Communication & Performance Studies 2017/2018 Newsletter
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The Jungle Tales of Tarzan
The Jungle Tales Of Tarzan Written in 1919 by Edgar Rice Burroughs (1875-1950) This version originally published in 2005 by Infomotions, Inc. This document is distributed under the GNU Public License. 1 2 Table of contents Chapter 1 - Tarzan's First Love Chapter 2 - The Capture of Tarzan Chapter 3 - The Fight for the Balu Chapter 4 - The God of Tarzan Chapter 5 - Tarzan and the Black Boy Chapter 6 - The Witch-Doctor Seeks Vengeance Chapter 7 - The End of Bukawai Chapter 8 - Lion Chapter 9 - The Nightmare Chapter 10 - Battle for Teeka Chapter 11 - A Jungle Joke Chapter 12 - Rescues the Moon 3 4 Chapter 1 - Tarzan's First Love Teeka, stretched at luxurious ease in the shade of the tropical forest, presented, unquestionably, a most alluring picture of young, feminine loveliness. Or at least so thought Tarzan of the Apes, who squatted upon a low-swinging branch in a near-by tree and looked down upon her. Just to have seen him there, lolling upon the swaying bough of the jungle-forest giant, his brown skin mottled by the brilliant equatorial sunlight which percolated through the leafy canopy of green above him, his clean-limbed body relaxed in graceful ease, his shapely head partly turned in contemplative absorption and his intelligent, gray eyes dreamily devouring the object of their devotion, you would have thought him the reincarnation of some demigod of old. You would not have guessed that in infancy he had suckled at the breast of a hideous, hairy she-ape, nor that in all his conscious past since his parents had passed away in the little cabin by the landlocked harbor at the jungle's verge, he had known no other associates than the sullen bulls and the snarling cows of the tribe of Kerchak, the great ape. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Thinking Movement Moving Thought Programme.Pdf
THINKING MOVEMENT, MOVING THOUGHT 22 September 2017 9am – 6.30pm Labanarium presents this one day and movement and psychology. Will Wollen (University of Kent); symposium in collaboration with the Workshops, seminars, papers and Christopher Simpson (Northampton Centre for Performance Philosophy encounters in movement and thinking University) and Dr Paola Crespi which will focus on the relationships given by Cate Deicher CMA and Amy (Goldsmiths University London). between movement and philosophy Shapiro, PhD (Alverno College, U.S); LABANARIUM.COM Dr Paola Crespi Rhythm Will Help LECTURE Paola’s work has been published in Besides the more straightforward Workers international peer-reviewed journals aim of introducing Laban’s Dr Paola Crespi is a Visiting Research paper presentation such as Body & Society, Subjectivity, rhythmanalysis as found in both Fellow at the Topology Research 2 -3 pm Theatre, Dance & Performance his notes and his drawings to a Unit at Goldsmiths and a Lecturer at Ivy Theatre Training and online on the Theory, wider public, this intervention Anglia Ruskin University and at the Culture&Society website. Paola sits seeks to draw attention to the Thinking Movement, Moving Thought University of Suffolk. She holds a on the editorial board of Evental dialogue between cultural theory PhD in Media Studies (Goldsmiths), A one day symposium focusing on the relationships between movement, Aesthetics: An Independent Journal of and performance studies that the an MRes in Humanities and Philosophy and she is Section Editor material itself affords. Far from psychology and philosophy Cultural Studies (London for Cultural Studies and Critical Theory being restricted to the field of the Consortium) and a BA (Hons) in of the Open Journal of the Humanities. -
De Edgar Rice Burroughs-I JOSE Gabrlel PEREIRA BASTOS LUIS SOCZKA *
Análise estrutural-dinâmica de tTarzan of the ApesB de Edgar Rice Burroughs-I JOSE GABRlEL PEREIRA BASTOS LUIS SOCZKA * 1. INTRODUÇÃO Tentámos já demonstrar noutros lugares (Bastos e Soczka, 1976; Bastos, 1978) que os Este trabalho situa-se no âmbito de uma elementos essenciais para a definição das con- pesquisa mais vasta, em que nos propomos de- dições de uma análise estrutural-dinâmica do monstrar que: a) uma análise de texto consiste, discurso se encontram reunidos nos textos freu- em simultâneo, numa análise dos meios de ex- dianos iniciais (Freud, 1900, 1901, 1905, 1907, pressão que veiculam a significação (análise es- 1908, 1911, 1916, 1919). trutural) e numa análise das problemáticas psi- cológicas de elaboração dos conflitos e da busca de prazer, em relação às quais cada texto cons- 2. MATERIAL E MeTODO titui uma nova «cena» (análise dinâmica); b) a) Material uma artálise esruturai-dinâmica surge como elu- cidativa aos três níveis da sua sobredetermina- O material utilizado foi, neste caso, o ro- ção (individual, cultural e universal), permi- mance de Edgar Rice Burroughs (1875-1950). Tarzan of the Apes, escrito de 1-12-1911 a tindo, para além da interpretação do texto, es- 14-5-1912 e publicado pela primeira vez na tabelecer conhecimentos relativos ao@) seu(s) revista Ali-Story, de Outubro de 1912. Em 1914 autor(es), ti época e cultura em que se integram, foi publicado em livro, por A. L. McClurg & e levantar novos problemas às diversas áreas Co., de Chicago. da psicologia; e, c) uma análise deste tipo pode Na nossa análise socorremo-nos fumiamen- talmnte das edições portuguesas de 1971 e 1976 ajudar a propor hipóteses relevantes, ou a fun- (Tarzan dos Macacos, Portugal Press, Lisboa. -
Tarzan and the Golden Lion (810.82 B972 1924A)
What the Footprints Told 51 opposite side of the clearing, while the bulls, bris«. tling and growling, faced the intruder. “ Come,” cried Tarzan, “ do you not know me? I am Tarzan of the Apes, friend of the Mangani, son of Kala, and king of the tribe of Kerchak.” “We know you,” growled one of the old bulls; “ yesterday we saw you when you killed Gobu. Go away or we shall kill you.” “ I did not kill Gobu,” replied the ape-man. “ I found his dead body yesterday and I was following the spoor of his slayer, when I came upon you.” “ We saw you,” repeated the old bull; “ go away or we shall kill you. You are no longer the friend of the Mangani.” The ape-man stood with brows contracted in thought. It was evident that these apes really believed that they had seen him kill their fellow. What was the explanation? How could it be ac¬ counted for? Did the naked footprints of the great white man whom he had been following mean more, then, than he had guessed? Tarzan wondered. He raised his eyes and again addressed the bulls. “It was not I who killed Gobu,” he insisted. “ Many of you have known me all your lives. You know that only in fair fight, as one bull fights another, have I ever killed a Mangani. You know that, of all the jungle people, the Mangani are my best friends, and that Tarzan of the Apes is the best friend the Mangani have. How, then, could I slay one of my own people? ”. -
Tournament 16 Round 15 Tossups 1
Tournament 16 Round 15 Tossups 1. A dead hand pokes out between some rocks in this artist’s painting of a Turkish warrior and an open-armed woman representing the title country. John Constable’s The Hay Wain influenced the background of another of his paintings that depicts an Ottoman soldier amongst the survivors of a massacre. This artist of Greece on the Ruins of Missolonghi and The Massacre at Chios also painted a man in a top hot and boy wielding two pistols following a (*) bare-chested woman holding a tri-color flag. For 10 points, name this painter of Liberty Leading the People. ANSWER: Ferdinand Victor Eugène Delacroix (duh-lah-KWAH) 030-10-23-15102 2. A type of volcano associated with these objects is called a tuya (TOO-yuh). When a nonvolcanic mountain peak pokes through one of these objects it is called a nunatak (NOON-uh-TACK). Their disappearance can cause isostatic rebound. They move via basal slip and plastic flow but when ablation exceeds accumulation, they (*) retreat, often leaving behind recessional moraines. For 10 points, name these large masses of ice which occupy Greenland and Antarctica. ANSWER: glaciers [or continental glaciers] 091-10-23-15103 3. This author wrote a series of novels about a Hollow Earth, the Pellucidar novels. His Barsoom series features the character John Carter and includes novels such as Swords of Mars and A Princess of Mars. He is best known for creating a character whose father is killed by Kerchak. That character, whose original name is Lord (*) Greystoke, marries Jane Porter after being adopted by a tribe of apes. -
Tarzan (Na- “It’S Liketellingsomeone Who Crystal Cale, WHS Psychology One Infour American Teenagers “‘Smile, You’Llfeelbetter
Sports - Pages15-18 Prom - Pages 11-14 Feature -Pages 7-10 Editorial- Page 6 News -Pages1-5 wear anypants. he doesn’t because Finland from banned ics were Duck com- Donald In thecourseofanaver- Sunday willalwayshave PRSRT STD assorted insectsand10 Inside This apples, waspslikepine age lifetime,youwill, while sleeping,eat70 Months thatbeginona nuts, andwormslike Sweet Dreams U.S. Postage Paid a “Fridaythe13th.” Lucky Months Disney Dress Beetles tastelike That Really Ogden, UT Odds New Food Ends fried bacon. Issue Permit No. 208 Group spiders. Code Bugs! ‘n’ A cockroachcan A live several WEBER HIGHSCHOOL430WESTDRIVEPLEASANTVIEW,UT84414W head cut with its weeks off. THE thing that can be healed by sheer not some- does not,” sheadds. “It’s be healed, but beingupsetwhen it ken boneand notonlyexpectitto broke theirarmtonot haveabro- sion willjustgoaway.” theirdepres- they just‘cowboyup’ wanttobehappyorif people don’t is, andsotheythinkdepressed to-day problems,liketheirsadness just likeanormalresponsetoday- for peopletoassumedepressionis verycommon says,“It’s teacher, some misunderstandingsaboutit. sive episodes,yetthereseemstobe fromdepressionanddepres- suffer fromdepression. suffering pression is,”saysRose*,ajunior the facttheyhavenoideawhatde- say thesethingsitreallyhighlights Ithinkwhenpeople you nottobe.’ There isnoreasonfor to behappy. need You be sodownallthetime. ____________________________ Assistant totheChief By ____________________________ Teenagers seekbetterunderstandingofillness photo: Young Tarzan (Na- Tarzan photo: Young “It’s -
Tarzan Orientation Pack
Orientation Pack Hornsby RSL / Performances 22nd – 25th November 2018 Production Team Director – Adam Haynes Assistant Director – Craig Pinkerton Musical Director – Matt Hearne Choreographer – Melissa Ayers Production Manager – Chrissy Stimson Orientation Date July 15th / 10.30am – 11.30am Wilga St Scout Hall West Pennant Hills. We will be holding a 1 hour orientation session which will serve as an opportunity to meet the production team, learn more about the show and ask the team any questions you may have. Note that attendance , though helpful, is not compulsory. All the information you need to prepare for your audition can be found in this pack. Audition Dates 28th – 29th July 2pm till 8pm (Location same as orientation) There will be a 1 hour dance call that must be attended on the day of your vocal and singing audition as well. Booking an audition is as simple as jumping online, once the link is provided, on our Facebook page / website on the orientation day. About Sydney Youth Musical Theatre Sydney Youth Musical Theatre is now in its 39th year of staging productions in the Sydney region and it remains the only exclusively youth musical society in Australia. Each year, we stage two productions: one in July for our 14 - 25 year-old members, and a November production for our 10 -18 year-old members. Tarzan is our Junior show and our age restriction of 10 – 18 years old applies. We aim to develop and nurture a passion for the performing arts in young people by providing opportunities to become involved in a range of areas, both on and off stage. -
Tarzan of the White Male Privilege
Wijma 2 Wijma 3 Wijma 4 Content Introduction ................................................................................................................................ 5 Chapter 1: An Overview of Critics of Disney ............................................................................ 9 Chapter 2: Tarzan and Ethnicity ............................................................................................... 12 Novel .................................................................................................................................... 12 Tarzan and the Animals .................................................................................................... 12 Tarzan and the Black Tribe .............................................................................................. 14 Film ...................................................................................................................................... 15 Light and Darkness ........................................................................................................... 16 Reverse Racism ................................................................................................................ 17 Dialogue ........................................................................................................................... 18 Chapter 3: Tarzan and Gender.................................................................................................. 19 Novel ................................................................................................................................... -
Cast (In Credits Order)
Cast (in credits order) Typed by a disney fan with the username of Disneyphile on the Disneysites.com Message Board Disney Song: Put your faith in what you most believe in Feature Two worlds, one family Films: Trust your heart, let fate decide To guide these lives we see Tarzan A paradise untouched by man Awards Within this world, blessed with love A simple life, they live in peace Cast Softly tread the sand below your feet now Contents Two worlds one family Trust your heart, let fate decide To guide these lives we see Film Info Beneath the shelter of the trees Images Only love can enter here A simple life, they live in peace Income Raise your head up, lift high the load Info Take strength from those that need you Build high the walls, build strong the beams A new life is waiting, but danger's no stranger here Mistakes No words describe a mother's tears Songlyrics No words can heal a broken heart A dream is gone, but where there's hope... Trivia Somewhere, something is calling for you Two worlds, one family Trust your heart, let fate decide To guide these lives we see [...] Every moment now, the bond grows stronger Two worlds, one family Trust your heart, let fate decide To guide these lives we see Terk: Mama, look! Look over there! Various gorillas: Kala! She's back! etc. Gorilla: Are you all right? Kala: I'm fine, no, really, honestly, it's just that I got a little...sidetracked. Gorilla: Well, isn't that, um, well it's so.. -
Tarzan of the Apes by Edgar Rice Burroughs
www.freeclassicebooks.com Tarzan of the Apes By Edgar Rice Burroughs www.freeclassicebooks.com 1 www.freeclassicebooks.com Contents Chapter I ‐ Out to Sea..............................................................................................................................3 Chapter II ‐ The Savage Home............................................................................................................... 12 Chapter III ‐ Life and Death ...................................................................................................................21 Chapter IV ‐ The Apes ...........................................................................................................................27 Chapter V ‐ The White Ape ...................................................................................................................34 Chapter VI ‐ Jungle Battles....................................................................................................................41 Chapter VII ‐ The Light of Knowledge ...................................................................................................47 Chapter VIII ‐ The Tree‐top Hunter .......................................................................................................57 Chapter IX ‐ Man and Man....................................................................................................................62 Chapter X ‐ The Fear‐Phantom .............................................................................................................72 -
Rice Burroughs
12 THii FOET WAYNE DAILY NEWS Saturday, December 13. the "value of tuts tiling lie Had moving carelessly along a wintfiuf Jun- end. It was tbe difference to him be- tie trail Instead of making bis progress tween life and death. through tbe trees when suddenly b« And so he struggled to encompass a came face to face with a black war- Co To similar hold with the left hand. In a rior. Jew moments Terfcoi's bull neck was The look of surprise on the savage arzan creaking beneath a full nelson. face was almost conical, and before Pfelffer's There was no more lunging about Tarzau could unsling his bow the fel- now. The two lay perfectly still upon low had turned and fled down the path tbe ground, Tarzau upon Terkoz's crying out in alarm, as though to oth- back. Slowly the'bullet head of the ers before him. ape was being forced lower and lower Tarzan took to the trees in pursuit upon big chest. and in a few moments came in view of Tarzan knew what the result would the fleeing quarry. be. In an instant the neck would There were three of them, and they break. Then there came to Terkoz's were racing madly In single file rescue the same thing that had put through the dense undergrowth. him iu these sore straits—a man's rea- Tarzan easily distanced them, nor soning power. did they see his silent passage above "If I kill him." thought Tarzan. their beads nor note the crouching fig- "what advantage will it be to me? ure squatted upon a low branch ahead 200 patterns of Pocket Rice Will it not but rob the tribe of a great of them beneath which tbe trail led fighter? And if Terkoz is dead he will ;hem.