The Conference
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
The Assessment of Musical Attainment: Acquiring Cultural Capital And
The Assessment of Musical Attainment: Acquiring Cultural Capital and Building Learning Power in Instrumental Music Tuition A thesis submitted in partial fulfilment of the requirements of Nottingham Trent University for the degree of Doctor of Education June Bonfield-Brown November 2018 Copyright Statement This work is the intellectual property of the author. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed to the owner of the Intellectual Property Rights. Abstract This thesis describes an action research project undertaken within a mass participation instrumental music programme situated in East London. This action research project aimed to improve the way in which instrumental music pupils are assessed through the use of the graded examination. It also intended to provide opportunities to gain social and cultural capital for children in East London that are available in more affluent areas of the United Kingdom. The action research methodology was employed over three cycles of research. The research involved six instrumental music teachers, including myself, as an active participant. Data was collected through focus group interviews and semi-structured interviews which were analysed using thematic and narrative analysis. Amongst the main findings of this thesis are the following: The current graded examination is unsuitable and inaccessible to children learning to play musical instruments in a group learning context. -
Skiesunlimited
Winter/Spring Catalog 2018 SKIESUnlimited USAG Italy Schools of Knowledge, Inspiration, Exploration & Skills About Us Contents Discover the The SKIESUnlimited Program at School of Academics, Mentoring & Intervention USAG Italy supports the Child & Our Philosophy Youth Services commitment to 1 Italian Language Families by enhancing options for the At SKIESUnlimited, our focus is development of youth through quality high quality instructional classes School of Arts, Recreation & Leisure learning opportunities. inspiring our students to explore, learn and grow. 3 Multicultural Creations We offer instructional classes for 4 Fine Art youth in each of our four schools: Through a cadre of caring faculty 5-6 Pre-Dance, Tap & Ballet with Ms. Silvia School of Academics, Arts, Life and and staff, we encourage our 7-8 Modern Dance & Dance Theatre with Ms. Boba Sports. SKIESUnlimited is committed students to set high goals and 9 Irish Dance with Ms. Esther 10 Kindermusik® to creating an environment of work to achieve them. excellence by providing quality class 11-15 Private Music Instruction materials and using instructors who We strive to provide a variety of School of Life Skills, Citizenship & Leadership are certified experts in their fields. educational activities for all Classes are offered for specific age members of our CYS Family and 17 Cooking groups ranging from 6 months to 18 seize every opportunity to learn, years of age. grow, support and have fun! School of Sports, Fitness & Health Enrollment for SKIESUnlimited Thank you for supporting the classes takes place at CYS Parent 19-20 Parent & Me Swimming & Swimming by Levels SKIESUnlimited program! Central Services in the Davis Soldier 21 Water Fitness & Family Readiness Center, Bldg. -
LMM Commissions Press Release Updated
London Music Masters presents world premieres of Gavin Higgins’ Tänze on 23 October and Edmund Finnis’ Shades Lengthen on 10 December as part of LMM’s 2015 commission series Friday 23 October 2015 Thursday 10 December 2015 6pm St. John’s, Hackney Royal Festival Hall Tänze Shades Lengthen (world premiere) (world premiere) Gavin Higgins composer Edmund Finnis composer LMM Learning students Benjamin Beilman violin (LMM London Philharmonic Award Holder) Orchestra London Contemporary Orchestra London Music Masters hosts world premieres of two new works by leading British composers Gavin Higgins on 23 October, and Edmund Finnis on 10 December as part of LMM’s 2015 series of commissions. Higgins’ dance suite Tänze will be performed by 70 of London Music Masters Learning students aged 9-11 and the London Philharmonic Orchestra at the Royal Festival Hall. This free event precedes pianist and LMM Ambassador Benjamin Grosvenor’s concert with the London Philharmonic Orchestra, performing Ravel’s Piano Concerto in G major, marking his first time performing with them in London. Higgins’ large scale, innovative new work will explore the history of dance music from the Baroque period to the present day. Higgins explains: “Tänze is a new work inspired by the Baroque dance suite. As such the piece is made up of the four dances most commonly utilised; Allemande, Courante, Sarabande and a lively Gigue. Dance music has always been very important to me and I’ve been wanting to write a ‘dance suite’ for some time now. When I was approached by LMM to write this piece I felt this was the opportunity to do just that. -
Expanding Horizons: the International Avant-Garde, 1962-75
452 ROBYNN STILWELL Joplin, Janis. 'Me and Bobby McGee' (Columbia, 1971) i_ /Mercedes Benz' (Columbia, 1971) 17- Llttle Richard. 'Lucille' (Specialty, 1957) 'Tutti Frutti' (Specialty, 1955) Lynn, Loretta. 'The Pili' (MCA, 1975) Expanding horizons: the International 'You Ain't Woman Enough to Take My Man' (MCA, 1966) avant-garde, 1962-75 'Your Squaw Is On the Warpath' (Decca, 1969) The Marvelettes. 'Picase Mr. Postman' (Motown, 1961) RICHARD TOOP Matchbox Twenty. 'Damn' (Atlantic, 1996) Nelson, Ricky. 'Helio, Mary Lou' (Imperial, 1958) 'Traveling Man' (Imperial, 1959) Phair, Liz. 'Happy'(live, 1996) Darmstadt after Steinecke Pickett, Wilson. 'In the Midnight Hour' (Atlantic, 1965) Presley, Elvis. 'Hound Dog' (RCA, 1956) When Wolfgang Steinecke - the originator of the Darmstadt Ferienkurse - The Ravens. 'Rock All Night Long' (Mercury, 1948) died at the end of 1961, much of the increasingly fragüe spirit of collegial- Redding, Otis. 'Dock of the Bay' (Stax, 1968) ity within the Cologne/Darmstadt-centred avant-garde died with him. Boulez 'Mr. Pitiful' (Stax, 1964) and Stockhausen in particular were already fiercely competitive, and when in 'Respect'(Stax, 1965) 1960 Steinecke had assigned direction of the Darmstadt composition course Simón and Garfunkel. 'A Simple Desultory Philippic' (Columbia, 1967) to Boulez, Stockhausen had pointedly stayed away.1 Cage's work and sig- Sinatra, Frank. In the Wee SmallHoun (Capítol, 1954) Songsfor Swinging Lovers (Capítol, 1955) nificance was a constant source of acrimonious debate, and Nono's bitter Surfaris. 'Wipe Out' (Decca, 1963) opposition to himz was one reason for the Italian composer being marginal- The Temptations. 'Papa Was a Rolling Stone' (Motown, 1972) ized by the Cologne inner circle as a structuralist reactionary. -
Daniel Evans
www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard -
Issam Kourbaj 'Imploded, Burnt, Turned to Ash' Performance
Press Release Issam Kourbaj Imploded, burnt, turned to ash, 2021 Howard Theatre, Downing College, Cambridge Live-streamed drawing and sound performance in collaboration with composer Richard Causton and soprano Jessica Summers Issam Kourbaj, Burning, 2020 15 March 2021, 5pm This performance by the Syrian-born and Cambridge- I will then burn the final drawing and place the based artist Issam Kourbaj marks the tenth anniversary remaining ash in a glass box. This will be exhibited in of the Syrian uprising – a crisis that resulted in violent a sacred space to memorialise every victim of the last armed conflict and ongoing civil war. Kourbaj’s decade, while also being dedicated to all Syrians lost, performance will take place on the 15 March, the first displaced and still suffering from this ongoing crisis. day of the unrest a decade ago. The artist describes his project in his own words below: Towards the end of the performance, the viewer will hear words written by myself, set to music by renowned To mark the tenth anniversary of the Syrian uprising, composer Richard Causton (Faculty of Music, University which was sparked by teenage graffiti in March 2011, of Cambridge) and sung by soprano Jessica Summers. this drawing performance will pay homage to those young people who dared to speak their mind, the masses Issam Kourbaj who protested publicly, as well as the many Syrian eyes that were, in the last ten years, burnt and brutally closed This project is a collaboration between the artist, forever. Kettle’s Yard, The Heong Gallery and The Fitzwilliam Museum (all part of the University of Cambridge). -
Deaths Taken from Glamorgan Gazette for the Year 1916 Surname First
Deaths taken from Glamorgan Gazette for the year 1916 Surname First Name/s Date of Place of Death Age Cause of Death Other Information Date of Page Col Death Newspaper Abel Mrs. Wife of Willie Abel of 29 17/11/1916 3 6 Fronwen Row, Ogmore Vale Ace Eva 27/04/1916 Southerndown 60 yrs Drowned. Wife of Rees Ace. See also 05/05/1916 2 6 12/05/1916, Pg 2, col 4. Adams Robert 60 yrs Of Victoria Street, 29/12/1916 8 6 Pontycymer Alexander Cyril George 20/02/1916 14 yrs Son of George Alexander of 03/03/1916 8 5 2, Blandy Terrace, Pontycymmer. Buried at Pontycymer Cemetery. Allman William (Pte.) K. I. A. Border Regt. 11/02/1916 8 3 Anderson H. (Pte.) K. I. A. Of Pencoed. Member of the 18/08/1916 5 4 5th South Wales Borderers. Photograph included. Anderson Henry (Pte.) K. I. A. Of Tymerchant. 08/09/1916 2 5 Ap Madoc Wm. America 72 yrs Distinguished Welsh- 15/09/1916 7 5 (Professor) American musician, singer, composer and critic. Native of Maesteg. Arthur John Of Oakland Terrace. 19/05/1916 8 5 Arthur James George 10/07/1916 22 yrs K. I. A. Son of Mr and Mrs A. Arthur, 15/09/1916 3 4 (Bugler) 16 Nantyrychain Terrace, Pontyycymmer. Of the 2nd Rhonddas, 13th Battalion, Welsh Regiment. Ashman William 06/06/1914 In memoriam. Of Ogmore 02/06/1916 4 6 Vale. Ashman Frank (Pte.) K. I. A. Of The Beaches, Pencoed. 11/08/1916 8 2 See also 08/09/1916, Pg 2, Col 5. -
RNCM Access and Participation Plan 2019-2020
2019/20 Access and Participation Plan The Royal Northern College of Music (RNCM) is one of the world’s leading conservatoires, Assessment fostering a culture of creativity, openness, exploration, individual development, and innovatory of current practice within music performance and research. Its vision is to redefine the conservatoire as a centre for artistic innovation and creativity, inspiring and empowering all of its students performance to excel, to reach out and transform the lives of others and to shape the music industry of the future. The College’s 2019/20 Access and Participation Plan sets out its approach to widening participation, to student access, success and progression, and to raising attainment in general to Higher Education, which is central to its overall mission. The RNCM has a total HE student population of 882 (2018/19), 58% of which are Home and EU undergraduates. In addition, the Junior RNCM has over 200 pre-HE learners, 55% of which are supported by bursaries from the Music and Dance Scheme or the College’s own bursary funds. On a yearly basis the College engages with over 7,000 community and school participants through its ambitious and innovative Learning and Participation Programme, while more than 85,000 people attend the institution each year as audience members across its three main public performance spaces. Last year the RNCM spent 36% of its higher fee income specifically on access and participation measures. The RNCM is committed to the development of the highest level of artistic practice and, as such, has one major criterion for entry to its programmes, namely, an appropriate level of musical talent and potential, as assessed at audition. -
Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Fall 1-7-2020 Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities Jeffrey Braytenbah Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Asian History Commons, and the Asian Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Braytenbah, Jeffrey, "Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the ashioningF of Ainu/Japanese Colonial Identities" (2020). Dissertations and Theses. Paper 5356. https://doi.org/10.15760/etd.7229 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities by Jeff Braytenbah A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Kenneth J. Ruoff, Chair Laura Robson Jennifer Tappan Portland State University 2019 © 2019 Jeff Braytenbah Abstract Japan’s colonial activities on the island of Hokkaido were instrumental to the creation of modern Japanese national identity. Within this construction, the indigenous Ainu people came to be seen in dialectical opposition to the 'modern' and 'civilized' identity that Japanese colonial actors fashioned for themselves. This process was articulated through travel literature, ethnographic portraiture, and discourse in scientific racism which racialized perceived divisions between the Ainu and Japanese and contributed to the unmaking of the Ainu homeland: Ainu Mosir. -
Hélène Segré — (33) 6 14 32 77 43 - [email protected] 3
1 Les Sacqueboutiers, ensemble de cuivres anciens de Toulouse 22 bis rue des Fleurs - 31000 Toulouse Phone. (33) 5 61 13 00 18 - [email protected] Press contact : Hélène Segré — (33) 6 14 32 77 43 - [email protected] 3. Biography 4. 4 days - An international meeting 5. Competition 6 - 7. Jury 8. 40 years anniversary concert 9 - 10. Conferences 11. Discography 12. Around the world 13 -14-15 Presentation of the instruments 16. Media Les Sacqueboutiers ensemble de cuivres anciens de Toulouse Artistic Direction : Jean-Pierre Canihac et Daniel Lassalle Les Sacqueboutiers, an ensemble based in Toulouse, playing on early brass instruments have been in existence for nearly four decades during which time they have built up a reputation as one of the finest early music ensembles on the international scene. Regarded by specialists and the public alike as a reference in the interpretation of seventeenth-century instrumental music, particularly that of Italy and Germany, the ensemble has reaped the highest awards for its recordings. When they decided to form Les Sacqueboutiers in 1976, Jean-Pierre Canihac and Jean-Pierre Mathieu were among the first to embark on the adventurous rediscovery of early instruments. The quality of their work soon attracted attention, and they took part in the groundbreaking recording of Monteverdi's Vespro della Beata Vergine, conducted by Michel Corboz. Since then, they have per-formed music ranging from the Renaissance to Mozart, with many prestigious ensembles including Les Arts Florissants (William Christie), La Chapelle Royale (Philippe Herreweghe), A Sei Voci (Bernard Fabre-Garrus), Elyma (Gabriel Garrido), La Grande Ecurie et la Chambre du Roy (Jean-Claude Malgoire), the Clément Janequin Ensemble (Dominique Visse).. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin