9962 Hon. Solomon P. Ortiz Hon. Barbara

Total Page:16

File Type:pdf, Size:1020Kb

Load more

9962 EXTENSIONS OF REMARKS, Vol. 152, Pt. 7 May 26, 2006 at the end of this month. He has been an in- retired Chief of Staff, my former Chief Deputy ‘‘Morrie’’ Turner, a native of Oakland, Cali- valuable asset to me and to my constituents. Sheriff in our other lives, my campaign advi- fornia. Morrie Turner is known not only for his His knowledge of issues ranging from eco- sor, my little brother, my best friend—some legendary talent as a nationally-recognized nomic development to military and veterans have even called him my ‘‘alter ego’’ Lencho cartoon artist, but has contributed greatly to affairs has been crucial to helping me better Rendon. our country through his use of art to advocate serve my constituents. I will miss his depth of Lencho is a legend in the House of Rep- for social equality and community awareness. experience, leadership, and personal charm. resentatives and counts many, many friends On Wednesday, May 31, 2006, the East Bay Larry’s extensive knowledge of the Conejo here in this Chamber . friends he will re- Community will come together to celebrate Valley has been an invaluable asset. I con- main close to in this next chapter of his life. Morrie’s outstanding career and immeasurable sulted extensively with Larry when working to Several of them join me in bidding our friend contributions to our society. protect and expand the Santa Monica Moun- and counselor farewell, but not goodbye. Born in 1923 in Oakland, California, Morrie tains National Recreational Area. His advice Lencho and I met not too long after I was assumed his nickname at an early age, al- and experience were critical to my successful elected Nueces County Sheriff in South Texas ways preferring it above the name Morris. He efforts to defend this irreplaceable natural re- in 1976. He was working for the Webb County attended Cole Elementary and McClymonds source. Sheriffs office and a DEA Task Force; and he High School in Oakland, and ultimately grad- Mr. Speaker, Larry received his bachelor’s was beginning to make a reputation for him- uated from Berkeley High School in June and master’s degrees in Science from Indiana self as one of the absolute best at finding the 1942. Morrie began drawing caricatures University. His studies were interrupted while druggies and getting evidence on them. around the age of 10, and by the time he fin- he served in the United States Army during He was a master at that, and his detective ished his secondary education he was com- the Korean War. and undercover work were monumentally dan- fortable with his drawing technique. After grad- In 1954, Larry was discharged from the gerous just about every day. By the grace of uation, which was in the midst of World War Army and met and married Betty Thurman. God, Lencho lived to talk about—or not talk II, he enlisted in the U.S. Army Air Corps, and Happily married for more than 50 years, they about—the everyday danger of living under- continued his drawing while on guard duty. have raised three children and contributed cover to catch the bad guys. This eventually led to his first series, a strip countless hours volunteering in their commu- He ran my first campaign for Congress, a called Rail Head, which was based on his ex- nity. task he took on each election cycle—and he periences in the war and which appeared in In 1960, Larry and Betty moved to Southern remains my campaign chairman. In Texas, Stars and Stripes. Following the war Morrie returned to the California where he worked in the aerospace Lencho is the guy you go to when you want Bay Area, where he began working as a clerk and defense industry for Lockheed, Litton, and to hear the straight scoop. for the Oakland Police Department, but contin- finally as a Vice-President of Northrop in He can find the bottom line . and see ued drawing on a freelance basis. During that Newbury Park. around the comers . and strategize a way time, and at the encouragement of his mother, In 1973, Larry began his career in politics to get you where you want to go. He works on numerous campaigns in South Texas during he began sending his drawings to magazines. by winning a seat on the Thousand Oaks City After sending out thousands of drawings, he Council. He served on the Council for more election season, and he understands the pre- cise—yet nuanced—intersection of politics, achieved his first national publication in 1947, than 16 years. During that period, his fellow which was in a baking industry publication Council Members asked him to serve as policy, people, and the art of the possible. Here on the Hill and in the international called Baker’s Helper, and which earned him Mayor for an unprecedented five terms. a check of $5. After several publications of his While serving as Mayor and Council mem- community, Lencho has made more friends than we can count. He employs the same work on roughly the same scale, Morrie got ber, Larry helped solidify a sound economic his first big break when Better Homes & Gar- base for the city. He also established senior skills on Capitol Hill he learned and practices in South Texas: figure out where you want to dens bought one of his cartoons for $75. citizen facilities, teen programs, increased the Throughout his many years of drawing, city’s supply of affordable housing and helped go, and he can find a way to get you there. He is widely respected by both Members of Morrie had received no formal art training and lower the crime rate. All of his efforts resulted so he sought advice and encouragement from in an improved quality of life for Conejo Valley Congress and Capitol Hill staff members. But it has been me and my staff members— other professional cartoonists. In that process, residents. he began to question why there were no art- Mr. Speaker, all of us in this House are de- here and in Texas—that have felt his absence most abruptly and most profoundly. We ists from communities of color working as pro- pendent on the dedication and hard work of fessional cartoonists, particularly among those our staffs. When I was elected to represent haven’t missed a beat in our work for South Texans, but we have missed the presence of who were publishing national pieces. In re- the 24th Congressional District in 1996, I knew sponse, his mentor Charles Schultz, creator of I would need an outstanding and popular lead- the man that we all respect and we all love. You grow so close to people with whom you the infamous Peanuts strip, suggested that er in the Conejo Valley to head my Thousand Morrie create one. In the early 1960s he did Oaks office. Larry accepted the challenge and stand in campaigns. Lencho is unbelievably talented on so many just that, creating Dinky Fellas, the strip that was instrumental in ensuring that my constitu- levels, and has a deep and abiding compas- would later evolve into the hugely successful ents received the quality services they needed sion for people and families. It’s an old rule of Wee Pals, a strip that takes place in a world and deserved. politics: people that campaign together will al- without prejudice and that celebrated ethnic, Larry’s hard work and dedicated service in ways be there for each other. That is certainly racial, cultural and other differences in our so- that office and, following redistricting and the true for me and my organization, but it’s true ciety. In 1965, the series became the first 2002 elections, as a member of my Sherman for most every political organization. multi-ethnic cartoon syndicated in the United Oaks office staff, have been exemplary. And so it will be—Lencho remains a trusted States. Wee Pals went on to appear in over Larry’s accomplishments in business, poli- member of my family, and I will always seek 100 newspapers worldwide, and has also fea- tics, government, and community service are his counsel on matters political and personal. tured a weekly additional panel called Soul an impressive legacy. I will miss his service, I know he remains a trusted member of this Corner, in which the life of a famous person but I look forward to his continuing friendship. Capitol Hill family. from a community of color is detailed. f Wee Pals also carries special significance in f my district, because it later became the cor- TRIBUTE TO LENCHO RENDON HONORING MORRIS ‘‘MORRIE’’ nerstone of an Oakland Police Department TURNER crime prevention and safety program. Through HON. SOLOMON P. ORTIZ this effort, Morrie’s message of open minded- OF TEXAS HON. BARBARA LEE ness, equality and cultural embrace was cou- IN THE HOUSE OF REPRESENTATIVES OF CALIFORNIA pled with one of public safety and community service, thereby impacting the lives of count- Thursday, May 25, 2006 IN THE HOUSE OF REPRESENTATIVES less young people and families in the 9th Con- Mr. ORTIZ. Mr. Speaker, this month Capitol Thursday, May 25, 2006 gressional District and beyond. Hill saw the departure of one of the most tal- Mr. LEE. Mr. Speaker, I rise today to honor Morrie’s outstanding work in periodicals has ented people in Texas politics today, my just- the extraordinary life and work of Morris been recognized by the public on numerous VerDate Sep 11 2014 15:14 Mar 23, 2017 Jkt 000000 PO 00000 Frm 00114 Fmt 0689 Sfmt 9920 E:\FDSYS\BOUNDRECORD\BOOK 7\DAT FILES\BR26MY06.DAT BR26MY06 ejoyner on DSK30MW082PROD with CONG-REC-ONLINE.
Recommended publications
  • AA MS 01 Gerald E. Talbot Collection Finding Aid

    AA MS 01 Gerald E. Talbot Collection Finding Aid

    University of Southern Maine USM Digital Commons Search the Manuscript Collection (Finding Aids) The African American Collection 2-2020 AA MS 01 Gerald E. Talbot Collection Finding Aid David Andreasen Kristin D. Morris Karin A. France Marieke Van Der Steenhoven Caroline Remley See next page for additional authors Follow this and additional works at: https://digitalcommons.usm.maine.edu/aafinding_aids Part of the African American Studies Commons, American Studies Commons, Cultural History Commons, Social History Commons, and the United States History Commons Recommended Citation Gerald E. Talbot Collection, African American Collection of Maine, Jean Byers Sampson Center for Diversity in Maine, University of Southern Maine Libraries. This Article is brought to you for free and open access by the The African American Collection at USM Digital Commons. It has been accepted for inclusion in Search the Manuscript Collection (Finding Aids) by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. Authors David Andreasen, Kristin D. Morris, Karin A. France, Marieke Van Der Steenhoven, Caroline Remley, Andrea Harkins, Kara Kralik, and Anya O'Meara This article is available at USM Digital Commons: https://digitalcommons.usm.maine.edu/aafinding_aids/1 UNIVERSITY OF SOUTHERN MAINE LIBRARIES SPECIAL COLLECTIONS JEAN BYERS SAMPSON CENTER FOR DIVERSITY IN MAINE AFRICAN AMERICAN COLLECTION OF MAINE GERALD E. TALBOT COLLECTION AA MS 1 Total Boxes: 133 Total Drawers: 36 Linear Feet: 207.75 By David Andreasen, Kristin D. Morris, Karin A. France, Marieke Van Der Steenhoven, Sarah Haugh, Caroline Remley, Liam P. Sigaud, Colin Donovan, Andrea Harkins, Anya O’Meara and Kara Kralik Portland, Maine July 2010, revised February 2020 Copyright 2010 by the University of Southern Maine 2 Administrative Information Provenance: The Gerald E.
  • 2011/2012 Black History Trivia Bowl Study Questions # CATEGORY

    2011/2012 Black History Trivia Bowl Study Questions # CATEGORY

    2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era.
  • By JOHN WELLS a M E R I C a N C H R O N I C L E S

    By JOHN WELLS a M E R I C a N C H R O N I C L E S

    AMERICAN CHRONICLES THE 1965-1969 by JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data.......................................... 5 Introduction & Acknowledgements ............ 6 Chapter One: 1965 Perception................................................................8 Chapter Two: 1966 Caped.Crusaders,.Masked.Invaders.............. 69 Chapter Three: 1967 After.The.Gold.Rush.........................................146 Chapter Four: 1968 A.Hazy.Shade.of.Winter.................................190 Chapter Five: 1969 Bad.Moon.Rising..............................................232 Works Cited ...................................................... 276 Index .................................................................. 285 Perception Comics, the March 18, 1965, edition of Newsweek declared, were “no laughing matter.” However trite the headline may have been even then, it wasn’t really wrong. In the span of five years, the balance of power in the comic book field had changed dramatically. Industry leader Dell had fallen out of favor thanks to a 1962 split with client Western Publications that resulted in the latter producing comics for themselves—much of it licensed properties—as the widely-respected Gold Key Comics. The stuffily-named National Periodical Publications—later better known as DC Comics—had seized the number one spot for itself al- though its flagship Superman title could only claim the honor of
  • Lbr-2016-17-021

    Lbr-2016-17-021

    SMALL BUSINESS COMMISSION CITYAND COUNTYOF SAN FRANCISCO M ARK DWIGHT, PRESIDENT EDWIN M. LEE, M AYOR REGINA D ICK-E NDRIZZI, D IRECTOR Legacy Business Registry Staff Report HEARING DATE NOVEMBER 28, 2016 CARTOON ART MUSEUM OF CALIFORNIA Application No.: LBR-2016-17-021 Business Name: Cartoon Art Museum of California Business Address: 275 5th Street, Suite 303 District: District 6 Applicant: Summerlea Kashar, Executive Director Nomination Date: October 3, 2016 Nominated By: Mayor Edwin Lee Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION The Cartoon Art Museum of California is a 501(c)(3) nonprofit museum located in the South of Market neighborhood that preserves and exhibits the history and continuation of cartoon art and related artworks. The museum was founded by a group of cartoon enthusiasts in 1984 who began organizing exhibitions of artwork from their own collections and often set up these exhibitions in other local museums or corporate spaces before establishing themselves as an organization. The museum showcases a variety of cartoon art forms including editorials, comic books, graphic novels, anime, and weekend cartoons. The Cartoon Art Museum is not only known for its exhibition content but also its dedication to preserving and documenting this unique and accessible art form. Their continued mission is to “ignite imaginations and foster the next generation of visual storytellers by celebrating the history of cartoon art, its role in society, and its universal appeal.” The museum is the longest running museum of original cartoon art in the United States that is committed to the preservation and exhibition of this art.
  • Los Sesenta: Inquietudes Y Cambios

    Los Sesenta: Inquietudes Y Cambios

    LOS SESENTA: INQUIETUDES Y CAMBIOS “Los más importantes eventos y cambios sociales de los años sesenta –el 1. The Comics Since 1945, de Brian Walker (Harry N. Abrams, Inc, asesinato de Kennedy, la llegada a la Luna, la guerra en Vietnam, el movi- 2002), página XXX miento por los derechos civiles, la revolución cultural- fueron refl ejados en los cómics pero no inspiraron directamente creaciones de larga duración. Las 2 El concepto de Nueva Izquierda fue acuñado en Gran Bretaña a estrellas de las páginas de cómics no eran astronautas, hippies, activistas o fi nales de los años cincuenta, estrellas de rock”1. De nuevo reconozco que el historiador norteamericano tras la denuncia por parte de Nikita Khrushchev del culto a la de cómics Brian Walker tiene más razón que un santo. Y no será por temas a personalidad y los crímenes de tratar, que la década de los sesenta fue de las más moviditas en EE UU (vale, Josef Stalin. A raíz de ello, varios y en todo el mundo). A pesar de ello, en estos diez años las tiras de prensa re- miembros del Partido Comunista de Gran Bretaña formaron forzaron la intensidad crítica en aspectos sociales y cotidianos, amén del na- grupos troskistas o se unieron al cimiento de algunas series que el tiempo convertirá en clásicas o de aportar Partido Laborista, formando la “nueva izquierda”. Inicialmente originales fórmulas gráfi cas y temáticas. concentrados en una campaña por el desarme nuclear y la justicia La conmoción social y política de los sesenta en EE UU vendrá marcada global, sus componentes se opusieron a la estructura autoritaria 2 por tres ejes contestatarios básicos: el movimiento hippy, la Nueva Izquierda social del momento, reivindicando y el Movimiento Americano por los Derechos Civiles3.
  • CONGRESSIONAL RECORD— Extensions of Remarks E188 HON

    CONGRESSIONAL RECORD— Extensions of Remarks E188 HON

    E188 CONGRESSIONAL RECORD — Extensions of Remarks February 10, 2014 Villablanca, who has devoted her career in for drawing began as a young child. After RECOGNIZING THE SERVICE AND medicine to identifying and building awareness graduating from Berkeley High School, Mr. CONTRIBUTIONS OF JOHN of the cardiovascular disease risk factors for Turner served in World War II as a mechanic COLACCHIO women. for the Tuskegee Airmen. During this time, he In 1994, Dr. Villablanca established the na- drew comic strips for military newspapers. HON. ALAN GRAYSON tion’s first program dedicated to researching, Once returning back to the Bay Area, he OF FLORIDA preventing and treating heart disease in IN THE HOUSE OF REPRESENTATIVES women. Heart disease is the leading cause of worked as a clerk for the Oakland Police De- death of women in the United States, causing partment while freelancing cartoons to news- Monday, February 10, 2014 one in three deaths each year, more than all papers and magazines. In 1964, Mr. Turner’s Mr. GRAYSON. Mr. Speaker, I rise today to forms of cancer combined. Dr. Villablanca has drive and admiration for cartooning inspired recognize an outstanding member of the Cen- conducted laboratory research that has ad- him to create cartoons full time. tral Florida community, John Colacchio. Mr. vanced scientific knowledge of the unique bio- During the height of the Civil Rights Move- Colacchio is an 89-year-old veteran of the logical causes and indicators of heart disease ment, Morrie Turner realized that African Second World War who recently participated in women. in an Honor Flight.
  • Bay Guardian

    Bay Guardian

    THE SAN FRANCISCO B A Y OCTOBER 17, 1990/VOL 25/NO. 2 ^AY AREA'S BEST. .. EVERY WEEK ON THE COVER: UNKNOWN NO MORE After five years of struggle, SFs Faith No More is on its way, with a Grammy nomination, an MTV video award and an album that's gone platinum (p. 23) ARTS ^ MILLION PG&EiOVER-UP For two years, ArtAgnos has had a study on his desk showing that the city would make as much as $500 million by buying out PG&E. Why has he kept it secret? (p. 17) DARK PASSAGES It's anomie again in America as the literary world rediscovers the hard-boiled noir fiction style of the '40s. ►P/us: Lesbian detective fiction. The SF Book Festival, reviews and more. Our quarterly literary supplement ESSL'i". MONSTER LECTRONICS UNCLE WHO?? Uncle Ralph’s is the East Bay’s largest independent audio/video specialist, with some of the best prices in the country, in 8 years we’ve grown at an incredible rate, and our reputation has spread far and wide. Our customers come from as far away as New York, Tokyo, an even Minsk! This is your big chance to gobble up hundreds of amazing buys from our gargantuan inventory. WHArS GOING ON?? Our warehouse is stocked to the gills with top name merchandise, and it’s gotta go! Every¬ thing is new, in the box, with the manufac¬ turer’s warranty. But shop early, because the sale is limited to stock on hand! There are ac¬ tually hundred of items on sale.
  • Biography Today: Profiles of People of Interest to Young Readers

    Biography Today: Profiles of People of Interest to Young Readers

    DOCUMENT RESUME ED 454 140 SO 032 850 AUTHOR Abbey, Cherie D., Ed. TITLE Biography Today: Profiles of People of Interest to Young Readers. Author Series, Volume 9. ISBN ISBN-0-7808-0462-7 PUB DATE 2001-00-00 NOTE 216p.; For related volumes in the Author Series, see ED 390 725, ED 434 064, ED 446 010, and ED 448 069. AVAILABLE FROM Omnigraphics, Inc., 615 Griswold Street, Detroit, MI 48226; Tel: 800-234-1340 (Toll Free); Web site: http://www.omnigraphics.com/. PUB TYPE Books (010)-- Reports Descriptive (141) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Adolescent Literature; *Authors; Biographies; *Childrens Literature; Elementary Secondary Education; Language Arts; Popular Culture; Profiles; Student Interests; Supplementary Reading Materials IDENTIFIERS *Biodata ABSTRACT This book presents biographical profiles of 10 authors of interest to readers ages 9 and above and was created to appeal to young readers in a format they can enjoy and readily understand. Biographies were prepared after extensive research, and each volume contains a cumulative index, a general index, a place of birth index, and a birthday index. Each profile provides at least one picture of the individual and information on birth, youth, early memories, education, first jobs, marriage and family, career highlights, memorable experiences, hobbies, and honors and awards. All entries end with a list of easily accessible sources designed to lead the student to further reading on the individual. Obituary entries are also included, written to provide a perspective on the individual's entire career. Obituaries are clearly marked in both the table of contents and at the beginning of the entry.
  • African American Museum & Library at Oakland Photograph Collection

    African American Museum & Library at Oakland Photograph Collection

    http://oac.cdlib.org/findaid/ark:/13030/c8kd23bd Online items available Guide to the African American Museum & Library at Oakland Photograph Collection Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the African American MS 189 1 Museum & Library at Oakland Photograph Collection Guide to the African American Museum & Library at Oakland Photograph Collection Collection number: MS 189 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 10/07/2015 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: African American Museum & Library at Oakland Photograph collection Dates: 1869-2008 Collection number: MS 189 Creator: African American Museum & Library at Oakland Collection Size: 21.25 linear feet (30 boxes + 2 oversized boxes + 2 oversized drawers) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The African American Museum & Library at Oakland Photograph Collection consists of 2,329 photographs documenting African Americans in California between 1869-2008. The photograph collection consists of photographs donated to the African American Museum & Library at Oakland, and its predecessor the East Bay Negro Historical Society. The collection is organized into 28 series by subject, and includes photographs of significant African Americans such Martin Luther King Jr., Thurgood Marshall, and Byron Rumford, and documents various aspects of the African American community in Oakland including athletics, business, churches, civil rights, early pioneers, entertainment, military, fraternal and women's organizations.
  • A Pictorial History of Comic-Con

    A Pictorial History of Comic-Con

    A PICTORIAL HISTORY OF COMIC-CON THE GOLDEN AGE OF COMIC-CON The 1970s were the formative years of Comic-Con. After finding its home in the El Cortez Hotel in downtown San Diego, the event continued to grow and prosper and build a national following. COMIC-CON 50 www.comic-con.org 1 OPPOSITE PAGE:A flier for the Mini-Con; the program schedule for the event. THIS PAGE: The Program Book featured a pre-printed cover of Balboa Park; photos from the Mini-Con, which were published in the Program Book for the first three-day MINI-CON Comic-Con held in August (clockwise MINI-CON from left): Forry Ackerman speaking; Mike Royer with some of his art; Comic-Con founding committee member Richard Alf NOTABLE MARCH 21, 1970 at his table; Ackerman at a panel discus- sion and with a fan; and Royer sketching GUESTS live on stage. The basement of the U.S. Grant Hotel, Downtown San Diego Attendance: 100+ Officially known as “San Diego’s Golden State Comic-Minicon” (the hyphen in Minicon comes and goes), this one-day event was held in March to raise funds for the big show in August, and FORREST J ACKERMAN was actually the first-ever West Coast comic convention. Most Comic-Con’s first-ever guest was the popular editor of Famous of those on the organizing com- Monsters of Filmland, the favorite mittee were teenagers, with the movie magazine of many of the major exceptions of Shel Dorf (a fans of that era. He paid his own recent transplant from Detroit way and returned to Comic-Con who had organized the Triple numerous times over the years.
  • One Fine Sunday in the Funny Pages” Exhibit

    One Fine Sunday in the Funny Pages” Exhibit

    John Read is the creator and curator of the “One Fine Sunday in the Funny Pages” exhibit. A freelance cartoonist, John also teaches cartooning to children and is the publisher and editor of Stay Tooned! Magazine, considered the trade journal of the craft. The Comic Mode The comic strip provides a colorful and humorous respite from the serious and often tragic news that precedes it. There are many reasons for reading the “funny pages”; from the basic need to be entertained, to the desire to escape for a moment into what seems a playful combination of a joke and a sequence of images that illustrate the nonsense and play that generates it. Yet, what really constitutes the “comic” in a comic strip? Are they simply funny, as in Blondie, Garfield or Hagar the Horrible? Or do we sense underlying tones of irony, satire, political and social commentary as evidenced in Doonesbury, Non Sequitur, and Between Friends? How are we to understand the double entendre, the sting of wit or the twist of the absurd that infuses so many contemporary comic strips? It would seem that as in dreams, there are many levels to the comic mode. On the first take, the superficial or manifest appeal generates a smile or laughter. But as with many dreams and good jokes, there is the second take, a latent need to establish or defy meaning as embedded within the structure of the images themselves. The paradox or playfulness of the comic strip partially lies in discovering the truth in the nonsensical aspects of day-to-day living.
  • Typical Girls: the Rhetoric of Womanhood in Comic Strips Susan E

    Typical Girls: the Rhetoric of Womanhood in Comic Strips Susan E

    Typical girls The Rhetoric of Womanhood in Comic Strips Susan E. Kirtley TYPICAL GIRLS STUDIES IN COMICS AND CARTOONS Jared Gardner and Charles Hatfield, Series Editors TYPICAL GIRLS The Rhetoric of Womanhood in Comic Strips SUSAN E. KIRTLEY THE OHIO STATE UNIVERSITY PRESS COLUMBUS COPYRIGHT © 2021 BY THE OHIO STATE UNIVERSITY. THIS EDITION LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION- NONCOMMERCIAL-NODERIVS LICENSE. THE VARIOUS CHARACTERS, LOGOS, AND OTHER TRADEMARKS APPEARING IN THIS BOOK ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS AND ARE PRESENTED HERE STRICTLY FOR SCHOLARLY ANALYSIS. NO INFRINGEMENT IS INTENDED OR SHOULD BE IMPLIED. Library of Congress Cataloging-in-Publication Data Names: Kirtley, Susan E., 1972– author. Title: Typical girls : the rhetoric of womanhood in comic strips / Susan E. Kirtley. Other titles: Studies in comics and cartoons. Description: Columbus : The Ohio State University Press, [2021] | Series: Studies in comics and cartoons | Includes bibliographical references and index. | Summary: “Drawing from the work of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls examines the development of womanhood and women’s rights in popular comic strips”—Provided by publisher. Identifiers: LCCN 2020052823 | ISBN 9780814214572 (cloth) | ISBN 0814214576 (cloth) | ISBN 9780814281222 (ebook) | ISBN 0814281222 (ebook) Subjects: LCSH: Comic strip characters—Women. | Women in literature. | Women’s rights in literature. | Comic books, strips, etc.—History and criticism. Classification: LCC PN6714 .K47 2021 | DDC 741.5/3522—dc23 LC record available at https://lccn.loc.gov/2020052823 COVER DESIGN BY ANGELA MOODY TEXT DESIGN BY JULIET WILLIAMS TYPE SET IN PALATINO For my favorite superhero team—Evelyn, Leone, and Tamasone Castigat ridendo mores.