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The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr. -
Aspects of the Demeter/Persephone Myth in Modern Fiction
Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed. -
Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Greek Myths Student Sample
CONTENTS Why Study Greek Mythology? ......................................................................................................................................5 How to Use This Guide ...................................................................................................................................................6 Lesson 1: Olden Times, Gaea, The Titans, Cronus (pp. 9-15) ....................................................................................8 Lesson 2: Zeus and his Family (pp. 16-21) .................................................................................................................10 Lesson 3: Twelve Golden Thrones (pp. 22-23) ...........................................................................................................12 Lesson 4: Hera, Hephaestus (pp. 24-29) .....................................................................................................................14 Lesson 5: Aphrodite, Ares, Athena (pp. 30-37) ..........................................................................................................16 Review Lesson: Lessons 1-5 ........................................................................................................................................18 Lesson 6: Poseidon, Apollo (pp. 38-43) .......................................................................................................................26 Lesson 7: Artemis, Hermes (pp. 44-55) .......................................................................................................................28 -
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique Copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS
FAVORITE GREEK MYTHS VARVAKEION STATUETTE Antique copy of the Athena of Phidias National Museum, Athens FAVORITE GREEK MYTHS BY LILIAN STOUGHTON HYDE YESTERDAY’S CLASSICS CHAPEL HILL, NORTH CAROLINA Cover and arrangement © 2008 Yesterday’s Classics, LLC. Th is edition, fi rst published in 2008 by Yesterday’s Classics, an imprint of Yesterday’s Classics, LLC, is an unabridged republication of the work originally published by D. C. Heath and Company in 1904. For the complete listing of the books that are published by Yesterday’s Classics, please visit www.yesterdaysclassics.com. Yesterday’s Classics is the publishing arm of the Baldwin Online Children’s Literature Project which presents the complete text of hundreds of classic books for children at www.mainlesson.com. ISBN-10: 1-59915-261-4 ISBN-13: 978-1-59915-261-5 Yesterday’s Classics, LLC PO Box 3418 Chapel Hill, NC 27515 PREFACE In the preparation of this book, the aim has been to present in a manner suited to young readers the Greek myths that have been world favorites through the centuries, and that have in some measure exercised a formative infl uence on literature and the fi ne arts in many countries. While a knowledge of these myths is undoubtedly necessary to a clear understanding of much in literature and the arts, yet it is not for this reason alone that they have been selected; the myths that have appealed to the poets, the painters, and the sculptors for so many ages are the very ones that have the greatest depth of meaning, and that are the most beautiful and the best worth telling. -
Heracles' Itch: an Analysis of The
The Classical Quarterly 70.1 27–42 © The Classical Association (2020). This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecom- mons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. 27 doi:10.1017/S0009838820000270 HERACLES’ ITCH: AN ANALYSIS OF THE FIRST CASE OF MALE UTERINE DISPLACEMENT IN GREEK LITERATURE* Scholars have long grappled with the nature of Heracles’ νόσος and his consequent fem- inization in Sophocles’ Women of Trachis (= Trachiniae).1 Despite being triggered by a poisonous garment,2 which acts by means of magic incantation, the evolution of Heracles’ symptoms is described as a clinical case. Yet, making sense of his feminiza- tion from a scientific perspective has proven hard.3 In this paper, I investigate the symp- toms experienced by Heracles, which Sophocles generically refers to as νόσος. The first part focusses on Sophocles’ description of erôs as a disease in Trachiniae. I then move on to dividing Heracles’ symptoms into two categories, which I will call νόσος1 and νόσος2. The erotic passion for Iole which Heracles naturally experiences in the first part of the tragedy will be denoted by νόσος1, whereas νόσος2 will refer to the * I wish to express my gratitude to Professor Gábor Betegh, Dr Sophia Connell, Dr Sean Coughlin, Dr Tiziana D’Angelo, Professor Patrick Finglass and the anonymous referee for their very helpful comments on this paper. 1 P. Biggs, ‘The disease theme in Sophocles’ Ajax, Philoctetes and Trachiniae’, CPh 61 (1966), 223– 35, at 228 underlines how Heracles’ disease deprives him of his humanity and condemns him to isolation. -
Classical Mythology in English Renaissance Drama: an Analysis of Romeo and Juliet
CLASSICAL MYTHOLOGY IN ENGLISH RENAISSANCE DRAMA: AN ANALYSIS OF ROMEO AND JULIET Trabado de fin de grado presentado por Gonzalo Carpintero Díez Línea temática: Renaissance literature Prof. Tutor: Francisco Javier Castillo Curso Académico: 2014-2015 Convocatoria: julio 2 TABLE OF CONTENTS 0. ABSTRACT ........................................................................................................................... 5 1. INTRODUCTION .................................................................................................................. 5 2. CLASSICAL MYTHOLOGY IN THE ENGLISH RENAISSANCE: A GENERAL VIEW .................................................................................................................. 7 3. MYTHOLOGY AND ROMEO AND JULIET ....................................................................... 9 4. ANALYSIS OF THE MYTHOLOGICAL REFERENCES IN ROMEO AND JULIET ..... 12 4.1. Aurora ............................................................................................................................ 12 4.2. Cupid ............................................................................................................................. 13 4.3. Diana/Cynthia ................................................................................................................ 17 4.4. Venus ............................................................................................................................. 19 4.5. Vesta ............................................................................................................................. -
The Classical Mythology of Milton's English Poems
YALE STUDIES IN ENGLISH ALBERT S. COOK, Editor VIII THE CLASSICAL MYTHOLOGY OF Milton's English poems CHARLES GROSVENOR OSGOOD, Ph.D. NEW YORK HENRY HOLT AND COMPANY igoo Ss9a Copyright, igoo, BY CHARLES GROSVENOR OSGOOD, Ph.D. J^ 7/SS TO PROFESSQR ALBERT S. COOK AND PROFESSOR THOMAS D. SEYMOUR — PREFACE The student who diligently peruses the lines of a great poem may go far toward a realization of its char- acter. He may appreciate, in a degree, its loveliness, strength, and direct hold upon the catholic truth of life. But he will be more sensitive to these appeals, and receive gifts that are richer and less perishable, accord- ing as he comprehends the forces by whose interaction the poem was produced. These are of two kinds the innate forces of the poet's character, and certain more external forces, such as, in the case of Milton, are represented by Hellenism and Hebraism. Their activ- ity is greatest where they meet and touch, and at this point their nature and measure are most easily dis- cerned. From a contemplation of the poem in its gene- sis one returns to a deeper understanding and enjoyment of it as a completed whole. The present study, though it deals with but one of the important cultural influ- ences affecting Milton, and with it but in part, endeav- ors by this method to deepen and clarify the apprecia- tion of his art and teaching. My interest in the present work has found support and encouragement in the opinions of Mr. Churton Collins, as expressed in his valuable book. -
The Religious and Philosophical Assimilations of Helios in the Greek Magical Papyri Eleni Pachoumi
The Religious and Philosophical Assimilations of Helios in the Greek Magical Papyri Eleni Pachoumi HIS PAPER EXAMINES the religious and philosophical assimilations of the god Helios expressed in the Greek T magical papyri. It assesses the religious construction of Helios through his various assimilations with gods from other religious systems and with abstract epithets and philosophical concepts. Questions to be addressed are: How these manifold assimilations and the notions of ‘many-namedness’ and ‘many- formedness’ of Helios, and his various transformations, could be paralleled with or influenced by the tensions of contem- porary religious and philosophical currents in relation to the concept of ‘one and many’, or ‘the manifold one’ transcending plurality. And do the religious and philosophical assimilations of Helios reflect coherent religious attitudes? The spells to be examined are: (I) “Spell to bring the god” (PGM IV.985–1035) included in the “Spell that produces direct vision (of the divinity invoked)” (930–1114); (II) “(This is) the consecration ritual for all purposes. Spell to Helios” (IV.1596– 1715); (III) “Systasis to Helios” (III.494–611); and (IV) “Systasis with your own daimon” (VII.505–528). I. “Spell to bring the god,” θεαγωγὸς λόγος (IV.985–1035, IV A.D.) (1) Helios the greatest god, lord Horus Harpocrates The magician assimilates Helios with “the greatest god (τὸν µέγιστον θεόν), lord Horus Harpocrates,” “god of gods (θεὲ θεῶν),” whom he invokes (IV.987–988, 999–1000, 1048–1049). Helios is also described as “the one who enlightens everything and illuminates by his own power the whole cosmos” (989– ————— Greek, Roman, and Byzantine Studies 55 (2015) 391–413 2015 Eleni Pachoumi 392 THE ASSIMILATIONS OF HELIOS 991).1 In the hymn “To Helios” (939–948) Helios is also des- cribed as “gathering up the clover of the golden bean” (941) and identified with Harpocrates, “the god seated on a lotus, decorated with rays,” as he is described at the end of the spell at the moment of his expected revelation to the magician (1107–1108). -
Mythology, Greek, Roman Allusions
Advanced Placement Tool Box Mythological Allusions –Classical (Greek), Roman, Norse – a short reference • Achilles –the greatest warrior on the Greek side in the Trojan war whose mother tried to make immortal when as an infant she bathed him in magical river, but the heel by which she held him remained vulnerable. • Adonis –an extremely beautiful boy who was loved by Aphrodite, the goddess of love. By extension, an “Adonis” is any handsome young man. • Aeneas –a famous warrior, a leader in the Trojan War on the Trojan side; hero of the Aeneid by Virgil. Because he carried his elderly father out of the ruined city of Troy on his back, Aeneas represents filial devotion and duty. The doomed love of Aeneas and Dido has been a source for artistic creation since ancient times. • Aeolus –god of the winds, ruler of a floating island, who extends hospitality to Odysseus on his long trip home • Agamemnon –The king who led the Greeks against Troy. To gain favorable wind for the Greek sailing fleet to Troy, he sacrificed his daughter Iphigenia to the goddess Artemis, and so came under a curse. After he returned home victorious, he was murdered by his wife Clytemnestra, and her lover, Aegisthus. • Ajax –a Greek warrior in the Trojan War who is described as being of colossal stature, second only to Achilles in courage and strength. He was however slow witted and excessively proud. • Amazons –a nation of warrior women. The Amazons burned off their right breasts so that they could use a bow and arrow more efficiently in war. -
Heracles and the Foundings of Sparta and Rome
Heracles and the Foundings of Sparta and Rome A Thesis by Nicholas Granitz Advised by Dr. Edith Foster Assisted by Drs. Burkett and Levithan In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts and the Ashbrook Statesmanship Thesis and Honors Capstone Project Ashland University, Ashland, Ohio 2011 Submitted November 29th, 2011 Nicholas Granitz Abstract This thesis finds that both the Spartans and the Romans consciously adopted Heracles as a model for their societies. This adoption is seen both through their historical actions and, especially, in their founding myths, which identify the city’s founders with Heracles. Although the argument relies on previous scholarly work interpreting the character of Heracles, several connections, especially those in the Sparta chapter, are original arguments for Heracles’ relevance in founding mythology. A close analysis of the Twelve Labors of Heracles is the foundation for my arguments. The analysis of Sparta relies on the works of Tyrtaeus, Herodotus, Thucydides, Xenophon, and Plutarch. The analysis of Rome relies on the works of Fabius Pictor, Virgil, Livy, and Plutarch. Secondary sources were also important, especially the writings of G. Karl Galinsky, whose work is influential throughout the thesis. 2 Nicholas Granitz Table of Contents Introduction 04 Chapter One: Heracles 07 Chapter Two: Sparta and Heracles 37 Chapter Three: Rome and Hercules 55 Conclusion 71 Works Cited 77 I am indebted to Dr. Edith Foster, Dr. Chris Burkett, and my family and friends for making the completion of this thesis possible. Thank you. 3 Nicholas Granitz Introduction Heracles and the Foundings of Sparta and Rome Greek and Roman polytheism was an influential cultural force in the ancient world, ingrained in every facet of ancient life.