DOCSLIB.ORG

Johannes Brahms, Max Bruch, Arthur Grumiaux

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Johannes Brahms, Max Bruch, Arthur Grumiaux Johannes Brahms Brahms.Bruch Violinkonzerte mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Brahms.Bruch Violinkonzerte Country: Netherlands MP3 version RAR size: 1191 mb FLAC version RAR size: 1325 mb WMA version RAR size: 1313 mb Rating: 4.9 Votes: 448 Other Formats: MPC ASF AAC APE MP2 AC3 XM Tracklist 1 –Johannes Brahms Violinkonzert D-dur Op. 77: Allegro non troppo 21:40 2 –Johannes Brahms Violinkonzert D-dur Op. 77: Adagio 8:40 Violinkonzert D-dur Op. 77: Allegro Giocoso, Ma Non Troppo Vivace - 3 –Johannes Brahms 7:45 Poco Piú Presto 4 –Max Bruch Violinkonzert Nr. 1 G-moll Op. 26: Vorspiel (Allegro Moderato) - Adagio 16:00 Violinkonzert Nr. 1 G-moll Op. 26: Finale (Allegro Energico - Stringende 5 –Max Bruch 7:20 Poco A Poco - Presto) Notes Made in Holland Other versions Category Artist Title (Format) Label Category Country Year Brahms* / Bruch* - Arthur Brahms* / Bruch* - Arthur Grumiaux / Das Grumiaux / Das 835 234 Concertgebouw-Orchester, 835 234 Concertgebouw-Orchester, Philips Netherlands Unknown LY Amsterdam* / Eduard van LY Amsterdam* / Eduard van Beinum / Bernard Haitink Beinum / Bernard Haitink - Violinkonzert (LP) Brahms* / Bruch* - Arthur Brahms* / Bruch* - Arthur Grumiaux / Das Grumiaux / Das Concertgebouw-Orchester, L 02356 L 02356 Concertgebouw-Orchester, Amsterdam* / Eduard van Philips Netherlands 1964 L L Amsterdam* / Eduard van Beinum / Bernard Haitink Beinum / Bernard Haitink - Violinkonzert (LP, Mono, Dlx) Brahms* / Bruch* - Arthur Brahms* / Bruch* - Arthur Grumiaux / Das SAL Grumiaux / Das SAL Concertgebouw-Orchester, Philips, 3526, Concertgebouw-Orchester, 3526, UK 1965 Amsterdam* / Eduard van Philips SAL.3526 Amsterdam* / Eduard van SAL.3526 Beinum / Bernard Haitink Beinum / Bernard Haitink - Violinkonzert (LP) Brahms* / Bruch* – Arthur Brahms* / Bruch* – Arthur Grumiaux / Das Grumiaux / Das 835 234 Concertgebouw-Orchester, 835 234 Concertgebouw-Orchester, Philips Europe Unknown LY Amsterdam* / Eduard van LY Amsterdam* / Eduard van Beinum / Bernard Haitink Beinum / Bernard Haitink - Violinkonzerte (LP) Johannes Brahms / Max Johannes Brahms / Max Bruch - Arthur Grumiaux, Bruch - Arthur Grumiaux, Orchestre Du Orchestre Du 835.234 Concertgebouw 835.234 Concertgebouw Philips France 1964 LY D'Amsterdam*, Eduard LY D'Amsterdam*, Eduard Van Beinum - Bernard Van Beinum - Bernard Haitink - Concertos Pour Haitink Violon Et Orchestre (LP) Related Music albums to Brahms.Bruch Violinkonzerte by Johannes Brahms Mendelssohn & Bruch - Jaime Laredo / Bostoner Symphonie-Orchester / National Symphonie- Orchester - Violinkonzert E-moll / Violinkonzert Nr. 1 Brahms, Das Concertgebouw-Orchester Amsterdam Ltg. Eduard van Beinum - Symphonie Nr. 3 In F- Dur Op. 90 Bruch / Mozart - Heifetz, Sir Malcolm Sargent, Neues Symphonie-Orchester · London - Violinkonzert Nr. 1 G-moll / Violinkonzert Nr. 4 D-dur Brahms - Alfred Brendel, Concertgebouw Orchestra, Amsterdam, Bernard Haitink - Piano Concerto No. 2 Brahms - Alfred Brendel, Concertgebouw-Orchester, Amsterdam, Bernard Haitink - Klavierkonzert Nr. 2 Ludwig van Beethoven, Johannes Brahms, Max Bruch - Die Großen Violinkonzerte Johannes Brahms, Erica Morini - Violinkonzert D-dur Op. 77 Bruch - Brahms - Hideko Udagawa, London Symphony Orchestra, Sir Charles MacKerras - Violin Concerto No.1 / Violin Concerto Op. 77 Brahms / Arthur Grumiaux / Concertgebouworkest / Eduard van Beinum - Vioolconcert Brahms, Herman Krebbers, Orchestra Del Concertgebouw Di Amsterdam Dir. Bernard Haitink - Concerto Per Violino E Orchestra.
Load more

Recommended publications
  • Bizet Carmen Suite - L'arlesienne Suites Mp3, Flac, Wma
    Bizet Carmen Suite - L'Arlesienne Suites mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Carmen Suite - L'Arlesienne Suites Country: US Released: 1950 Style: Romantic MP3 version RAR size: 1543 mb FLAC version RAR size: 1580 mb WMA version RAR size: 1783 mb Rating: 4.6 Votes: 131 Other Formats: RA MIDI MP3 AAC AA AHX MP4 Tracklist Carmen-Suite A1 Prélude, Act 1 A2 Entr'acte, Act 4 A3 Entr'acte, Act 2 A4 Entr'acte, Act 3 A5 Scène Des Contrebandiers, Act 3 A6 La Garde Montante, Act1 A7 Danse Bohème, Act2 L'Arlesienne Suites B1 Prélude B2 Minuetto B3 Adagietto B4 Menuet B5 Farandole Credits Composed By – Georges Bizet Conductor – Anthony Collins (tracks: A1 to A7), Eduard van Beinum (tracks: B1 to B5) Orchestra – The London Philharmonic Orchestra Photography – Roger Wood Barcode and Other Identifiers Matrix / Runout: ARL-280-AW Matrix / Runout: ARL-281-AW Other versions Category Artist Title (Format) Label Category Country Year Bizet* - Anthony Bizet* - Anthony Collins & Eduard Collins & Eduard van Beinum van Beinum Conducting The Ace Of ACL 9, ACL.9 Conducting The London Clubs, Ace ACL 9, ACL.9 UK Unknown London Philharmonic Of Clubs Philharmonic Orchestra - Carmen Orchestra And L'Arlesienne Suites (LP) Bizet* - Anthony Bizet* - Anthony Collins & Eduard Collins & Eduard van Beinum van Beinum Conducting The B 19013 Conducting The London Richmond B 19013 US Unknown London Philharmonic Philharmonic Orchestra - Carmen Orchestra Suite - L'Arlésienne Suite (LP) Georges Bizet, The Georges Bizet, London The London Philharmonic
    [Show full text]
  • ARSC Journal
    BEETHOVEN Symphony #3 in E-Flat, Op. 55, ~; Leonore Overture #3, Op. 72A; Egmont, Op. 84: Overture. (Joseph Keilberth, cond., Hamburg State Philharmonic, in the Eroica; Berlin Philharmonic in the Overtures. Japanese Telefunken GT 9169) BEETHOVEN Symphonies #5 inc, Op, 67; #6 in F, Op. 68, Pastorale. (Joseph Keilberth, cond., Hamburg State Philharmonic in the 5th; Bam­ berg Symphony in the 6th, Japanese Telefunken GT 9170) BEETHOVEN Symphonies #7 in A, Op. 92; #8 in F, Op, 93. (Joseph Keilberth, cond., Berlin Philharmonic in the 7th; Hamburg State Phil­ harmonic in the 8th, Japanese Telefunken GT 9171) BRAHMS Symphony #2 in D, Op, 73; Academic Festival Overture, Op. 80, (Joseph Keilberth, cond., Berlin Philharmonic in the Symphony; Bamberg Symphony in the Overture. Japanese Telefunken GT 9174) BRAHMS Symphony #3 in F, Op, 90; Hungarian Dances #1 in g; #3 in F; #10 in F, (Joseph Keilberth, cond., Bamberg Symphony. Japanese Tele­ funken GT 9175) BRUCKNER Symphony #9 ind, (Joseph Keilberth, cond., Hamburg State Philharmonic. Japanese Telefunken GT 9180) DVORAK Symphony #9 in e 1 Op. 95, From the New World; SMETANA Ma Vlast: The Moldau; From Bohemia's Woods and Fields. (Joseph Keilberth, cond., Bamberg Symphony Orchestra, Japanese Telefunken GT 9178) MOZART Symphonies #35 in D, K. 385, Haffner; #36 in C, K, 425, Linz; Serenata Notturna, K, 239; Six German Dances, K. 509. (Joseph Keil­ berth, cond., Bamberg Symphony Orch. Japanese Telefunken GT 9166) MOZART Symphonies #38 in D, K, 504, Prague; #39 in E-Flat, K. 543; Serenade in G, K. 525, Eine kleine Nachtmusik. (Joseph Keilberth, cond., Bamberg Symphony Orchestra.
    [Show full text]
  • Los Angeles Philharmonic Celebrating
    CELEBRATING LOS ANGELES PHILHARMONIC CELEBRATING LOS ANGELES PHILHARMONIC 2 A Olympic Fanfare and Theme 4:00 J Theme from Jurassic Park 5:57 B Excerpts from Close Encounters of the Third Kind 8:28 Three Selections from Indiana Jones K Scherzo for Motorcycle and Orchestra 3:07 C Out to Sea and The Shark Cage Fugue from Jaws 4:24 L Marion’s Theme 4:11 M Three Selections from Harry Potter Raiders March 5:08 D Hedwig’s Theme 4:58 N Sayuri’s Theme from Memoirs of a Geisha 4:17 E Fawkes the Phoenix 3:42 Robert deMaine cello F Harry’s Wondrous World 4:41 Three Selections from Star Wars G Theme from Schindler’s List 3:41 O The Imperial March 3:03 Simone Porter violin P Yoda’s Theme 3:36 Q Throne Room and Finale 7:58 H Adventures on Earth from E.T. the Extra-Terrestrial 10:25 R Adagio from Star Wars: The Force Awakens 4:34 I The Flight to Neverland from Hook 4:49 S Superman March 4:26 3 CELEBRATING JOHN WILLIAMS The bonds between composer John Williams and the ably inevitable. More than any other composer, John Los Angeles Philharmonic reach farther back than any- Williams has been responsible for the growing accep- one might imagine. The veteran film composer first tance of film music in the concert hall. He has reminded conducted the orchestra in July 1978 at the Hollywood us all that the greatest music written for films can also, Bowl, in the aftermath of the Oscar-winning success of in the right context, stand alongside the finest concert his music for Star Wars and Close Encounters of the Third music being written today.
    [Show full text]
  • Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
    Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska,
    [Show full text]
  • Cello Biennale 2018
    programmaoverzicht Cellists Harald Austbø Quartet Naoko Sonoda Nicolas Altstaedt Jörg Brinkmann Trio Tineke Steenbrink Monique Bartels Kamancello Sven Arne Tepl Thu 18 Fri 19 Sat 20 Sun 21 Mon 22 Tue 23 Wed 24 Thu 25 Fri 26 Sat 27 Ashley Bathgate Maarten Vos Willem Vermandere 10.00-16.00 Grote Zaal 10.00-12.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal 09.30 Grote Zaal Kristina Blaumane Maya Beiser Micha Wertheim First Round First Round (continued) Bach&Breakfast Bach&Breakfast Bach&Breakfast Bach&Breakfast Bach&Breakfast Bach&Breakfast Arnau Tomàs Matt Haimovitz Kian Soltani Jordi Savall Sietse-Jan Weijenberg Harriet Krijgh Lidy Blijdorp Mela Marie Spaemann Santiago Cañón NES Orchestras and Ensembles 10.15-12.30 10.15-12.30 10.30-12.45 Grote Zaal 10.15-12.30 10.15-12.30 10.15-12.30 10.15-12.30 10.30 and 12.00 Kleine Zaal Master class Master class Second Round Masterclass Masterclass Masterclass Masterclass Valencia Svante Henryson Accademia Nazionale di Santa Show for young children: Colin Carr (Bimhuis) Jordi Savall (Bimhuis) Jean-Guihen Queyras Nicolas Altstaedt (Bimhuis) Roel Dieltiens (Bimhuis) Matt Haimovitz (Bimhuis) Colin Carr Quartet Cecilia Spruce and Ebony Jakob Koranyi (Kleine Zaal) Giovanni Sollima (Kleine (Bimhuis) Michel Strauss (Kleine Zaal) Chu Yi-Bing (Kleine Zaal) Reinhard Latzko (Kleine Zaal) Zaal) Kian Soltani (Kleine Zaal) Hayoung Choi The Eric Longsworth Amsterdam Sinfonietta 11.00 Kleine Zaal Chu Yi-Bing Project Antwerp Symphony Orchestra Show for young children:
    [Show full text]
  • EDUARD VAN BEINUM HERDACHT TRUUS DE LEUR 07-11 the MAN WHO BURNT HIMSELF up ERIK DEROM 12 CONTRASTING VAN Belnum MENGELBERG P
    UITGA VE VAN DE WILLEM MENGELBERG VERENIGING I JAARGANG: 2000 MAAND: SEPTEMBER NO: 55 Dit blad is een uitgave va~ de WILLEM MENGELBERG VERENIGING Opgericht 13 februari 1987 SECRETARIAAT Irislaan 287 2343 CN OEGSTGEEST Telefoon 071- 517395 ----Giro 155802 REDACTIE Dr. A. Coster A. van Kapel J.Krediet Irislaan 287 Hotbrouckerlaan 66 Kruidenommegang 57 2343 CN OEGSTGEEST 2343 HZ OEGSTGEEST 1115 ER DUIVENDRECHT BESTUUR Prof. Dr. W.A.M. van der Kwast Voorzitter A. van Kapel Vice voorzitter Dr. A. Coster Secr.lpenningm. J. Krediet en R. Krósemann Leden Mr. E.E.N. Krans Jur. Adviseur INHOUD VAN DEZE AFLEVERING 01 VAN DE REDACTIE 02 ROEP BART! ERIK VOERMANS 03-06 EDUARD VAN BEINUM HERDACHT TRUUS DE LEUR 07-11 THE MAN WHO BURNT HIMSELF UP ERIK DEROM 12 CONTRASTING VAN BElNUM MENGELBERG P. BROUWER 13-15 EDUARDVANBElNUM: THELATAPES 16 VAN BEINUM MET CONCERT, CD EN BOEK KAPAR JANSEN 17 FOTO CONCERTGEBOUW ORKEST 1922 18 MENGELBERG DIRIGEERT IN DUITSL.1922 JOHAN KREDIET 19 MENGELBERG DIRIGEERT IN DUITSL,1942 ERIK DEROM 20 NIEDERL. MUSIK UNTER W. MENGELBERG GRETA DAEGLAU 23 UIT DE WEB-SITE VAN MARK O. THORN ERIK DEROM 29 PETER VAN ANROOY EN HET C.O. JOHAN GISKES 31 REHABILITATIE JAN VANGILSE PETER VAN DER LlNT 33 HEKLEDEN L.l JORDAAN 34 BON MOTS EN ANEI®OTEN 35 MENGELBERG EN ZIJN TIJD : 1901 JOHAN KREDIET 39 DISCOGRAFIE MORTIMER H. FRANK 41 DISCOGRAFIE JAMES H. NORTH AANMELDINGSFORMULIER -1 - Van de redactie Van Beinum Op 3 september was het 100 jaar geleden dat Eduard van Beinum werd geboren. In dit nummer vindt u enkele recente artikelen uit Preludium en International Classical Record Collector over de opvolger van Mengelberg.
    [Show full text]
  • Mengelberg En · Zijn Tijd
    MENGELBERG EN · ZIJN TIJD Ledenvergadering 2003 op 25 oktober f.0 Eduard van Beinum: dirigent in de schaduw van Mengelberg (?) f.0 Tilly Mengelberg: een leven lang edelmoedige toewijding f.0 Jan Toorop en de muziek EEN UITGAVE VAN DE WILLEM MENGELBERG VERENIGING 16E JAARGANG NUMMER 66 SEPTEMBER 2003 OVER EDUARD, JAN, TILLY EN WILLEM De zomer leek maar geen afscheid te willen nemen, maar zeker is dat we weer op de drempel staan van een van de meest zintuiglijke seizoenen die we kennen: de herfst. Is het immers geen genot om de milde temperaturen te voelen? Om te zien wat het licht doet met de transformerende natuur? Is het geen genot om buiten te ruiken wat de herfst met onze omgeving doet? Het wordt weer wat frisser en de dagen In het laatste deel van het verslag van donkeren steeds sterker en na het buiten­ Mengelbergs Amerikaanse avontuur, vertelt seizoen zijn we meer aangewezen op de hij dat er bij zijn terugkeer niet alleen maar beschermende omgeving van onze ver­ gejuicht werd. trouwde huiselijke ambiance. Tijd weer voor Tot slot schetst Johan Krediet de sfeer in de een goed boek en vooral tijd ook voor de Jodenbreestraat tijdens het interbellum waar 3 eeuwig boeiende muziek. En misschien heeft u Mengelberg dagelijks 'over de tong' gaat op ook wel tijd om naar de tentoonstelling over een zeer Jiddisch-Amsterdamse manier. Jan Toorop te gaan in Nijmegen. Lees het Over de J odenbreestraat gesproken ... u artikel van Aarnout Coster en u leert hoe vergeet vast niet dat op zaterdag 25 oktober Toorop gefascineerd raakte van Mahler door de algemene ledenvergadering wordt uitvoeringen onder Mengelberg.
    [Show full text]
  • Recording Master List.Xls
    UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre
    [Show full text]
  • Senza Sordino, October 2013, Volume 51 Number 3
    Official Publication of the International Conference of Symphony and Opera Musicians VOLUME 56 NO. 2 JUNE 2018 The LA Philharmonic In This Issue Cleveland Centennials The LA Philharmonic By Joela Jones, TCO ICSOM Delegate Centennial Centennial ..................... 1 By John Lofton, LA Phil ICSOM Cleveland Centennials .. 1 hat do the Cleveland Orchestra and Chairperson’s Report .... 2 former assistant principal oboist Delegate Changing culture Robert Zupnik have in common? President’s Report ........ 3 W n 1919, a copper scion, arts enthusiast, At 100, they are both alive and very well, indeed! and amateur violinist by the name of Wil- Concrete action Cleveland-born Bob Zupnik was already a on diversity liam Andrews Clark Jr. founded the first Courtesy of the Cleveland Orchestra year old when the Cleve- I Secretary’s Report ......... 3 permanent symphony orchestra in the City of An- land Orchestra presented The true nature of an Courtesy of the Author Courtesy of the gels and named it the Los ICSOM conference its first concert in Gray’s Angeles Philharmonic. His The Win/Win/Win/Win Armory on December 11, statement, “We want to be Alzheimer’s Project ....... 4 1918. Much later as a young the best orchestra in Amer- Phoenix’s new initiative college student, Bob played ica,” perhaps reflective of benefits patients when needed as an extra in and musicians the optimistic 1920s era, the orchestra, and in 1946 The End of an Era ........ 6 was nonetheless a commit- JoAnn Falletta announces after serving in the Second ment he took on personally her Virginia retirement World War, he returned to by becoming the LA Phil’s Newslets .......................
    [Show full text]
  • 8.558087-90Extract.Pdf
    of CONDUCTORS free website Log onto the free A–Z of Conductors website and listen to hours more music: complete recordings conducted by Beecham, Furtwängler, Karajan, Toscanini, Walter and many more! Access information www.naxos.com/azconductors ISBN: 9781843790716 Password: Maestro 4 of CONDUCTORS CONTENTS Acknowledgements .....................................................................................................7 Track List ..............................................................................................................................9 Preface – Recording and Conducting ............................................................23 BIOGRAPHIES .................................................................................................................31 About the Author .................................................................................................... 946 Credits ............................................................................................................................. 947 5 of CONDUCTORS ACKNOWLEDGEMents In the preparation of this directory many acknowledgements are due. Firstly thanks to Klaus Heymann and Nicolas Soames for the initial idea and for keeping faith with it during a long gestation period. Genevieve Helsby, Robin Newton and Pamela Scrayfield have all generously offered editorial advice and support well beyond what might normally be expected. Vicki Kondelik, John Lucas, Tully Potter, Nigel Simeone and Jonathan Summers have kindly given detailed information
    [Show full text]
  • BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
    BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>H HOLLAND Decca first recorded the Amsterdam Concertgebouw Orchestra during a visit to London in March 1946 (AR10127-33) and the same matrix series was used for the first recordings made in the orchestra’s own hall. From 1947 a distinctive matrix series was used and Decca allotted many of its most important symphonic sessions to the orchestra, either under van Beinum or distinguished guests, until 1953 when it switched to the Philips label. It stayed there under Haitink until 1980, reappearing on Decca with Ashkenazy and recovering its former importance to the label whilst Chailly was in charge (1988-2004). Since then under Jansons the Concertgebouw has followed the LSO in creating its own record label. There were also a few sessions with the radio orchestra in Hilversum in 1970-74. >RVH VENUES Twelve different venues were used, but only one reached double figures, whilst five were only visited once. BEURS VAN BERLAGE, AMSTERDAM (1988) was originally a stock exchange (1903). The 600 seat concert hall, initially known as the WANG ZAAL and chosen for a piano recording in 1991, had been re-named the YAKULT ZAAL by the time of its next chamber ensemble recording in 2004. CONCERTGEBOUW, AMSTERDAM (1888) contains both the 2000 seat GROTEZAAL, where the resident orchestra was recorded from 1946-2004, and the 400 seat KLEINEZAAL, used occasionally from 1983-98. [107+6 entries] HET MUZIEKTHEATER, AMSTERDAM (1986), a 1600 seat house, staged a production by the resident Netherlands Opera that was televised in 1998. WAALSEKERK, AMSTERDAM (1409) is noted for its acoustics and was favoured from 1988-93 for three Concertgebouw Chamber Orchestra recordings.
    [Show full text]