Tarzan Final Cast List

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TARZAN THE MUSICAL FINAL CAST LIST WHITE CAST (4/10-4/12) TARZAN: Jack Gutierez JANE: Julie Pesak KERCHAK: “Just” Jack Darnell KALA: Tate Gardner TERK: Kylie Marco PORTER: Bentley Chen CLAYTON: Bennett Kaufman YOUNG TARZAN: Evan Pedraza YOUNG TERK: Sydney Steinman FATHER: Jonathan Darnell MOTHER: Megan Hoehn LEOPARD/SPIDER: Taylor Clement FEATURED DANCER: Lucas Marinetto LEAD ENSEMBLE: Taylor Body, Alexis Grandis, Arie Hamade, Kara Madden, Gabe Miller, and Aatir Siddiqui RED CAST (4/17-4/19) TARZAN: Luke Kendrat JANE: Noelle Foster KERCHAK: Ben Svoboda KALA: Brigid Randolph TERK: Matthew Wisdom PORTER: Ben Schlafman CLAYTON: Nick Darnell YOUNG TARZAN: Max Chung YOUNG TERK: Tycho Svoboda FATHER: Alex Yi MOTHER: Christina Kendrat LEOPARD/SPIDER: Elle Pickering FEATURED DANCER: Alexa Rehmat LEAD ENSEMBLE: Colleen Choi, Julienne Evidente, Cammie Jackson, Tam Mandanis, Yara Omar, and Sabrina Wright TARZAN THE MUSICAL FINAL CAST LIST WHITE ENSEMBLE (4/10-4/12) Anaum Ahmad Rana Alsalaous Nikita Amin Autumn Anderson Andrea Arana Marilyn Baker Lohit Balakumar Alicia Bancroft Meena Barek Nicholas Beatty Sydney Bednoski Campbell Berg Vivek Boojala Teodora Botezan Gaby Bravo Joseﬁna Bravo Ashleigh Bright Kaitlyn Brown Kiara Brown Morgan Brown Ava Bueno Grace Carr Kyle Chua Jana Citrenbaum Anna Kate Cole Abigail Comi Lauren Connolly Sarah Connolly Penny Crisp Chanel DeBerry Daniella Erbes Maddie Filloon Jack Fisher Rachel Fuller Nyla Harris Jessica Hom Madeline Johnson TARZAN THE MUSICAL FINAL CAST LIST Jessica Mayrides Lauren McKinnon Emma Merz Emily Olsen Ryan Pesak Quinn Redick Julian Rocha Kayla Rotell Trinity Rowe Emily Sergent Jackson Smith Morgan Wheeler Raquel Zaragoza Lauren Zarnick RED ENSEMBLE (4/17-4/19) Ayla Colon Madison DeSimone Arden DiManno David Donahue Adrianne Donohue Adriana Garcia Ryan Garner Annabelle Gartland Emma Gildea Emily Giuffre-Coppersmith Mayur Gowda Sophia Grado Hasitha Guhan Mikaela Haast Paige Harrison Madeline Hill Kyle Houston Layan Ibrahim Madalynn Ingemie TARZAN THE MUSICAL FINAL CAST LIST Nadeem Jaheer Rafay Jamal Yash Jha Sarah Johnson Jessica Kachadorian Rachel Kane Saisha Kapoor Ishika Kataria Alexander Kelly Shavaiz Khwaja Sophia Kim Betsy Kinstle Anisha Kumar Nimisha Kumar Katherine Lehner Cailor MacIntyre Kaitlyn McCann Chris Myslenski Lisa Myslenski Jackie Nguyen Janell Odom Zain Omar Caitlin Pancia Priya Patel Nicka Pretorius Genevieve Stethem Rachel Tanzola Adya Tulsian Dawson Unger Amelia Withington PINK ENSEMBLE (Will perform at both matinee and night shows on Sat 4/11 AND Sat 4/18) (Mandatory Dress Rehearsals: Tues 4/7, Thurs 4/9, Mon 4/13, Wed 4/15). Kensey Smith Grace Todd.

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Tarzan's Yell
OFFICE FOR HARMONIZATION IN THE INTERNAL MARKET (TRADE MARKS AND DESIGNS) The Boards of Appeal DECISION of the Fourth Board of Appeal of 27. September 2007 In Case R 708/2006-4 Edgar Rice Burroughs, Inc. 18354 Ventura Boulevard Tarzana, California 91357 United States of America Applicant/Appellant represented by R.G.C. JENKINS & CO, 26 Caxton Street, GB - London SW1H 0RJ, United Kingdom APPEAL relating to Community trade mark application No 3 661 329 THE FOURTH BOARD OF APPEAL composed of D. Schennen (Chairman and Rapporteur), I. Mayer (Member) and F. López de Rego (Member) Registrar: N. Semjevski gives the following Language of the case: English DECISION OF 27 SEPTEMBER 2007 – R 708/2006-4 – TARZAN YELL (SOUND MARK) 2 Decision Summary of the facts 1 By an application received by the Office by regular mail on 11 February 2004, the applicant filed a Community trade mark application for the following goods and services: Class 9 - Electrical and electronic communications and telecommunications apparatus and instruments; optical, electro-optical, monitoring (other than in-vivo monitoring), radio, television, electrical control, testing (other than in-vivo testing), signalling, checking (supervision), radio paging, radio-telephone and teaching apparatus and instruments, telephones, mobile telephones and telephone handsets; paging apparatus, radio paging apparatus; radio telephone apparatus; computerised personal organisers, telecommunications apparatus and instruments; communications apparatus and instruments; apparatus and instruments for
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Author-As-Franchise-Product: Edgar Rice Burroughs Inc and Tarzan As Historical Branded Entertainment
53 Chapter 3 Author-as-Franchise-Product: Edgar Rice Burroughs Inc and Tarzan as Historical Branded Entertainment Matthew Freeman University of Nottingham, UK ABSTRACT This chapter explores the historical relationship between the branded media entertainment of Tarzan and the rise of consumer culture in the 1920s and 1930s. It argues that the transmedia licensing of this property across pulp magazines, comics, and radio reflected the growing embrace of brand-franchise logics throughout the business landscape of America at that time. I offer the metaphor of ‘stepping stones’ to understand the brand linkages between these different media products in which consumption of one product led to the consumption of another. More importantly, I analyse the function of Tarzan creator Edgar Rice Burroughs and his company, suggesting that his visibility as franchise-author played a crucial role in constructing these brand linkages between media products. Contextualised as part of the very different cultural landscape of 1920s and 1930s consumer culture, I demonstrate how an autho- rial name operated commercially as much as a corporatised component of the branded entertainment products of Tarzan as the Tarzan character himself. INTRODUCTION By 1975, Edgar Rice Burroughs, Inc., a family-owned corporation founded in March 1923, was reported to be earning in the region of $1 million annually from the sales of texts and products based on the fic- tional character Tarzan. ‘The world-wide gross of Tarzan products sold under license to us is at least $50 million a year,’ asserted Robert M. Hodes, the man in charge of the Tarzan empire at that time (The New York Times, 1975, p.
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The Jungle Tales of Tarzan
The Jungle Tales Of Tarzan Written in 1919 by Edgar Rice Burroughs (1875-1950) This version originally published in 2005 by Infomotions, Inc. This document is distributed under the GNU Public License. 1 2 Table of contents Chapter 1 - Tarzan's First Love Chapter 2 - The Capture of Tarzan Chapter 3 - The Fight for the Balu Chapter 4 - The God of Tarzan Chapter 5 - Tarzan and the Black Boy Chapter 6 - The Witch-Doctor Seeks Vengeance Chapter 7 - The End of Bukawai Chapter 8 - Lion Chapter 9 - The Nightmare Chapter 10 - Battle for Teeka Chapter 11 - A Jungle Joke Chapter 12 - Rescues the Moon 3 4 Chapter 1 - Tarzan's First Love Teeka, stretched at luxurious ease in the shade of the tropical forest, presented, unquestionably, a most alluring picture of young, feminine loveliness. Or at least so thought Tarzan of the Apes, who squatted upon a low-swinging branch in a near-by tree and looked down upon her. Just to have seen him there, lolling upon the swaying bough of the jungle-forest giant, his brown skin mottled by the brilliant equatorial sunlight which percolated through the leafy canopy of green above him, his clean-limbed body relaxed in graceful ease, his shapely head partly turned in contemplative absorption and his intelligent, gray eyes dreamily devouring the object of their devotion, you would have thought him the reincarnation of some demigod of old. You would not have guessed that in infancy he had suckled at the breast of a hideous, hairy she-ape, nor that in all his conscious past since his parents had passed away in the little cabin by the landlocked harbor at the jungle's verge, he had known no other associates than the sullen bulls and the snarling cows of the tribe of Kerchak, the great ape.
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Michael Tierney
Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting
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First Sound Cachet” by Gladys West-Jones
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The Tarzan Series of Edgar Rice Burroughs
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Thinking Movement Moving Thought Programme.Pdf
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Tarzan the Untamed
TARZAN THE UNTAMED I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R.
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Tarzan the Censored
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Tarzan in the Early-20Th Century French Fantasy Landscape By
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Tarzan's Quest
Tarzan's Quest By Edgar Rice Burroughs Tarzan's Quest 1. THE PRINCESS SBOROV "My dear Jane, you know everyone." "Not quite, Hazel; but one sees everyone in the Savoy." "Who is that woman at the second table to our right?—the one who spoke so cordially. There is something very familiar about her—I'm sure I've seen her before." "You probably have. Don't you remember Kitty Krause?" "O-oh, yes; now I recall her. But she went with an older crowd." "Yes, she's a full generation ahead of us; but Kitty'd like to forget that and have everyone else forget it." "Let's see—she married Peters, the cotton king, didn't she?" "Yes, and when he died he left her so many millions she didn't have enough fingers to count 'em on; so the poor woman will never know how rich she is." "Is that her son with her?" "Son, my dear! That's her new husband." "Husband? Why, she's old enough to—" "Yes, of course; but you see he's a prince, and Kitty always was— er—well, ambitious." "Yes, I recall now—something of a climber; but she climbed pretty high, even in aristocratic old Baltimore, with those Peters millions." "But she's an awfully good soul, Hazel. I'm really very fond of her. There isn't anything she wouldn't do for a friend, and underneath that one silly complex of hers is a heart of gold." "And kind to her mother! If anyone ever says I'm good-hearted, I'll —" "S-sh, Hazel; she's coming over." The older woman, followed by her husband, swooped down upon them.
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