Thinking out of the VOX
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Skiesunlimited
Winter/Spring Catalog 2018 SKIESUnlimited USAG Italy Schools of Knowledge, Inspiration, Exploration & Skills About Us Contents Discover the The SKIESUnlimited Program at School of Academics, Mentoring & Intervention USAG Italy supports the Child & Our Philosophy Youth Services commitment to 1 Italian Language Families by enhancing options for the At SKIESUnlimited, our focus is development of youth through quality high quality instructional classes School of Arts, Recreation & Leisure learning opportunities. inspiring our students to explore, learn and grow. 3 Multicultural Creations We offer instructional classes for 4 Fine Art youth in each of our four schools: Through a cadre of caring faculty 5-6 Pre-Dance, Tap & Ballet with Ms. Silvia School of Academics, Arts, Life and and staff, we encourage our 7-8 Modern Dance & Dance Theatre with Ms. Boba Sports. SKIESUnlimited is committed students to set high goals and 9 Irish Dance with Ms. Esther 10 Kindermusik® to creating an environment of work to achieve them. excellence by providing quality class 11-15 Private Music Instruction materials and using instructors who We strive to provide a variety of School of Life Skills, Citizenship & Leadership are certified experts in their fields. educational activities for all Classes are offered for specific age members of our CYS Family and 17 Cooking groups ranging from 6 months to 18 seize every opportunity to learn, years of age. grow, support and have fun! School of Sports, Fitness & Health Enrollment for SKIESUnlimited Thank you for supporting the classes takes place at CYS Parent 19-20 Parent & Me Swimming & Swimming by Levels SKIESUnlimited program! Central Services in the Davis Soldier 21 Water Fitness & Family Readiness Center, Bldg. -
Hélène Segré — (33) 6 14 32 77 43 - [email protected] 3
1 Les Sacqueboutiers, ensemble de cuivres anciens de Toulouse 22 bis rue des Fleurs - 31000 Toulouse Phone. (33) 5 61 13 00 18 - [email protected] Press contact : Hélène Segré — (33) 6 14 32 77 43 - [email protected] 3. Biography 4. 4 days - An international meeting 5. Competition 6 - 7. Jury 8. 40 years anniversary concert 9 - 10. Conferences 11. Discography 12. Around the world 13 -14-15 Presentation of the instruments 16. Media Les Sacqueboutiers ensemble de cuivres anciens de Toulouse Artistic Direction : Jean-Pierre Canihac et Daniel Lassalle Les Sacqueboutiers, an ensemble based in Toulouse, playing on early brass instruments have been in existence for nearly four decades during which time they have built up a reputation as one of the finest early music ensembles on the international scene. Regarded by specialists and the public alike as a reference in the interpretation of seventeenth-century instrumental music, particularly that of Italy and Germany, the ensemble has reaped the highest awards for its recordings. When they decided to form Les Sacqueboutiers in 1976, Jean-Pierre Canihac and Jean-Pierre Mathieu were among the first to embark on the adventurous rediscovery of early instruments. The quality of their work soon attracted attention, and they took part in the groundbreaking recording of Monteverdi's Vespro della Beata Vergine, conducted by Michel Corboz. Since then, they have per-formed music ranging from the Renaissance to Mozart, with many prestigious ensembles including Les Arts Florissants (William Christie), La Chapelle Royale (Philippe Herreweghe), A Sei Voci (Bernard Fabre-Garrus), Elyma (Gabriel Garrido), La Grande Ecurie et la Chambre du Roy (Jean-Claude Malgoire), the Clément Janequin Ensemble (Dominique Visse).. -
Violin Strings and Stringings
Italian violin strings in the eighteenth and nineteenth centuries: typologies, manufacturing techniques and principals of stringing by Mimmo Peruffo (Updated version of the original article in Recercare IX, 1997, pp.155-203) In the first version of Recercare some of the conclusions reported in section 8 (Working tension and “feel”) turned out to be incorrect. I apologize to readers and offer an updated version of the article below. Questa picciol'arte, che contribuisce tanto al nostro piacere, e forse una delle men note, attesoche' coloro che la professano ne serbano le pratiche a guisa di segreto. FRANCESCO Griselini: Dizionario delle arti e mestieri (Venezia 1765). On matters concerning strings and the criteria of stringing bowed instruments from the beginning of the eighteenth to the end of the nineteenth century, the systematic study of recently acquired material has produced some remarkable surprises, that are particularly revealing if compared to the stringing techniques currently used by the early music specialists. For at least a decade researchers (1) have begun to realize that a too fast interpretations of the original sources in certain important violin methods dating from the first half of the present century - as, for example, that of Carl Flesch (2) - have had a bad influence on those who first began to pose the problem of how best to recover past musical repertories, in accordance with the strictest principles of authenticity It has been widely held, for example, that eighteenth-century bowed instruments, and especially the violin, had a thin, nasal sound – in marked contrast, therefore, with that of our own century, with its dominance of metal strings: this was generally attributed to the preference of early musicians to string their instruments much more lightly than is done today in ordinary practice (3). -
Piano Application For
Magnificat18th Magnificat Institute Nikolaus de la Flüe Piano Competition March 3 & 5, 2017 Regulations Application Form Magnificat Institute Jerusalem CUSTODIA TERRÆ SANCTÆ Established by Mrs. Anita Crasnich Tavasani in memory of her son Carlo, the “Carlo Tavasani” Piano Competition is now known as the “Nikolaus de la Flüe” Piano Competition. Main Sponsor: Associazione Amici del Magnificat Compagnia di Representation of Austrian San Giorgio the Republic of Poland Hospice to the Palestinian Authority A creation of the Franciscan Fr. Armando Pierucci, the Magnificat Institute of Music was officially established in 1995 by the Chapter of the Franciscan Custody of the Holy Land. The main goal of the Institute is to train and prepare musicians who will sing and play music in the Holy Places, and to offer musical education of high quality to all communities living in the Holy Land. The Magnificat Institute offers courses in piano, pipe organ, violin, viola, cello, flute, guitar, voice training, percussions, oboe, bassoon and trumpet. There are a number of disciplines connected to the program: solfege, recorder, harmony, music history, orchestra and choir practice in one of the three choirs of the Institute. The Magnificat Institute has an international team of teachers; all of them have a strong academic background and a solid teaching experience. There are approximately 200 students, ranging from the propaedeutic level to the 10 year courses of musical studies. In 2014, the Magnificat Institute signed a collaboration agreement with the “A. Pedrollo” Musical Conservatory of Vicenza (Italy). As a result, the music school of the Custody offers B.A. Degrees in Music that are recognized all over the European Union. -
In Search of Perfect Harmony Giuseppe Tartini's Music
International musicological conference IN SEARCH OF PERFECT HARMONY GIUSEPPE TARTINI’S MUSIC AND MUSIC THEORY IN LOCAL AND EUROPEAN CONTEXTS 16–17 November 2020 PROGRAMME BOOKLET IN SEARCH OF PERFECT HARMONY: GIUSEPPE TARTINI’S MUSIC AND MUSIC THEORY IN LOCAL AND EUROPEAN CONTEXTS International musicological conference on the 250th anniversary of the death of Giuseppe Tartini 16–17 November 2020 Organisation University of Ljubljana, Faculty of Arts, Department of Musicology Slovenian Musicological Society In cooperation with Research Centre of the Slovenian Academy of Sciences and Arts, Institute of Musicology Community of Italians “Giuseppe Tartini” Piran Project Tartini 250 is run under the honourable patronage of the President of the Republic of Slovenia, Borut Pahor. CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 78.036(082) 78(450):929Tartini G. INTERNATIONAL Musicological Conference (2020 ; Ljubljana) In search of perfect harmony : Giuseppe Tartini's music and music theory in local and European contexts : International Musicological Conference : programme booklet : 16-17 November 2020 / [organisation University of Ljubljana, Faculty of Arts, Depart- ment of Musicology, Slovenian Musicological Society in cooperation with Research Centre of the Slovenian Academy of Sciences and Arts Community of Italians "Giuseppe Tartini" Piran ; edited by Katarina Bogunović Hočevar, Klemen Grabnar, Nejc Sukljan]. - Ljubljana : University Press, Faculty of Arts, 2020 ISBN 978-961-06-0389-4 1. Gl. stv. nasl. 2. Bogunović Hočevar, Katarina COBISS.SI-ID 35857411 HE 250th anniversary of the death of the famous violinist, Tviolin teacher, composer and music theorist Giuseppe Tar- tini (1692–1770), which we commemorate in 2020, presents an opportunity to reconsider the current state of research into his life and work, as well as to address topics that have so far re- mained in the background. -
1982-84 Marylhurst College Catalog
TABLE OF CONTENTS General lnformation 3 Aft 2l Liberal Arts 29 Management 43 Music 5l Religious Studies 6l lndex 7l :..ipJ.i.i-., . ' ' t' I /le -l "I ".uj,S.r d l, e" r trmR,Y..ttiunilT : €oLtE, GE- FoR, 'J ";.'$/ $"_f; $$r LIFELONG LEARNING Marylhurst, OR91036 L- Telephone (503) 636-8141 ^A 2 WELCOME TO MARYTHURST BUILDING ON A RICH HERITAGE... Marylhurst is honored to provide the opportunities for students to reach- Marylhurst College for Lifelong and exceed-the horizons of their Learning, building on an 80 year tradi- potential. Through vocation and.;ob, tion of excellence in education, has in the community or individually. become recognized as the northwest s students at Marylhurst address the leading college for lifelong learners- challenges of contemporary society. both men and women. The administration, faculty and staff Established in 1974 on the campus of of Marylhurst are resolute in the Marylhurst College (founded by the goal to provide the quality education Sisters of the Holy Names in 1893). the needed to nurture their intellectual for lifelong learning took a first and personal development. college bold step in pioneering educational Marylhurst students are, indeed, part programs for adults. Marylhurst now of a "learning renaissance," and are serves a diverse student body- exploring the great possibilities of the notjust last year s high school human spirit which holds a universe seniors, but business executives, artists as great within as without. we wel- and musicians, and people actively come you to1oin in this renaissance. involved in the world around them- Whateveryour goals may be. -
Participants List EPARM Forum 2016 Vicenza
Participants List EPARM Forum 2016 Vicenza Country, City Institution, Participant E-mail address Hotel Arrival Departure Australia SYDNEY Sydney Conservatorium of Music, University of Sydney BARWICK Linda [email protected] Key Hotel Tuesday 19 Saturday 23 Austria GRAZ University of Music and Performing Arts BAESTLEIN Ulf [email protected] Tuesday 19 Saturday 23 SCHULZ Georg [email protected] Hotel Palladio Wednesday 20 Friday 22 SEEL Dorothea [email protected] Hotel Cristina Wednesday 20 Friday 22 SALZBURG Universität Mozarteum Salzburg MALKIEWICZ Michael [email protected] Wednesday 20 Friday 22 VIENNA University of Music and Performing Arts Vienna KAUFMANN Therese [email protected] Key Hotel Wednesday 20 Friday 22 Belgium ANTWERP Royal Antwerp Conservatoire VOETS Kevin [email protected] Key Hotel Wednesday 20 Friday 22 BRUSSELS AEC Office COX Jef [email protected] Hotel Due Mori Monday 18 Friday 22 GIES Stefan [email protected] Hotel Due Mori Wednesday 20 Friday 22 PRIMITERRA Sara [email protected] Hotel Due Mori Monday 18 Friday 22 VAN DER VOETS Rosanne [email protected] Hotel Due Mori Monday 18 Friday 22 BRUSSELS Royal Conservatory Brussels VAN DEN BUYS Kristin [email protected] Boutique hotel Wednesday 20 Friday 22 GENT Orpheus Institute DEJANS Peter [email protected] Page 1 of 8 Country, City Institution, Participant E-mail address Hotel Arrival Departure GENT Royal Conservatory / School of Arts Gent STYNS Frederik [email protected] Wednesday 20 Saturday -
S E P T E M B E R 2 0
september 2006 Published by the American Recorder Society, Vol. XLVII, No. 4 XLVII, Vol. American Recorder Society, by the Published Edition Moeck 2825 Celle · Germany Tel. +49-5141-8853-0 www.moeck.com The Smart Choice! Two-Piece Three-Piece Soprano Recorder Soprano Recorder • Ivory color $ 00• Detachable thumb rest $ 25 • Detachable thumb rest 5 • Includes C# and D# holes 5 • Single holes for low C & D • Accessories: cloth carrying bag, provide ease of playing in lower register fingering chart, and cleaning rod • Accessories: cloth carrying bag, A303AI Ivory Color Baroque Fingering fingering chart, and cleaning rod A303ADB Dark Brown Baroque Fingering A203A Baroque Fingering A302A Ivory Color German Fingering A202A German Fingering Classic One-Piece Soprano Recorder • Dark brown with Ivory-colored trim • Accessories: vinyl carrying bag • Built-in thumb rest places right hand in and fingering chart correct, relaxed position A103N Baroque Fingering • Curved windway • Single holes for low C and D provide A102N German Fingering ease of playing in lower register $650 Sweet Pipes Recorder Method Books Recorder Time, Book 1 by Gerald and Sonya Burakoff A completely sequenced step-by-step soprano method book for young beginners (3rd & 4th grade) with musical and technical suggestions for teacher and student. Note sequence: B A G C’ D’ F# E D. Includes 37 appealing tunes, lyrics, dexterity exercises, fingering diagrams, and fin- gering chart. For group or individual instruction. 32 pages. CD accom- paniment available. SP2308 Recorder Time, Book 1 . .$3.50 SP2308CD Recorder Time CD . .$12.95 Hands On Recorder by Gerald and Sonya Burakoff A completely sequenced beginning soprano method book for the 3rd and 4th grade instructional level, with musical and technical suggestions for the student and teacher. -
Slide Show General EMP 2017
@AEConservatoire #EMP2017 AEC EARLY MUSIC PLATFORM 2017 Courius about Curricula? Early Music Study programmes today and tomorrow A collaboration between AEC, REMA and EUBO in the framework of the EMBA Project, 23-24 March 2017 @AEConservatoire #EMP2017 Opening Event Music Introduction Le Voci delle Grazie Royal Conservatoire Students @AEConservatoire #EMP2017 Opening Event Welcoming words by: Henk van der Meulen Director of the Royal Conservatoire in the Hague @AEConservatoire #EMP2017 Opening Event Welcoming words by: Xavier Vandamme REMA President @AEConservatoire #EMP2017 Opening Event Welcoming words by: Paul James EUBO Director General @AEConservatoire #EMP2017 Opening Event Welcoming words by: Ingeborg Radok Žádná AEC Council Member @AEConservatoire #EMP2017 Opening Event Welcoming words by: Peter Nelson EMP Chairman @AEConservatoire #EMP2017 Discussion from panel to the plenum "Comparing ideas about curricula for Early Music in Europe. Discussing content in the education of tomorrow's historical performers." • Geoffrey Burgess – moderator • Johannes Boer, Koninklijk Conservatorium The Hague • Kelly Landerkin, Schola Cantorum Basiliensis • Anne Delafosse, CNSMD Lyon • Margaret Faultless , Royal Academy of Music, London • Mikayel Balyan, University of Music of the City of Vienna • Barbara Willi, Janáček Academy Brno • Terrell Stone, Conservatorio di Musica “A. Pedrollo”, Vicenza @AEConservatoire Royal Conservatoire The Hague #EMP2017 EM BACHELOR – The Hague Early Music - Fortepiano Year 1 Year 2 Year 3 Year 4 Bachelor 2017-2018 English -
Program for STENSEN III 20 October Friday CITIZEN FORUM 17:00-17
Program for STENSEN III 20 October Friday CITIZEN FORUM 17:00-17:15 Opening Ceremony Opening Masataka Murakami Welcome Noboru Mizuno, President of National Institute for Physiological Sciences Messages from Japan Salivary Gland Society Yasunobu Okada, President of Physiological Society of Japan Angelo Volpi, Science & Technology Attache of Embassy of Italy in Tokyo Masaru Ishikawa, Dupty Mayor of Okazaki City 17:15-17:40 Opening Lecture: <chair and translation, Konosuke Kumakura> Alessandro Riva (Cagliari) The work of Fabricius ab Aquapendente (Harvey's Teacher) in the light of the recently restored Tabulae Pictae: its influence in the development of modern anatomy in Europe and in Japan. 17:40-18:40 Lute Concert (sponsored by Institute of Italian Culture,Tokyo) Terrell Stone (Music Conservatory of Vicenza and Padova, Italy) Lute music from the court of Francis I and Padovan lute music. 18:40-20:00 Get Together and Welcome (Kanpai) 21 October Saturday SCIENCE SESSION O. Opening of Science Session <chair, Shohei Yamashina> 9:00-9:15 Talk-O1 Alessandro Riva (Cagliari) Stensen and early history of glands and exocrine secretion. A. Diagnostics using saliva and Proteomics of Saliva I. <chair, Massimo Castagnola> 9:15-9:30 Talk-A1 and for Poster-A5 Masataka Murakami (Okazaki), Naoki Shinozuka (Sapporo) Clinical examination using saliva: Influence of fluid secretion on the concentration of substrate in saliva: How to overcome the problem for in vivo application. 9:30-10:00 Talk-A2 Anders Bennick (Toronto) Extraoral functions of salivary proteins. 10:00-10:30 Talk-A3 Josie A. Beeley (Glasgow)Human salivary proteins- A fascinating complex of polymorphic and polyfunctional proteins. -
Conference Reader Emp Forum 2014 Vicenza.Pdf
AEC Early Music Platform Meeting EMP VICENZA 2014 ‘The Spirit of the Place’ 4th August – 6th April 2014, Vicenza, Italy The AEC would like to express deep gratitude to the Conservatorio di Musica "A. Pedrollo" for hosting and co-organizing the EMP Meeting 2014 and the Schola Cantorum Basiliensis for supporting the participation of some of the presenters. The AEC team would also like to express special thanks to the members of the EMP preparatory working group for their tremendous support in organizing the forum programme. AEC Early Music Platform Forum Vicenza 2014 2 Table of Contents AEC Early Music Platform – a new departure ......................................................................................... 4 Introduction to EMP 2014 ‘The Spirit of the Place’ ................................................................................. 5 Programme .............................................................................................................................................. 6 Palladio Tour ............................................................................................................................................ 9 Biographies of the Speakers .................................................................................................................. 10 A seventeenth-century venue for music in Italy: .................................................................................. 15 Breakout Questions .............................................................................................................................. -
A Program of STENSEN III for Opening Day on 20Th October 2006
3rd INTERNATIONAL SYMPOSIUM ON SALIVARY GLANDS IN HONOR OF NIELS STENSEN Okazaki, October 20-24, 2006 JSPS International Symposium National Institute for Physiological Sciences, NINS Chairmen: M Murakami, H Sugiya, A Riva A Program of STENSEN III for Opening Day on 20th October 2006 Opening Ceremony 17:00-17:15 Opening Masataka Murakami President of Organizing committee for STENSEN III Welcome Noboru Mizuno, President of National Institute for Physiological Sciences Messages from Japan Salivary Gland Society Yasunobu Okada President of Physiological Society of Japan Angelo Volpi Science & Technology Attache of Embassy of Italy in Tokyo Masaru Ishikawa Dupty Mayor of Okazaki City Opening Talk 17:15-17:40 there were Julius Casserius (1552-1616), Adrianus Spigelius The work of Fabricius ab Aquapendente (Harvey’s (1578-1625), Johannes Veslingius (1598-1646), William Harvey Teacher) in the light of the recently restored (1578-1657) and many others from all Europe. Even if Casserius Tabulae Pictae: its influence in the development of became Fabricius’s fierce academic rival, and Harvey, on the modern anatomy in Europe and in Japan. valves of the veins, reached conclusions opposite to those of his erstwhile teacher, all their published works are based on Riva A. 1, Kumakura K.2, Murakami M.3 Aristotle’s philosophy. Unlike Leonardo’s drawings and 1Dept of Cytomorphology, University of Cagliari, Italy, 2Life Eustachius’s engravings, that also were lost for centuries and, Science Institute, Shophia University, Tokyo, 3Nano Structure therefore, could not influence the development of the new Physiology, NIPS, Okazaki. anatomical science, many discoveries contained in Fabricius tables that during his lifetime were freely available (1) are In the dedication of his De Visione, Voce, Auditu, Fabricius ab incorporated in many books published by Anatomists that had Aquapendente (1533-1619) reports that he had in preparationg an been his pupils.