown of Marquette recently celebrated this milestone with concurrent exhibits. The DeVos Art Museum at Northern Michigan University focused on a professional career that spanned over 50 years and the Marquette Regional History Center told the story of the Lautner family. Combined, they demonstrated how in!uential his family and his U.P. upbringing were to Lautner’s abilities and his eye for design. nyone who has lived in the Upper Peninsula tends to develop a deeper awareness of nature, if only to anticipate the constantly changing weather. !e natural landscapes, and especially Lake Superior, are integral to the way of life in the region in both work and leisure. John Lautner’s idyllic childhood in Marquette stirred what By Melissa Matuscak would become an ongoing quest to create unity between nature and architecture. !e story of what made John Lautner a visionary architect begins with his parents. His father, John Lautner Sr., was born in 1865 near Traverse City, the son of German immigrants. !ough he began school late—at age 15—by age 32 John Sr. had received bachelor’s and master’s degrees in German literature from the University of Michigan. His studies took him to the East Coast and to Europe, but he eventually returned to Michigan to accept a position at Northern State Normal School (now Northern Michigan University) in Marquette in 1903.
    [Show full text]
  • The Greatest Artists of the Twentieth Century
    This PDF is a selection from a published volume from the National Bureau of Economic Research Volume Title: Conceptual Revolutions in Twentieth-Century Art Volume Author/Editor: David W. Galenson Volume Publisher: Cambridge University Press Volume ISBN: 978-0-521-11232-1 Volume URL: http://www.nber.org/books/gale08-1 Publication Date: October 2009 Title: The Greatest Artists of the Twentieth Century Author: David W. Galenson URL: http://www.nber.org/chapters/c5785 Chapter 2: The Greatest Artists of the Twentieth Century Introduction The masters, truth to tell, are judged as much by their influence as by their works. Emile Zola, 18841 Important artists are innovators: they are important because they change the way their successors work. The more widespread, and the more profound, the changes due to the work of any artist, the greater is the importance of that artist. Recognizing the source of artistic importance points to a method of measuring it. Surveys of art history are narratives of the contributions of individual artists. These narratives describe and explain the changes that have occurred over time in artists’ practices. It follows that the importance of an artist can be measured by the attention devoted to his work in these narratives. The most important artists, whose contributions fundamentally change the course of their discipline, cannot be omitted from any such narrative, and their innovations must be analyzed at length; less important artists can either be included or excluded, depending on the length of the specific narrative treatment and the tastes of the author, and if they are included their contributions can be treated more summarily.
    [Show full text]
  • JULIANNE “JUJU” WATERS Choreographer
    JULIANNE “JUJU” WATERS Choreographer COMMERCIAL CHOREOGRAPHY EXPENSIFY // Expensify This // Dir: Andreas Nilsson KLARNA // The Coronation of Smooth Dogg // Dir: Traktor Frontier // Dream Job // Dir: The Perlorian Wish // Amazing Things // Dir: Filip Engstrom Vitamin Water // Drink Outside the Lines // Dir: Traktor Old Navy // Holiyay, Rockstar Jeans // Dir: Joel Kefali Money Supermarket // Bootylicious // Dir: Fredrik Bond LG // Jason Stathum // Dir: Fredrik Bond Dannon // Stayin Alive // Dir: Fredrik Bond Ritz // Putting on the Ritz // Dir: Fredrik Bond FILM Bring It On Cinco // Dir:Billy Woodruff American Carol // Dir: David Zucker Spring Breakdown // Dir: Ryan Shiraki A Cinderella Story// Dir: M. Rosman Bring It On Again // Dir: D. Santostafano TELEVISION Super Bowl XXXVIII // JANET JACKSON feat. JUSTIN TIMBERLAKE Super Bowl XLV // THE BLACK EYED PEAS feat. USHER Fashion Rocks // “Candyman” // CHRISTINA AGUILERA Good Morning America // “Touch my Body” & “That Chick” // MARIAH CAREY Good Morning America // “With Love” // HILARY DUFF Soul Train Awards // "I Like The Way You Move" // OUTKAST feat. SLEEPY BROWN Dancing with the Stars // KYLIE MINOGUE Dancing with the Stars // FATIMA ROBINSON TRIBUTE American Music Awards // 2009, 2010, 2011 // THE BLACK EYED PEAS American Music Awards // “Better in Time” // LEONA LEWIS American Music Awards // “Fergalicious” // FERGIE American Music Awards // "Lights, Camera, Action" // P DIDDY feat. MR. CHEEKS & SNOOP DOGG Teen Choice Awards // "Promiscuous" // NELLY FURTATO feat. TIMBERLAND Teen Nick // “With Love” // HILARY DUFF Billboard Music Awards // “Fergilicious” // FERGIE VH1 Big in ’06 // “London Bridge & Fergilicious” // FERGIE VIBE Music Awards // “This is How We Do” // THE GAME & 50 CENT Ellen Show // Special Birthday Performance // ELLEN DEGENERES Ellen Show // “With Love” // HILARY DUFF Jay Leno // “With Love” // HILARY DUFF Jay Leno // "She Bangs" // WILLIAM HUNG Jimmey Kimmel // “With Love & Stranger” // HILARY DUFF BET Awards // “Come Watch Me” // JILL SCOTT feat.
    [Show full text]
  • Smr Td Resume 2011
    FILM | TELEVISION MUSIC VIDEOS PRODUCTION DESIGNER PRODUCTION DESIGNER Disney XD • Zero Displacement • Director: Pat Notaro DUFFY • Keeping the Baby • Director: Petro Pappa • DRAW PICTURES Babylon Beach • Infidelis Productions • Director: Eric Bergemann FRANKI LOVE • Shadows • Director: Bryan Robbins • DI POST Red Weather • ABC | Disney • Director : Jordan Downey (Pre - Production) • Super Duper Love • Director: David LaChapelle • HSI JOSS STONE Small Town News (pilot) • STN LLC • Directors : Holt Bailey & Eric Steele PLACEBO • Follow the ... • Director: Daniel Askill • RADICAL MEDIA Lost • SILVERCREST FILM • Director: Darren Lemke • Producer : Ralph Winter THRICE • Come All You... • Director : Zach Merck • RADICAL MEDIA Down South • BEDFORD FILMS • Director : Hank Bedford SWITCHFOOT • Oh! Gravity • Director: P.R. Brown • RADICAL MEDIA Emergency • EMERGENCY LLC • Director : Jordan Downey Way of the Tiger • THE MINE • Director: Chris Salzgeber TRANSPLANTS • What I Can’t... • Director: Estevan Oriol • HSI THE BRAVERY • Fearless • Director: Diane Martel • DNA THE ACADEMY IS • The Phrase...• Director: Marvin Jarrett • TOYSTORE ART DIRECTOR • [2nd Unit / Pick-Ups] SHANE M. RICHARDSON Harold and Kumar... • SENATOR FILMS • Director : Danny leiner VHS OR BETA • You Got Me • Director: Ryan Rickett • REFUSED TV [email protected] LIMBECK • People Don’t Change • Director: Ryan Rickett • REFUSED TV SET DECORATOR | PROPMASTER KARRI KIMMEL • Not Make Believe • Director: Garreth O’Neil • DISNEY www.tandemdesign.biz Jingles (reality gameshow) • MARK
    [Show full text]
  • Read an Excerpt
    The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality.
    [Show full text]
  • Sweetland Amphitheatre to Host Steve Earle & the Dukes and Los Lobos Saturday, August 28Th
    Media Release FOR IMMEDIATE RELEASE August 25, 2021 Sweetland Amphitheatre to Host Steve Earle & the Dukes and Los Lobos Saturday, August 28th Tickets Available at sweetlandamp.com LaGrange, Ga. August 25, 2021 – Two incredible acts are teaming up for a fantastic night of music at Sweetland Amphitheatre Saturday, August 28th - Steve Earle & the Dukes and Los Lobos. Steve Earle & the Dukes Steve Earle is one of the most acclaimed singer-songwriters of his generation. A protégé of legendary songwriters Townes Van Zandt and Guy Clark, he quickly became a master storyteller in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others. 1986 saw the release of his debut record, Guitar Town, which shot to number one on the country charts and is now regarded as a classic of the Americana genre. Subsequent releases like The Revolution Starts...Now (2004), Washington Square Serenade (2007), and TOWNES (2009) received consecutive GRAMMY® Awards. Los Lobos The journey of Los Lobos began in 1973, as the band earned their stripes playing revved-up versions of Mexican folk music in restaurants and at parties. The band evolved in the 1980s as it tapped into L.A.’s burgeoning punk and college rock scenes. Early on, Los Lobos enjoyed critical success, winning the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP And a Time to Dance. In 1987 with the release of the Ritchie Valens biopic, La Bamba, the quintet’s cover of Valens’ signature song topped the charts in the U.S.
    [Show full text]
  • Because I Like You!
    Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. www. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who.Because What. Why. Who. I What. like Why. Who.you! What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. FANDOM. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who.COM What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. 1 2 3 1.Introduction ……………………………………………… 7 2.What are fans today? ………………………………………………10 2.1 Idol 2.2 Star 2.3 Fans 3.Are fans changing the aesthetic? ………………………………………………21 4.How “cewebrity” thinks of fans culture? ………………………………………………25 4.1 Interview 4.2 The mental need of artists and fans 5. Conclusion ………………………………………………30 5.1 The influence of flux economy on artists’ creative 5.2 Solution TABLE4 OF CONTENTS5 1. INTRODUCTION Weibo is the Chinese version of Twitter. “Wei” means “mini” and “bo” means “blog”. I registered in 2010 and used it as a diary without noticing the characteristic of Weibo has developed into a more complicated level recently; the website wasn’t personal anymore, it became a platform for marketing, an advertising community and more. On Weibo, the word “follower” is translated to “fans”.
    [Show full text]
  • TASCHEN Publishing House Bundles Logistics at Arvato
    TASCHEN Publishing House implements new logistics concept together with VVA TASCHEN Publishing House bundles logistics at Sonja Groß Arvato Head of Marketing & Communications Arvato Supply Chain Solutions August 12, 2020 Phone: +49 5241 80-41897 Gütersloh - VVA has won TASCHEN Verlag as a new customer at its [email protected] Gütersloh location. The publishing house is combining the move to the Arvato subsidiary, which began on July 1, 2020, with a reorganization of its international logistics concept. TASCHEN and the VVA are jointly optimizing the international supply chain. The core of the new concept is centralization at a European central warehouse at the Gütersloh location, which will gradually replace the regional warehouses existing in several countries. In the future, all customers in the European markets will be served directly from there. In addition, the publishing house's international sales partners will be linked to the European central warehouse. Until further notice, „KNV Zeitfracht“ will continue to supply the German-speaking book market. "I am very pleased that TASCHEN Publishing House has chosen us for this demanding project," says Stephan Schierke, President VVA. "Outside the usual VVA industry solution, we have worked with TASCHEN to develop tailor-made logistics for the world market. Arvato's cross-industry know-how will be of benefit to us in overcoming the special challenges in terms of logistics and IT". "The new solution will reduce our complexity, lower costs through synergy and economies of scale, and improve our service," said TASCHEN-COO Hans-Peter Kübler. "The prerequisite for such a challenging project is a strong and reliable partner, which we have found in the VVA.
    [Show full text]