Disney's Tarzan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Jungle Tales of Tarzan
The Jungle Tales Of Tarzan Written in 1919 by Edgar Rice Burroughs (1875-1950) This version originally published in 2005 by Infomotions, Inc. This document is distributed under the GNU Public License. 1 2 Table of contents Chapter 1 - Tarzan's First Love Chapter 2 - The Capture of Tarzan Chapter 3 - The Fight for the Balu Chapter 4 - The God of Tarzan Chapter 5 - Tarzan and the Black Boy Chapter 6 - The Witch-Doctor Seeks Vengeance Chapter 7 - The End of Bukawai Chapter 8 - Lion Chapter 9 - The Nightmare Chapter 10 - Battle for Teeka Chapter 11 - A Jungle Joke Chapter 12 - Rescues the Moon 3 4 Chapter 1 - Tarzan's First Love Teeka, stretched at luxurious ease in the shade of the tropical forest, presented, unquestionably, a most alluring picture of young, feminine loveliness. Or at least so thought Tarzan of the Apes, who squatted upon a low-swinging branch in a near-by tree and looked down upon her. Just to have seen him there, lolling upon the swaying bough of the jungle-forest giant, his brown skin mottled by the brilliant equatorial sunlight which percolated through the leafy canopy of green above him, his clean-limbed body relaxed in graceful ease, his shapely head partly turned in contemplative absorption and his intelligent, gray eyes dreamily devouring the object of their devotion, you would have thought him the reincarnation of some demigod of old. You would not have guessed that in infancy he had suckled at the breast of a hideous, hairy she-ape, nor that in all his conscious past since his parents had passed away in the little cabin by the landlocked harbor at the jungle's verge, he had known no other associates than the sullen bulls and the snarling cows of the tribe of Kerchak, the great ape. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Thinking Movement Moving Thought Programme.Pdf
THINKING MOVEMENT, MOVING THOUGHT 22 September 2017 9am – 6.30pm Labanarium presents this one day and movement and psychology. Will Wollen (University of Kent); symposium in collaboration with the Workshops, seminars, papers and Christopher Simpson (Northampton Centre for Performance Philosophy encounters in movement and thinking University) and Dr Paola Crespi which will focus on the relationships given by Cate Deicher CMA and Amy (Goldsmiths University London). between movement and philosophy Shapiro, PhD (Alverno College, U.S); LABANARIUM.COM Dr Paola Crespi Rhythm Will Help LECTURE Paola’s work has been published in Besides the more straightforward Workers international peer-reviewed journals aim of introducing Laban’s Dr Paola Crespi is a Visiting Research paper presentation such as Body & Society, Subjectivity, rhythmanalysis as found in both Fellow at the Topology Research 2 -3 pm Theatre, Dance & Performance his notes and his drawings to a Unit at Goldsmiths and a Lecturer at Ivy Theatre Training and online on the Theory, wider public, this intervention Anglia Ruskin University and at the Culture&Society website. Paola sits seeks to draw attention to the Thinking Movement, Moving Thought University of Suffolk. She holds a on the editorial board of Evental dialogue between cultural theory PhD in Media Studies (Goldsmiths), A one day symposium focusing on the relationships between movement, Aesthetics: An Independent Journal of and performance studies that the an MRes in Humanities and Philosophy and she is Section Editor material itself affords. Far from psychology and philosophy Cultural Studies (London for Cultural Studies and Critical Theory being restricted to the field of the Consortium) and a BA (Hons) in of the Open Journal of the Humanities. -
De Edgar Rice Burroughs-I JOSE Gabrlel PEREIRA BASTOS LUIS SOCZKA *
Análise estrutural-dinâmica de tTarzan of the ApesB de Edgar Rice Burroughs-I JOSE GABRlEL PEREIRA BASTOS LUIS SOCZKA * 1. INTRODUÇÃO Tentámos já demonstrar noutros lugares (Bastos e Soczka, 1976; Bastos, 1978) que os Este trabalho situa-se no âmbito de uma elementos essenciais para a definição das con- pesquisa mais vasta, em que nos propomos de- dições de uma análise estrutural-dinâmica do monstrar que: a) uma análise de texto consiste, discurso se encontram reunidos nos textos freu- em simultâneo, numa análise dos meios de ex- dianos iniciais (Freud, 1900, 1901, 1905, 1907, pressão que veiculam a significação (análise es- 1908, 1911, 1916, 1919). trutural) e numa análise das problemáticas psi- cológicas de elaboração dos conflitos e da busca de prazer, em relação às quais cada texto cons- 2. MATERIAL E MeTODO titui uma nova «cena» (análise dinâmica); b) a) Material uma artálise esruturai-dinâmica surge como elu- cidativa aos três níveis da sua sobredetermina- O material utilizado foi, neste caso, o ro- ção (individual, cultural e universal), permi- mance de Edgar Rice Burroughs (1875-1950). Tarzan of the Apes, escrito de 1-12-1911 a tindo, para além da interpretação do texto, es- 14-5-1912 e publicado pela primeira vez na tabelecer conhecimentos relativos ao@) seu(s) revista Ali-Story, de Outubro de 1912. Em 1914 autor(es), ti época e cultura em que se integram, foi publicado em livro, por A. L. McClurg & e levantar novos problemas às diversas áreas Co., de Chicago. da psicologia; e, c) uma análise deste tipo pode Na nossa análise socorremo-nos fumiamen- talmnte das edições portuguesas de 1971 e 1976 ajudar a propor hipóteses relevantes, ou a fun- (Tarzan dos Macacos, Portugal Press, Lisboa. -
Tarzan and the Golden Lion (810.82 B972 1924A)
What the Footprints Told 51 opposite side of the clearing, while the bulls, bris«. tling and growling, faced the intruder. “ Come,” cried Tarzan, “ do you not know me? I am Tarzan of the Apes, friend of the Mangani, son of Kala, and king of the tribe of Kerchak.” “We know you,” growled one of the old bulls; “ yesterday we saw you when you killed Gobu. Go away or we shall kill you.” “ I did not kill Gobu,” replied the ape-man. “ I found his dead body yesterday and I was following the spoor of his slayer, when I came upon you.” “ We saw you,” repeated the old bull; “ go away or we shall kill you. You are no longer the friend of the Mangani.” The ape-man stood with brows contracted in thought. It was evident that these apes really believed that they had seen him kill their fellow. What was the explanation? How could it be ac¬ counted for? Did the naked footprints of the great white man whom he had been following mean more, then, than he had guessed? Tarzan wondered. He raised his eyes and again addressed the bulls. “It was not I who killed Gobu,” he insisted. “ Many of you have known me all your lives. You know that only in fair fight, as one bull fights another, have I ever killed a Mangani. You know that, of all the jungle people, the Mangani are my best friends, and that Tarzan of the Apes is the best friend the Mangani have. How, then, could I slay one of my own people? ”. -
Tournament 16 Round 15 Tossups 1
Tournament 16 Round 15 Tossups 1. A dead hand pokes out between some rocks in this artist’s painting of a Turkish warrior and an open-armed woman representing the title country. John Constable’s The Hay Wain influenced the background of another of his paintings that depicts an Ottoman soldier amongst the survivors of a massacre. This artist of Greece on the Ruins of Missolonghi and The Massacre at Chios also painted a man in a top hot and boy wielding two pistols following a (*) bare-chested woman holding a tri-color flag. For 10 points, name this painter of Liberty Leading the People. ANSWER: Ferdinand Victor Eugène Delacroix (duh-lah-KWAH) 030-10-23-15102 2. A type of volcano associated with these objects is called a tuya (TOO-yuh). When a nonvolcanic mountain peak pokes through one of these objects it is called a nunatak (NOON-uh-TACK). Their disappearance can cause isostatic rebound. They move via basal slip and plastic flow but when ablation exceeds accumulation, they (*) retreat, often leaving behind recessional moraines. For 10 points, name these large masses of ice which occupy Greenland and Antarctica. ANSWER: glaciers [or continental glaciers] 091-10-23-15103 3. This author wrote a series of novels about a Hollow Earth, the Pellucidar novels. His Barsoom series features the character John Carter and includes novels such as Swords of Mars and A Princess of Mars. He is best known for creating a character whose father is killed by Kerchak. That character, whose original name is Lord (*) Greystoke, marries Jane Porter after being adopted by a tribe of apes. -
LONE TREE ARTS CENTER ANNOUNCES CREATIVE TEAM for BEEHIVE: the 60’S MUSICAL, OPENING APRIL 3 Production Celebrates Outstanding Female Talent in Denver
10075 Commons Street • Lone Tree, Colorado 80124 • www.lonetreeartscenter.org Contact: Leigh Chandler, Marketing Director FOR IMMEDIATE RELEASE Phone: 720-509-1007 February 11, 2019 Fax: 720-509-1101 Email: [email protected] LONE TREE ARTS CENTER ANNOUNCES CREATIVE TEAM FOR BEEHIVE: THE 60’S MUSICAL, OPENING APRIL 3 Production Celebrates Outstanding Female Talent In Denver LONE TREE, CO – Continuing its tradition of producing professional, remarkable theatrical productions in the South Metro area, the Lone Tree Arts Center (LTAC) announces its stellar cast and crew for Larry Gallagher’s Beehive: The 60’s Musical, running April 3-13, 2019. LTAC favorite Candy Brown will direct and choreograph, with Michael Williams serving as Musical Director. The all-Denver cast features Sharon Kay White, Piper Arpan, Sheryl Renee, Karen Jeffries, Melody Moore, and Valerie Igoe, with Shannan Steele understudying. Beehive is a wild toe-tapping, head shakin’ musical tribute to the rockin’ women who made the music of the ’60s so special—everyone from Lesley Gore to Janis Joplin, from the Shirelles to the Supremes, Aretha Franklin to Tina Turner, and every woman in between! Featuring such timeless classics as “My Boyfriend’s Back,” “Be My Baby,” “You Can’t Hurry Love,” “Proud Mary,” and “Me and Bobby McGee,” Beehive recalls the days of miniskirts, transistor radios, and flower power. Told from the perspective of six young women who came of age in this enigmatic decade, these young ladies look back on a host of issues ranging from their first Beehive Dance to the challenges we faced as a nation – all accomplished by a vast array of the most celebrated and memorable songs of the era. -
The White Ape Tenderly Kala Nursed Her Little Waif, Wondering
Chapter V - The White Ape Tenderly Kala nursed her little waif, wondering silently why it did not gain strength and agility as did the little apes of other mothers. It was nearly a year from the time the little fellow came into her possession before he would walk alone, and as for climbing--my, but how stupid he was! Kala sometimes talked with the older females about her young hopeful, but none of them could understand how a child could be so slow and backward in learning to care for itself. Why, it could not even find food alone, and more than twelve moons had passed since Kala had come upon it. Had they known that the child had seen thirteen moons before it had come into Kala's possession they would have considered its case as absolutely hopeless, for the little apes of their own tribe were as far advanced in two or three moons as was this little stranger after twenty-five. Tublat, Kala's husband, was sorely vexed, and but for the female's careful watching would have put the child out of the way. "He will never be a great ape," he argued. "Always will you have to carry him and protect him. What good will he be to the tribe? None; only a burden. "Let us leave him quietly sleeping among the tall grasses, that you may bear other and stronger apes to guard us in our old age." "Never, Broken Nose," replied Kala. "If I must carry him forever, so be it." And then Tublat went to Kerchak to urge him to use his authority with Kala, and force her to give up little Tarzan, which was the name they had given to the tiny Lord Greystoke, and which meant "White-Skin." But when Kerchak spoke to her about it Kala threatened to run away from the tribe if they did not leave her in peace with the child; and as this is one of the inalienable rights of the jungle folk, if they be dissatisfied among their own people, they bothered her no more, for Kala was a fine clean-limbed young female, and they did not wish to lose her. -
Tarzan Cast 2015 TARZAN = Josh Gentile
Tarzan Cast 2015 TARZAN = Josh Gentile JANE = Elizabeth Venesky KALA = Alex Solar KERCHAK = Tom McCutcheon PORTER = Josh Nulph TERK = Madaline Struhar YOUNG TARZAN = Corey Beck TARZAN’S FATHER = Robert Alcantar TARZAN’S MOTHER = Abby Kuchek CLAYTON = Justin Moser LEOPARD = Jenna Nold Ensemble of Gorillas/Apes Soprano Alto 1.) Olivia Ahr 1.) Sara Babinsack 2.) Mya Bain 2.) Kathryn Beck 3.) Rebecca Cogley 3.) Becca Bowser 4.) Kristen Frick 4.) Kami Carroll 5.) Becca Hanby 5.) Katie DonGilli 6.) Sara Holsing 6.) Olivia Ferrante 7.) Billie Hoscheid 7.) Ameila Freo 8.) Kristiona Miller 8.) Aleksia Gray 9.) Caitlin Misejka 9.) Tori Grinchuk 10.) Jenna Nold 10.) Jhasmyne Gilbert 11.) Gabbi Rapp 11.) Abby Kuchek 12.) Haley Rotter 12.) Gabby Haduch 13.) Joy Snow 13.) Teia Lobaugh 14.) Alex Solar 14.) Hannah McGinnis 15.) Abby Uhrinek 15.) Hannah Pray 16.) Madaline Struhar 16.) Ashlynn Suman 17.) Sydnie Wargin 17.) Josephine Vance 18.) Deanna Webb Tenor 1.) Tyler Artman 2.) Corey Beck 3.) Josh Nulph Baritone 1.) Robert Alcantar 7.) Chris Nacey 2.) Michael Anuszek 8.) Derick Reiter 3.) Nathan Igo 9.) Sean Sekeras 4.) Gavin Jones 10.) Colin White 5.) Justin Moser 11.) Austin Winter 6.) Tom McCutcheon Spider Creature / Snipes / Expedition Crew 1.) Nathan Igo 2.) Sean Sekeras 3.) Michael Anuszek Tribal Soloist 1.) Derick Reiter 2.) Kristen Frick 3.) Becca Bowser 4.) Abby Kuchek FEATURED DANCERS 1.) Olivia Ahr** 2.) Sara Babinsack 3.) Kami Carroll 4.) Olivia Ferrante** 5.) Aleksia Gray** 6.) Tori Grinchuk 7.) Gabby Haduch** 8.) Teia Lobaugh** 9.) Hannah McGinnis 10.) Kristiona Miller** 11.) Jenna Nold 12.) Hannah Pray 13.) Gabbi Rapp 14.) Haley Rotter 15.) Sydnie Wargin** 16.) Deanna Webb** ** If there is a need for a smaller, select dance group, these students will be asked to perform. -
Tarzan (Na- “It’S Liketellingsomeone Who Crystal Cale, WHS Psychology One Infour American Teenagers “‘Smile, You’Llfeelbetter
Sports - Pages15-18 Prom - Pages 11-14 Feature -Pages 7-10 Editorial- Page 6 News -Pages1-5 wear anypants. he doesn’t because Finland from banned ics were Duck com- Donald In thecourseofanaver- Sunday willalwayshave PRSRT STD assorted insectsand10 Inside This apples, waspslikepine age lifetime,youwill, while sleeping,eat70 Months thatbeginona nuts, andwormslike Sweet Dreams U.S. Postage Paid a “Fridaythe13th.” Lucky Months Disney Dress Beetles tastelike That Really Ogden, UT Odds New Food Ends fried bacon. Issue Permit No. 208 Group spiders. Code Bugs! ‘n’ A cockroachcan A live several WEBER HIGHSCHOOL430WESTDRIVEPLEASANTVIEW,UT84414W head cut with its weeks off. THE thing that can be healed by sheer not some- does not,” sheadds. “It’s be healed, but beingupsetwhen it ken boneand notonlyexpectitto broke theirarmtonot haveabro- sion willjustgoaway.” theirdepres- they just‘cowboyup’ wanttobehappyorif people don’t is, andsotheythinkdepressed to-day problems,liketheirsadness just likeanormalresponsetoday- for peopletoassumedepressionis verycommon says,“It’s teacher, some misunderstandingsaboutit. sive episodes,yetthereseemstobe fromdepressionanddepres- suffer fromdepression. suffering pression is,”saysRose*,ajunior the facttheyhavenoideawhatde- say thesethingsitreallyhighlights Ithinkwhenpeople you nottobe.’ There isnoreasonfor to behappy. need You be sodownallthetime. ____________________________ Assistant totheChief By ____________________________ Teenagers seekbetterunderstandingofillness photo: Young Tarzan (Na- Tarzan photo: Young “It’s -
Tarzan Orientation Pack
Orientation Pack Hornsby RSL / Performances 22nd – 25th November 2018 Production Team Director – Adam Haynes Assistant Director – Craig Pinkerton Musical Director – Matt Hearne Choreographer – Melissa Ayers Production Manager – Chrissy Stimson Orientation Date July 15th / 10.30am – 11.30am Wilga St Scout Hall West Pennant Hills. We will be holding a 1 hour orientation session which will serve as an opportunity to meet the production team, learn more about the show and ask the team any questions you may have. Note that attendance , though helpful, is not compulsory. All the information you need to prepare for your audition can be found in this pack. Audition Dates 28th – 29th July 2pm till 8pm (Location same as orientation) There will be a 1 hour dance call that must be attended on the day of your vocal and singing audition as well. Booking an audition is as simple as jumping online, once the link is provided, on our Facebook page / website on the orientation day. About Sydney Youth Musical Theatre Sydney Youth Musical Theatre is now in its 39th year of staging productions in the Sydney region and it remains the only exclusively youth musical society in Australia. Each year, we stage two productions: one in July for our 14 - 25 year-old members, and a November production for our 10 -18 year-old members. Tarzan is our Junior show and our age restriction of 10 – 18 years old applies. We aim to develop and nurture a passion for the performing arts in young people by providing opportunities to become involved in a range of areas, both on and off stage. -
Edgar Rice Burroughs Tarzan the Untamed Free Download
EDGAR RICE BURROUGHS TARZAN THE UNTAMED FREE DOWNLOAD Russ Manning,Gaylord DuBois | 117 pages | 30 Nov 1999 | Dark Horse Comics,U.S. | 9781569714188 | English | Milwaukie, United States Tarzan the Untamed Being noble of character, Tarzan tries to assist the Europeans Edgar Rice Burroughs Tarzan the Untamed returning to their regiments rather than leaving them behind to live life as only he prefers - deep in the solitude of the jungle. The tale completely lost me when they discover the lost city of Xuja. When Tarzan was a year old, his mother died of natural causes, and his father was killed by Kerchak, leader of the ape tribe into which Tarzan was adopted. Where is Tarzan's son? As a leader he commands devoted loyalty. His preferred dress is a knife and a loincloth of animal hide, his preferred abode is a convenient tree branch which happens to be nearby when he desires to sleep, and his favored food is raw meat, killed by himself; even better if he is able to bury it a week so that putrefaction has had a chance to tenderize it a bit. Jul 15, Michael rated it it was amazing. Burroughs also was good at long descriptive passages on his hidden city and exploring their history. Learning of Tarzan's plight, Bertha heroically leads the apes against the natives and frees them both. Set in British East Africa in during WWI, the story has a German led raiding party burning Tarzan's plantation and slaughtering the inhabitants during his absence. Tarzan had no stake in her whatsoever.