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The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Tarzan and the Golden Lion (810.82 B972 1924A)
What the Footprints Told 51 opposite side of the clearing, while the bulls, bris«. tling and growling, faced the intruder. “ Come,” cried Tarzan, “ do you not know me? I am Tarzan of the Apes, friend of the Mangani, son of Kala, and king of the tribe of Kerchak.” “We know you,” growled one of the old bulls; “ yesterday we saw you when you killed Gobu. Go away or we shall kill you.” “ I did not kill Gobu,” replied the ape-man. “ I found his dead body yesterday and I was following the spoor of his slayer, when I came upon you.” “ We saw you,” repeated the old bull; “ go away or we shall kill you. You are no longer the friend of the Mangani.” The ape-man stood with brows contracted in thought. It was evident that these apes really believed that they had seen him kill their fellow. What was the explanation? How could it be ac¬ counted for? Did the naked footprints of the great white man whom he had been following mean more, then, than he had guessed? Tarzan wondered. He raised his eyes and again addressed the bulls. “It was not I who killed Gobu,” he insisted. “ Many of you have known me all your lives. You know that only in fair fight, as one bull fights another, have I ever killed a Mangani. You know that, of all the jungle people, the Mangani are my best friends, and that Tarzan of the Apes is the best friend the Mangani have. How, then, could I slay one of my own people? ”. -
LONE TREE ARTS CENTER ANNOUNCES CREATIVE TEAM for BEEHIVE: the 60’S MUSICAL, OPENING APRIL 3 Production Celebrates Outstanding Female Talent in Denver
10075 Commons Street • Lone Tree, Colorado 80124 • www.lonetreeartscenter.org Contact: Leigh Chandler, Marketing Director FOR IMMEDIATE RELEASE Phone: 720-509-1007 February 11, 2019 Fax: 720-509-1101 Email: [email protected] LONE TREE ARTS CENTER ANNOUNCES CREATIVE TEAM FOR BEEHIVE: THE 60’S MUSICAL, OPENING APRIL 3 Production Celebrates Outstanding Female Talent In Denver LONE TREE, CO – Continuing its tradition of producing professional, remarkable theatrical productions in the South Metro area, the Lone Tree Arts Center (LTAC) announces its stellar cast and crew for Larry Gallagher’s Beehive: The 60’s Musical, running April 3-13, 2019. LTAC favorite Candy Brown will direct and choreograph, with Michael Williams serving as Musical Director. The all-Denver cast features Sharon Kay White, Piper Arpan, Sheryl Renee, Karen Jeffries, Melody Moore, and Valerie Igoe, with Shannan Steele understudying. Beehive is a wild toe-tapping, head shakin’ musical tribute to the rockin’ women who made the music of the ’60s so special—everyone from Lesley Gore to Janis Joplin, from the Shirelles to the Supremes, Aretha Franklin to Tina Turner, and every woman in between! Featuring such timeless classics as “My Boyfriend’s Back,” “Be My Baby,” “You Can’t Hurry Love,” “Proud Mary,” and “Me and Bobby McGee,” Beehive recalls the days of miniskirts, transistor radios, and flower power. Told from the perspective of six young women who came of age in this enigmatic decade, these young ladies look back on a host of issues ranging from their first Beehive Dance to the challenges we faced as a nation – all accomplished by a vast array of the most celebrated and memorable songs of the era. -
The White Ape Tenderly Kala Nursed Her Little Waif, Wondering
Chapter V - The White Ape Tenderly Kala nursed her little waif, wondering silently why it did not gain strength and agility as did the little apes of other mothers. It was nearly a year from the time the little fellow came into her possession before he would walk alone, and as for climbing--my, but how stupid he was! Kala sometimes talked with the older females about her young hopeful, but none of them could understand how a child could be so slow and backward in learning to care for itself. Why, it could not even find food alone, and more than twelve moons had passed since Kala had come upon it. Had they known that the child had seen thirteen moons before it had come into Kala's possession they would have considered its case as absolutely hopeless, for the little apes of their own tribe were as far advanced in two or three moons as was this little stranger after twenty-five. Tublat, Kala's husband, was sorely vexed, and but for the female's careful watching would have put the child out of the way. "He will never be a great ape," he argued. "Always will you have to carry him and protect him. What good will he be to the tribe? None; only a burden. "Let us leave him quietly sleeping among the tall grasses, that you may bear other and stronger apes to guard us in our old age." "Never, Broken Nose," replied Kala. "If I must carry him forever, so be it." And then Tublat went to Kerchak to urge him to use his authority with Kala, and force her to give up little Tarzan, which was the name they had given to the tiny Lord Greystoke, and which meant "White-Skin." But when Kerchak spoke to her about it Kala threatened to run away from the tribe if they did not leave her in peace with the child; and as this is one of the inalienable rights of the jungle folk, if they be dissatisfied among their own people, they bothered her no more, for Kala was a fine clean-limbed young female, and they did not wish to lose her. -
Tarzan Cast 2015 TARZAN = Josh Gentile
Tarzan Cast 2015 TARZAN = Josh Gentile JANE = Elizabeth Venesky KALA = Alex Solar KERCHAK = Tom McCutcheon PORTER = Josh Nulph TERK = Madaline Struhar YOUNG TARZAN = Corey Beck TARZAN’S FATHER = Robert Alcantar TARZAN’S MOTHER = Abby Kuchek CLAYTON = Justin Moser LEOPARD = Jenna Nold Ensemble of Gorillas/Apes Soprano Alto 1.) Olivia Ahr 1.) Sara Babinsack 2.) Mya Bain 2.) Kathryn Beck 3.) Rebecca Cogley 3.) Becca Bowser 4.) Kristen Frick 4.) Kami Carroll 5.) Becca Hanby 5.) Katie DonGilli 6.) Sara Holsing 6.) Olivia Ferrante 7.) Billie Hoscheid 7.) Ameila Freo 8.) Kristiona Miller 8.) Aleksia Gray 9.) Caitlin Misejka 9.) Tori Grinchuk 10.) Jenna Nold 10.) Jhasmyne Gilbert 11.) Gabbi Rapp 11.) Abby Kuchek 12.) Haley Rotter 12.) Gabby Haduch 13.) Joy Snow 13.) Teia Lobaugh 14.) Alex Solar 14.) Hannah McGinnis 15.) Abby Uhrinek 15.) Hannah Pray 16.) Madaline Struhar 16.) Ashlynn Suman 17.) Sydnie Wargin 17.) Josephine Vance 18.) Deanna Webb Tenor 1.) Tyler Artman 2.) Corey Beck 3.) Josh Nulph Baritone 1.) Robert Alcantar 7.) Chris Nacey 2.) Michael Anuszek 8.) Derick Reiter 3.) Nathan Igo 9.) Sean Sekeras 4.) Gavin Jones 10.) Colin White 5.) Justin Moser 11.) Austin Winter 6.) Tom McCutcheon Spider Creature / Snipes / Expedition Crew 1.) Nathan Igo 2.) Sean Sekeras 3.) Michael Anuszek Tribal Soloist 1.) Derick Reiter 2.) Kristen Frick 3.) Becca Bowser 4.) Abby Kuchek FEATURED DANCERS 1.) Olivia Ahr** 2.) Sara Babinsack 3.) Kami Carroll 4.) Olivia Ferrante** 5.) Aleksia Gray** 6.) Tori Grinchuk 7.) Gabby Haduch** 8.) Teia Lobaugh** 9.) Hannah McGinnis 10.) Kristiona Miller** 11.) Jenna Nold 12.) Hannah Pray 13.) Gabbi Rapp 14.) Haley Rotter 15.) Sydnie Wargin** 16.) Deanna Webb** ** If there is a need for a smaller, select dance group, these students will be asked to perform. -
Tarzan Orientation Pack
Orientation Pack Hornsby RSL / Performances 22nd – 25th November 2018 Production Team Director – Adam Haynes Assistant Director – Craig Pinkerton Musical Director – Matt Hearne Choreographer – Melissa Ayers Production Manager – Chrissy Stimson Orientation Date July 15th / 10.30am – 11.30am Wilga St Scout Hall West Pennant Hills. We will be holding a 1 hour orientation session which will serve as an opportunity to meet the production team, learn more about the show and ask the team any questions you may have. Note that attendance , though helpful, is not compulsory. All the information you need to prepare for your audition can be found in this pack. Audition Dates 28th – 29th July 2pm till 8pm (Location same as orientation) There will be a 1 hour dance call that must be attended on the day of your vocal and singing audition as well. Booking an audition is as simple as jumping online, once the link is provided, on our Facebook page / website on the orientation day. About Sydney Youth Musical Theatre Sydney Youth Musical Theatre is now in its 39th year of staging productions in the Sydney region and it remains the only exclusively youth musical society in Australia. Each year, we stage two productions: one in July for our 14 - 25 year-old members, and a November production for our 10 -18 year-old members. Tarzan is our Junior show and our age restriction of 10 – 18 years old applies. We aim to develop and nurture a passion for the performing arts in young people by providing opportunities to become involved in a range of areas, both on and off stage. -
Tarzan of the White Male Privilege
Wijma 2 Wijma 3 Wijma 4 Content Introduction ................................................................................................................................ 5 Chapter 1: An Overview of Critics of Disney ............................................................................ 9 Chapter 2: Tarzan and Ethnicity ............................................................................................... 12 Novel .................................................................................................................................... 12 Tarzan and the Animals .................................................................................................... 12 Tarzan and the Black Tribe .............................................................................................. 14 Film ...................................................................................................................................... 15 Light and Darkness ........................................................................................................... 16 Reverse Racism ................................................................................................................ 17 Dialogue ........................................................................................................................... 18 Chapter 3: Tarzan and Gender.................................................................................................. 19 Novel ................................................................................................................................... -
Cast (In Credits Order)
Cast (in credits order) Typed by a disney fan with the username of Disneyphile on the Disneysites.com Message Board Disney Song: Put your faith in what you most believe in Feature Two worlds, one family Films: Trust your heart, let fate decide To guide these lives we see Tarzan A paradise untouched by man Awards Within this world, blessed with love A simple life, they live in peace Cast Softly tread the sand below your feet now Contents Two worlds one family Trust your heart, let fate decide To guide these lives we see Film Info Beneath the shelter of the trees Images Only love can enter here A simple life, they live in peace Income Raise your head up, lift high the load Info Take strength from those that need you Build high the walls, build strong the beams A new life is waiting, but danger's no stranger here Mistakes No words describe a mother's tears Songlyrics No words can heal a broken heart A dream is gone, but where there's hope... Trivia Somewhere, something is calling for you Two worlds, one family Trust your heart, let fate decide To guide these lives we see [...] Every moment now, the bond grows stronger Two worlds, one family Trust your heart, let fate decide To guide these lives we see Terk: Mama, look! Look over there! Various gorillas: Kala! She's back! etc. Gorilla: Are you all right? Kala: I'm fine, no, really, honestly, it's just that I got a little...sidetracked. Gorilla: Well, isn't that, um, well it's so.. -
ASSIGNMENT-5 (20-21) Worksheet-1
ASSIGNMENT-5 (20-21) CLASS-III Subject: English Worksheet-1 Reading A. Read this passage. After the death of baby Tarzan’s parents in an African jungle, Kala, an ape, finds him. She gives him a name and decides to raise him as her own child. Kala, an ape, had found the strange little fellow almost a year ago; but he still could not walk alone or climb trees like her own little apes. Sometimes, she talked with the other apes about her young adopted son. But none of them could understand why the child was so slow in learning to care for himself. He could not even search for food alone! Tublat, Kala’s husband, was very angry.’ “He’ll never be a great ape”, he said. “You’ll always have to carry him and protect him. He’ll only be a burden.” “Never!” replied Kala. “If I must carry him forever, so be it.” Kala loved the human baby like her own child. Tarzan, the baby, also gave all his affection to Kala, as if she were his own human mother. B. Complete these sentences. 1. Kala was an ape who lived in the jungle. 2. Tublat was Kala’s husband. 3. Tarzan was a human baby whose parents died in an African jungle. C. Answer these questions. 1. What happened a year ago? Ans- A year ago, Kala found a human baby in the jungle. 2. What made Tublat angry? Ans- Tublat was angry because even after one year ,the human baby could not do anything on his own. -
Tarzan of the Apes by Edgar Rice Burroughs
www.freeclassicebooks.com Tarzan of the Apes By Edgar Rice Burroughs www.freeclassicebooks.com 1 www.freeclassicebooks.com Contents Chapter I ‐ Out to Sea..............................................................................................................................3 Chapter II ‐ The Savage Home............................................................................................................... 12 Chapter III ‐ Life and Death ...................................................................................................................21 Chapter IV ‐ The Apes ...........................................................................................................................27 Chapter V ‐ The White Ape ...................................................................................................................34 Chapter VI ‐ Jungle Battles....................................................................................................................41 Chapter VII ‐ The Light of Knowledge ...................................................................................................47 Chapter VIII ‐ The Tree‐top Hunter .......................................................................................................57 Chapter IX ‐ Man and Man....................................................................................................................62 Chapter X ‐ The Fear‐Phantom .............................................................................................................72 -
Edgar Rice Burroughs Tarzan the Untamed Kindle
EDGAR RICE BURROUGHS TARZAN THE UNTAMED PDF, EPUB, EBOOK Russ Manning,Gaylord DuBois | 117 pages | 30 Nov 1999 | Dark Horse Comics,U.S. | 9781569714188 | English | Milwaukie, United States Edgar Rice Burroughs Tarzan the Untamed PDF Book He is deeply in love with his wife and totally devoted to her; in numerous situations where other women express their attraction to him, Tarzan politely but firmly declines their attentions. There are the typical Burroughs contrivances there's a moment where Tarzan's life is saved by a foe having a conveniently-timed epileptic seizure , and Xuja itself is perhaps the "City of Contrivances," though Burroughs seems to have put more thought into Xuja than he did Opar. On his return he discovers among many burned bodies one that appears to be the corpse of his wife, Jane Porter Clayton. But in this book, written after WWI , but taking a point at the start of the war as its focus -- at the beginning of the book, Tarzan, AKA Lord Greystoke, has just learned that hostilities between Britain and Germany now exist -- the book presents the Germans as harshly as the propaganda against Germany published during the war, when Ge This is the most amazing book. It's almost as if he wrote some of it and then threw in some fanfic for the rest. Thank heavens Edgar kept writing Tarzan tales His preferred dress is a knife and a loincloth of animal hide, his preferred abode is a convenient tree branch which happens to be nearby when he desires to sleep, and his favored food is raw meat, killed by himself; even better if he is able to bury it a week so that putrefaction has had a chance to tenderize it a bit. -
Tarzan of the Apes, Tarzan Looks Like Only Need a Short Time to Have a Big Progression in His Language Acquisition Process
CHAPTER IV FINDING AND DISCUSSION The focus of the study is the character of Tarzan in the movie “Tarzan of the Apes”, how his own language and how he passes the process of language acquisition after he meets other humans for the first time. The main purpose of this chapter is to answer the statement of the problems which are presented in the chapter I. In this discussion, the data were collected from the script that has been divided into some scenes by the writer. She divided the movie into 48 scenes, but not all scenes can be the data. The scenes which were being the data must be correlated to the research questions. The writer made a description for each scene of the data to make it easier to understand. Here are the data: 4.1 Finding 4.1.1 Tarzan’s own language Tarzan is an orphan child since his parents are killed by a cheetah. After that he was found by a mother gorilla that takes take of him until he becomes adult. This study analysed Tarzan’s own language before and after he met other human beings. Tarzan had no language at all before he met Jane, but he did signalling, like animals. 32 digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id digilib.uinsby.ac.id 33 Data 1 Scenes 03 (minutes 02.51 – 06.10) Kala, a mother of gorilla, was listening to a strange voice when her fold wanted to move their nest; she came to the voice source.