DOCSLIB.ORG

Thank You for Supporting

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Thank You for Supporting 16160 SFJ March 1/31/05 8:15 AM Page 1 Non-profit Org. U.S. Postage PAID St. Olaf College SPONSORS The Sauder Companies 502 Middle Street Archbold, OH 43502 419-446-2711 sauder.com Sukup Manufacturing Company Box 677 Sheffield, IA 50475 641-892-4222 sukup.com St. Olaf College 1520 St. Olaf Avenue Northfield, MN 55057 507-646-2222 stolaf.edu MARCH 2005 / YEAR A Contact us at: Sing For Joy staff: singforjoy.org Pastor W. Bruce Benson, host Jeffrey O’Donnell, associate producer [email protected] Dr. John Ferguson, music advisor Lynne Reeck, studio producer 612-798-9225 John Gaddo, general manager Jennifer Rowe, communications coordinator Contribution Amount: ■ $1000 Composer ■ $100 Friend ■ Check enclosed ■ $500 Music Director ■ $50 Contributor ■ Please charge my credit card ■ $250 Patron ■ Other $________ ■ Visa ■ MasterCard ■ Discover ■ American Express Please make check payable to Sing For Joy. Mail to: Sing For Joy, St. Olaf College, 1520 St. Olaf Avenue, Northfield, MN 55057-1098 Name (Please print clearly) Address Phone Thank you for supporting City/State/Zip Credit Card Number Exp. Date Signature I (We) hear Sing For Joy on radio station in (City/State) ■ Please add me to the mailing list. My gift is given: ■ I have remembered SFJ in my estate planning. In memory of In honor of Occasion 16160 SFJ March 1/31/05 8:15 AM Page 2 Celebrating 50 Years of broadcasting the finest sacred music MARCH 2005 / YEAR A Sing For Joy is a production of WCAL National Programming, from St.Olaf College. hrough the Church, As I reflect on the theme for our hymn festival, the Song Goes On — Through the Church, the Song Goes On, I think about for 50 years the song our songs and our rich liturgical church year. Every has gone on with Sing year I make new discoveries about the season we are Pastor TFor Joy, and the scripture read- celebrating. Sometimes those insights are shaped by W. Bruce Benson ings as well. Last month, Dr. life events — the birth of a child or grandchild may John Ferguson talked about evoke and change the mental images of a baby being some of the ways we are celebrating this significant born in a rude and humble (and dirty!) stable. Songs anniversary in the history of Sing For Joy, including about the slaughter of the innocents had an entirely our February 20 hymn festival in Minneapolis. different impact when I was the mother of a 2-year- old son. We could also say “Through Sing For Joy, the Song Goes On.” Over this 50-year legacy, we’ve heard The Lenten season is a time for soul-searching, prepa- growth, changes and rebirths. New music appears, ration and deep reflection. One year during a Lenten and old favorites visit again. Right now we are mark- service, my congregation sang “O Lord, Throughout ing a slight change, as Sing For Joy now becomes part These Forty Days.” The final phrase of the first verse, of the Church Relations department at St. Olaf “..and free us from our past,” leapt off the page at College. This makes sense to me — in my role, I pro- me. Why had I never noticed that before? It’s so obvi- mote Sing For Joy among congregations, synods and ous and clear! I’d had some difficult events in my life, listeners. I’ve listened to and admired Sing For Joy and the gift in this music, in this hymn, was to remind over the years, and I feel especially blessed to have the me that God graciously forgives us, and that we can opportunity to work with this talented and dedicated and must put the past away as we move forward. staff: Pastor Bruce Benson, Dr. John Ferguson, Jeff Each Sunday, I hope that Sing For Joy provokes new O’Donnell and Jennifer Rowe. thoughts and images in your mind. I hope in each pro- gram you find newness in old words and familiarity in I am interested in hearing feedback from you, both new music. about the content of the program, as well as sugges- tions for other places and ways we can make our pro- May Sing For Joy continue to be a gift in your life! gram known and heard. If you are aware of specific radio stations in your area that would make good broadcasters, please tell us. And tell friends, family and church members about the program, too, so the Janet Kringen Thompson song will continue to go on. Director of Church Relations 16160 SFJ March 1/31/05 8:15 AM Page 3 Dry Bones – African American Spiritual, arr. Red Hall (1R) March 6, 2005 Full Table: Harrisonburg, Va. Scriptures for 4 Lent: (CD) All You Can Eat / FULL TABLE / FT2001 (1R) 1 Samuel 16:1-13 © 2001 Full Table, Harrisonburg, VA 22801 (PS) Psalm 23 www.fulltable.org (2R) Ephesians 5:8-14 Breathe On Me, Breath of God (PEN PARK) – Welsh Traditional, (G) John 9:1-41 arr. Haydn Morgan (1R) Little David, Play on Your Harp – African American Spiritual, Bowling Green State University Collegiate Chorale: arr. Harry T. Burleigh (1R) Bowling Green, Ohio / Richard D. Mathey Derek Lee Ragin, male alto; Moses Hogan, piano (CD) Summer Tour ’93 / (CD) Ev’ry Time I Feel the Spirit / CHANNEL CLASSICS / BOWLING GREEN STATE UNIVERSITY CCS 2991 © Bowling Green State University, Bowling Green, OH 43403 © 1991 Channel Classics Records B.V., PO Box 5642, www.bgsu.edu/colleges/music Englewood, NJ 07631 Out of the Depths, Op. 142, No. 3 – Alan Hovhaness (PS) www.channelclassics.com Choirs and Orchestra of St. John’s Cathedral: Denver, Colo. / Walk As Children of Light – Randall Thompson (2R) Donald Pearson St. Olaf Choir / Kenneth Jennings (CD) Magnificat / DELOS / DE 3176 (CD) Out of Darkness, Let Light Shine / ST. OLAF RECORDS / © 1995 Delos International, Inc., 1645 N. Vine Street, Suite 340, E-1840 Hollywood, CA 90028 © 1991 St. Olaf College, 1520 St. Olaf Avenue, www.delosmus.com Northfield, MN 55057 The Little Family (LAZARUS) – American Folk Song, www.stolafrecords.com arr. Ronn McFarlane (G) Come Open, Lord, the Heart and Ear (EISENACH) – J. H. Schein, Custer LaRue, soprano; Ronn McFarlane, lute arr. J.S. Bach (G) (CD) Amazing Grace: Spiritual Folk Songs of Early America / Schola Cantorum of St. Peter the Apostle: Chicago, Ill. / DORIAN RECORDINGS / xCD-90296 J. Michael Thompson © 2001 Dorian Recordings, 8 Brunswick Road, (CD) Music for Lent II / THE LITURGICAL PRESS / 7921-8 Troy, NY 12180-3795 © 1997 The Order of St. Benedict, Inc., Collegeville, MN 56321 www.dorian.com www.litpress.org When Jesus Wept (EMMAUS) – William Billings (G) Amazing Grace (NEW BRITAIN) – William Walker, Bella Voce (Founded as His Majestie’s Clerkes): Chicago, Ill. / The Southern Harmony, arr. John Rutter (G) Paul Hillier Cambridge Singers / John Rutter (CD) A Land of Pure Delight / HARMONIA MUNDI / (CD) Sing, Ye Heavens: Hymns for All Time / COLLEGIUM / HMU 907048 COLCD 126 © 1992 Harmonia Mundi USA, 2037 Granville Avenue, © 2000 Collegium Records, PO Box 311366, Omaha, NE 68131 Los Angeles, CA 90025 www.collegiumusa.com www.harmoniamundi.com My Shepherd Will Supply My Need (RESIGNATION) – “So nun der Geist des” (As the spirit of him) from Jesu, meine American Folk Tune, arr. Virgil Thomson (PS) Freude, BWV 227 – J. S. Bach (2R) Calvin College Alumni Choir / Pearl Shangkaun Vancouver Chamber Choir: Vancouver, B.C. / Jon Washburn (CD) Many Colors Paint the Rainbow / CALVIN COLLEGE / (CD) Johann Sebastian Bach: The Six Motets / GROUSE / 103 CD 4 © Grouse Records, 1254 West 7th Avenue, © 2001 Calvin College Alumni Association, Vancouver BC V6H 1B6 3201 Burton Street SE, Grand Rapids, MI, 49546-4388 www.vancouverchamberchoir.com www.calvin.edu I am the Resurrection and the True Life – Heinrich Schütz (G) Amazing Grace (Excerpt) (NEW BRITAIN) – William Walker, Concordia Choir: Moorhead, Minn. / René Clausen The Southern Harmony (G) (CD) The Concordia Choir / CONCORDIA RECORDINGS / Rev. Yvette Flunder, alto; Chanticleer: San Francisco, Calif. / E-1584 Joseph Jennings © 1988 Concordia University, 901 8th Street South, (CD) How Sweet the Sound / TELDEC / 2-60309 Moorhead, MN 56562 © 2004 Teldec, Distributed by Warner Classics www.concordiarecordings.com www.teldec.com Abide with Me (EVENTIDE) – William Henry Monk (G) St. Thomas Choir of Men and Boys: New York, N.Y. / March 13, 2005 Gerre Hancock (CD) Evensong / KOCH INTERNATIONAL CLASSICS / Scriptures for 5 Lent: 3-7285-2H1 (1R) Ezekiel 37:1-14 © 1995 Koch International USA, 2 Tri-Harbor Ct., (PS) Psalm 130 Port Washington, NY 11050 (2R) Romans 8:6-11 www.kochentertainment.com (G) John 11:1-45 16160 SFJ March 1/31/05 8:15 AM Page 4 March 20, 2005 March 27, 2005 Scriptures for Palm Sunday / Sunday of the Passion: Scriptures for Resurrection of Our Lord / Easter Day: (G1) Matthew 21:1-11 (1R) Acts 10:34-43 or Jeremiah 31:1-6 (PS1) Psalm 118:1-2, 19-29 (PS) Psalm 118:1-2, 14-24 (1R) Isaiah 50:4-9a (2R) Colossians 3:1-4 or Acts 10:34-43 (PS2) Psalm 31:9-16 (G) John 20:1-18 or Matthew 28:1-10 (2R) Philippians 2:5-11 (G2) Matthew 26:14-27:66 Jesus Christ Is Risen Today (EASTER HYMN) – Lyra Davidica, arr. John Ferguson (1R,2R,G) All Glory, Laud and Honor! (ST. THEODULPH) – Combined Lutheran Choirs / Anton Armstrong Melchior Teschner (G1) (CD) When In Our Music: A Hymn Festival / ALCM / CS-1 Choir of All Saints, Margaret Street: London / Harry Bramma © 1994 Association of Lutheran Church Musicians, (CD) The Complete New English Hymnal, Vol. 7 / PRIORY / PRCD PO Box 16575, Worcester, MA 01601 707 www.alcm.org © 2001 Priory Records Ltd, 3 Eden Court, Eden Way, Leighton Buzzard Bedfordshire, UK LU7 4FY The Angels Rolled the Stone Away – African American Spiritual, www.priory.org.uk arr.
Load more

Recommended publications
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • 825646078684.Pdf
    JOHANNES BRAHMS 1833–1897 Concerto for violin and cello in A minor, Op.102* 1 I Allegro 16.10 2 II Andante 7.39 3 III Vivace non troppo 8.10 FELIX MENDELSSOHN 1809–1847 Violin Concerto in E minor, Op.64 4 I Allegro molto appassionato 12.28 5 II Andante 7.42 6 III Allegretto non troppo — Allegro molto vivace 6.38 58.47 ITZHAK PERLMAN violin YO-YO MA cello* Chicago Symphony Orchestra/Daniel Barenboim IGOR STRAVINSKY 1882–1971 Violin Concerto in D 7 I Toccata 5.40 8 II Aria I 4.04 9 III Aria II 5.00 10 IV Capriccio 5.52 SERGEI PROKOFIEV 1891–1953 Violin Concerto No.2 in G minor, Op.63 11 I Allegro moderato 10.06 12 II Andante assai 9.15 13 III Allegro, ben marcato 6.13 46.10 ITZHAK PERLMAN violin Chicago Symphony Orchestra/Daniel Barenboim 2 Original album cover 3 he erato & Teldec Recordings Mendelssohn · Prokofiev · Brahms · Stravinsky On these two albums — the Mendelssohn and Prokofiev concertos originally released on Erato, the two others on Teldec — Itzhak Perlman was revisiting repertoire he had first recorded earlier on in his career. He had recorded Prokofiev’s Second Violin Concerto for RCA (with the Boston Symphony Orchestra under Erich Leinsdorf) as early as 1966, and Mendelssohn’s Concerto (with the London Symphony Orchestra and André Previn; see volume 5) six years later. He had also gone on to commit a further interpretation of each work to disc: the Prokofiev with the BBC Symphony Orchestra and Gennady Rozhdestvensky in 1980 (see volume 29), the Mendelssohn with the Amsterdam Concertgebouw and Bernard Haitink in 1983 (volume 33).
    [Show full text]
  • WDR 3 Klassik 21. März 2021 Klassik Klub Mit Maria Nguyen-Nhu 16:04-17:45
    WDR 3 Klassik 21. März 2021 Klassik Klub mit Maria Nguyen-Nhu 16:04-17:45 Stand: 14.03.2021 Komponist Titel/ Länge Interpret/ Label Johann Sebastian Bach Invention Nr. 13, BWV 784 (bearb. Mari Samuelsen, Violine Badzura) (1'37'') Konzerthausorchester Berlin Leitung: Jonathan Stockham- mer Label: Deutsche Grammophon GmbH LC 00173 Georg Friedrich Händel Sarabande Variationen (aus der Suite Martin Stadtfeld, Klavier in d-Moll, HWV 437): Label: Sony Music Entertain- Variation I(0'48'') ment Germany GmbH Variation II (0'45'') LC 00316 Variation III (0'43'') Variation IV (0'22'') Variation V (0'27'') Variation VI (1'07'') Variation VII (0'41'') Variation VIII (1'25'') Antonio Vivaldi Konzert in D-Dur, RV 549: III. Allegro Shunske Sato, Violine (Live) (2'23'') Mayumi Hirasaki, Violine Jesús Merino-Ruiz, Violine Evgeny Sviridov, Violine Concerto Köln, Label: Berlin Classics/Edel Germany GmbH LC 10024 Franz Schubert Symphonie Nr. 3, D. 200: II. Alleg- Concertgebouworkest retto (4'20'') Leitung: Nikolaus Harnoncourt Label: Teldec LC 06019 Johannes Brahms Klarinettenquintett, Op. 115: 3. An- Reto Bieri, Klarinette dantino (4'42'') Meta4 Label: ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin LC 00173 Henri Vieuxtemps Sonate, Op. 36: II. Barcarolle (5'38'') Jean Daufresne, Flügelhorn Alexandre Collard, Horn Mathilde Nguyen, Klavier Label: Klarthe LC --- Ludwig van Beethoven Prelude, WoO 55 (3'54'') Matthias Kirschnereit Label: Berlin Classics/Edel Germany GmbH LC 10024 Mario Castelnuovo-Tedesco Gitarrenquintett, Op. 143: II. Andante Jason Vieaux, Gitarre mesto (5'56'') Escher String Quartet Label: Azica Records LC 30321 Carlos Martínez Gil Suite estiu: Ibrahim Aziz, Viola da Gamba IV.
    [Show full text]
  • 7 Claude Debussy (Orch. Maurice Ravel) Tarantelle Styrienne (5:41) Orchestre De La Radiodiffusion Française O.L.V
    CD1 Marc-Antoine Charpentier Te Deum in D H146 1 II Prélude - Marche en Rondeau (1:33) 2 III Te Deum laudamus (1:05) 3 IV Te aeternum (1:44) Concept: Klara i.s.m. Warner Music Benelux 4 V Pleni sunt caeli et terra (2:35) Opdrachtgever: Chantal Pattyn (Netmanager Klara) Les Arts Florissants o.l.v. William Christie 2005 Parlophone Records Limited, a Warner Music Group Company Muziekkeuze: Klara-team Muzikale samenstelling: Gerrit Valckenaers 5 Arvo Pärt O Weisheit uit 7 Magnificat-Antiphonen (1:45) Estonian Philharmonic Chamber Choir o.l.v. Tonu Kaljuste Productie en coördinatie: 1997 Parlophone Records Limited, a Warner Music Group Company Marc Weyts (Klara) & Brigitte Ghyselen (Warner Music) 6 Gustav Holst Mercury, the Winged Messenger uit The Planets op.32 (4:00) Mastering: Pieter de Wagter (EQuuS) Berliner Philharmoniker o.l.v. Simon Rattle ‘Klara 20’ logo en coverontwerp: Lucy Agency 2006 Parlophone Records Limited, a Warner Music Group Company Opmaak: Piet De Ridder 7 Claude Debussy (orch. Maurice Ravel) Tarantelle styrienne (5:41) Orchestre de la Radiodiffusion Française o.l.v. Jean Martinon 1974 Parlophone/Warner Music France. Remastered 1998 Parlophone / Met de vriendelijke medewerking van Bl!ndman, De Maeyer/Kende, Warner Music France, a Warner Music Group Company Deutschlandradio/Anneleen Lenaerts, Erato/Warner Classics, George Frideric Handel Water Music Suite in D HWV349 Nonesuch Records, Parlophone/Warner Music France, 8 I Overture (2:05) 9 II Alla Hornpipe (3:13) Parlophone Records Germany, Teldec Classics International GmbH, 10 III Menuet (2:56) VRT/Klara en WEA International 11 V Lentement (2:15) 12 VI Bourrée (1:18) The London Classical Players o.l.v.
    [Show full text]
  • Manual of Analogue Sound Restoration Techniques
    MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland The British Library Analogue Sound Restoration Techniques MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland This manual is dedicated to the memory of Patrick Saul who founded the British Institute of Recorded Sound,* and was its director from 1953 to 1978, thereby setting the scene which made this manual possible. Published September 2008 by The British Library 96 Euston Road, London NW1 2DB Copyright 2008, The British Library Board www.bl.uk * renamed the British Library Sound Archive in 1983. ii Analogue Sound Restoration Techniques CONTENTS Preface ................................................................................................................................................................1 Acknowledgements .............................................................................................................................................2 1 Introduction ..............................................................................................................................................3 1.1 The organisation of this manual ...........................................................................................................3 1.2 The target audience for this manual .....................................................................................................4 1.3 The original sound................................................................................................................................6
    [Show full text]
  • Music Collection News
    M USIC COLLECTION NEWS Summer, 2012 Greetings musicians! Summer may be more relaxed in Muncie but the Library doesn’t slow down. We remain open our usual hours, and new materials continue to arrive daily. Reference services also continue, so feel free to call or e-mail even if you are off-campus. Your Ball State log-in is all you need to access databases from off- campus. I can send a link to the “answer” if you get stuck! —Amy Edmonds Listening Carrels Naxos Music Library News Two listening carrels now have high quality CD players, so listen- ers can hear CDs NML now streams over one with the best million tracks from over 70,000 CDs! possible audio. New labels include Crystal Records, Erato, We also now offer Y-cables (splitters) that allow Teldec and Warner Classics. Stars of these two listeners to study together at carrels or labels include Nicholas Harnoncourt, Kurt Masur, computers. They can be checked out at the In this issue: Chanticleer, Thomas Hampson, The Chicago Music Collection counter. Adapters and new headphones are also available. Symphony, The Tubadours, The Westwood Wind Quintet, Barbara Bonney, Yizhak Schotten, and the Esterhazy Quartet. New CDs 2 Talent is Overrated: What Really Separates World-Class Perform- New DVDs 2 ers from Everybody Else BF 481 .C625 2010 Hang onto your hats! It turns out that hard work and New on Naxos 2 focused (“deliberate”) practice Music Online are the secrets to musical success! Colvin explains the theories of An- ders Ericsson in a readable and inspiring book New Books 3 meant for the general public but applicable to musicians.
    [Show full text]
  • ARIA Licensors
    ARIA Licensors Licensing Copyright Owners BMG AUSTRALIA LIMITED 194 Miller Street, North Sydney NSW 2060 COLOSSAL RECORDS OF AUSTRALIA PTY LTD 14-16 Wilson Avenue, Brunswick VIC 3056 EMI MUSIC (AUSTRALIA) PTY LTD 98-100 Glover Street, Cremorne NSW 2090 * FESTIVAL RECORDS PTY LTD 235 Pyrmont Street, Pyrmont NSW 2009 * MUSHROOM DISTRIBUTION SERVICES PTY LTD 55 Danks Street, Port Melbourne VIC 3207 JANDA RECORDS (AUST) PTY LTD 2/17 Tennyson Road, Mortlake NSW 2137 LARRIKIN ENTERTAINMENT PTY LTD 235 Pyrmont Street, Pyrmont NSW 2009 SHOCK RECORDS PTY LTD 200 Beavers Road, Northcote VIC 3070 SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD 11 Hargrave Street, East Sydney NSW 2010 UNIVERSAL MUSIC AUSTRALIA LIMITED 3 Munn Reserve, Millers Point NSW 2000 WARNER MUSIC AUSTRALIA PTY LTD 39-47 Albany Street, Crows Nest NSW 2065 * Trading as Festival Mushroom Records Please note that the following sound recordings are expressly excluded from this Agreement: AC/DC: and EMI Music owned or controlled sound recordings by the Beatles (and solo members), Queen (and solo members) and Rolling Stones (and solo members). ARIA Labels Licensing Copyright Owner Labels 1500 Records (Universal) Alligator (Shock) 415 Records (Sony) Almo Sounds (Universal) 4AD (Shock) Alternative Tentacles (Shock) 4TH & Broadway (Universal) Amadeo (Universal) 510 Records (Universal) Ambient Sound (Shock) 550 Music (Sony) American Clave (Shock) A Star Academy (Zomba) American Decca Jazz (Universal) A&E Records Ltd (FMR) American Explorer (Warner) A&M (Universal) Anchor & Hope (Shock) A&M Records
    [Show full text]
  • Tracklisting
    KLARA BEST OF BEETHOVEN curated by Jan Caeyers 5054197061745 TRACKLISTING CD1 9 Variaties op een mars van Ernst Christoph Dressler in c WoO 63 01 Thema 01.36 02 Variatie 5 01.24 Rudolf Buchbinder, piano P 1977 Teldec Classics, a Warner Music UK Division 03 Pianokwartet in C WoO36 nr.3: III. Rondo: Allegro 03.38 Renaud Capuçon, viool / Lyda Chen, altviool / Gautier Capuçon, cello / Martha Argerich, piano P 2006 Parlophone Records Limited, a Warner Music Group Company 24 Variaties voor piano op Vincenzo Righini's arietta "Venni Amore" in D WoO65 04 Variatie 1 00.39 05 Variatie 2 00.36 06 Variatie 3 00.32 07 Variatie 4 00.47 08 Variatie 5 00.41 09 Variatie 6 00.42 10 Variatie 7 00.38 11 Variatie 20 00.39 12 Variatie 21 00.37 13 Variatie 22 0 0.40 14 Variatie 23 04.20 15 Variatie 24 02.11 Rudolf Buchbinder, piano P 1977 Teldec Classics, a Warner Music UK Division 16 Pianoconcerto nr.2 in Bes op.19: III. Rondo: Molto allegro 06.18 Christian Zacharias, piano / Staatskapelle Dresden / Hans Vonk P 1987 Warner Music Group Germany Holding GmbH 17 Adelaide op.46 06.40 Herman Prey, bariton / Gerald Moore, piano P 1961 & Remastering P 1995 Warner Music Group Germany Holding GmbH 18 Pianotrio in bes op.11 “Gassenhauer”: III. Allegretto: Variaties op “Pria ch’io l’impegno” 06.40 Gervase de Peyer, klarinet / Jacqueline du Pré, cello / Daniel Barenboim, piano P 1970 & Remastering P 2006 Parlophone Records Limited, a Warner Music Group Company 19 Klaviersonate nr.8 in c op.13 “Pathétique”: II.
    [Show full text]
  • Beatles Recording Variations
    The Usenet Guide to Beatles Recording Variations by Joseph Brennan: [email protected] 435 South Ridgewood Road, South Orange NJ 07079 Current version revised by Frank Daniels: [email protected] www.friktech.com/btls/btls2.htm © 1993,1994,1995,1996,1997,1998,1999,2000,2002 Joseph Brennan Portions © 2010, 2014 by Frank Daniels; version 3 © 2014, 2019, 2021 by Joseph Brennan & Frank Daniels. Introduction • What is Usenet? • Introduction: What's a Variation, and Why Do We Care? • Frank’s Intro • Credits • Notes on US Record Releases • Notes on CD Releases • The Films and the Videos • Format of entries Variations and Conclusions • 1958 to 1961 (including recordings with Tony Sheridan) • 1962 • 1963 (Please Please Me, With the Beatles) • 1964 (A Hard Day's Night, Beatles for Sale) • 1965 (Help!, Rubber Soul) • 1966 (Revolver) • 1967 (Sgt Pepper’s Lonely Hearts Club Band, Magical Mystery Tour & Yellow Submarine) • 1968 (The Beatles and Yellow Submarine) • 1969 and 1970 (Abbey Road, Let It Be) • 1994 and 1995 (Anthology) • The Yellow Submarine Songtrack (1999) • British and German Discographies • Love (2006) and The Mono and Stereo Remasters (2009) • Song Index While researching recording variations, we ended up making lists of the Beatles original vinyl releases in the United Kingdom, the United States, and Germany. Please see Frank Daniels's Across the Universe pages on worldwide releases. The releases of the Beatles' Hamburg Recordings (from 1961 and 1962) are so confusing that there is a special introduction to those eight songs in the Guide. For links and stuff, please go see The Internet Beatles Album. What is Usenet? Usenet is a worldwide Internet, threaded discussion system that operates via news servers all around the world.
    [Show full text]
  • Naxos Music Library Is the Most Comprehensive Collection of Classical Music Available Online
    NAXOS MUSIC LIBRARY IS THE MOST COMPREHENSIVE COLLECTION OF CLASSICAL MUSIC AVAILABLE ONLINE www.NaxosMusicLibrary.com Naxos is the world’s leading producer of classical music. Naxos produces more new recordings than any other label or corporate entity. The library offers the complete Naxos and Marco Polo catalogues as well as educational products and a growing range of historical recordings* featuring the biggest performers in the history of classical music. We have added thousands of titles of over 770 other independent labels including the complete catalogues or selected recordings of BIS, Capriccio, Chandos, CPO, CSO Resound, Decca, Deutsche Grammophon, Erato, Dynamic, Finlandia, Grand Piano, Hänssler Classic, Harmonia Mundi, Hungaroton, LSO Live, Marco Polo, Naïve, Naxos, New York Philharmonic, Nimbus, Nonsuch, Ondine, Orfeo, PentaTone, RCA Records, Sony Classical, Teldec, Universal Classics, Vanguard Classics, Warner Classics, Warner Classics – Parlophone (former EMI Classics) and many more, and will continue to include leading independent labels from around the world. Naxos is the only label, independent or major, with a substantial commitment to music education offering a wide range of educational products. Naxos also provides music to all major educational book publishers such as McGraw-Hill, WW Norton and Prentice Hall. Naxos Music Library is owned by Naxos Digital Services, part of the Naxos Group of Companies. We have our own team of musicologists, programmers and designers backing up the service. We offer in the subscription a complete set of tools designed for academic institutions to manage usage in their libraries. WHY THE NAXOS MUSIC LIBRARY? Value for money Vast range of content Naxos has stood for a combination of first-class Teaching staff can plan their courses around a wide performances and recorded sound at an affordable price.
    [Show full text]
  • PRESS RELEASE Warner Classics Becomes Partner of the Joseph
    PRESS RELEASE Warner Classics becomes partner of the Joseph Joachim Violin Competition and presents the Warner Classics Award Debut album with worldwide distribution for one competitor Hanover, Germany, January 12, 2021 | The Joseph Joachim International Violin Competition Han- nover will cooperate with Warner Classics in 2021. The important major label for classical music donates the Warner Classic Award and will present one competitor with a debut album to the worldwide classical music audience. The renowned violin competition offers not only highly en- dowed cash prizes, but also international concert engagements and material prizes, including the loan of a valuable Guadagnini violin from the Fritz Behrens Foundation and digital sheet music from the G. Henle publishing house. For the Stiftung Niedersachsen, this cooperation is a key element in the re-orientation of the compe- tition. 'The cooperation with Warner Classics is a coup,' says Antje Weithaas, artistic director of the competition, enthusiastically. 'We are seeKing for outstanding young artistic personalities to start into the international concert life. With the Warner Classics Award, we are offering a valuable component to build up such a career'. The debut album will be released shortly after the competition and will be communicated and marketed internationally by Warner Classics. With this cooperation, the label un- derlines its commitment to the promotion of young musicians. Oliver Wille, artistic director of the competition, comments: ‘International marKeting is accompanied by strong attention for the young artists. Both the contacts to the concert halls and festivals, the “being heard”, as well as the work in the social networks, we will now also support together with the strong label partner'.
    [Show full text]
  • Pspatial Audio Equalisation Guide
    Pspatial Audio Equalisation Guide EQ Characteristics in Stereo Lab EQ Characteristic A A2 A3 B B2 C D E F G H J K S Name RIAA Decca LP TELDEC/AES NAB Columbia LP CCIR / CG** Quad 22 500-Flat Flat/Acoustic European 78s American 78s Columbia 78s Ceramic Displacement T'o,shelf, atten 500R-13.7 500C-13.7 500R-10.5 500-16 500C-16 350-10.5 350-5.5 500R- 0 n/a 300 -0 300 - 5.5 300 - 16 n/a n/a Similar to BSI 33 AES Philips 78 Telefunken 78 Identical with BS 1928 Decca 33.3 DIN /TELDEC NAB Columbia LP BSI 78 Blumlein Decca 78 ffrr IEC 98A London BS1928 (CG) European 78s New Ortho' IEC RIAA CCIR * Indicates no bass-shelf in characteristic. ** Original CCIR had no bass shelf but DGG added 3180µs (50Hz): thus CCIR= Coarse Groove Major LP Equalisations & their parameters EQUALISATION Time Constants CODE Bass Shelf Code NAB 3180 µs (50Hz), 318 µs (500 Hz) and 100 µs (1,590 Hz). 500-16 X=12dB Columbia (LP) 1,590 µs (100 Hz), 318 µs (500 Hz), and 100 µs (1,590Hz) 500C-16 C=14dB Modification of bass-shelf of NAB to produce the Columbia is the origin of the 500 modified , or 500M term. A=16dB AES 398 µs (400 Hz) and 64 µs (2,500 Hz) 400-11.5 B=18dB London (Decca 33.3) 1,590 µs (100 Hz), 318 µs (500 Hz), and 57 µs (2,800Hz) 500C-12 R=20dB CCIR /Coarse Groove 450 µs (350 Hz), and 50 µs (3,180 Hz), DGG added 3180 µs (50 Hz) 350-10.5 N= None RIAA 3180 µs (50 Hz), 318 µs (500 Hz), and 75 µs (2,120 Hz) 500R-13.7 TELDEC (DIN 45533) 3180 µs (50 Hz), 318 µs (500 Hz), and 50 µs (3,180 Hz) 500R-10.5 Recording Equalisation Guide by Label: LP & Shellac Red = Not in
    [Show full text]