DOCSLIB.ORG

OUR 2015 PHOTO CONTEST WINNERS Plus the LITTLE COLORADO RIVER: a PORTFOLIO | 30 YEARS of PHOTO WORKSHOPS SEPTEMBER

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
OUR 2015 PHOTO CONTEST WINNERS Plus the LITTLE COLORADO RIVER: a PORTFOLIO | 30 YEARS of PHOTO WORKSHOPS SEPTEMBER 2015 OUR 2015 PHOTO CONTEST WINNERS plus THE LITTLE COLORADO RIVER: A PORTFOLIO | 30 YEARS OF PHOTO WORKSHOPS SEPTEMBER ESCAPE • EXPLORE • EXPERIENCE CHUCK ABBOTT on Photography An Excerpt From September 1955 — EUDORA— WELTY THE PHOTO “A good snapshot a moment keeps from running away.” “A ISSUE The Confluence, Grand Canyon National Park, by Jack Dykinga Grand Canyon CONTENTS 09.15 National Park Little Colorado River 2 EDITOR’S LETTER > 3 CONTRIBUTORS > 4 LETTERS TO THE EDITOR > 56 WHERE IS THIS? Flagstaff Montezuma Castle National Monument Prescott 5 THE JOURNAL 46 FRONTIER PHOTOGRAPHER McNary People, places and things from around the state, including a look Although his primary mission was to establish Sunday schools in back at iconic wildlife photographer Bill Ratcliffe, Montezuma Castle remote corners of the West, Albert C. Stewart spent a lot of his PHOENIX National Monument and Amelia Earhart’s unexpected landing in free time making photos with his No. 1 Panoram Kodak camera. Tucson McNeal, Arizona. BY KAYLA FROST McNeal PHOTOGRAPHS BY ALBERT C. STEWART Bisbee 16 THE MIGHTY COLORADO ... 48 YOU’VE GOT TO GO BACK POINTS OF INTEREST IN THIS ISSUE IT’S NOT WHAT YOU’RE THINKING Mention the Colorado River to most people, and they’ll conjure TO GET THE GOOD ONES images of whitewater rafters slicing through Lava Falls. It’s one of Sixty years ago this month, Chuck Abbott, a world-renowned the world’s great rivers. Less famous, but also impressive, is the Little photographer and longtime Arizona Highways contributor, shared Colorado River, which runs for 338 miles from a small spring near his thoughts on the art of photography and what it took to rise to Greer to its scenic confluence with the larger Colorado in the depths the top of his profession. He also discussed camera equipment, of the Grand Canyon. which, six decades later, is especially interesting. A PORTFOLIO BY BILL HATCHER BY CHUCK ABBOTT TEXT BY TYLER WILLIAMS 52 SCENIC DRIVE 30 BEST PICTURE 2015 McNary to Vernon: This scenic drive winds in and out of the And the winner is ... Peter Coskun of Phoenix. It’s not the first time Sit greaves National Forest, through stands of pines and spruce we’ve been impressed with his work. Peter was an honorable-mention interspersed with groves of aspens. winner in 2013, and last year, his photo of Lost Dutchman State Park was our Facebook Fan Favorite. Narrowing thousands of entries to a 54 HIKE OF THE MONTH single image isn’t easy, but when the final vote was tallied, he was the Hermit Trail: Although this trail will take you to the Colorado winner of our seventh annual photo contest. River and back, a more sensible day hike is the round-trip route EDITED BY JEFF KIDA & KEITH WHITNEY to Santa Maria Spring. 40 THE BEST OF FRIENDS It’s been 30 years since Jerry Jacka led a special photo workshop at GET MORE ONLINE Canyon de Chelly. It was the inaugural trip for Friends of Arizona www.arizonahighways.com Highways. Three decades later, the organization, now known as Arizona Highways Photo Workshops, has grown into a world- www.facebook.com/azhighways renowned nonprofit with outings as far away as China. @azhighways BY NOAH AUSTIN @arizonahighways ◗ A slender janusia (Janusia gracilis) blossoms. The delicate vine is native to Arizona, New Mexico and Texas. | EIRINI PAJAK CAMERA: CANON EOS 5D MARK II; SHUTTER: 1/800 SEC; APERTURE: F/5.6; ISO: 200; FOCAL LENGTH: 100 MM; 41 STACKED IMAGES FRONT COVER Below 6,365-foot Chuar Butte, the iconic light-blue water of the Little Colorado River approaches its confluence with the Colorado River near the eastern boundary of Grand Canyon National Park. | JACK DYKINGA CAMERA: NIKON D800E; SHUTTER: 1.6 SEC; APERTURE: F/16; ISO: 100; FOCAL LENGTH: 24 MM BACK COVER An Abert’s squirrel dines at Sunset Crater Volcano National Monu- ment. The squirrels are known for their tasseled ears. | EIRINI PAJAK CAMERA: CANON EOS 5D MARK II; SHUTTER: 1/500 SEC; APERTURE: F/5.6; ISO: 1250; FOCAL LENGTH: 400 MM PHOTOGRAPHIC PRINTS AVAILABLE Prints of some photographs in this issue are available for purchase. To view options, visit www.arizona highwaysprints.com. For more information, call 866-962-1191. www.arizonahighways.com 1 editor’s letter contributors PETER COSKUN A Focus on Photography When it comes to landscapes, Arizona is a long way from Phila- SEPTEMBER 2015 VOL. 91, NO. 9 he bar is way up there somewhere. It’s a coincidence Photography Issue, we’re delphia. Distance-wise, it’s pretty 800-543-5432 far, too. So when Peter Coskun Right where Mr. Carlson left it in that we’re featuring rerunning the story. It’s www.arizonahighways.com T 1971. Although we’ve published the Little Colorado a good read that offers moved here from Philly with his some impressive words and photographs River exactly 50 years a glimpse into the life PUBLISHER Win Holden family in 2002, he says he was since he left, we still live in the shadow after Mr. Carlson of a landscape photog- EDITOR Robert Stieve “overwhelmed” by his surround- of our editor emeritus. Raymond Carlson. made it our cover rapher in the middle of ASSOCIATE PUBLISHER, ings. “It took some adjusting, DIRECTOR OF SALES & MARKETING Kelly Mero When he showed up in the 1930s, the story in 1965. The the last century. Many but in high school, I was able to MANAGING EDITOR Kelly Vaughn magazine was an acquired taste. How- inspiration this time things have changed take a photography course and ASSOCIATE EDITOR Noah Austin ever, he knew what was missing. “How around came from since then, but not the enjoyed it quite a bit,” he says. EDITORIAL ADMINISTRATOR Nikki Kimbel can we,” he wrote in July 1938, “through Bill Hatcher, who had long hours spent in “A few years later, I picked up a PHOTOGRAPHY EDITOR Jeff Kida the medium of black and white, paint a been photographing remote corners of the camera of my own and began to focus on nature and wildlife. Eventually, my interest CREATIVE DIRECTOR Barbara Glynn Denney picture of the gold in an Arizona sunset, the river’s headwaters. state. Peter Coskun shifted primarily to landscape photography.” We’re glad it did. Coskun’s photo of the Kofa portray the blue of an Arizona sky, tell He’d just moved back knows what that’s like. ART DIRECTOR Keith Whitney Mountains (see Best Picture 2015, page 30) won our 2015 photography contest. Coskun’s the fiery red and green of an Arizona des- to Arizona, after living Peter was the win- DESIGN PRODUCTION ASSISTANT Diana Benzel-Rice photos have also appeared in Arizona Highways the past two years. His Lost Dutchman ert in bloom? We therefore resort to color in Australia for four MARKOW PAUL ner of our recent photo MAP DESIGNER Kevin Kibsey State Park photo was the favorite of our Facebook fans in 2014, and in 2013, he scored photography in this issue’s cover page to years, and was in the backcountry recon- contest. We don’t see a lot of stuff from PRODUCTION DIRECTOR Michael Bianchi an honorable mention for his West Clear Creek shot. For his Kofas photo, Coskun had faithfully portray one colorful portion of necting with the state. In the process, he the Kofa Mountains — it’s one of the WEBMASTER Victoria J. Snow scouted another composition for sunrise, hoping to catch a “sun star” bursting off the the state.” started sharing some of his images with most rugged ranges in the Southwest — CIRCULATION DIRECTOR Nicole Bowman mountains’ spires. “When I got my shot, I got out of the sun and started looking around That shot — a shot of Oak Creek Can- us. Wow. Look at that. Spectacular. Those so we were impressed with Peter’s hustle, FINANCE DIRECTOR Bob Allen for other compositions,” he says. “I saw this downed ocotillo surrounded by teddy bear yon by Norman Wallace — was the first- were the reactions in our photo depart- and even more impressed with his photo- OPERATIONS/IT MANAGER Cindy Bormanis chollas leading straight to the mountains. The sun was still hiding behind the spire, yet ever color photograph in the magazine. ment, so we sent Bill out to shoot the rest graph. In Best Picture 2015, you’ll see why. the cactuses were highlighted by the backlight. I felt it was a unique take on this area, It was our humble beginning. A single of the river for this month’s cover story. It You’ll also see some of the runners-up, CORPORATE OR TRADE SALES 602-712-2019 which I haven’t seen photographed much.” Coskun is moving toward becoming a profes- photo that would turn into tens of thou- was a few weeks later when we realized which were selected from a collection of SPONSORSHIP SALES sional photographer full time. To see more of his work, visit www.pjcphotography.com. REPRESENTATION On Media Publications sands of photos renowned around the that the Little Colorado was our cover more than 5,000 entries. Although we’ll Lesley Bennett world. Metaphorically, Arizona Highways story in September 1965. always toil in the shadow of our editor 602-445-7160 is the Little Colorado River, which begins While the subject is the same, the emeritus, I think Mr. Carlson would TYLER WILLIAMS as a single drop in a nondescript spring stories are different, and the covers were appreciate the range of photographers we LETTERS TO THE EDITOR [email protected] Tyler Williams says his life has largely consisted of “seeking Arizona’s most clandestine 2039 W.
Load more

Recommended publications
  • Vegetation Classification and Mapping Project Report
    USGS-NPS National Vegetation Mapping Program: Sunset Crater Volcano National Monument, Arizona, Vegetation Classification and Distribution By Monica Hansen1, Janet Coles2, Kathryn A. Thomas1, Daniel Cogan2, Marion Reid3, Jim Von Loh2, and Keith Schulz3 U.S. GEOLOGICAL SURVEY SOUTHWEST BIOLOGICAL SCIENCE CENTER Final Report Prepared for: USGS-NPS National Vegetation Mapping Program 1Colorado Plateau Research Station Southwest Biological Science Center U.S. Geological Survey Flagstaff, AZ 86001 2Remote Sensing and GIS Group U.S. Bureau of Reclamation (USBR) Denver, Colorado 3NatureServe Boulder, Colorado Flagstaff, Arizona 2004 UGSG-NPS Vegetation Mapping Program Sunset Crater Volcano National Monument TABLE OF CONTENTS LIST OF TABLES .............................................................................................................................. 3 LIST OF FIGURES ............................................................................................................................ 4 LIST OF CONTACTS AND CONTRIBUTORS ............................................................................ 5 ACKNOWLEGEMENTS .................................................................................................................. 7 LIST OF ABBREVIATIONS AND TERMS ................................................................................... 8 SUMMARY ......................................................................................................................................... 9 1. INTRODUCTION........................................................................................................................
    [Show full text]
  • RODEN CRATER Within a Dormant Volcano on the Arizona Plains, a Radical Art Experiment Is Being Constructed
    RODEN CRATER Within a dormant volcano on the Arizona plains, a radical art experiment is being constructed. For forty years, artist James Turrell has been building his “naked-eye observatory,” capturing light itself in a profound and immersive way that makes viewers reassess how – and what – they see. By Nat Trotman PATEK PHILIPPE 39 Previous page: Roden Crater sunrise, light enters through Crater’s Eye, the primary on the desert plain, seen the Skyspace of the East viewing space. Sit on the from the southwest. Below: Portal (bottom) and projects long bench, look up, and the Sun and Moon Space, a majestic image of the sun find yourself transported by deep inside the volcano. onto a large marble stone. a vision – a radiant image, At each year’s northernmost Opposite: the formidable which is in fact the sky Just north of Flagstaff, Arizona, hundreds of dormant volcanoes lie scattered across the arid plain in a pattern established over six million years of the earth’s tectonic movements. Driving along the dirt roads that wind among these colossal shapes, you might pass herds of grazing cattle or the occasional homestead, but if you don’t know where to look, you might miss Roden Crater. Neither the largest nor most dramatic example in the range, this cinder cone has nonethe- less preoccupied artist James Turrell for 40 years, serving as site, subject, and medium of a project that, when complete, may turn out to be the most ambitious and complex artwork of the modern era. Turrell has sculpted the crater bowl and cut a series of chambers, tunnels, and apertures within the volcano, oriented around celestial events.
    [Show full text]
  • The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
    THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet).
    [Show full text]
  • Get Smart with Art Is Made Possible with Support from the William K
    From the Headlines About the Artist From the Artist Based on the critics’ comments, what aspects of Albert Bierstadt (1830–1902) is Germany in 1830, Albert Bierstadt Bierstadt’s paintings defined his popularity? best known for capturing majestic moved to Massachusetts when he western landscapes with his was a year old. He demonstrated an paintings of awe-inspiring mountain early interest in art and at the age The striking merit of Bierstadt in his treatment of ranges, vast canyons, and tumbling of twenty-one had his first exhibit Yosemite, as of other western landscapes, lies in his waterfalls. The sheer physical at the New England Art Union in power of grasping distances, handling wide spaces, beauty of the newly explored West Boston. After spending several years truthfully massing huge objects, and realizing splendid is evident in his paintings. Born in studying in Germany at the German atmospheric effects. The success with which he does Art Academy in Düsseldorf, Bierstadt this, and so reproduces the noblest aspects of grand returned to the United States. ALBERT BIERSTADT scenery, filling the mind of the spectator with the very (1830–1902) sentiment of the original, is the proof of his genius. A great adventurer with a pioneering California Spring, 1875 Oil on canvas, 54¼ x 84¼ in. There are others who are more literal, who realize details spirit, Bierstadt joined Frederick W. Lander’s Military Expeditionary Presented to the City and County of more carefully, who paint figures and animals better, San Francisco by Gordon Blanding force, traveling west on the overland who finish more smoothly; but none except Church, and 1941.6 he in a different manner, is so happy as Bierstadt in the wagon route from Saint Joseph, Watkins Yosemite Art Gallery, San Francisco.
    [Show full text]
  • Vegetation Classification and Mapping Project Report
    USGS-NPS National Vegetation Mapping Program: Wupatki National Monument, Arizona, Vegetation Classification and Distribution By Monica Hansen1, Janet Coles2, Kathryn A. Thomas1, Daniel Cogan2, Marion Reid3, Jim Von Loh2, and Keith Schulz3 U.S GEOLOGICAL SURVEY SOUTHWEST BIOLOGICAL SCIENCE CENTER Final Report Prepared for: USGS-NPS National Vegetation Mapping Program 1Colorado Plateau Research Station Southwest Biological Science Center U.S. Geological Survey (USGS) Flagstaff, AZ 2Remote Sensing and GIS Group U.S. Bureau of Reclamation (USBR) Denver, Colorado 3NatureServe Boulder, Colorado Flagstaff, Arizona 2004 UGSG-NPS Vegetation Mapping Program Wupatki National Monument TABLE OF CONTENTS LIST OF TABLES ........................................................................................................................ 3 LIST OF FIGURES ...................................................................................................................... 4 LIST OF CONTACTS AND CONTRIBUTORS ...................................................................... 5 ACKNOWLEDGEMENTS ......................................................................................................... 7 LIST OF ABBREVIATIONS AND TERMS ............................................................................. 8 SUMMARY ................................................................................................................................... 9 1. INTRODUCTION..................................................................................................................
    [Show full text]
  • Environmental Art)
    io-magazine (environmental art) SUMMER 1998 file:///C|/www-site/root/io98/index.html [9.7.2001 11:42:42] What is Environmental Art? Stephanie Ross Rooted Art?: Environmental Art and our Attachment to nature Emily Brady Kissing the Mess Aesthetic Engagement with Ideas of Nature Hester Reeve Hans Haacke- Environmental Artist with Sociopolitical Concerns Anita Seppä Environmental Art. A New Sanctification Jale Erzen Highway, Art and Environment Olli Immonen The Highway Number Four Roadside Art Project Antero Toikka Thoughts about "Art in nature" Hermann Prigann file:///C|/www-site/root/io98/articles.html [9.7.2001 11:42:43] IO_contents file:///C|/www-site/root/io98/contents.html [9.7.2001 11:42:44] IO contributors CONTRIBUTORS Emily Brady is a Lecturer in Philosophy at Lancaster University, England. Agnes Denes is an American artist of international renown. She also lectures at the universities in U.S and abroad. Jale Erzen is a painter and Secretary-General of the International Association for Aesthetics. Olli Immonen is Secretary of the International Institute of Applied Aesthetics. Hanna Johansson is a Ph.D. student at Helsinki University, Finland. Hermann Prigann is an artist who also teaches in Bauhaus, Dessau, Germany. Hester Reeve is a performance artist who is completing her MA in Values and the Environment at Lancaster University, England. Stephanie Ross teaches in the Philosophy Department at the University of Missouri, St. Louis. Anita Seppä is a Ph.D. student at Helsinki University, Finland. file:///C|/www-site/root/io98/contribu.html [9.7.2001 11:42:45] IO bibliography BIBLIOGRAPHY Art in the Land: A Critical Anthology of Environmental Art, ed.
    [Show full text]
  • + + Philip Heying (BFA, Painting, KU) Born 1959, Kansas City, Missouri
    + + Philip Heying (BFA, Painting, KU) born 1959, Kansas City, Missouri; based in Lawrence, Kansas Repurposed billboard west of Salina, Kansas along I-70. 7/13/2014 – 1:40 PM, 2014 from A Visual Archaeology of the Anthropocene inkjet print Museum purchase: Elmer F. Pierson Fund, 2018.0180 Philip Heying’s photographic projects are characterized by ecological responsibility and research-driven investigation. In his series A Visual Archaeology of the Anthropocene, Heying highlights a pattern of connections between human activity and environmental changes. Repurposed billboard presents a view of Kansas grasslands near Salina and a lone billboard at the center of the horizon line. Local citizen Jim Nelson painted the sign in 2013 with the words “I need a kidney” in hopes of finding a kidney donor for his wife Sharon Plucar. Though they received a few leads and many well wishes, Plucar passed away in 2014 after Heying made this photograph. Nelson apparently painted over the billboard a short time later. + + + + Philip Heying (BFA, Painting, KU) born 1959, Kansas City, Missouri; based in Lawrence, Kansas Lee Kindle salvages a pickup truck destroyed by an F4 tornado in a region that had to be evacuated due to toxic mining waste near Treece, Kansas. 2/19/2009 – 2:04 PM, 2009 from A Visual Archaeology of the Anthropocene inkjet print Museum purchase: Elmer F. Pierson Fund, 2018.0182 This photograph by Philip Heying captures the aftermath of a deadly F4 tornado that devastated towns along the Kansas– Oklahoma border on May 10, 2008. The region is notable for its location near the Environmental Protection Agency’s Tar Creek Superfund site, which had a long history of mining lead and zinc until around 1970.
    [Show full text]
  • Baseball Math
    Pomona COLLEGE MAGAZINE SUMMER 2013 THE BASEBALL MAJOR ISSUE LEAGUE MATH POMONA’S THE TWO SIDES OF SURPRISING THE ROYALS’ NEW CONTRIBUTIONS SABERMETRICIAN, TO THE NATIONAL PASTIME GUY STEVENS ’13 PAGE 16 PAGE 32 Pomon a /BASEBAL L/ HOMEPAGE FEATURES Who Did You Get? 1 WHAT WE GAVE THE GAME Sagehens have left their tracks on the national pastime in all sorts of surprising ways. Here are seven: Computer Baseball | Ultimate Baseball Roadtrip Smartest Stadium Restaurant | Reassuring Research Big-League Books | Spreading the Love Greatest Goofball Classic DEPARTMENTS 16 Stray Thoughts 2 Letter Box 3 MAJOR LEAGUE MATH After pitching for the Sagehens, POMONA TODAY Guy Stevens ’13 is trying to make it in the Milestones 5 big leagues—as a statistical analyst. Pomoniana 8 BY ROBYN NORWOOD How To 10 Sports 12 32 Back Stage 14 CHANGEUP LIVES OF THE MIND In no sport but softball do the rules of the game—and the experience of playing— Bookshelf 43 change so drastically after college. Class Acts 45 BY JAMIE GOLDBERG ’11 Daring Minds 47 36 ALUMNI VOICES Making Waves 49 FOUR GAMES Alumni News 51 The only Sagehen ever to reach “The Show” Year One 53 only played for a short time. It was what he did after baseball that left a lasting legacy. Mind Games 54 BY VANESSA HUA Pomona Blue 54 40 On the Cover: Photo Illustration of Guy Stevens ’13 by Mark Wood. Photos by Carrie Rosema. www.pomona.edu/magazine /home ·page / WHO DID YOU GET? The kid inside of you might recall the simple protocol and heady sense of possibility that came with a new pack of baseball cards .
    [Show full text]
  • January 2021
    Daisy Mountain Rockchips The purpose of Daisy Mountain Rock & Mineral Club is to promote and further an interest in geology, mineralogy, and lapidary arts, through education, field experiences, public service, and friendship. VOLUME 6, ISSUE 1 JANUARY 2021 Geologic Map of San Francisco Mountain Volcanic Complex - 3D (Holm 1988) Source: Arizona Geological Survey Daisy Mountain Rockchips January 2021 2 FOSSILS: PART XIV VOLCANICS OF Kingdom: Animalia Phylum: Arthropoda, NORTHERN ARIZONA Sub-Phylum - Crustacea PART I: San Francisco Peaks - Stratovolcano By Susan Celestian By Susan Celestian In anticipation of a club field trip to visit volcanoes Crustacea includes lobsters, crabs, shrimp, brine of Northern Arizona, around Flagstaff, I am starting shrimp, barnacles, ostracods, crayfish, and a series visiting some of the more interesting and numerous others. They aren’t super common as accessible features. fossils, but they are dominant animals in today’s aquatic environments -- and they sure are tasty! Covering about 1800 square miles, the San Plus, some (such as krill and copepods) are major Francisco Peaks Volcanic Field is home to one players near the bottom of the food chain, where large stratovolcano, several lava domes, and about they feed on plankton, and serve to move those 600 cinder cones. See Figure 1’. nutrients up the chain. Krill are an immensely Activity in the volcanic field began about 6 million important as a food source for whales, seals, and years ago (mya), in the western end of the field, even penguins. And they constitute a large part of and continued progressively east, with the last the overall biomass in the ocean.
    [Show full text]
  • Bibliography of the Grand Canyon and the Lower Colorado River by Earle E
    EXTRACT FROM . the grand canon A WORLDWIDE BIBLIOGRAPHY OF THE GRAND CANYON AND LOWER COLORADO RIVER REGIONS in the United States and Mexico 1535–2018 90, 0 0 0 CATEGORIZED AND AUGM ENTED CITATIONS OF PUBLICATIONS FROM AROUND THE WORLD IN 95 LANGUAGES WITH EXTENSIVE BACKGROUND AND SUPPORTING INFORMATION EARLE E. SPAMER RAVEN’S PERCH MEDIA PHILADELPHIA 2019 1535 The Grand Canon 2018 Copyright © 2019 Earle E. Spamer Raven’s Perch Media Philadelphia, Pennsylvania EXTRACT RETRIEVED FROM https://ravensperch.org A Raven’s Perch Digital Production PDF USERS TAKE NOTE : HYPERLINKS TO OTHER SECTIONS OR CITATIONS WITHIN THIS EXTRACT ARE ACTIVE HYPERLINKS TO EXTERNAL SOURCES (ON THE WEB) ARE ACTIVE HYPERLINKS TO OTHER PARTS OF The Grand Canon COMPLETE VOLUME ARE NOT ACTIVE BECAUSE YOU ARE USING ONLY AN EXTRACTED PART (use the complete PDF volume to utilize these links) THE BIBLIOGRAPHY ALSO CONTAINS A FEW PUBLICATIONS DATED 2019 THAT WERE AVAILABLE IN DECEMBER 2018–JANUARY 2019 The Grand Canon, produced in digital format, renews and updates the monographic presentation of out-of-print inkprint editions of the Bibliography of the Grand Canyon and the Lower Colorado River by Earle E. Spamer (Grand Canyon Natural History Association, 1981, 1990, 1993). It complements but significantly elaborates upon on the online, searchable database (www.grandcanyonbiblio.org) sponsored by the Grand Canyon Association 2000–2019 (since 2018 the Grand Canyon Conservancy). The bibliography presented in The Grand Canon is the definitive version. This is not a commercial product and is not distributed by sale. The author receives no remuneration or services for the preparation or distribution of this product.
    [Show full text]
  • James Turrell's New Masterpiece in the Desert,' the Wall Street Journal Magazine, January 14, 2019
    Press Reviews Cheshes, Jay. ‘James Turrell's New Masterpiece in the Desert,' The Wall Street Journal Magazine, January 14, 2019. WSJ. MAGAZINE James Turrell’s New Masterpiece in the Desert The artist has dedicated half his life to creating a massive—yet largely unseen—work of art. After more than four decades, he reveals a new master plan to the public MAPPED OUT “I don’t want people to come here, see it once, and then you’ve checked it o your bucket list and can forget it,” says James Turrell, surrounded by Roden Crater blueprints, “so you have to have an ongoing program.” PHOTO: ALEC SOTH FOR WSJ. MAGAZINE By JAY CHESHES Jan. 14, 2019 10 34 a.m. ET ON A CLOUDLESS afternoon in late September, the artist James Turrell rounds the crest of a hill just below Arizona’s Sunset Crater Volcano, a national monument, slowing his gray Jeep Cherokee under its cinder cone. Black shards of ancient lava are shingled across the landscape like carbonized roof tiles. “I’ll show you how I first saw Roden Crater,” he says, looking to the horizon and recalling the moment in 1974 that would shape his artistic career for the next 45 years. 1/10 “It was November, right before Thanksgiving,” he says. Turrell, an expert pilot, had spent months by then tearing through a $10,000 Guggenheim grant— soaring over the landscape in his 1967 Helio Courier H295, eyeing every butte and extinct volcano west of the Rockies, searching for the perfect site on which to build a monumental work of art.
    [Show full text]
  • Michael Schwarz James Turrell—Roden Crater Project Content
    1 Michael Schwarz James Turrell—Roden Crater Project Content The Volcano The Time The Form The Anasazi The Sky The Project Leporello 2 Describing, analyzing, and interpreting works of fine art before they have even been completed is the exception in our métier. Architecture is more likely to provide examples of designs, plans, and models being dealt with as if they had already been built. This is first and foremost due to the contract situation. Under more rigorous competitive conditions, the methods of representation have become so refined that scale models definitely allow a reliable evaluation of the architectural structure and location within an urban or landscape context of constructions, as well as an estimation of their spatial effect and the distribution of light. Added to this comes knowledge about and the assessment of buildings that have already been realized. The Roden Crater Project by James Turrell has been and still is described, analyzed, and interpreted without there ever having been more to see than the dormant volcano Roden Crater. 1 There are reasons for the anticipation of a work by art critics as well as art historians: For one thing, when his considerations had been brought to an initial conclusion, the artist mounted an exhibition that surprised the art world with the wealth of material it included. On display were models, plans for the construction of individual corridors and chambers, aerial photographs, and aquatints, all of which illustrated certain perceptual phenomena in the planned spaces. At one and the same time, the exhibition communicated that everything had already been built or would, as planned, be completed before long.
    [Show full text]