Tolkien's Forms of Power: a Nietzschean Anti-Realist Ontology Of
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The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
JRR Tolkien's Sub-Creations of Evil
Volume 36 Number 1 Article 7 10-15-2017 ‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil Richard Angelo Bergen University of British Columbia Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Bergen, Richard Angelo (2017) "‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol36/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Considers Tolkien’s skilled evocation of evil and the way he manages to hold Augustinian and Manichean conceptions of evil in balance, particularly in his depiction of orcs. Additional Keywords Augustine, St.—Concept of evil; Evil, Nature of, in J.R.R. -
Health & Safety Handout for Education Abroad Programs
Health & Safety Handout for Education Abroad Programs Program Name: There and Back Again: Experiencing the Cultural and Political Environment of Middle Earth Countries/Cities to be visited during program (overnight stays): Middle Earth Westlands (overnight stays in bold): - Gondor (including Minas Tirith and Osgiliath); - Rohan (including Helms Deep and Edoras) - Eriador (including The Shire, Bree, Rivendell, Moria) The EAO encourages students to take responsibility for their own safety and security by carefully reading the information, advice, and resources provided, including the following websites: CDC Website (Health Information for Travelers): Gondor: http://wwwnc.cdc.gov/travel/destinations/traveler/none/gondor Eriador: http://wwwnc.cdc.gov/travel/destinations/traveler/none/eriador Rohan: http://wwwnc.cdc.gov/travel/destinations/traveler/none/rohan State Department Website (International Travel Information): Gondor: http://travel.state.gov/content/passports/english/country/gondor.html Eriador: http://travel.state.gov/content/passports/english/country/eriador.html Rohan: http://travel.state.gov/content/passports/english/country/rohan.html Students Abroad: http://studentsabroad.state.gov/smarttravel.php Traveling with Disabilities: http://travel.state.gov/content/passports/english/go/disabilities.html LGBT Travel Information: http://travel.state.gov/content/passports/english/go/lgbt.html You should be up to date on routine vaccinations while traveling to any destination. Some additional vaccines may also be required for travel. Routine vaccines include measles-mumps-rubella (MMR) vaccine, diphtheria-tetanus- pertussis vaccine, varicella (chickenpox) vaccine, polio vaccine, and your yearly flu shot. The CDC may also recommend additional vaccines or medications depending on where and when you are traveling. Please consult with your doctor/medical professional if you have questions or concerns regarding which vaccines/medicines are right for you. -
Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University
Inklings Forever Volume 4 A Collection of Essays Presented at the Fourth Frances White Ewbank Colloquium on C.S. Article 10 Lewis & Friends 3-2004 Why Is the Only Good Orc a Dead Orc Anderson Rearick Mount Vernon Nazarene University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Rearick, Anderson (2004) "Why Is the Only Good Orc a Dead Orc," Inklings Forever: Vol. 4 , Article 10. Available at: https://pillars.taylor.edu/inklings_forever/vol4/iss1/10 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER, Volume IV A Collection of Essays Presented at The Fourth FRANCES WHITE EWBANK COLLOQUIUM ON C.S. LEWIS & FRIENDS Taylor University 2004 Upland, Indiana Why Is the Only Good Orc a Dead Orc? Anderson Rearick, III Mount Vernon Nazarene University Rearick, Anderson. “Why Is the Only Good Orc a Dead Orc?” Inklings Forever 4 (2004) www.taylor.edu/cslewis 1 Why is the Only Good Orc a Dead Orc? Anderson M. Rearick, III The Dark Face of Racism Examined in Tolkien’s themselves out of sync with most of their peers, thus World1 underscoring the fact that Tolkien’s work has up until recently been the private domain of a select audience, In Jonathan Coe’s novel, The Rotters’ Club, a an audience who by their very nature may have confrontation takes place between two characters over inhibited serious critical examinations of Tolkien’s what one sees as racist elements in Tolkien’s Lord of work. -
Tolkien Encyclopedia
Tolkien Encyclopedia The Accursed • Oromë • Uldor Algund Adanedhel • A member of the Guar-waith. • Túrin Almarian Adurant • The daughter of Vëantur, husband of • A tributary of Gelion. Meneldur, and mother of Anardil, Ailinel, and Almiel. Aegnor • Elvish son of Finarfin. Almiel • Called: Egnor • A daughter of Meneldur and Almarian. Aelin-uial Alqualondë • The Twilight Meres • The mansions of Olwë in Aman. • Called: The Haven of Swans. Aerandir • A mariner who sailed with Eärendil to Aman Aman. • Home of the Valar. Across the Outer Sea from Arda Aerin • Called: The Land of Aman, the Blessed • A relative of Húrin. The wife of Brodda, an Realm, the Guarded Realm Easterling. The daughter of Indor. Amlach The After-born • The son of Imlach. • Men Amon Ereb The Aftercomers • A hill in Ossiriand where Denethor died • Men during the First Battle of the Wars of Beleriand. Agarwaen • Túrin Amon Ethir • A hill raised by Finrod in front of Aglon Nargothrond. • Himlad • Called: The Spyhill Ailinel Amon Gwareth • A daughter of Meneldur and Almarian, the • A mountain in Tumladen. wife of Orchaldor, and mother of Soronto. Amon Obel Ainairos • A mountain in Brethil. • An Elf of Alqualondë who stirred up the Valar against Melkor. Amon Rûdh • Mîm’s home in the west of Doriath. The Ainu of Evil • Called: Sharbhund, the Bald Hill, Bar-en- • Melkor Danwedh, the House of Ransom, Echad i Sedryn, Camp of the Faithful Alcarinquë and Elemmírë • Stars Amras • Elvish son of Fëanor. Aldarion • Anardil Amrod • Elvish son of Fëanor. Aldaron Tolkien Encyclopedia Anadûnê Anduin the Great • Andor • A river in Arda Anardil Andúnië • The son of Meneldur and Almarian. -
What Is the One Ring That Rules Them All?
Physics and Culture November 2019 What is the One Ring that Rules them all? by Anthony Rizzi One Ring to rule them all, One Ring to thinking enthusiasm and/or compassion is find them, One Ring to bring them all and in the sufficient substitute for understanding. darkness bind them. Like Faramir’s skepticism of Frodo, you There is in our world a ring that rules cannot fathom that someone might have all other dark powers in our world, but few profound truth and a mission essentially know that it exists or what it is. I speak for the relevant to your life that might call you to a life‐ Institute for Advanced Physics which, in this changing decision. telling, is represented by the hobbits: Frodo and Indeed, like Faramir, you are skeptical Sam. You, the good reader, will be represented of all travelers in the dark regions and are under by noble Faramir at the time of his intercepting orders to suspect all you see. Though, unlike the hobbits on their way to Mordor. Like Faramir, you are largely unaware of those Faramir, you are (hopefully) aware that a deep orders, given as they are deep in your darkness is upon the land of our fathers, these education. Nonetheless, it makes no difference, United States of America and our world. Indeed, as you naturally suspect everything claiming to if you are very aware you will know, like be too smart and too good anyway. The ring Faramir, that the battle appears to be has begun to bind you more than you know. -
Myth, Fantasy and Fairy-Story in Tolkien's Middle-Earth Buveneswary
MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH Malaya BUVENESWARY VATHEMURTHYof DEPARTMENT OF ENGLISH FACULTY OF ARTS & SOCIAL SCIENCES UNIVERSITY MALAYA University2016 MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH BUVENESWARY VATHEMURTHYMalaya of DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY MALAYA KUALA LUMPUR University2016 Abstract This dissertation explores J.R.R. Tolkien’s ideas and beliefs on myth, fantasy and fairy story and their roles in portraying good and evil in his famous works. Indeed, many authors and critics such as Bradley J. Birzer, Patrick Curry, Joseph Pearce, Ursula Le Guin, and Jay Richards have researched Tolkien based on this connection. They have worked on the nature of good and evil in his stories, the relevance of Tolkien in contemporary society, and the importance of myth and fantasy. However, my original contribution would be to examine the pivotal roles of myth, fantasy and fairy story as a combined whole and to demonstrate that they depend on one another to convey truths about good and evil. This research is aimed at showing that Middle-earth evolves from a combination of these three genres. This is made evident by the way Tolkien crafted his lecture On Fairy Stories for a presentation at the AndrewMalaya Lang lecture at the University of St Andrews in 1939. This dissertation then examines Tolkien’s own definitions of myth, fantasy and fairy stories and his extensiveof research on these “old-fashioned” or forgotten genres. He believed they could provide a cure for the moral and human degradation triggered by modernism. -
Applying Anthropology to Fantasy: a Structural Analysis Of
APPLYING ANTHROPOLOGY TO FANTASY: A STRUCTURAL ANALYSIS OF THE LORD OF THE RINGS By Christina C. Estep B.A., University of Mary Washington, 2010 A thesis submitted to the Department of Anthropology College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2014 © 2014 Christina C. Estep The thesis of Christina C. Estep is approved: ____________________________________________ _________________ Margaret W. Huber, Ph.D., Committee Member Date ____________________________________________ _________________ Kristina Killgrove, Ph.D., Committee Member Date ____________________________________________ _________________ John E. Worth, Ph.D., Committee Member Date ____________________________________________ _________________ Robert C. Philen, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ John R. Bratten, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First and foremost, I would like to recognize my thesis committee, Dr. Robert Philen, Dr. Kristina Killgrove, Dr. John Worth, and Dr. Margaret Huber, for taking the time and effort to help me with not only my thesis, but my academic endeavors. Without these individuals, I would not be where I am now or possess the knowledge that I now have. Secondly, I want thank my parents, Bonnie and Carl Estep. Despite their hardships in life, my parents have supported me through every decision I have made, encouraged me to pursue a higher degree, and were always there to cheer me on when times were tough. Finally, I want to acknowledge my husband Brian, who has been my rock during the most stressful of times. -
Tolkien's Unnamed Deity Orchestrating the Lord of the Rings Lisa Hillis This Research Is a Product of the Graduate Program in English at Eastern Illinois University
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1992 Tolkien's Unnamed Deity Orchestrating the Lord of the Rings Lisa Hillis This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Hillis, Lisa, "Tolkien's Unnamed Deity Orchestrating the Lord of the Rings" (1992). Masters Theses. 2182. https://thekeep.eiu.edu/theses/2182 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for i,\1.clusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for iqclusion in that institution's library or research holdings. Date I respectfully request Booth Library of Ef\i.stern Illinois University not allow my thes~s be reproduced because --------------- Date Author m Tolkien's Unnamed Deity Orchestrating the Lord of the Rings (TITLE) BY Lisa Hillis THESIS SUBMITIED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DECREE OF Master .of Arts 11': THE GRADUATE SCHOOL. -
The Divine Alchemy of J. R. R. Tolkien's the Silmarillion David C
The Divine Alchemy of J. R. R. Tolkien’s The Silmarillion David C. Priester, Jr. Gray, GA B.A., English and Philosophy, Vanderbilt University, 2017 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia May, 2020 Abstract J. R. R. Tolkien’s Silmarillion demonstrates a philosophy of creative imagination that is expressed in argumentative form in Tolkien’s essay “On Fairy Stories.” Fully appreciating the imaginative architecture of Tolkien’s fantastic cosmos requires considering his creative work in literary and theological dimensions simultaneously. Creative writing becomes a kind of spiritual activity through which the mind participates in a spiritual or theological order of reality. Through archetypal patterns Tolkien’s fantasy expresses particular ways of encountering divine presence in the world. The imagination serves as a faculty of spiritual perception. Tolkien’s creative ethic resonates with the theological aesthetics of Hans Urs von Balthasar, a consideration of which helps to illuminate the relationship of theology and imaginative literature in The Silmarillion. Creative endeavors may be seen as analogous to the works of alchemists pursuing the philosopher’s stone through the transfiguration of matter. The Silmarils symbolize the ideal fruits of creative activity and are analogous to the philosopher’s stone. Priester 1 The Divine Alchemy of J. R. R. Tolkien’s The Silmarillion Where shall we begin our study of J. R. R. Tolkien’s Silmarillion? The beginning seems like a very good place to start: “There was Eru, the One, who in Arda is called Ilúvatar; and he made first the Ainur, the Holy Ones, that were the offspring of his thought” (3). -
The Sense of Time in J.R.R. Tolkien's the Lord of the Rings
Volume 15 Number 1 Article 1 Fall 10-15-1988 The Sense of Time in J.R.R. Tolkien's The Lord of the Rings Kevin Aldrich Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Aldrich, Kevin (1988) "The Sense of Time in J.R.R. Tolkien's The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 1 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss1/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses the importance of time, death, and/or immortality for various races of Middle-earth. Additional Keywords Death in The Lord of the Rings; Immortality in The Lord of the Rings; Time in The Lord of the Rings This article is available in Mythlore: A Journal of J.R.R. -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25