Aarhus Convention 122 Absurdocene 146 Accountability 7, 12, 16

Total Page:16

File Type:pdf, Size:1020Kb

Aarhus Convention 122 Absurdocene 146 Accountability 7, 12, 16 Index Aarhus Convention 122 Annan, Kofi 85 Absurdocene 146 Antarctica 38–9, 250–251 accountability 7, 12, 16–17, 23, 30, 44, Anthropocene 93–5, 145–8, 185, 186, 245 201 prosecutorial 42 avoiding Faustian 150–151 speciesism 235 humanity and technology in 148–50 activism, shallow 101 anthropocentrism 92, 96–7, 98, 136, 158, Acton, Lord 88 164, 165, 186–7, 235–6, 238, 242, Adams, J.L. 203, 259 245 Addams, Jane 258 Appiah, K.A. 61, 62 advertising 185, 269 Aquinas, Thomas 193, 195 Africa 87, 88, 220 Arab Charter on Humans Rights 122 African Charter on Human and Arab Spring 119 People’s Rights 122 Arctic Council 112 see also individual countries Arendt, H. 6, 26, 95, 96, 203, 205, 206, Agenda 21 39, 110, 111 212, 259 Agenda 2030 281 Argow, W. 255 Alley, R. 74 Aristotelianism 165, 191–2 Amnesty International 101 Aristotle 193, 247 Angus, I. 93–4 artificial intelligence (AI) 145, 148, 251 animals 82–3, 85, 87, 88, 91, 231–4, Asia 88 250–251 see also individual countries commodity value 170 assembly, freedom of 68 Earth systems science 94 assent/consent combination 162, 165, ecocentrism 97, 234–6 166 alternatives to axiological Aung Sang Suu Kyi 6 236–8 austerity 133, 218 human diet 188 Australia 150, 239 intrinsic value of 225, 236, 237, 240, authoritarianism 12, 209 241, 243, 244, 245 authority, exchange and persuasion remaking our covenant with 242–5 systems 130–132, 135, 139 rewilding with compassion 238–41 autocratic governments 118, 247, 248 rights of 15, 25, 230, 238, 243–4 Avatar 223 welfare 243–4 293 Peter Burdon, Klaus Bosselmann and Kirsten Engel - 9781786430878 Downloaded from Elgar Online at 09/26/2021 12:17:04PM via free access 294 The crisis in global ethics and the future of global governance Bacon, Francis 183, 188 Cambodia 192 Bakken, P. 260 Cameron, J. 223 Bangladesh 218–19 Canada: Leap Manifesto 26 Barber, William 49, 54, 56 cancer 188 beauty, appreciation of 116 cap-and-trade 58, 140 behavioural economics 140 capitalism 29–30, 35, 36, 53, 58–60, 84, Bekoff, M. 240 99, 102–3, 131, 133, 136, 145, Berry, T. 28, 109, 182, 186, 187 148, 214, 223, 246 betrayal and deceit 28, 51 climate change 217–18 bias 141, 183 co-evolution 184 bio-regionalism 157 disaster 219 biocentrism 159, 164, 186, 236–7, 238, instrumental rationality 170, 172, 242, 245 174 biodiversity 15, 52, 77, 78, 87, 122, 154, thin democracy 211 168, 185, 251 Capitolecene 146 mass extinction of species 11, 52, Carson, Rachael 111 151, 186 Cartesian dualism 208 rewilding 239–40, 241 casteism 213, 217–18 biophilia 83 Catholic Church 22, 85, 116, 185, 218 Biosphere Ethics Initiative (BEI) 49, 63, Chakrabarty, D. 94, 95 64, 68, 271 China 106, 110, 199 Relato Methodology 49, 61, 63–6, Third Epoch Confucian Dialogue 271 206–11 Blake, William 182 Christianity 56, 86, 117, 165, 188–9, Boff, L. 18, 26 199, 200, 260 Borgese, E.M. 45 Catholic Church 22, 85, 116, 185, Bosnia 185 218 Bosselmann, K. 18, 123, 266, 267 Unitarianism 255, 257, 258, 259, Bradley, F.H. 159 260 Braudel, F. 94–5 Chthulucene 146 Brazil: social movements 26 citizen pilgrims 249, 251 Brooks, P. 256 civil society 16, 20, 35, 36, 152, 153, Brown, Richard 257–8, 259 154, 157, 268, 269, 270, 274, 281 Brown, Wendy 103–4, 106 critical role of 44–6 Brundtland Report (1987) 32, 40, 109–10 democracy 193 Bryde, B.-O. 42–3 Ecozoic 187 Buddhism 4, 165, 267–8 ethical issues 171, 173, 180 Burckhardt, J. 94 precautionary principle 175 Burdon, P.D. 18, 266 see also non-governmental Burns, J.M. 139 organizations class 8, 102, 103, 216, 220 Cáceres, Berta 29 Peter Burdon, Klaus Bosselmann and Kirsten Engel - 9781786430878 Downloaded from Elgar Online at 09/26/2021 12:17:04PM via free access Index 295 climate change 9–10, 16, 25, 52, commons, colonization of the 217–18, 110–111, 118, 122, 129–30, 145, 222–3 147, 151, 168 Commons Law Project 15 cap-and-trade 58 communitarianism 159 co-evolution: people and machines eco- see separate entry 149 community of life 4, 6, 13, 18, 21, 23, colonization of the commons 26, 27, 35, 75, 77, 79, 82, 112, 217–18 113, 114, 125, 128, 151, 153, 164 escalation since drafting of Earth compassion 25 Charter 153 rewilding with 238–41 evasion of reality 61 complex adaptive system 147 instrumental rationality 171, 173, Cone, J. 217, 219 174–5 confirmation bias 183 Intergovernmental Panel on (IPCC) Confucian Dialogue, Third Epoch 179–80 206–11 lost language of moral movement 59 Confucius 4 market logic 53–4 consent/assent combination 162, 165, Paris Climate Conference (2015) see 166 separate entry constitutional order, world 32–47, 123–4 planetary boundary breached 154 Chicago World Constitution 45–6 problematization of 217–19, critical role of civil society 44–6 220–221 Earth Charter as covenant 35–7 refugees 218–19, 220–221 greening of international law 37–41 small island nation states 214 legitimacy of global constitution UN Framework Convention on 38 41–4 Kyoto Protocol 174 constitutions, national 41, 112, 121, precautionary principle 175 122–3, 196 Clugston, R. 231 United States 183, 193, 194 co-evolution 148–9, 184–5 consumption 25, 54, 66, 77, 184 co-value 237 over- 83–4 cognitive psychology 140 contract 8, 24, 139, 152, 155, 159 Collins, Michael 90–91 First Nations people 150–151 Collyer, Robert 258 natural 80, 83 colonialism 36, 53, 150, 183, 186, 211, social 112, 185, 208 219 to covenant 128, 134–5, 144 common but differentiated Convention on Biological Diversity responsibilities 17, 26, 62, 118 (CBD) 87 see also rooted cosmopolitanism Convention on the Conservation common good 5, 14, 33, 45, 50, 55, 87, of Antarctic Marine Living 114–15, 154, 191–2, 195, 197, Resources (CCAMLR) 38–9 207, 217 Peter Burdon, Klaus Bosselmann and Kirsten Engel - 9781786430878 Downloaded from Elgar Online at 09/26/2021 12:17:04PM via free access 296 The crisis in global ethics and the future of global governance Convention on International Trade in covenantal, global ethics as 157, 158–62, Endangered Species of Wild 166–7 Fauna and Flora (CITES) 85, 87 consent and assent 162, 165, 166 Coons, J. 18 Earth Charter: covenant and cooperative worker-owned economic progress 162–6 enterprises 12 split advocacy 161–2 corporations/corporate economic covenants that sustain us constrain us interests 10, 11, 12, 29–30, 144, 50–51 146, 174, 201, 213, 221, 230, 235, crimes against humanity 197 266 critical theory 205 corruption 11, 17, 54, 65, 88, 118 see also subaltern ethical critique cosmopolitan regionalism see rooted critical thinking 204 cosmopolitanism Cronin, W. 146 cosmopolitanism 157, 159 cross-border nature conservation 120 rooted see separate entry Cullinan, C. 18 cost-benefit analysis (CBA) 140, 141, cultural diversity 57, 67, 76, 78, 80, 119, 170, 172–4, 188 165, 194, 229, 265 Cottier, T. 42 cyanobacteria 147 covenant with Earth 22–30, 35–7, 80, 86, Czech Republic 272 89, 158–9 clear, well-reasoned positions 28–30 Dalai Lama 24, 265 covenanted democratic movement Daly, H. 188 30 Dasgupta, P. 59 critical dialogue on global ethics deceit and betrayal 28, 51 24–6 Declaration towards a Global Ethic strong stand on truth 26–8 (1993) of the Parliament of World covenant, from contract to 128, 134–5, Religions 161, 166–7, 215 144 definitions covenant making in the Anthropocene covenant 23, 33, 50, 86, 225–6 143–55 ecojustice 259 Anthropocene 145–8 Delbrück, J. 43–4 avoiding Faustian 150–151 democracy 2, 4, 6, 7, 12, 14, 17–18, 21, humanity and technology in 148–50, 34, 36, 99, 131, 153, 164, 229, 154 254 revisited 145–8 Confucianism 208, 209, 211 covenanting with the devil 144–5 constitutional order, world 43–4 towards covenantal Earth Charter Council Rings 18, 64–5, 261 151–3 covenanted democratic movement covenantal approach and First Nations 30, 153 people 150–151 different perceptions of 117–20 covenantal ethics 225–7, 266, 279 Earth Democracy 18, 23, 28, 47, 88–9 Peter Burdon, Klaus Bosselmann and Kirsten Engel - 9781786430878 Downloaded from Elgar Online at 09/26/2021 12:17:04PM via free access Index 297 every part of nature 18 new axial age 4–6, 158 as world faith 199–202 renewal of movement ecology 79, 80 clear, well-reasoned positions erosion of 56 28–30 faith in democratic, community covenant with Earth 22–30, decision making 115, 117–21 35–7 funding of political parties 190, 195 covenanted democratic instrumental rationality 170 movement 30 pause, democratic 247 critical dialogue on global power imbalances 55 ethics 24–6 public things and 103–7 hope and reality 20–22 quest for 190–197 strong stand on truth 26–8 Relato methodology 64 state of world 9–13 rights-talk 102 Earth Charter Initiative 4, 14, 21, 25, 29, technocentrism 235 30, 202, 232, 267, 280, 281, 282 thin vs thick 191–3, 197, 211 earth engineering and/or Earth Charter Democratic Republic of Congo 192 73–5 developing countries 118 Earth system thinking 93–4, 133 see also Global South Earth systems science 96, 97–8, 129, development, right to 118 130, 137, 185 Dewey, John 203, 254, 260, 265 Earth Trusteeship Initiative (ETI) 279–83 dialogue 198–212, 216 eco-communitarianism 128–9, 136, critical dialogue on global ethics 137–9, 142 24–6 transformational political morality Earth Democracy as world faith 139, 141–2 199–202 eco-modernism 98, 128, 129, 136–9, inner life 203–4 142, 185 relational ontology in practice 204–6 transactional political morality 139, Third Epoch Confucian 206–11 140–141, 142 do no harm 240 ecocentrism 96, 97, 159, 165, 234–6, Dolman, B.
Recommended publications
  • A Conversation with Brandi Carlile by Frank Goodman (7/2007
    A Conversation with Brandi Carlile by Frank Goodman (7/2007. Puremusic.com) Raw talent vs. expensive packaging is always a pleasant surprise in the entertainment business. Brandi Carlile is the very rare exception to the rule; she and her band made their own EP, piece by piece with their own money, and Columbia ended up buying it and putting it out. Rolling Stone chose her as one of the 10 Artists to Watch in 2005. The subsequent Columbia full length debut CD contained new versions of a number of the songs from the EP. Relentless gigging leading up to the EP and through the debut had already moved her through various styles with her running twin partners, the Hanseroth Brothers. Tim and Phil had had a hard rock band called The Fighting Machinists, and they bring that honed edge to the BC sound. She is not only a vocalist that can literally do it all, the band itself moves fluidly and convincingly from flat out country right through edgy pop radio rock. She's the only artist you can see on CMT whose main cited influences are Elton John, k.d. lang, Jeff Buckley, and Radiohead. One hears all the time now about how acts getting tunes on Grey's Anatomy can practically launch their career, but in BC's case, there was a Grey's episode that actually debuted a version of the video for Brandi's big song "The Story." Overall, no less than four of her songs have been used in the show. She's hot, super talented, and a driven workaholic.
    [Show full text]
  • Christmas Timeline Challenge ___ 1
    Christmas Timeline Challenge ___ 1. God first promised to send a Savior a. 1954 AD ___ 2. Irving Berlin’s White Christmas premiered b. 1946 AD ___ 3. The first Christmas card was sold c. 1892 AD ___ 4. Charles Dickens wrote A Christmas Carol d. 1843 AD ___ 5. It’s a Wonderful Life was released e. 1843 AD ___ 6. Handel’s Messiah was first presented f. 1823 AD ___ 7. First Hanukkah festival was observed g. 1776 AD ___ 8. Wise men visited the Christ child h. 1742 AD ___ 9. Michelangelo completed The Holy Family i. 1518 AD ___ 10. Isaiah foretold the virgin birth j. 1504 AD ___ 11. Angels announced Christ’s birth to the shepherds k. 1495 AD ___ 12. The Nutcracker premiered l. circa 300 AD ___ 13. Washington crossed the Delaware on Christmas Eve m.circa 4 BC ___ 14. Leonardo da Vinci painted The Madonna in the Grotto n. circa 4 BC ___ 15. Micah prophesied that Christ would be born in Bethlehem o. circa 4 BC ___ 16. Caesar Augustus called for a census to be taken p. circa 6 BC ___ 17. “A Visit from St. Nicholas” was published anonymously q. 165 BC ___ 18. Raphael painted The Sistine Madonna r. circa 700 BC ___ 19. David’s Psalms referred to the coming Messiah s. circa 700 BC ___ 20. St. Nicholas served as a bishop in Asia Minor t. circa 1000 BC ___ 21. Jesus was born in a stable in Bethlehem u. 4000 BC or earlier C 2012 www.flandersfamily.info Christmas Timeline Challenge ___ 1.
    [Show full text]
  • I Want My MTV”: Music Video and the Transformation of the Sights, Sounds and Business of Popular Music
    General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 98T Course Title “I Want My MTV”: Music Video and the Transformation of The Sights, Sounds and Business of Popular Music 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This seminar will trace the historical ‘phenomenon” known as MTV (Music Television) from its premiere in 1981 to its move away from the music video in the late 1990s. The goal of this course is to analyze the critical relationships between music and image in representative videos that premiered on MTV, and to interpret them within a ‘postmodern’ historical and cultural context. 3. "List faculty member(s) who will serve as instructor (give academic rank): Joanna Love-Tulloch, teaching fellow; Dr. Robert Fink, faculty mentor 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Winter Spring X Enrollment Enrollment 5. GE Course Units 5 Proposed Number of Units: Page 1 of 3 6. Please present concise arguments for the GE principles applicable to this course.
    [Show full text]
  • Read an Excerpt
    The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality.
    [Show full text]
  • Sweetland Amphitheatre to Host Steve Earle & the Dukes and Los Lobos Saturday, August 28Th
    Media Release FOR IMMEDIATE RELEASE August 25, 2021 Sweetland Amphitheatre to Host Steve Earle & the Dukes and Los Lobos Saturday, August 28th Tickets Available at sweetlandamp.com LaGrange, Ga. August 25, 2021 – Two incredible acts are teaming up for a fantastic night of music at Sweetland Amphitheatre Saturday, August 28th - Steve Earle & the Dukes and Los Lobos. Steve Earle & the Dukes Steve Earle is one of the most acclaimed singer-songwriters of his generation. A protégé of legendary songwriters Townes Van Zandt and Guy Clark, he quickly became a master storyteller in his own right, with his songs being recorded by Johnny Cash, Waylon Jennings, Joan Baez, Emmylou Harris, The Pretenders, and countless others. 1986 saw the release of his debut record, Guitar Town, which shot to number one on the country charts and is now regarded as a classic of the Americana genre. Subsequent releases like The Revolution Starts...Now (2004), Washington Square Serenade (2007), and TOWNES (2009) received consecutive GRAMMY® Awards. Los Lobos The journey of Los Lobos began in 1973, as the band earned their stripes playing revved-up versions of Mexican folk music in restaurants and at parties. The band evolved in the 1980s as it tapped into L.A.’s burgeoning punk and college rock scenes. Early on, Los Lobos enjoyed critical success, winning the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP And a Time to Dance. In 1987 with the release of the Ritchie Valens biopic, La Bamba, the quintet’s cover of Valens’ signature song topped the charts in the U.S.
    [Show full text]
  • Because I Like You!
    Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. www. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who.Because What. Why. Who. I What. like Why. Who.you! What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. FANDOM. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who.COM What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. Who. What. Why. 1 2 3 1.Introduction ……………………………………………… 7 2.What are fans today? ………………………………………………10 2.1 Idol 2.2 Star 2.3 Fans 3.Are fans changing the aesthetic? ………………………………………………21 4.How “cewebrity” thinks of fans culture? ………………………………………………25 4.1 Interview 4.2 The mental need of artists and fans 5. Conclusion ………………………………………………30 5.1 The influence of flux economy on artists’ creative 5.2 Solution TABLE4 OF CONTENTS5 1. INTRODUCTION Weibo is the Chinese version of Twitter. “Wei” means “mini” and “bo” means “blog”. I registered in 2010 and used it as a diary without noticing the characteristic of Weibo has developed into a more complicated level recently; the website wasn’t personal anymore, it became a platform for marketing, an advertising community and more. On Weibo, the word “follower” is translated to “fans”.
    [Show full text]
  • Frank's World
    Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output.
    [Show full text]
  • Julien's Auctions Announces Icons & Idols: Rock N' Roll
    JULIEN’S AUCTIONS ANNOUNCES ICONS & IDOLS: ROCK N’ ROLL EXTRAORDINARY MUSIC MEMORABILIA FROM THE WORLD’S GREATEST MUSICAL ARTISTS OF ALL TIME TO BE AUCTIONED November 7 – 8, 2014 Beverly Hills, California – (October 27, 2014) — Julien’s Auctions, the world’s premier music and entertainment memorabilia auction house, has announced the highly anticipated Icons & Idols: Rock n’ Roll auction event to take place on Friday, November 7 and Saturday, November 8, 2014 at Julien’s Auctions Beverly Hills gallery located at 9665 Wilshire Boulevard. The auction will feature hundreds of items from the lives and careers of some of music’s biggest artists including The Beatles, U2, Chris Martin, The Grateful Dead, Elvis Presley, Madonna, Johnny Cash, Led Zeppelin, David Bowie, Todd Rundgren, Kurt Cobain, Heart, Mick Jagger, James Brown, Rihanna, Lady Gaga, Cher, Prince, Michael Jackson, Miles Davis and even a bit of Liberace and many more. (photo left: Bono signed, used Gretsch guitar) Highlights of the Icons & Idols: Rock n’ Roll event include an impressive collection of rare and stage/studio used guitars that are worthy of a Grammy Award winning performance. The collection includes Bono’s signed and played “Irish Falcon” Gretsch guitar (Estimate: $20,000-$30,000), U2’s the Edge studio used guitar (Estimate: $60,000-$80,000), Chris Martin stage played guitar (Estimate: $6,000-$8,000), a Todd Rundgren stage played Italia guitar (Estimate: $600-$800), Stephen Stills Gibson J200 Guitar (Estimate: $18,000-$20,000), David Bowie’s stage used Takamine 12-string guitar (Estimate: $20,000-$30,000), a set of three John Lennon Inspired limited edition J-160E Gibson guitars (Estimate: $20,000-$30,000), a Prince Love Symbol guitar (Estimate: $10,000-$15,000), Elvis Presley’s NBN stage used acoustic guitar (Estimate: $30,000-$40,000) and many more.
    [Show full text]
  • Dion and the Teen Idols
    DION AND THE TEEN IDOLS OVERVIEW ESSENTIAL QUESTION What role did the so-called “teen idols” of the late 1950s play in bringing Rock and Roll into mainstream American culture? OVERVIEW Rock and Roll evolved from Rhythm and Blues, a sound developed by African-American musicians that by the early 1950s had begun to reach a new audience among young white teenagers. By nature of its association with black America, there were those who feared that Rock and Roll was a corrupting influence on American youth, promoting socializing between races and juvenile delinquency. Music was not the only thing that disturbed those concerned about Rock and Roll’s influence. Films such as The Wild One (1953), featuring Marlon Brando as the leader of a motorcycle gang, seemed to suggest that teenagers, if not given proper guidance, might fall in with the “wrong kind of crowd.” In an attempt to encourage “good citizenship,” Parent-Teacher Associations and superintendents across the country created codes of conduct for their pupils to monitor school attire, curfew hours, and social behavior both on and off campus. Rock and Roll, and the culture around it, were viewed as something to control. Concurrently, pioneer jockey Alan Freed, the man who first attached the term “Rock and Roll” to the latest R&B recordings, was encountering troubles of his own. In August 1957, Freed’s ABC teen dance show Big Beat was cancelled after African-American artist Frankie Lymon was seen dancing with a white girl on the program, an image that outraged the network’s southern affiliates.
    [Show full text]
  • Neolithic Miniature Rock Art on the Island of Bornholm – Including Topographic Motifs
    Flemming Kaul, Jens Andresen and Michael S. Thorsen Recent finds of Neolithic miniature rock art on the island of Bornholm – including topographic motifs Introduction It would appear that present-day Denmark, ated with megalithic tombs in a quality and and adjacent parts of South Scandinavia, a quantity unsurpassed elsewhere in Europe contain the highest density of megalithic (Kaul 1997b). The richly decorated pottery tombs, dolmens and passage graves, built is not only found within the chambers, but between 3500 and 3100 BC. Denmark has also at the façade on each side of the open- around 2700 surviving dolmens and pas- ing of the passage of the passage graves, at sage graves. This figure is estimated to be a the same places where true megalithic art tenth of the original number, and, in some is often concentrated within other parts of areas, may be a conservative estimate (An- Europe, for instance within Ireland (O’Kelly dersen 2011). Approximately 7000 mega- 1982; Eogan 1986; Roberts 2015). Some of lithic tombs have been recorded (Ebbesen the similarities in motifs (pottery and mega- 1985; Fritsch et.al. 2010; Nielsen 2013). By lithic art), such as zigzags and lozenges, comparison, just over 1450 are registered in might reflect a broader common iconologi- Ireland (Twohig 1990). cal background (even though also many dif- Considering this huge megalithic activ- ferences can be observed). ity, one could perhaps expect megalithic In the autumn of 1995, a breakthrough art in South Scandinavia, since so many of took place. At Rispebjerg, on Bornholm, the other areas of Western Europe that are in Denmark, at the excavations of a large rich in megalithic tombs exhibit decoration palisaded enclosure (for a recent discus- on the kerb stones, and within the cham- sion of these, see Noble and Brophy 2011), bers.
    [Show full text]
  • Gregory Porter
    FOR IMMEDIATE RELEASE CAP UCLA presents Gregory Porter February 7 at Royce Hall “Gregory Porter has one of the most amazing singing voices you’ll hear on planet earth. It can raise you to your feet with its power or help you sink into a chair and say, “ah,” because it’s so darned soothing.” — The Guardian UCLA’s Center for the Art of Performance (CAP UCLA) presents Gregory Porter on Friday, February 7 at 8 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office. Two-time GRAMMY award-winning artist for Best Jazz Vocal Album, Gregory Porter will return to Royce Hall as part of CAP UCLA’s programming. The Southern California native has led a musical journey to find a place among his heroes -- Nat King Cole, Marvin Gaye, Stevie Wonder and Luther Vandross, among others. A vast pop crossover success, Porter will perform new music from his forthcoming 2020 release, along with fan favorites from his previous 5 albums. Porter’s style of jazz is soothing, luxurious and powerful. He is uncompromising in his music and has unbelievable stage presence. Porter combines soul and gospel into his sound, creating a lushness that makes him the fully-formed artist he is. CAP UCLA’s Jazz series concludes with Fly Higher: Charlie Parker at 100 (Mar 26, Royce Hall). CALENDAR EDITORS, PLEASE NOTE: CAP UCLA presents Gregory Porter Friday, Feb 7 at 8 p.m. Royce Hall, UCLA 10745 Dickson Court, Los Angeles, CA 90095 Program: Known for his warm baritone vocals, Gregory Porter rose to acclaim in the 2010s with his earthy, cross-pollinated brand of jazz, soul and gospel.
    [Show full text]
  • U2 X-Radio Launches Exclusively on Siriusxm July 1
    NEWS RELEASE U2 X-Radio Launches Exclusively on SiriusXM July 1 6/30/2020 U2 As You've Never Heard Them Before Welcome to the Whole World of U2 with U2 X-Radio with all the Hits, Rare Recordings, Interviews, Inuences, Band Curated Specialty Shows and So Much More U2 X-Radio's rst week highlights include brand new shows and appearances from Bono, The Edge, Cait O'Riordan, Paul Oakenfold Plus, guests Chris Rock, Phoebe Robinson, David Byrne, Matthew McConaughey, Bryan Stevenson and more Programming kicks o with a two-hour mixtape experience curated by the band especially for the channel launch NEW YORK, June 30, 2020 /PRNewswire/ -- SiriusXM and U2 announce today that the band's much-anticipated U2 X-Radio channel will launch Wednesday, July 1 at 3 p.m. ET, exclusively on SiriusXM Channel 32. A complete immersion into the work and inuences of the band from the Northside of Dublin, U2 X-Radio is U2 as you have never heard them before. An extraordinary and unique audio experience exploring the band's history, idols, inuences and current passions, plus inspiration, conversation, culture, commentary and ideas from the band and guests. All curated by U2. The dedicated and exclusive channel will come to life with music and radio shows that celebrate music from across the globally-acclaimed four-decade career of Bono, The Edge, Adam Clayton and Larry Mullen, including their biggest hits, deep cuts, live concert recordings and rarities, as well as music from artists that are connected to or inspire the band. U2 X-Radio will also feature unexpected and entertaining conversations across music, culture, politics and art, in the form of new interviews and original programming, presented by guest presenters and band members, guest DJ sessions and more.
    [Show full text]