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Media Advocacy. Fighting Defamation. Changing Hearts and Minds
GAY & LESBIAN AllIANCE AgAINST DEFAMATION PERFORMANCE REPORT 2007 Media Advocacy. Fighting Defamation. Changing Hearts and Minds. Personal Stories That Move Public Opinion 70280_GLAAD_r2.indd 1 6/26/08 1:04:19 PM GLAAD PERFORMANCE REPORT 2007 1 Letter from the President 1 Letter from the National Board Co-Chairs 2 Changing Hearts and Minds: Harnessing the Power of the Media to Move Public Opinion 8 Media Advocacy: Focused on Issues of Faith 14 Fighting Defamation: Holding Media Accountable 20 Timeline of Accomplishments 23 18th Annual GLAAD Media Awards 24 Support 30 Independent Auditors’ Report 31 Financial Statements 32 Board of Directors, Staff, Media Fellowships and Internships 70280_GLAAD_r2.indd 2 6/26/08 1:04:19 PM GLAAD PERFORMANCE REPORT 2007 1 Letter from the President Letter from the National Board Co-Chairs I often say that how our lives are portrayed in the media doesn’t On behalf of the GLAAD National Board of Directors and our make a bit of difference; it makes all the difference. Media advocacy, senior volunteers across the country, we are pleased and proud fighting defamation, and changing hearts and minds are at the to offer you this Performance Report for 2007. core of GLAAD ’s mission. Throughout 2007 and for over 22 years, GLAAD has met significant programmatic and operational our culture-changing work has helped empower Americans who milestones in 2007 that are critical to our continued success believe in fairness for all people. The visibility of the lesbian, gay, as the LGBT community’s national media advocacy and anti- bisexual and transgender (LGBT ) community, telling our individual defamation organization. -
Virtual Live Auction 5 Pm on Sunday, September 20
Virtual Live Auction 5 pm on Sunday, September 20 Auctioneer: Nick Nicholson Host: Bryan Batt 1. Join Seth Rudetsky as a Special Guest on Stars in the House Your name will be added to the roster of entertainment luminaries when you join Seth Rudetsky as a special guest on an episode of Stars in the House. Created with his husband, James Wesley, in response to the coronavirus pandemic, Stars in the House brings together music, community and education. Benefiting The Actors Fund, the daily livestream features remote performances from stars in their homes, conversing with Rudetsky and Wesley in between songs. The incredible 800 guests so far have included everyone from Annette Benning to Jon Hamm to Phillipa Soo. Don’t miss the opportunity to join for an episode and make your smashing debut as a special guest on Stars in the House. Opening bid: $500 2. Virtual Meeting with the Legendary Bernadette Peters There are few leading ladies as notably creative and compassionate as Bernadette Peters. The two-time Tony Award winner made her Broadway debut in 1967’s The Girl in the Freudian Slip. In the decades since, she’s created some of musical theater’s most memorable roles including Dot in Sunday in the Park with George and The Witch in Into the Woods. She’s a member of the Broadway Cares/Equity Fights AIDS Board of Trustees who has created memorable performances in stunning Broadway revivals, notably Annie Get Your Gun, Gypsy, Follies and, most recently, Hello Dolly!. Today, you can win a virtual meet-and-greet with this legend. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Alan Bennett's Prize-Winning Comedy Talking Heads Will Receive Its
by BWW News Desk October 18, 2014 Alan Bennett's prize-winning comedy Talking Heads will receive its central Ohio premiere when APT launches its third professional touring production with three public performances beginning on November 13-21. Talking Heads will be performed at the BalletMet Performance Space in downtown Columbus on November 13, at the First Unitarian Universalist Church in Clintonville on November 20 and at the Abbey Theater of Dublin on November 21st. All performances are at 8 pm. Linda Dorff plays "Violet," who at nearly one hundred years of age has lost some of her memory but none of her wicked sense of humor. Kerry Shanklin is "Irene," a lonely woman who writes one-too-many poison-pen letters. Anne Diehl is "Miss Fozzard," a prim, middle-aged department store saleswoman whose sore feet lead her into a rather unusual romance. All three are members of Actors Equity Association, the union of professional actors. Originally produced on the BBC in 1988 and 1998, Talking Heads is a series of twelve prize-winning dramatic monologues focusing on seemingly unremarkable people (mostly women) whose lives are nonetheless filled with tragedy, melodrama and especially comedy. Acclaimed by critics - and now included in the advanced high school curriculum in Britain - these mini-plays have become what one critic called "a British cult classic." Talking Heads was produced in the West End (the British equivalent of Broadway) in 1992 and 1998, and has been produced on professional stages all over the English-speaking world. An award-winning Off-Broadway production in 2003 ran for two hundred performances and several of the pieces have been seen on PBS's Masterpiece Theatre. -
About the Production
Alliance Communications presents a Redeemable Features Production a film by everyone who worked on it 94 Minutes Rated PG-13 A Redeemable Features Release Press Contact: Jeremy Walker Jeremy Walker Associates (212) 595-6161 Page 2 SYNOPSIS "All I Wanna Do" is a comedy about a closely-knit group of friends set at a traditional New England all-girls boarding school in 1963. But at its core, "All I Wanna Do" is also the story of young women who recognize their own value and potential when their all- female sanctuary becomes threatened by the specter of men. The film was written and directed by Sarah Kernochan, an established screenwriter making her feature directorial debut. For Odie (Gaby Hoffmann), a pretty but moody teenager, being sent to Miss Godard's Prep School for Girls midway through the year is a little bit like being sent to prison. Miss Godard's has all kinds of rules, and a lot is expected of the girls there. But Odie soon discovers that the girls at Miss Godard's also have a lot of fun, and most important, the school is something of a haven where girls can behave, well, just like girls since there are no boys in sight. After a tour of the campus guided by Abby (Rachael Leigh Cook), an uptight, brown- nosing "monitor" on the Self-Government Committee, Odie just wants to cry. But things start looking up when Odie meets her new roommates, Verena (Kirsten Dunst) and Tinka (Monica Keena). Verena is a schemer who likes to break the rules. -
A&E Spring, 1999
University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers Spring 4-10-1999 A&E Spring, 1999 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "A&E Spring, 1999" (1999). Current (1990s). 304. http://irl.umsl.edu/current1990s/304 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. :.- :::~ .~ ,~.::~:< ,' . .,; : . .~~ . .:: , ,: .•.• ;~ ....... ~. .r ¥. .. C'<: .. " ~"'-':"'~~·A Ca~;t afford"Florida?· Can't take a week off work? Still want to go somewhere? We'll give you some ideas on weekend get-aways. page 4 Plus: Tips you should know before leaving St. Lou·s OTHER STUFF INSIDE -.. Did you know that UM - St. Louis' Department of Music is producing the musical Man o.f La Mancha to be perf fIned here on campus ? They are, FILM and we've talked to the director, Milton Zoth, just so M ~IC we could tell you how the production really is com Find out who will win and who attk f r"1 'pOlan the ing along. For this story turn to page 3. find oul hould \\'in an scar this year. F. r th i. t ry see page 6 ~ Also, check out the A&E calendar on page 2. Page 2 A&E - Spring '99 .. ,~qcurrent Stephanie Platt - . &E EdiuJr ~&lE Pam White- Busir IN HIS ISSUE Tom Wombacher • . -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
'Just One More
‘JUST ONE MORE GENERATION’ JOELY RICHARDSON ‘JUST ONE MORE GENERATION’ Joely Richardson is following both her mother and her sister by appearing in an Ibsen play about love and death. She talks movingly about the loss of Natasha, the sister she adored, and the future of her family dynasty. By Caroline Scott. Photograph: Harry Borden JOELY RICHARDSON oely Richardson didn’t really want to She is palpably, disconcertingly nervous. was my touchstone until she wasn’t there. All talk to me. “Can’t you send a man?” she Her hands flutter up to her face like birds the dreams you have, the common language, had asked through her agent, hoping a coming down to rest in her lap before flying the shared history…Everything was levelled male interviewer might focus more on up again. “I was saying to Mum this morning, when she left us. Then, just as we were getting the work and less on the sadness of the it’s probably completely insane of me to over the shock, Corin died, then Lynnie. We past two-and-a-half years. First, Joely’s have taken this on, but it’s too late now. She were just reeling.” older sister, Natasha, died after a skiing reminded me I felt like this before I began At the same time, Daisy, her daughter with accident in 2009. Then, last year, Corin rehearsing Side Effects [she played a bipolar her ex-husband, the producer Tim Bevan, Jand Lynn Redgrave, brother and sister politician’s wife in Michael Weller’s portrait left home to study in New York. -
TMR Volume 13 16Feb21
MOTHERSTRUCK!: THE ILLUSION OF CHOICE XINGJIAN LI espite having oscillated from “radical feminist” to “moderate feminist” to “better-informed radical feminist,” I’ve always been ambivalent about a D popular feminist topic: abortion. “XingJian,” you might say, “you intern at Planned Parenthood. What could you possibly be ambivalent about?” The answer lies in my annoyance with the rhetoric that equates a pro-choice stance exclusively with abortion access. Abortion access is important. Nevertheless, in the fight for reproductive freedom, it’s easy to overlook that the decision to have a child can be just as controversial and stigmatized as the decision to abort a fetus. Furthermore, the social acceptance of this decision is inextricably linked to a woman’s race, class, ability, sexual orientation, and many more factors. To put it bluntly, for women without a white picket fence, a stable white-collar job (or a white-collar breadwinner), and a wholesome, heterosexual marriage, having a kid can be a much frowned-upon decision. Staceyann Chin, a single Jamaican lesbian poet living in a not-yet-gentrified part of Brooklyn, chronicles this decision in MotherStruck!, her one-woman show. The show, which was directed by Cynthia Nixon, ran from December 2015 to January 2016 at the Lynn Redgrave Theater—only a few steps away from the Manhattan clinic of Planned Parenthood. When I heard Chin was doing a one-woman show, I was beyond excited. Chin is an incredible writer and a renowned activist. Her slam poem, “All Oppression is Connected,” is one of the most powerful manifestos for intersectionality that I have ever experienced. -
Staceyann Chin 2-3
Out of The Basement Basement Scoville Basement Scoville -GSC- Gender and Sexuality Center Gender Center and Sexuality Features January2008 Staceyann chin 2-3 Election 2008 4-5 Research in pune, India 6-7 Carleton dates 8-9 New in the gsc libe 10 Vagina monologues 11 Events 12 Volume 7, Issue 4 By Angelica Johnson On Friday, January 25th, a dynamic lesbian poet from Montego Bay, Jamaica, will perform in Arena Theatre at 7:30 p.m. Staceyann Chin has performed at the Nuyorican Poets’ Café, poetry slams all over the U.S. and abroad, various colleges and universities such as Harvard, Cornell, and NYU and on Def Poetry Jam. Chin is known for her fierce, radical rhetoric calling for an end to the injustices committed against oppressed peoples of the world: people of color, the poor, women and children, people who identify as lesbian, gay, bisexual, transgender, or queer, etc. Her poetry is also reflective of her bittersweet growth as a powerful lesbian woman of color through artistically painting images of her experiences of child abuse, poverty, racism, sexism, and homophobia. Such experiences have shaped her political agenda to mobilize people to stand up against dehumanization. Her social activism is her poetry. She uses art as a means of inspiration and resistance. As the lesbian feminist poet and writer Audre Lorde states so eloquently about the power of poetry: …poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action.