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Vegetation Classification and Mapping Project Report
USGS-NPS National Vegetation Mapping Program: Sunset Crater Volcano National Monument, Arizona, Vegetation Classification and Distribution By Monica Hansen1, Janet Coles2, Kathryn A. Thomas1, Daniel Cogan2, Marion Reid3, Jim Von Loh2, and Keith Schulz3 U.S. GEOLOGICAL SURVEY SOUTHWEST BIOLOGICAL SCIENCE CENTER Final Report Prepared for: USGS-NPS National Vegetation Mapping Program 1Colorado Plateau Research Station Southwest Biological Science Center U.S. Geological Survey Flagstaff, AZ 86001 2Remote Sensing and GIS Group U.S. Bureau of Reclamation (USBR) Denver, Colorado 3NatureServe Boulder, Colorado Flagstaff, Arizona 2004 UGSG-NPS Vegetation Mapping Program Sunset Crater Volcano National Monument TABLE OF CONTENTS LIST OF TABLES .............................................................................................................................. 3 LIST OF FIGURES ............................................................................................................................ 4 LIST OF CONTACTS AND CONTRIBUTORS ............................................................................ 5 ACKNOWLEGEMENTS .................................................................................................................. 7 LIST OF ABBREVIATIONS AND TERMS ................................................................................... 8 SUMMARY ......................................................................................................................................... 9 1. INTRODUCTION........................................................................................................................ -
Summits on the Air – ARM for the USA (W7A
Summits on the Air – ARM for the U.S.A (W7A - Arizona) Summits on the Air U.S.A. (W7A - Arizona) Association Reference Manual Document Reference S53.1 Issue number 5.0 Date of issue 31-October 2020 Participation start date 01-Aug 2010 Authorized Date: 31-October 2020 Association Manager Pete Scola, WA7JTM Summits-on-the-Air an original concept by G3WGV and developed with G3CWI Notice “Summits on the Air” SOTA and the SOTA logo are trademarks of the Programme. This document is copyright of the Programme. All other trademarks and copyrights referenced herein are acknowledged. Document S53.1 Page 1 of 15 Summits on the Air – ARM for the U.S.A (W7A - Arizona) TABLE OF CONTENTS CHANGE CONTROL....................................................................................................................................... 3 DISCLAIMER................................................................................................................................................. 4 1 ASSOCIATION REFERENCE DATA ........................................................................................................... 5 1.1 Program Derivation ...................................................................................................................................................................................... 6 1.2 General Information ..................................................................................................................................................................................... 6 1.3 Final Ascent -
RODEN CRATER Within a Dormant Volcano on the Arizona Plains, a Radical Art Experiment Is Being Constructed
RODEN CRATER Within a dormant volcano on the Arizona plains, a radical art experiment is being constructed. For forty years, artist James Turrell has been building his “naked-eye observatory,” capturing light itself in a profound and immersive way that makes viewers reassess how – and what – they see. By Nat Trotman PATEK PHILIPPE 39 Previous page: Roden Crater sunrise, light enters through Crater’s Eye, the primary on the desert plain, seen the Skyspace of the East viewing space. Sit on the from the southwest. Below: Portal (bottom) and projects long bench, look up, and the Sun and Moon Space, a majestic image of the sun find yourself transported by deep inside the volcano. onto a large marble stone. a vision – a radiant image, At each year’s northernmost Opposite: the formidable which is in fact the sky Just north of Flagstaff, Arizona, hundreds of dormant volcanoes lie scattered across the arid plain in a pattern established over six million years of the earth’s tectonic movements. Driving along the dirt roads that wind among these colossal shapes, you might pass herds of grazing cattle or the occasional homestead, but if you don’t know where to look, you might miss Roden Crater. Neither the largest nor most dramatic example in the range, this cinder cone has nonethe- less preoccupied artist James Turrell for 40 years, serving as site, subject, and medium of a project that, when complete, may turn out to be the most ambitious and complex artwork of the modern era. Turrell has sculpted the crater bowl and cut a series of chambers, tunnels, and apertures within the volcano, oriented around celestial events. -
The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet). -
Get Smart with Art Is Made Possible with Support from the William K
From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco. -
Vegetation Classification and Mapping Project Report
USGS-NPS National Vegetation Mapping Program: Wupatki National Monument, Arizona, Vegetation Classification and Distribution By Monica Hansen1, Janet Coles2, Kathryn A. Thomas1, Daniel Cogan2, Marion Reid3, Jim Von Loh2, and Keith Schulz3 U.S GEOLOGICAL SURVEY SOUTHWEST BIOLOGICAL SCIENCE CENTER Final Report Prepared for: USGS-NPS National Vegetation Mapping Program 1Colorado Plateau Research Station Southwest Biological Science Center U.S. Geological Survey (USGS) Flagstaff, AZ 2Remote Sensing and GIS Group U.S. Bureau of Reclamation (USBR) Denver, Colorado 3NatureServe Boulder, Colorado Flagstaff, Arizona 2004 UGSG-NPS Vegetation Mapping Program Wupatki National Monument TABLE OF CONTENTS LIST OF TABLES ........................................................................................................................ 3 LIST OF FIGURES ...................................................................................................................... 4 LIST OF CONTACTS AND CONTRIBUTORS ...................................................................... 5 ACKNOWLEDGEMENTS ......................................................................................................... 7 LIST OF ABBREVIATIONS AND TERMS ............................................................................. 8 SUMMARY ................................................................................................................................... 9 1. INTRODUCTION.................................................................................................................. -
Environmental Art)
io-magazine (environmental art) SUMMER 1998 file:///C|/www-site/root/io98/index.html [9.7.2001 11:42:42] What is Environmental Art? Stephanie Ross Rooted Art?: Environmental Art and our Attachment to nature Emily Brady Kissing the Mess Aesthetic Engagement with Ideas of Nature Hester Reeve Hans Haacke- Environmental Artist with Sociopolitical Concerns Anita Seppä Environmental Art. A New Sanctification Jale Erzen Highway, Art and Environment Olli Immonen The Highway Number Four Roadside Art Project Antero Toikka Thoughts about "Art in nature" Hermann Prigann file:///C|/www-site/root/io98/articles.html [9.7.2001 11:42:43] IO_contents file:///C|/www-site/root/io98/contents.html [9.7.2001 11:42:44] IO contributors CONTRIBUTORS Emily Brady is a Lecturer in Philosophy at Lancaster University, England. Agnes Denes is an American artist of international renown. She also lectures at the universities in U.S and abroad. Jale Erzen is a painter and Secretary-General of the International Association for Aesthetics. Olli Immonen is Secretary of the International Institute of Applied Aesthetics. Hanna Johansson is a Ph.D. student at Helsinki University, Finland. Hermann Prigann is an artist who also teaches in Bauhaus, Dessau, Germany. Hester Reeve is a performance artist who is completing her MA in Values and the Environment at Lancaster University, England. Stephanie Ross teaches in the Philosophy Department at the University of Missouri, St. Louis. Anita Seppä is a Ph.D. student at Helsinki University, Finland. file:///C|/www-site/root/io98/contribu.html [9.7.2001 11:42:45] IO bibliography BIBLIOGRAPHY Art in the Land: A Critical Anthology of Environmental Art, ed. -
+ + Philip Heying (BFA, Painting, KU) Born 1959, Kansas City, Missouri
+ + Philip Heying (BFA, Painting, KU) born 1959, Kansas City, Missouri; based in Lawrence, Kansas Repurposed billboard west of Salina, Kansas along I-70. 7/13/2014 – 1:40 PM, 2014 from A Visual Archaeology of the Anthropocene inkjet print Museum purchase: Elmer F. Pierson Fund, 2018.0180 Philip Heying’s photographic projects are characterized by ecological responsibility and research-driven investigation. In his series A Visual Archaeology of the Anthropocene, Heying highlights a pattern of connections between human activity and environmental changes. Repurposed billboard presents a view of Kansas grasslands near Salina and a lone billboard at the center of the horizon line. Local citizen Jim Nelson painted the sign in 2013 with the words “I need a kidney” in hopes of finding a kidney donor for his wife Sharon Plucar. Though they received a few leads and many well wishes, Plucar passed away in 2014 after Heying made this photograph. Nelson apparently painted over the billboard a short time later. + + + + Philip Heying (BFA, Painting, KU) born 1959, Kansas City, Missouri; based in Lawrence, Kansas Lee Kindle salvages a pickup truck destroyed by an F4 tornado in a region that had to be evacuated due to toxic mining waste near Treece, Kansas. 2/19/2009 – 2:04 PM, 2009 from A Visual Archaeology of the Anthropocene inkjet print Museum purchase: Elmer F. Pierson Fund, 2018.0182 This photograph by Philip Heying captures the aftermath of a deadly F4 tornado that devastated towns along the Kansas– Oklahoma border on May 10, 2008. The region is notable for its location near the Environmental Protection Agency’s Tar Creek Superfund site, which had a long history of mining lead and zinc until around 1970. -
Baseball Math
Pomona COLLEGE MAGAZINE SUMMER 2013 THE BASEBALL MAJOR ISSUE LEAGUE MATH POMONA’S THE TWO SIDES OF SURPRISING THE ROYALS’ NEW CONTRIBUTIONS SABERMETRICIAN, TO THE NATIONAL PASTIME GUY STEVENS ’13 PAGE 16 PAGE 32 Pomon a /BASEBAL L/ HOMEPAGE FEATURES Who Did You Get? 1 WHAT WE GAVE THE GAME Sagehens have left their tracks on the national pastime in all sorts of surprising ways. Here are seven: Computer Baseball | Ultimate Baseball Roadtrip Smartest Stadium Restaurant | Reassuring Research Big-League Books | Spreading the Love Greatest Goofball Classic DEPARTMENTS 16 Stray Thoughts 2 Letter Box 3 MAJOR LEAGUE MATH After pitching for the Sagehens, POMONA TODAY Guy Stevens ’13 is trying to make it in the Milestones 5 big leagues—as a statistical analyst. Pomoniana 8 BY ROBYN NORWOOD How To 10 Sports 12 32 Back Stage 14 CHANGEUP LIVES OF THE MIND In no sport but softball do the rules of the game—and the experience of playing— Bookshelf 43 change so drastically after college. Class Acts 45 BY JAMIE GOLDBERG ’11 Daring Minds 47 36 ALUMNI VOICES Making Waves 49 FOUR GAMES Alumni News 51 The only Sagehen ever to reach “The Show” Year One 53 only played for a short time. It was what he did after baseball that left a lasting legacy. Mind Games 54 BY VANESSA HUA Pomona Blue 54 40 On the Cover: Photo Illustration of Guy Stevens ’13 by Mark Wood. Photos by Carrie Rosema. www.pomona.edu/magazine /home ·page / WHO DID YOU GET? The kid inside of you might recall the simple protocol and heady sense of possibility that came with a new pack of baseball cards . -
January 2021
Daisy Mountain Rockchips The purpose of Daisy Mountain Rock & Mineral Club is to promote and further an interest in geology, mineralogy, and lapidary arts, through education, field experiences, public service, and friendship. VOLUME 6, ISSUE 1 JANUARY 2021 Geologic Map of San Francisco Mountain Volcanic Complex - 3D (Holm 1988) Source: Arizona Geological Survey Daisy Mountain Rockchips January 2021 2 FOSSILS: PART XIV VOLCANICS OF Kingdom: Animalia Phylum: Arthropoda, NORTHERN ARIZONA Sub-Phylum - Crustacea PART I: San Francisco Peaks - Stratovolcano By Susan Celestian By Susan Celestian In anticipation of a club field trip to visit volcanoes Crustacea includes lobsters, crabs, shrimp, brine of Northern Arizona, around Flagstaff, I am starting shrimp, barnacles, ostracods, crayfish, and a series visiting some of the more interesting and numerous others. They aren’t super common as accessible features. fossils, but they are dominant animals in today’s aquatic environments -- and they sure are tasty! Covering about 1800 square miles, the San Plus, some (such as krill and copepods) are major Francisco Peaks Volcanic Field is home to one players near the bottom of the food chain, where large stratovolcano, several lava domes, and about they feed on plankton, and serve to move those 600 cinder cones. See Figure 1’. nutrients up the chain. Krill are an immensely Activity in the volcanic field began about 6 million important as a food source for whales, seals, and years ago (mya), in the western end of the field, even penguins. And they constitute a large part of and continued progressively east, with the last the overall biomass in the ocean. -
August 2020 Newsletter
MESA 4 WHEELERS HORN NEWSLETTER August 2020 Mesa 4 Wheelers, PO Box 107, Mesa AZ 85201 http://mesa4wheelers.com MESA 4 WHEELERS STAFF President Norm Clark 623-742-7336 Vice President Wendi Kawa 480-860-0478 REMEMBER WHEN? 30 years ago? Secretary Pat Jenkins 480-834-0517 Treasurer Ray Jenkins 480-834-0517 Mesa 4 Wheelers 30 Years Ago Corres.Secretary Hazel Hart 480-994-1260 Membership Lori Moore 602-647-1685 Mesa 4 Wheelers 30 Years Ago Report Editor Mike Drawsky 480-502-9507 August 1990 Remembrance Gert Leible 623-869-8434 Trophies Clete Hruska 602-568-1140 There were no Trip Reports for the month of August, but there Safety Chairman John Hart 480-994-1260 were Trips. Publicity OPEN The First Trip was: Next Meeting Crown King Campout - August 18th & 19th Trip Leader: Mike Dreckman Saturday (09-12-20) Meeting place: I-17 @ Bell road at Denny’s Restaurant Location: Rimrock Meeting time: 6 A.M., Saturday August 18th For more details, see Upcoming Runs & Events Spend a relaxing weekend in the Cool Pines!!! The road to the campsite requires 4-wheel drive. Bring a pass- PRESIDENT'S CORNER a-round dish to share for Saturday’s dinner. We’ll spend a Looking forward to another good turnout for our upcoming leisurely Sunday morning at camp and head home Sunday September runs! afternoon. The second Trip was: -Norm Breakfast at Four Peaks - August 25th Trip Leader: Greg Anderson Meeting Place: Top of Four Peaks at cattle guard Meeting time: 9 A.M. Members need only to bring drinks, camp table, chairs or snacks if desired. -
Illustrations
G. K. Gilbert. Ralph B. Baldwin. Courtesy of Pamela Baldwin. Gene Simmons, Harold Urey, John O'Keefe, Thomas Gold, Eugene Shoemaker, and University of Chicago chemist Edward Anders (left to right) at a 1970 press conference. NASA photo, courtesy of James Arnold. Ewen Whitaker and Gerard Kuiper (right) during the Ranger 6 mission in 1964. JPL photo, courtesy of Whitaker. Eugene Shoemaker at Meteor Crater in 1965. USGS photo, courtesy of Shoemaker. Key photo centered on Copernicus (95 km, 10° N, 2 0° w) on which Eugene Shoemaker based his early geologic mapping and studies of Copernicus secondary-impact craters. Rima Stadius, a chain of secondaries long thought by most experts to be endogenic , runs roughly north-south to right (east) of Copernicus. Telescopic photo of exceptional quality, taken by Francis Pease with loa-inch Mount Wilson reflector on 15 September 1929. Mare-filled Archimedes (left, 83 km, 30° N, 4° w) and postmare Aristillus (above) and Autolycus (below), in an excellent telescopic photo that reveals critical stratigraphic relations and also led ultimately to the choice of the Apollo 15 landing site (between meandering Hadley Rille and the rugged Apennine Mountains at lower right). The plains deposit on the Apennine Bench, between Archimedes and the Apennines, is younger than the Apennines (part of the Imbrium impact-basin rim) but older than Archimedes and the volcanic mare. Taken in 1962 by George Herbig with the rzo-inch reflector of Lick Observatory. Features of the south-central near side that have figured prominently in lunar thinking, including Imbrium sculpture at Ptolemaeus (p, 153 km, 9° 5, 2° w); hummocky Fra Mauro Formation its type area north of crater Fra Mauro (FM, 95 km, 6° 5, 17° w); and Davy Rille, the chain of small craters extending left (west) of the irregular double crater Davy G (D).