DOCSLIB.ORG

Jadwal Kegiatan Pesta Kesenian Bali Xli - 2019 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jadwal Kegiatan Pesta Kesenian Bali Xli - 2019 1 JADWAL KEGIATAN PESTA KESENIAN BALI XLI - 2019 1. Saturday, 15th June 2019 Time : 14.00 (Mid Indonesian Time – MIT) Location : In front of the People Struggle Monument, Renon, Denpasar Program : Cultural Procession of the 41st Bali Arts Festival 2019 Time : 18.00 ( MIT ) Location : Madya Mandala Stage Program : Semara Pagulingan Musics of SMKN 4 Vocational High School, Bangli Regency Time : 20.00 ( MIT ) Location : Ardha Candra Amphitheatre, Arts Center Denpasar Program : - THE OPENING CEREMONY OF THE 41ST BALI ARTS FESTIVAL - 2019 - The Colossal Dance—Drama Sendratari “Bali Padma Bhuwana”, by the Indonesian Arts Institute – ISI of Denpasar 7 2. Sunday, 16th June 2019 Time : 11.00 MIT Location : ISI ( Indonesian Institute of Arts ) Denpasar Program : Contest of Flower and Janur (Coconut Leaves) Arrangement for PKK - Family Welfare (Women) Associations of Regencies and City throughout Bali Time : 11.00 MIT Location : Ratna Kanda Stage Program : Workshop on “ Ngunda Bayu ( Distribution of Energy )” in Dancing, Time : 14.00 MIT Location : Angsoka Stage Program : Workshop on Balinese Musics based on wind instrument Time : 17.00 MIT Location : in front of Kriya Hall Program : “Mala Renjana” dance, participation of the the Faculty of Language and Arts of Yogyakarta State University Time : 19.30 MIT Location : the area of the river and Ayodya Stage Program : Dance, Music and Poets of “ Nggo Wor Baido Na Nggomar “, participation of ISBI ( the Indonesian Institute of Culture ) of Papua Land Time : 19.30 MIT Location : Ksirarnawa Hall Program : Performance of Shamisen and Shakuhachi, Japanese Traditional Dances and Songs, participation of Mr. Baisho Matsumoto Time : 19.30 MIT Location : Ardha Candra Amphitheatre Program : Colossal Dance Drama – Legu Gendong, by the Artists Group of Printing Mas, representing Denpasar City 3. Monday, 17th June 2019 Time : 10.00 MIT Location : Ayodya Stage Program : Contest on making Balinese fluit instrument Time : 14.00 MIT Location : Ratna Kanda Stage Program : Contest on “Taman Penasar” Balinese songs accompanied by Balinese musics, by the Artists Group of Leklok, representing Tabanan Regency Time : 19.30 MIT Location : in front of Kriya Hall Program : Contest on Parwa Puppet Shadow Play, among children, by Giri Parwa Artists Group, Banjar of Babakan, Sukawati village, rerpresenting Gianyar Regency Time : 19.30 MIT Location : Ayodya Stage Program : Parade of Gong Drama, by Gita Semara Group, Banjar of Robokan, Padang Sambian Kaja village, subdistrict of West Denpasar, representing Denpasar City 8 Time : 19.30 MIT Location : Ksirarnawa Hall Program : Music and Dance, by Participate of Conculate RRT Time : 19.30 MIT Location : Ardha Candra Ampitheatre Program : Dance Drama “Karuna Wisesa”, by the Artists Community of the State Institute of Hindu Denpasar 4. Tuesday, 18th June 2019 Time : 11.00 MIT Location : Angsoka Stage Program : Wayang Wong Dance, of Guna Murti Group, Tejakula village, representing Buleleng Regency Time : 14.00 MIT Location : Ratna Kanda Stage Program : Contest on “Taman Penasar” Balinese songs accompanied by Balinese musics, by the Artists Group of Wangked, the Banjar of Ked,Taro village, Subdistrict of Tegalalang, representing Gianytar Regency Time : 19.30 MIT Location : in front og Kriya Hall Program : Contest of Parwa Puppet Shadow Play, among children, by the Puppets Committee of Listibiya – the Culture Council of Klungkung Regency, representing Klungkung Regency Time : 19.30 MIT Location : Ksirarnawa Hall Program : Contest on Bapang Barong Dance and Solo Balinese Drum beating : - Pucak Manik Arts Group, Sulahan village, Susut subdistrict representing Bangli Regency - The group of Jempai village, subdistrict of Klungkung, representing Klungkung Regency - The Barong Dance Group of Tirta Udayana Sari, the Banjar of Taman Sari, Sanur village, East Denpasar subdistrict, representing Denpasar City - The Community of Singa Barong, the Banjar of Senggoan, Singapadu village, Sukawati subdistrict, rerpresenting Gianyar Regency - The Artists Group of Sameton Barong Munggu, Mengwi subdistrict, representing Badung regency 9 Time : 19.30 MIT Location : Ardha Candra Amphitheatre Program : Parade of Gong Kebyar musics and dances for Adults, by Panji Kumara Mas Gong Group, the Banjar of Jasri, Belega village, Blahbatuh subdistrict, representing Gianyar Regency to meet Sapta Yowana Kanti Gong Kebyar Group, Sumerta village, East Denpasar subdistrict, representing Denpasar City 5. Wednesday, 19th June 2019 Time : 11.00 MIT Location : Angsoka Stage Program : Cildrens Traditional Playing “Rare Angon”, by Artists Group of Kalingga, the Banjar of Teba Jimbaran, South Kuta subdistrict. Representing Badung Regency Time : 17.00 MIT Location : Madya Mandala Stage Program : Joged Bumbung Dance, by the Joged Group of Dharma Laksana, the Banjar of Sema, Pikat village, Dawan subdistrict, representing Klungkung Regency Time : 19.00 MIT Location : Ayodya Stage Program : Parade of Arja Dance Drama, by Citta Usadi Arts Group,the Banjar of Gunung, Mengwitani village, Mengwi subdistrict, representing Badung Regency Time : 19.30 MIT Location : in front of Kriya Hall Program : Contest of Parwa Puppet Shadow Play for children, by P. Luk Jiner Arts Group, representing Jembrana Regency Time : 19.30 MIT Location : Ardha Candra Amphitheatre Program : Contest on Balaganjur music for Youths : - the Arts Group of Manik Bang, Penyaringan village, representing Jembrana Regency - the Arts Community of Wasesa Ananta, Karangasem subdistrict, representing Karangasem Regency - the Arts Group of Ganeswara, Pemaron village, Buleleng subdistrict, representing Buleleng Regency - The Arts Group Bala Nawa Sanga, Blahbatuh Village,. Blahbatuh subdistrict, representative of Gianyar Regency 6. Thursday, 20th June 2019 Time : 10.00 MIT Location : Angsoka Stage Program : Contest on Making Balinese Dance Costumes “Badong Condong Legong Kraton Lasem dance” Time : 11.00 MIT Location : Ayodya Stage Program : Japanese Traditional Arts of Sanshin Shitamchi, Okinawa, Tokyo - Jepang in collaboration with the Arts Group of Kembang Waru, Denpasar 10 Time : 14.00 MIT Location : Ratna Kanda Stage Program : Contest on “Taman Penasar” Balinese songs accompanied by Balinese musics, by the Artists Group of Tunjung Biru, Tanjung Benoa, South Kuta subdistrict, representing Badung Regency Time : 19.30 MIT Location : in front of Kriya Hall Program : Contest on Parwa Puppet Shadow Play for Children, by Artists Group of Karsa Tengah, the Banjar of Curah, Gubug village, representing Tabanan Regency Time : 19.30 MIT Location : Ardha Candra Amphitheatre Program : Contest on Balaganjur musics for Youths : - Balaganjur Group of Candra Buana, Banjarangkan subdistrict, representing Klungkung Regency - the Arts Group of Swara Cita, the Banjar of Tengah Kangin, Kerambitan village, representing Tabanan Regency - Balaganjur Group of Janari Adhimukti, Padang Sambian village, West Denpasar subdistrict, representing Denpasar City, - the State High School – SMAN I of North Kuta, representing Badung Regency - Siman Arts Group, Lumbuan Village, representing Bangli Regency 7. Friday, 21st June 2019 Time : 10.00 MIT Location : Ratna Kanda Stage Program : Contest on Bamboo material Handicrats fruit basket Time : 11.00 MIT Location : Angsoka Stage Program : Barong and Telek Dances, by the Dance Group of Raja Kusuma, Mengwi subdistrict, representing Badung Regency 11 Time : 14.00 MIT Location : Ayodya Stage Program : Parade of Semara Pagulingan musics, by the Arts Group of Angsoka, Penarungan village, Mengwi subdistrict, representing Badung Regency to meet Seni Wahyu Semara Santi Group, Tegal Linggah Village, Sukasada subdistrict, representing Buleleng Regency Time : 17.00 MIT Location : Madya Mandala Stage Program : Angklung and Gong Kebyar performance by participation Tunas Mekar Group from USA Time : 19.00 MIT Location : Ayodya Stage Program : Parade of Arja Dance Drama, by the Arja Group of Taruna Tunggal Ideping Sawitra, Pemecutan village, West Denpasar subdistrict, representing Denpasar City Time : 19.30 MIT Location : Ardha Candra Amphitheatre Program : Parade of Gong Kebyar for Children, by the Youth Group of ‘Mekar Jaya’, the Banjar of Lambing, Abiansemal subdistrict, representing Badung Regency to meet the Gong Group of Werdhi Yowana, Bedulu village, Blahbatuh subdistrict, representing Gianyar Regency 8. Saturday, 22nd June 2019 Time : 11.00 MIT Location : Ratna Kanda Stage Program : Contest on Playing Gender musics for Children: - Sudawirat Arts Group, North Kuta subdistrict, representing Badung Regency to meet Mustika Dewi Paramita Arts Group, Pemaron village, representing Buleleng Regency - Candra Dwani Arts Group, the Banjar of Besang, Ababi village, Abang subdistrict, representing Karangasem Regency to meet Kesawa Gender Group of Dawan subdistrict, representing Klungkung Regency Time : 11.00 MIT Location : Ksirarnawa Hall Program : Workshop on Balinese Traditional Cosmetic Procedure and Dress Time : 14.00 MIT Location : Ayodya Stage Program : Gandrung Dance, by the Gandrung Group of Smara Ratih, the Banjar of Pande, Kamasan Village, representing Klungkung Regency Time : 16.30 MIT Location : the area of the Art Centre Program : Nglawang – performing dance and musics by going around the area, by Surya Arts Group, Kedonganan village, Kuta subdistrict, representing Badung regency Time : 19.30 MIT Location : Ayodya Stage Program : Parade of Drama Gong, by the Drama Gong Group of Wijaya Kusuma, Abianbase village, Gianyar subdistrict, representing Gianyar Regency 12 Time
Load more

Recommended publications
  • Innovative Approaches to Melodic Elaboration in Contemporary Tabuh Kreasibaru
    INNOVATIVE APPROACHES TO MELODIC ELABORATION IN CONTEMPORARY TABUH KREASIBARU by PETER MICHAEL STEELE B.A., Pitzer College, 2003 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA August 2007 © Peter Michael Steele, 2007 ABSTRACT The following thesis has two goals. The first is to present a comparison of recent theories of Balinese music, specifically with regard to techniques of melodic elaboration. By comparing the work of Wayan Rai, Made Bandem, Wayne Vitale, and Michael Tenzer, I will investigate how various scholars choose to conceptualize melodic elaboration in modern genres of Balinese gamelan. The second goal is to illustrate the varying degrees to which contemporary composers in the form known as Tabuh Kreasi are expanding this musical vocabulary. In particular I will examine their innovative approaches to melodic elaboration. Analysis of several examples will illustrate how some composers utilize and distort standard compositional techniques in an effort to challenge listeners' expectations while still adhering to indigenous concepts of balance and flow. The discussion is preceded by a critical reevaluation of the function and application of the western musicological terms polyphony and heterophony. ii TABLE OF CONTENTS Abstract ii Table of Contents : iii List of Tables .... '. iv List of Figures ' v Acknowledgements vi CHAPTER 1 Introduction and Methodology • • • • • :•-1 Background : 1 Analysis: Some Recent Thoughts 4 CHAPTER 2 Many or just Different?: A Lesson in Categorical Cacophony 11 Polyphony Now and Then 12 Heterophony... what is it, exactly? 17 CHAPTER 3 Historical and Theoretical Contexts 20 Introduction 20 Melodic Elaboration in History, Theory and Process ..' 22 Abstraction and Elaboration 32 Elaboration Types 36 Constructing Elaborations 44 Issues of "Feeling".
    [Show full text]
  • Analysis on Symbolism of Malang Mask Dance in Javanese Culture
    ANALYSIS ON SYMBOLISM OF MALANG MASK DANCE IN JAVANESE CULTURE Dwi Malinda (Corresponing Author) Departement of Language and Letters, Kanjuruhan University of Malang Jl. S Supriyadi 48 Malang, East Java, Indonesia Phone: (+62) 813 365 182 51 E-mail: [email protected] Sujito Departement of Language and Letters, Kanjuruhan University of Malang Jl. S Supriyadi 48 Malang, East Java, Indonesia Phone: (+62) 817 965 77 89 E-mail: [email protected] Maria Cholifa English Educational Department, Kanjuruhan University of Malang Jl. S Supriyadi 48 Malang, East Java, Indonesia Phone: (+62) 813 345 040 04 E-mail: [email protected] ABSTRACT Malang Mask dance is an example of traditions in Java specially in Malang. It is interesting even to participate. This study has two significances for readers and students of language and literature faculty. Theoretically, the result of the study will give description about the meaning of symbols used in Malang Mask dance and useful information about cultural understanding, especially in Javanese culture. Key Terms: Study, Symbol, Term, Javanese, Malang Mask 82 In our every day life, we make a contact with culture. According to Soekanto (1990:188), culture is complex which includes knowledge, belief, art, morals, law, custom and any other capabilities and habits acquired by man as a member of society. Culture are formed based on the local society and become a custom and tradition in the future. Culture is always related to language. This research is conducted in order to answer the following questions: What are the symbols of Malang Mask dance? What are meannings of those symbolism of Malang Mask dance? What causes of those symbolism used? What functions of those symbolism? REVIEW OF RELATED LITERATURE Language Language is defined as a means of communication in social life.
    [Show full text]
  • Performance in Bali
    Performance in Bali Performance in Bali brings to the attention of students and practitioners in the twenty-first century a dynamic performance tradition that has fasci- nated observers for generations. Leon Rubin and I Nyoman Sedana, both international theatre professionals as well as scholars, collaborate to give an understanding of performance culture in Bali from inside and out. The book describes four specific forms of contemporary performance that are unique to Bali: • Wayang shadow-puppet theatre • Sanghyang ritual trance performance • Gambuh classical dance-drama • the virtuoso art of Topeng masked theatre. The book is a guide to current practice, with detailed analyses of recent theatrical performances looking at all aspects of performance, production and reception. There is a focus on the examination and description of the actual techniques used in the training of performers, and how some of these techniques can be applied to Western training in drama and dance. The book also explores the relationship between improvisation and rigid dramatic structure, and the changing relationships between contemporary approaches to performance and traditional heritage. These culturally unique and beautiful theatrical events are contextualised within religious, intel- lectual and social backgrounds to give unparalleled insight into the mind and world of the Balinese performer. Leon Rubin is Director of East 15 Acting School, University of Essex. I Nyoman Sedana is Professor at the Indonesian Arts Institute (ISI) in Bali, Indonesia. Contents List
    [Show full text]
  • Glossary.Herbst.Bali.1928.Kebyar
    Bali 1928 – Volume I – Gamelan Gong Kebyar Music from Belaluan, Pangkung, Busungbiu by Edward Herbst Glossary of Balinese Musical Terms Glossary angklung Four–tone gamelan most often associated with cremation rituals but also used for a wide range of ceremonies and to accompany dance. angsel Instrumental and dance phrasing break; climax, cadence. arja Dance opera dating from the turn of the 20th century and growing out of a combination of gambuh dance–drama and pupuh (sekar alit; tembang macapat) songs; accompanied by gamelan gaguntangan with suling ‘bamboo flute’, bamboo guntang in place of gong or kempur, and small kendang ‘drums’. babarongan Gamelan associated with barong dance–drama and Calonarang; close relative of palégongan. bapang Gong cycle or meter with 8 or 16 beats per gong (or kempur) phrased (G).P.t.P.G baris Martial dance performed by groups of men in ritual contexts; developed into a narrative dance–drama (baris melampahan) in the early 20th century and a solo tari lepas performed by boys or young men during the same period. barungan gdé Literally ‘large set of instruments’, but in fact referring to the expanded number of gangsa keys and réyong replacing trompong in gamelan gong kuna and kebyar. batél Cycle or meter with two ketukan beats (the most basic pulse) for each kempur or gong; the shortest of all phrase units. bilah Bronze, iron or bamboo key of a gamelan instrument. byar Root of ‘kebyar’; onomatopoetic term meaning krébék, both ‘thunderclap’ and ‘flash of lightning’ in Balinese, or kilat (Indonesian for ‘lightning’); also a sonority created by full gamelan sounding on the same scale tone (with secondary tones from the réyong); See p.
    [Show full text]
  • Balinese Dances As a Means of Tourist Attraction
    BALINESE DANCES AS A MEANS OF TOURIST ATTRACTION : AN ECONOMIC PERSPECTIVE By : Lie Liana Dosen Tetap Fakultas Teknologi Informasi Universitas Stikubank Semarang ABSTRACT Makalah ini menguraikan secara ringkas Tari Bali yang ditinjau dari perspekif ekonomi dengan memanfaatkan Bali yang terkenal sebagai salah satu daerah tujuan wisata di Indonesia. Keterkenalan Bali merupakan keuntungan tersendiri bagi pelaku bisnis khususnya bisnis pariwisata. Kedatangan wisatawan asing dengan membawa dolar telah meningkatkan ekonomi masyarakat Bali, yang berarti pula devisa bagi Indonesia. Bali terkenal karena kekayaannya dalam bidang kesenian, khususnya seni tari. Tari Bali lebih disukai karena lebih glamor, ekspresif dan dinamis. Oleh karena itu seni tari yang telah ada harus dilestarikan dan dikembangkan agar tidak punah, terutama dari perspektif ekonomi. Tari Bali terbukti memiliki nilai ekonomi yang tinggi terutama karena bisa ‘go international’ dan tentunya dapat meningkatkan pemasukan devisa negara melalui sektor pariwisata. Kata Kunci: Tari, ekonomi, pariwisata, A. INTRODUCTION It is commonly known that Bali is the largest foreign and domestic tourist destination in Indonesia and is renowned for its highly developed arts, including dances, sculptures, paintings, leather works, traditional music and metalworking. Meanwhile, in terms of history, Bali has been inhabited since early prehistoric times firstly by descendants of a prehistoric race who migrated through Asia mainland to the Indonesian archipelago, thought to have first settled in Bali around 3000 BC. Stone tools dating from this time have been found near the village of Cekik in the island's west. Most importantly, Balinese culture was strongly influenced by Indian, and particularly Sanskrit, culture, in a process beginning around the 1st century AD. The name Balidwipa has been discovered from various inscriptions.
    [Show full text]
  • Download Article (PDF)
    Advances in Engineering Research, volume 192 EduARCHsia & Senvar 2019 International Conference (EduARCHsia 2019) Bali Aga Villages in Kintamani, Inventory of Tangible and Intangible Aspects Ni Made Yudantini Architecture Department Faculty of Engineering, Udayana University Bali, Indonesia [email protected] Abstract— the Indigenous villages in Bali Province is called Sukawana Village. Reuter's research illustrated the rules and Bali Aga, which is interesting to do research in depth to Bali Aga traditions called ulu apad. His research is connected understand the indigenous character of Bali Aga. The Bali Aga to other villages within surrounding the Batur Lake or the villages have their own uniqueness for customs, traditions, Bintang Danu area. Muller’s fieldtrip in 1980s documented 25 culture, and architecture and built environment. These Bali Aga villages in four areas consisting of the center characteristics of the uniqueness in Bali Aga villages are defined mountain, the northern coast of Bali, the center of the southern by the originality of the culture and tradition that are not part of Bali and East Bali. Muller as an anthropologist affected from other culture’s influences. Among eight regencies described her research results through the book that published and one city in Bali Province, Bangli Regency has the highest in 2011 which described the villages were faced on the lack of number of Bali Aga villages, which are about 25 villages. infrastructure, the village’s life depend on dry land causing Kintamani Sub-district is noted to have approximately 19 Bali Aga villages scattered in the foot of Mount Batur, along Lake difficulty in rice production.
    [Show full text]
  • Download Fulltext
    ICOHS 2017 International Conference of Occupational Health and Safety (ICOHS-2017) Volume 2018 Conference Paper Evaluating Quality of Work Life as Base of Working Condition Improvement Based on Participatory Ergonomic: Case Study on Workers in Small Industry of Gamelan XYZ at Bali, Indonesia Wahyu Susihono1, I. Putu Gede Adiatmika2, I. Made Yoga Parwata3, and I. Wayan Sudiarsa4 1Industrial Engineering Department, Engneering Faculty, University of Sultan Ageng Tirtayasa, Jalan Raya Jakarta Km 4, Panancangan, Cipocok Jaya, Banjaragung, Panancangan, Cipocok Jaya, Kota Serang, Banten 42124, Indonesia 2Physiology work of Ergonomic, Program study of medical science, University of Udayana, Jl. Raya Kampus UNUD, Kampus Bukit Jimbaran, Kuta Selatan, Jimbaran, Kuta Sel., Kabupaten Badung, Bali 803611, Indonesia 3Sports and Health Education Faculty, Institute of Teachership and Education of PGRI, Bali, Indonesia Corresponding Author: 4The National Unity Board of Political and Community Protection, Klungkung, Bali, Indonesia Wahyu Susihono [email protected] Abstract Received: 15 May 2018 Small Industry of XYZ Gamelan in Bali Province is a heritage industry. Currently, the Accepted: 3 June 2018 existence of small industry of Gamelan has become serious cause of attention for Published: 19 June 2018 the local government; this makes the gamelan industry one of the interesting tourist Publishing services provided by objects in Bali. The demand of quality of life improvement of worker is a will of all Knowledge E workers, but nevertheless, some cultures, local tradition, and the value of community life are becoming constraint to changing the local character. The objective of this Wahyu Susihono et al. This article is distributed under the research is to evaluate four domain qualities of life as base of initial information of terms of the Creative Commons working condition improvement based on user need (participatory ergonomic).
    [Show full text]
  • Function Transfer of Agricultural Land to Be Settlements and Tourism in Gianyar District, Bali
    IRIANTO, Sigit. Function Transfer of Agricultural Land to be Settlements and Tourism in Gianyar District, Bali Function Transfer of Agricultural Land to be Settlements and Tourism in Gianyar District, Bali Sigit Irianto Universitas 17 Agustus 1945 Semarang, Indonesia, Email: [email protected] Komang Rio Anjana Universitas 17 Agustus 1945 Semarang, Indonesia, Email: [email protected] Widyarini Indriasti Wardani Universitas 17 Agustus 1945 Semarang, Indonesia, Email: [email protected] Abstract: The conversion of agricultural land is one of the phenomena of the conversion of agricultural land to non- agricultural land. This change is detrimental to the sustainability of agriculture in Gianyar Regency. In the last three years, the area of agricultural land that has changed its function in Gianyar Regency has reached 100 hectares. This happens because the need for land each year continues to increase both for settlement and for tourism and residential accommodation needs. The purpose of this study was to determine the factors causing the conversion of agricultural land in Gianyar Regency, and the implementation of the conversion of agricultural land for housing development and tourism accommodation that occurred in Gianyar Regency. The approach method used in this research is juridical empirical, descriptive-analytic research specifications, data sources are primary data and secondary data, data collection techniques by conducting interviews and literature study, data analysis methods with qualitative analysis. The factors causing the shift in the function of agricultural land in Gianyar Regency are due to economic factors, lack of farmer subsidies, and the high value of land tax objects that make farmers unable to defend their land, as well as the lack of law enforcement on land use change.
    [Show full text]
  • Download Article (PDF)
    Advances in Economics, Business and Management Research, volume 28 1st International Conference on Tourism Gastronomy and Tourist Destination (ICTGTD 2016) SWOT Analysis for Cultural Sustainable Tourism at Denpasar City Case Study: SWOT Analysis in Puri Agung Jro Kuta A.A. Ayu Arun Suwi Arianty DIII Hospitality , International Bali Institute of Tourism Denpasar, Indonesia [email protected] Abstract—Puri Agung Jro Kuta is one cultural tourist Bali is a small island part of Indonesia, an archipelagic destination in Denpasar, Bali which is not yet explored. Denpasar country in Southeast Asia. It has a blend of Balinese Hindu/ as a capital city of Bali is very famous with Sanur Beach, but only Buddhist religion and Balinese custom, which make a rich and a few tourists know about Puri Agung Jro Kuta as a cultural diverse cultures. Bali divided into eight regencies and one city, tourist destination. The aim of this research is to identify the they are Badung Regency, Bangli Regency, Buleleng Regency, strengths, weaknesses, opportunities, and threats of Puri Agung Gianyar Regency, Jembrana Regency, Karangasem Regency, Jro Kuta as a cultural tourist destination in Denpasar. Klungkung Regency, Tabanan Regency, and Denpasar City Furthermore, this research will be used for tourism planning by (Wikipedia Bali.2016). listing the advantages and challenges in the process. In attempt to diagnose the strengths, weaknesses, opportunities, and threats of The cultural tourism in Bali arise since 1936, where Walter Puri Agung Jro Kuta, in the current status and potential, this Spies, Rudolf Bonnet ( Dutch Painter who came to Bali in research conducted a SWOT analysis on this tourism sector.
    [Show full text]
  • Term-List-For-Ch4-Asian-Theatre-2
    Asian Theatre: India, China, Korea, Japan, Indonesia, & Cambodia Cultural Periods and Events Theatrical Developments Persons Aryan migration & caste system Natya-Shastra (rasas & the Bharata Muni & Abhinavagupta Vedic & Gandhara Periods spectator’s liberation) Shūdraka & Kalidasa Hinduism & Sanskrit texts Islamic invasions actor-manager (sudtradhara) Buddhism (promising what?) shamanic rituals jester (vidushaka) Hellenistic influence court entertainments with string-puller (sudtradhara) Classical Period & Ashoka Jester Ming sheng, dan, jing, & chou (meanings) Theravada & Mahayana wrestling & Baixi men & women who played across gender Gupta golden age impersonations, dances, & women who led troupes Medieval Period acrobatics, sword tricks Guan Hanqing Muslim invasions small plays of song and dance Tang Xianzu Chola Dynasty Pear Garden & adjutant Li Yu Early Modern Period plays Kan’ami & Zeami Mughal Empire red light districts with shite & shite-tsure (across gender), waki, Colonial Period with British East southern dramas & waki-tsure, & kyogen India Company variety show musicals chorus of 8 men, musicians, & onstage British Raj with one star singing per stagehand (kuroko) Dramatic Performances Act act Okuni Contemporary Period complex, poetic dramas onnagata Shang, Zhou, Qin, Han, Jin, kun operas with plaintive Chikamatsu Northern & Southern, Sui, Tang, music & flowing Danjuro I Song, Yuan, Ming, & Qing melodies/dancing chanter, 3 puppeteers per puppet, & Dynasties Beijing Opera (jingju) as shamisen player nationalist & communist rulers
    [Show full text]
  • Body of Tradition: Becoming a Woman Dalang in Bali
    Body of Tradition: Becoming a Woman Dalang in Bali A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Jennifer L. Goodlander August 2010 © 2010 Jennifer L. Goodlander. All Rights Reserved. 2 This dissertation titled Body of Tradition: Becoming a Woman Dalang in Bali by JENNIFER L. GOODLANDER has been approved for the Interdisciplinary Arts and the College of Fine Arts by William F. Condee Professor of Theater Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT GOODLANDER, JENNIFER L., Ph.D., August 2010, Interdisciplinary Arts Body of Tradition: Becoming a Woman Dalang in Bali (248 pp.) Director of Dissertation: William F. Condee The role of women in Bali must be understood in relationship to tradition, because “tradition” is an important concept for analyzing Balinese culture, social hierarchy, religious expression, and politics. Wayang kulit, or shadow puppetry, is considered an important Balinese tradition because it connects a mythic past to a political present through public, and often religiously significant ritual performance. The dalang, or puppeteer, is the central figure in this performance genre and is revered in Balinese society as a teacher and priest. Until recently, the dalang has always been male, but now women are studying and performing as dalangs. In order to determine what women in these “non-traditional” roles means for gender hierarchy and the status of these arts as “traditional,” I argue that “tradition” must be understood in relation to three different, yet overlapping, fields: the construction of Bali as a “traditional” society, the role of women in Bali as being governed by “tradition,” and the performing arts as both “traditional” and as a conduit for “tradition.” This dissertation is divided into three sections, beginning in chapters two and three, with a general focus on the “tradition” of wayang kulit through an analysis of the objects and practices of performance.
    [Show full text]
  • Studi Kasus Pertunjukan the Legend of Roro Jonggrang Prambanan-Yogyakarta
    Experiential Marketing dalam Seni Pertunjukan: Studi Kasus Pertunjukan The Legend of Roro Jonggrang Prambanan-Yogyakarta Tesis untuk memenuhi sebagian persyaratan mencapai derajat Sarjana S-2 Program Studi Magister Tata Kelola Seni Diajukan oleh: Amanda Putri Divanti 1920165420 Kepada PROGRAM PASCASARJANA INSTITUT SENI INDONESIA YOGYAKARTA 2021 i UPT Perpustakaan ISI Yogyakarta ii UPT Perpustakaan ISI Yogyakarta LEMBAR PERNYATAAN Dengan ini saya menyatakan bahwa dalam tesis yang berjudul “Experiential Marketing dalam Seni Pertunjukan: Studi Kasus Pertunjukan The Legend of Roro Jonggrang Prambanan-Yogyakarta” ini adalah benar-benar hasil karya tulisan sendiri serta tesis ini belum pernah diajukan dan tidak mengandung karya tulis yang pernah diajukan untuk memperoleh gelar akademik di Perguruan Tinggi lain, dan menurut yang saya ketahui juga tidak terdapat karya maupun pendapat yang pernah ditulis atau diterbitkan oleh orang lain kecuali yang secara tertulis dikutip dalam tesis ini serta disebutkan dalam daftar pustaka. Yogyakarta, 24 Mei 2021 Amanda Putri Divanti iii UPT Perpustakaan ISI Yogyakarta KATA PENGANTAR Puji Syukur kehadirat Allah SWT, berkat limpahan rahmat dan nikmat yang telah diberikan-Nya, penulis bersyukur dapat menyelesaikan sebuah karya tulis penyusunan tesis yang berjudul “Experiential Marketing dalam Seni Pertunjukan: Studi Kasus Pertunjukan The Legend of Roro Jonggrang Prambanan-Yogyakarta” ini sebagai salah satu syarat untuk mencapai derajat Magister Seni di Program Magister Tata Kelola Seni, Pascasarjana Institut Seni Indonesia Yogyakarta. Penulis mengalami beberapa hambatan dan kesulitan saat menyusun tesis ini, sehingga karya tulis ini masih banyak kekurangan dan jauh dari kata sempurna. Penulis mengharapkan dan akan menghargai adanya kritik dan saran berupa komentar yang dapat membangun. Semoga tesis ini bermanfaat bagi pihak-pihak yang membutuhkan.
    [Show full text]