Collections

The museum acquired 193 objects in 2002. Each adds unique quality to the collection, but even among them a few stand out as extraordinary. Grant Wood completed fewer than 40 paintings in his mature style, and the oppor- tunities to acquire them have been rare ever since the artist first came to prominence after the exhibition of his instantly iconic American Gothic. The museum has owned major prints by Wood, but not a painting—until this year, when, miraculously, the great 1940 composition January became avail- able. Not only is this a stunning work in its own right, and one of Wood’s last completed works (he died in 1942), it also relates to a Grant Wood litho- graph in the collection. Other major painting acquisitions included Oedipus at Colonus, the masterpiece of Fulchran-Jean Harriet, a leading figure at the time of the French Revolution whose career was stunted by his early death before the age of 30; Éva Meurier in a Green Dress, by the Symbolist Maurice Denis; and the Surrealist parody Le Déjeuner sur l’Herbre by Max Ernst. The decorative arts and sculpture collections were enriched by a late 18th-century marble, Figure of a Young Girl by François-Nicolas Delaistre, and a striking Limoges vase designed by Georges de Feure in about 1903. A small, elegant 18th-century sword from Switzerland joined the arms and armor collection. Louise Bourgeois’s 1984 white marble sculpture Blind Man’s Buff adds a new dimension to the contemporary collection, and Martin Puyear’s red cedar and pine sculpture Alien Huddle, 1993–95, familiar to many because it was on loan to the museum for a number of years, was officially welcomed as an acquisition, thanks to the generosity of Agnes Gund and Daniel

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2-Collections.p65 15 6/10/2003, 4:28 PM Max Ernst (German, Shapiro. This addition simultaneously enhances the contemporary 1891–1976). Le Déjeuner sur l’Herbre, sculpture collection and strengthens the museum’s holdings of works by 1944; oil on canvas; 68 x 150 cm; Leonard African-American artists. Another sculpture visitors will notice is Tony C. Hanna Jr. Fund 2002.55 Smith’s Source, from 1967, a large-scale sculpture of geometric forms now on view on the southeast lawn. The museum received the sculpture as a gift from the Metropolitan Bank & Trust in 2001 but postponed its installation until the 1916 building renovation was completed. Jacques-Louis David’s 1813 sketch Cupid and Psyche provides an inter- esting foil for the large painting of the same title that has been a visitor fa- vorite for decades. Jan van Goyen’s drawing Landscape with a Wainwright Mending Wheels by a Village Road from 1651 enriches the collection of Dutch works on paper. And Richard Serra’s Khora from 2000 does the same for the contemporary collection.

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2-Collections.p65 16 6/10/2003, 4:29 PM Louise Bourgeois (American, b. , 1911). Blind Man’s Buff, 1984; white marble on wood base; 92.7 x 88.9 x 63.5 cm; Leonard C. Hanna Jr. Fund 2002.29

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2-Collections.p65 17 6/10/2003, 4:29 PM Anonymous (German). Pietà, 1435–50; , colored by hand with watercolor; 38.7 x 28.8 cm; Severance Millikin Trust 2002.4

An impressive group of prints included an anonymous German hand- colored woodcut Pietà from 1435–50, now the earliest print in the collection. Also important are a gift from the Print Club of Cleveland, a double por- trait lithograph by Johann Anton Ramboux, and an especially beautiful im- pression of Rembrandt’s etching and drypoint The Blindness of Tobit. A wonderful array of photographs joined the collection, with a notable group coming in a single purchase: The Charles Isaacs and Carol Nigro Collection of American Photography is a spectacular group of early Ameri- can photographs whose acquisition provides a stronger cornerstone for the American photography holdings than could ever have been built through individual acquisitions, bringing it onto a par with the museum’s fine hold-

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2-Collections.p65 18 6/10/2003, 4:29 PM Vessel with Deity Mask. Central Mexico, Olmec style; 1200–900 BC; darkware ceramic, traces of pigment; 17.9 x 16.5 x 15.3 cm; Purchase from the J. H. Wade Fund 2002.67

ings in early French and British photography. Twentieth-century photo- graphs included works by Eugène Atget, Alfred Stieglitz, Gordon Parks, Female Worshiper. Crete, Middle Minoan Carl Chiarenza, Jayne Hinds Bidaut, and Abelardo Morell. III–Late Minoan I, The collection of art of the ancient Americas was particularly enriched c. 1600–1500 BC; bronze; h. 14 cm; by the addition of Vessel with Deity Mask, an Olmec-style ceramic, from be- Purchase from the J. H. Wade Fund tween 1200 and 900 BC. This haunting ceramic embodies the remarkable 2002.89 inventiveness of Mexico’s first great art style. Several centuries earlier, across the Atlantic, a statue of a female wor- shiper was made in Crete. The small bronze is a fine and exceedingly rare example of the Middle Minoan III–Late Minoan I production between

about 1600 and 1500 BC, and makes a wonderful addition to the museum’s notable holdings of small bronzes from antiquity. From Asia, notable additions included two 18th-century Indian minia- tures, a 15th-century storage jar and a contemporary incense burner from Japan, and Mirror with Jade Disk Inset, made in China 2,000 to 2,500 years

ago. Finally, the magnificent Feathered Panel, made in Peru between AD 600 and 900, joined the textiles collection. The conservation department, charged with preserving the works of art in the collection so that future generations may enjoy them, undertook a number of major projects in addition to its ongoing activity. The major fo- cus in the paper conservation lab was on the research of past conservation treatment of the Cleveland impression of Pollaiuolo’s Battle of the Nudes in conjunction with the related exhibition. The research helped the curator

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2-Collections.p65 19 6/10/2003, 4:29 PM Fulchran-Jean Harriet (French, 1778–1805). Oedipus at Colonus, 1798; oil on canvas; 157 x 134 cm; Mr. and Mrs. William H. Marlatt Fund 2002.3

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2-Collections.p65 20 6/10/2003, 4:29 PM better understand the image and enlightened the conservation field with the nature of past treatments. The results of the research were placed on the museum’s Web site—the equivalent of 60 pages of text and 84 images, in- cluding magnifications of each. The department encountered unusual chal- lenges in preparing for Into the Light, with its array of vintage (1960s–70s) film projection and video equipment and various experimental multimedia fabrications. Major paintings treatments included works by Gros, Titian, Girodet, and Rembrandt. During the year, the museum also loaned works from its collection to special exhibitions in about 50 other institutions in all corners of the globe, among them many of the world’s major museums, from the Art Gallery of New South Wales in Sydney, Australia and the Kyoto National Museum in Japan, to the Musée des Beaux Arts in Lyon, France and the Royal Academy of Arts in London, to the Smithsonian Institution in Washington, the Mu- seum of Contemporary Art in Los Angeles, and the Metropolitan Museum of Art in New York City. The collection of the Cleveland Museum of Art is a resource that is re- nowned and in demand the world over. But it resides here in Cleveland, so that anyone can walk in, free of charge, and stand face-to-face with some of the greatest creative achievements of all time.

Mirror with Jade Disk Inset. Late Warring States (475–221 BC) to Early Western Han (206 BC–AD 8) periods; bronze with nephrite and turquoise; diam. 15.3 cm; Gift of various donors to the department of Chinese Art (by exchange) 2002.5

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2-Collections.p65 21 6/10/2003, 4:29 PM ACQUISITIONS

Art of the Ancient Americas Vessel with Deity Mask. Central Mexico, Olmec style; 1200–900 BC; darkware ceramic, traces of pigment; 17.9 x 16.5 x 15.3 cm; Purchase from the J. H. Wade Fund 2002.67 Double-Spouted Vessel. Peru, Wari style; 500– 900; ceramic, slip; h. 20.3 cm, diam. 16.5 cm; James Parmelee Fund 2002.94 Chinese Art Mirror with Jade Disk Inset. Late Warring States (475–221 BC) to Early Western Han (206 BC– AD 8) periods; bronze with nephrite and turquoise; diam. 15.3 cm; Gift of various donors to the department of Chinese Art (by exchange) 2002.5 Contemporary Art Louise Bourgeois (American, b. France, 1911). Blind Man’s Buff, 1984; white marble on wood base; 92.7 x 88.9 x 63.5 cm; Leonard C. Hanna Jr. Fund 2002.29 Allan McCollum (American, b. 1944). More Visible Markers in Twelve Exciting Colors, 2000; painted Hydrocal; 12 sculptures, each 4.5 x 10.3 cm; Dorothea Wright Hamilton Fund 2002.95.1–12 François-Nicolas Martin Puryear (American, b. 1941). Alien Huddle, 1993–95; red cedar and pine; 134.6 x Delaistre (French, 162.5 x 134.6 cm; Gift of Agnes Gund and 1746–1832). Figure Daniel Shapiro 2002.65 of a Young Girl, Tony Smith (American, 1912–1980). Source, 1787–93; marble; 1967; painted steel; 335.2 x 899.1 x 1036.3 cm; 170 x 85.4 x 49.5 Gift of the Metropolitan Bank & Trust cm; The Severance Company 2001.256 and Greta Millikin Purchase Fund Decorative Arts and Sculpture 2002.53 Box in the Form of a Book. France; about 1865– 80; wooden box covered in leather with gilt metal enameled mounts; 8 x 58.5 x 47 cm; Gift of the Trideca Society in honor of Henry Hawley 2002.104 Chair. Designed by Jens Risom (American, b. Denmark, 1916–1977) about 1942; modified by Knoll Associates Inc. about 1946; birch, cotton webbing; 78.7 x 44.5 x 50.8 cm; Gift of Mr. and Mrs. Peter Loughrey 2002.109 Sauceboat. England, Chelsea; about 1755–56; porcelain; 10.2 x 16.2 x 10.8 cm; Gift of the Foster Family Foundation 2002.73 Vase. Designed by Georges de Feure (French, 1868–1943); made by Gérard, Dufraissex, and Abbot, Limoges, about 1903; porcelain with color glazes and gilding; 25.1 x 14 x 10.9 cm; John L. Severance Fund 2002.15 François-Nicolas Delaistre (French, 1746–1832). Figure of a Young Girl, 1787–93; marble; 170 x 85.4 x 49.5 cm; The Severance and Greta Millikin Purchase Fund 2002.53

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2-Collections.p65 22 6/10/2003, 4:30 PM Carl Grossberg (German, 1894–1940). Berlin Power Plant under Construction, 1930; graphite, framing lines in graphite; 37.5 x 51.9 cm; Anne Elizabeth Wilson Memorial Fund 2002.7 Grace Hartigan (American, b. 1922). Untitled, 1959; oil with collage; 57.5 x 72.4 cm; John L. Severance Fund 2002.80 Friedrich Preller (German, 1804–1878). Self- Portrait, 1838; graphite; 21.2 x 17.1 cm; Gift of the Helen Greene Perry Charitable Trust and John L. Severance Fund 2002.56 Ernest David Roth (American, b. Germany, 1879–1964). Gift of Carole W. and Charles B. Rosenblatt. Fécamp; graphite; 20.5 x 20.1 cm; 2002.115. Plaza de Ponce de Leon, Sevilla; black crayon; 26.6 x 36.5 cm; 2002.113. Rouen Courtyard; graphite; 24.3 x 24.3 cm; 2002.114 Sevilla, 1920; pen and black ink with pen and blue ink; 35.7 x 26.6 cm; 2002.112. Street in Siena; graphite; 32 x 21.3 cm; 2002.111 Charlotte Salomon (German, 1917–1943). Dinner Party (recto), 1940–42; gouache; Dinner Party with Presumed Portrait Study of Paula Lindberg (verso), 1940–42; graphite; 29.3 x 19.9 Richard Serra Drawings cm; Mr. and Mrs. Richard W. Whitehill Art (American, b. 1939). William Bailey (American, b. 1930). Untitled Purchase Endowment Fund 2002.8.a–b Khora, 2000; melted (Still Life), 2000; graphite; 33.8 x 48.2 cm; Gift Richard Serra (American, b. 1939). Khora, 2000; paintstick; 78 x 102.4 of The Print Club of Cleveland 2002.117 melted paintstick; 78 x 102.4 cm; Delia E. cm; Delia E. Holden Jacques-Louis David (French, 1748–1825). Holden Fund 2002.96 Fund 2002.96 Cupid and Psyche, 1813; gray wash and pen and black ink with white paint and traces of black Greek and Roman Art chalk; 16.7 x 22.4 cm; Andrew R. and Martha Female Worshiper. Crete, Middle Minoan III– Holden Jennings Fund 2002.91 Late Minoan I, c. 1600–1500 BC; bronze; h. 14 Till Freiwald (German, b. Peru, 1963). Untitled, cm; Purchase from the J. H. Wade Fund 2001; watercolor over graphite; 76.8 x 54 cm; 2002.89 Gift of the artist and Jack Shainman Gallery 2002.13. Untitled, 2001; watercolor over Indian and Southeast Asian Art graphite; 228.4 x 154.8 cm; John L. Severance Raga Suramananda, from a “Ragamala” series. Fund 2002.16 India, Bilaspur, about 1750; ink and color on Paul Gauguin (French, 1848–1903). Mother and paper; 23.8 x 19.1 cm; Gift of Dr. Norman Child (recto), 1870s; black chalk; Profile Bust of a Zaworski 2002.116 Man (verso); graphite; 26.8 x 20.4 cm; Gift of Rama and Sita Being Taken to the Priest to Fix the Mr. and Mrs. Charles Hickox 2002.110a–b Wedding Date, from the Ramayana. India, Jan van Goyen (Dutch, 1596–1656). Landscape Pahari Hills, Kulu, Shangri Style IV, c. 1700– with a Wainwright Mending Wheels by a Village 1710; ink and color on paper; 18.5 x 28.7 cm; Road, 1651; black chalk and brown wash; 17.4 x Norman O. Stone and Ella A. Stone Memorial 27.6 cm; Andrew R. and Martha Holden Fund 2002.6 Jennings Fund 2002.90

Rama and Sita Being Taken to the Priest to Fix the Wedding Date, from the Ramayana. India, Pahari Hills, Kulu, Shangri Style IV, c. 1700–1710; ink and color on paper; 18.5 x 28.7 cm; Norman O. Stone and Ella A. Stone Memorial Fund 2002.6

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2-Collections.p65 23 6/10/2003, 4:30 PM Japanese and Korean Art Photography Storage Jar: Tamba Ware. Muromachi period Eugène Atget (French, 1857–1927). The (1392–1573), 1400s; stoneware with natural ash Severance and Greta Millikin Purchase Fund. glaze; h. 45 cm, diam. 39 cm, The Severance Nymphéa, 1922–23, from Atget numbering and Greta Millikin Purchase Fund 2002.66 series Landscape Documents #1196; albumen Ken Matsuzaki (Japanese, b. 1950). Incense print, gold-toned; 22.2 x 17.6 cm; 2002.69. The Burner; stoneware with applied and natural Park at Sceaux (April 1925, 7 a.m.) (Parc de ash glaze; 20 (with lid) x 14.5 x 9 cm; Gift of Sceaux [Avril 1925, 7 h. matin]), 1925, from Bernie and Sue Pucker in honor of Gerald P. Atget numbering series Sceaux #37; arrowroot Bonder 2002.61a–b print, gold-toned; 22.9 x 17.6 cm; 2002.68 William H. Bell (American, 1830–1910). Looking Medieval Art South into the Grand Canyon, Colorado River, Small Sword. Switzerland, Geneva(?) (blade: Sheavwitz, 1872; albumen print from wet Germany, Solingen), around 1790–1800; hilt: collodion negative; 27.5 x 20.3 cm; John L. gold with translucent enamel, blade: blued Severance Fund 2002.48 and gilded steel; l. 97 cm; Purchase from the Jayne Hinds Bidaut (American, b. 1965). J. H. Wade Fund 2002.1 Oriental Goliath Beetle (Goliathus orientalis), 1998 Simon Bening (Flemish, 1483–1561). Single Leaf (printed 2002); tintype; ed. 5/13; 25.5 x 20.3 with Scenes from the Last Supper, about 1525–30; cm; Gift of Jayne Hinds Bidaut and Ricco/ tempera with liquid gold and silver on vellum; Maresca Gallery, NYC 2002.146 wooden board; 17 x 12.5 cm; Gift of Bruce Keith Carter (American, b. 1948). Atlas Moth, Ferrini, Pamela Ferrini, associates, and friends 1990; gelatin silver print, toned; 3/50; 37.1 x in memory of Matthew Ferrini 2002.52 37.2 cm; Gift of William S. Lipscomb in memory of his father, James S. Lipscomb Storage Jar: Tamba Paintings 2002.147 Ware. Japan, Georges Daniel de Monfreid (French 1856– Carl Chiarenza (American, b. 1935). Noumenon Muromachi period 1929). Mater Dolorosa (The Virgin Mary 503/401, 1984–85; gelatin silver prints (1392–1573), 1400s; Mourning), 1897; painted plaster, wood; 73.7 x (diptych); 50.5 x 79.3 cm (overall); Gift of Alisa stoneware with natural 59.1 x 17.8 cm; John L. Severance Fund 2002.54 Luxenberg in honor of her parents, Herbert and Marianna Luxenberg 2002.84.a–b ash glaze; h. 45 cm, Maurice Denis (French, 1870–1943). Éva diam. 39 cm; The Meurier in a Green Dress, 1891; oil on canvas; 55 Alvin Langdon Coburn (American, 1882– x 38 cm; Mr. and Mrs. William H. Marlatt Fund 1966). Grand Canyon, 1912; platinum print; 41 x Severance and Greta 2002.92 31.4 cm; John L. Severance Fund 2002.51 Millikin Purchase Fund Max Ernst (German, 1891–1976). Le Déjeuner Thomas Eakins (American, 1844–1916). Crowell 2002.66 sur l’Herbre, 1944; oil on canvas; 68 x 150 cm; Children at Avondale, 1885–90; platinum print; 9 Leonard C. Hanna Jr. Fund 2002.55 x 11.2 cm; John L. Severance Fund 2002.49 Anne-Louis Girodet de Roucy Trioson (French, Emmet Gowin (American, b. 1941). Edith, 1767–1824). Aurora and Cephalus, about 1810; Newton, Pennsylvania, 1999; gelatin silver print; oil on canvas; 22.8 x 16.8 cm; Gift of the 12.9 x 12.8 cm; Gift of Friends of Photography Painting and Drawing Society of The 2002.102 Cleveland Museum of Art 2002.101 William Henry Jackson (American, 1843–1942). Fulchran-Jean Harriet (French, 1778–1805). Mystic Lake, M.T., about 1870; albumen print Oedipus at Colonus, 1798; oil on canvas; 157 x from wet collodion negative; 23.3 x 50.7 cm; 134 cm; Mr. and Mrs. William H. Marlatt Fund John L. Severance Fund 2002.47 2002.3 Thomas H. Johnson (American, active 1860s– Grant Wood (American, 1892–1942). January, 1870s). Inclined Plane F, Delaware and Hudson 1940; oil on Masonite panel; 45.7 x 60.1 cm; Canal Co., about 1860; albumen print from wet Purchase from the J. H. Wade Fund 2002.2 collodion negative; 30.5 x 38.5 cm; John L. Severance Fund 2002.42 John R. Johnston (American, 1820–1872). Georges Daniel de Salted paper prints from wet collodion Monfreid (French negatives; John L. Severance Fund. John R. 1856–1929). Mater Johnston with Painting; 20 x 14.8 cm; 2002.39. Dolorosa (The Virgin Mrs. John R. Johnston, before 1857; 18.8 x 15.1 Mary Mourning), cm; 2002.38 1897; painted plaster, Judith K. McMillan (American, b. 1945). Optic wood; 73.7 x 59.1 x Exploration: Poppy and Columbine (Papaver and Aquilegia), 1998 (printed 1999); gelatin silver 17.8 cm; John L. print, toned, from x-ray film; 47.2 x 37.1 cm; Severance Fund Gift of Linda Butler 2002.83 2002.54 Abelardo Morell (American, b. Cuba, 1948). Book with Wavy Pages, 2001; gelatin silver print, ed. 10/30; 61 x 50.8 cm; Judith K. and S. Sterling McMillan III Photography Purchase Fund 2002.12 Karen Ollis (American, b. 1958). Viktor Schreckengost, 2000 (printed 2002); color process print (Cibachrome); 50.8 x 40.6 cm; In memory of Janet Delaware Ollis 2002.85 Timothy H. O’Sullivan (American, 1840–1882). Albumen prints from wet collodion negatives; John L. Severance Fund. Iceberg Canyon, Colorado River Looking Above, about 1871; 20.2 x

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2-Collections.p65 24 6/10/2003, 4:30 PM 27.3 cm; 2002.46. Sand Dunes, Carson Desert, Alfred Stieglitz (American, 1864–1946). Poplars, Nevada, 1867; 19.7 x 27 cm; 2002.45 Lake George, 1934; gelatin silver print; 24.2 x Gordon Parks (American, b. 1912). Gelatin 19.1 cm; Bequest of Dorothy Norman 2002.81 silver prints; Norman O. Stone and Ella A. Unidentified photographer (American). Artist Stone Memorial Fund by exchange. Untitled with His Palette and Brushes, about 1850s; (Malcolm X), 1963; 21.8 x 32.5 cm; 2002.72. daguerreotype, sixth-plate; 8.3 x 7 cm; John L. Untitled (Muhammad Ali with Children), about Severance Fund 2002.36 1970; 22.9 x 33.7 cm; 2002.71. Young Gang Unidentified photographer (American). Child Leader, Harlem, about 1948; 22.1 x 33.4 cm; with Drum, 1850s; daguerreotype, quarter- 2002.70 plate; 8.3 x 7 cm; John L. Severance Fund William H. Rau (American, 1855–1920). 2002.33 Hemlock Forest, Lehigh Valley Railroad, about Unidentified photographer (American). Dead 1895; albumen print from wet collodion Child on a Sofa, about 1855; daguerreotype, negative; 43.2 x 51.8 cm; John L. Severance quarter-plate; 6.3 x 8.7 cm; John L. Severance Fund 2002.50 Fund 2002.35 Frederick DeBourg Richards (American, 1822– Unidentified photographer (American). Mother 1903). First Bank of the , and Child, about 1855; daguerreotype, sixth- Philadelphia, 1859; salted paper print from wet plate; 8.3 x 7 cm; John L. Severance Fund collodion negative; 20.4 x 15.5 cm; John L. 2002.31 Severance Fund 2002.41 Unidentified photographer (American). The H. N. Roberts (American). Francis Wayland Music Teacher and His Wife, about 1850s; Sherman at the Age of 2 Years 10 Months, 1862; daguerreotype; quarter-plate; 10.8 x 8.3 cm; albumen print from wet collodion negative; John L. Severance Fund 2002.37 18.6 x 13.3 cm; John L. Severance Fund 2002.34 Unidentified photographer (American). St. Arthur Rothstein (American, 1915–1985). Anthony’s Falls from across the River, about Albert Sands Southworth Gelatin silver prints (printed 1981) from 1850s; daguerreotype, half-plate; 10.8 x 16.5 (American, 1811–1894) Arthur Rothstein portfolio; Gift of Alan and cm; John L. Severance Fund 2002.40 and Josiah Johnson Monah L. Gettner. Dust Storm Cimarron County, Oklahoma, 1936; 22.8 x 22.6 cm; 2002.82.1. Unidentified photographer (American). Two Hawes (American, Gamblers, Las Vegas, Nevada, 1947; 23.2 x 22.5 Children with Toys, about 1855; daguerreotype, 1808–1901). Medallion cm; 2002.82.6. Hotel de , Interior, quarter-plate; 10.8 x 8.3 cm; John L. Severance Portrait of a Woman, Georgetown, Colorado, 1939; 30.5 x 22.5 cm; Fund 2002.32 about 1850; 2002.82.4. John Dudeck, Dalton, New York, 1937; Céline van Balen (Dutch, b. 1965). Muazez, daguerreotype, whole- 30.5 x 20.5 cm; 2002.82.2. Mississippi River 1998; chromogenic process color print; 33.2 x plate; 20 x 15 cm; Flood, St. Louis, Missouri, 1943; 23 x 30.5 cm; 26.3 cm; Gift of Friends of Photography 2002.82.3. Shoeshine Man, New York City, 1937; 2002.11 John L. Severance Fund 30.8 x 22.8 cm; 2002.82.5 2002.30 Carleton E. Watkins (American, 1829–1916). Fazal Sheikh (American, b. 1965). Rohgul, The Domes, from the Sentinel Domes, Yosemite, Afghan Refugee Village, Nasirbagh, Northwestern about 1865–66; mammoth albumen print from Frontier Province, Pakistan, 1996; gelatin silver wet collodion negative; 39.6 x 52.4 cm; John L. print (printed 1997); 27.5 x 21.2 cm; Gift of Severance Fund 2002.44 Friends of Photography 2002.103 Charles Leander Weed (American, 1824–1903). Albert Sands Southworth (American, 1811– from Mariposa Trail, about 1865; 1894) and Josiah Johnson Hawes (American, mammoth albumen print from wet collodion 1808–1901). Medallion Portrait of a Woman, negative; 39.7 x 51.7 cm; John L. Severance about 1850; daguerreotype, whole-plate; 20 x Fund 2002.43 15 cm; John L. Severance Fund 2002.30

Timothy H. O’Sullivan (American, 1840– 1882). Sand Dunes, Carson Desert, Nevada, 1867; albumen print from wet collodion negative; 19.7 x 27 cm; John L. Severance Fund 2002.45

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2-Collections.p65 25 6/10/2003, 4:30 PM Prints Domenico Beccafumi (Italian, 1484–1551). Saint Anonymous (German, 15th century). Pietà, Peter, about 1547; chiaroscuro woodcut printed 1435–50; woodcut, colored by hand with in four shades of brown; 41.2 x 21.4 cm; watercolor; 38.7 x 28.8 cm; Severance Millikin Bartsch 14; Severance and Greta Millikin Trust 2002.4 Purchase Fund 2002.9 Clinton Adams (American, 1918–2002). Color Fred Becker (American, b. 1913). Brown Forest, lithographs from Venus in Cíbola; 16 x 19 cm; 1965; color woodcut; 76.2 x 60.9 cm; Gift of Gift of Bob Stana in memory of Susan and various donors to the department of Prints and Joseph Stana. Untitled (Venus in Cíbola I), 1968; Drawings 2002.76 Tamarind 2519; 2002.88.1. Untitled (Venus in Norbertine Bresslern-Roth (American, b. Cíbola II), 1968–69; Tamarind 2521; 2002.88.2. , 1891–1978). Blue Throated Warbler; Untitled (Venus in Cíbola III), 1969; Tamarind color woodcut; 12.9 x 12.4 cm; Gift of Carole 2526; 2002.88.3. Untitled (Venus in Cíbola IV), W. and Charles B. Rosenblatt 2002.133 1968; Tamarind 2518; 2002.88.4. Untitled (Venus Remigio Cantagallina (Italian, 1582/3–1656). in Cíbola V), 1967–68; Tamarind 1731; 2002.88.5. Naval Combat Represented on the Arno River in Untitled (Venus in Cíbola VI), 1968–69; Florence, for the Marriage of Cosimo di Medici Tamarind 2516; 2002.88.6. Untitled (Venus in Prince of Tuscany, and Maria Maddalena of Cíbola VII), 1968–69; Tamarind 2520; 2002.88.7. Austria, in 1608 (after Jacopo Ligozzi), 1608; Untitled (Venus in Cíbola VIII), 1967; Tamarind two etchings; John L. Severance Fund. 1730; 2002.88.8. Untitled (Venus in Cíbola IX), Periclemene (Lobster); 17.4 x 27.1 cm; Bartsch 1968; Tamarind 2517; 2002.88.9. Untitled (Venus 36; 2002.21. Evrito Echione E Etalide (Evrito, in Cíbola X), 1969; Tamarind 2522; 2002.88.10 Echione, and Etalide), 19.7 x 26.9 cm; Bartsch 37; Sybil Andrews (Canadian, b. England, 1898– 2002.22 1992). Red Cedars, about 1975; color woodcut; Elizabeth Catlett (Mexican, b. USA, 1919). 56 x 38.5 cm; Gift of various donors to the Magic People, 2002; color linocut; 25.7 x 24.4 department of Prints and Drawings 2002.57 cm; Gift of the artist 2002.64 William Bailey (American, b. 1930). The Print Chaffee (American, 1883–1955). Club of Cleveland Publication No. 80, 2002. A Modern Pilgrim’s Print Book: Sandpipers, 1935; Gift of The Print Club of Cleveland. Untitled linocut; 18.5 x 11 cm; Gift of various donors to (Still Life), 2001; 27.7 x 37.7 cm; etching, the department of Prints and Drawings aquatint, and softground etching; 2002.118. 2002.77.k BAT, 2002.119. State proof 1, etching, 2002.120.1. State proof 7, etching, 2002.120.2. Oliver Chaffee (American, 1881–1944). A State proof 9, etching and aquatint, 2002.120.3. Modern Pilgrim’s Print Book: 3 Central, 1935; State proof 14, etching and aquatint, with linocut; 7.5 x 14.7 cm; Gift of various donors to pencil additions, 2002.120.4. State proof 15, the department of Prints and Drawings etching and aquatint, 2002.120.5. State proof 2002.77.d 28, etching and aquatint with blue pencil Edgar Chahine (French, 1874–1947). Gift of corrections, 2002.120.6 Carole W. and Charles B. Rosenblatt. The Poor Leonard Baskin (American, 1922–2000). Louis Ones (Les Pauvresses), 1902; etchings and Jacques Mandé Daguerre, 1998; woodcut; 27.5 x drypoint; 11 x 22.1 cm; Tabanelli 83, state I/IV; 18.5 cm; Gift of 21st: The Journal of 2002.131. State III/IV; 2002.132. : The Contemporary Photography 2002.145 Gossips (Venise: Le Ciacolone [Les Bavardes]), 1922; drypoint and chine collé; 31.8 x 21.7 cm; Tabanelli 348, state III/III; 2002.130

Jacques-Louis David (French, 1748–1825). Cupid and Psyche, 1813; gray wash and pen and black ink with white paint and traces of black chalk; 16.7 x 22.4 cm; Andrew R. and Martha Holden Jennings Fund 2002.91

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2-Collections.p65 26 6/10/2003, 4:30 PM Jean Baptiste Camille Corot (French, 1796– Daniel Kelly (American, b. 1947). Nene, 2002; Gabor Peterdi (American, b. Hungary, 1915– 1875). Willows and Poplars (Saules et peupliers woodcut, colored by hand with white paint; 2001). Arctic Night IV, 1965; color etching; 61.2 blancs), 1871; lithograph with chine collé; 25.7 77.5 x 94 cm; Gift of Gloria and Leon Plevin in x 90.7 cm; Gift of Janet and Donald Fribourg in x 39.4 cm; Delteil 30, state II/II; Gift of Robert memory of Fred Schmidt 2002.107 memory of Arthur Fribourg 2002.62. Muana M. Light in honor of Louise S. Richards Otto (American, 1891–1971). A Loa, 1969; color etching and aquatint; 109.9 x 2002.14 Modern Pilgrim’s Print Book: Gathering Quahogs, 80 cm; Gift of Janet and Donald Fribourg in Robert Cottingham (American, b. 1935). Rolling 1935; linocut; 14.2 x 8.9 cm; Gift of various memory of Marion Neumark 2002.87 Stock #42, 1993; color lithograph; 45.4 x 34 cm; donors to the department of Prints and Charles Adams Platt (American, 1861–1933). Gift of Elizabeth Carroll Shearer in memory of Drawings 2002.77.b Cape Ann Farm, 1890; drypoint; 22.7 x 30.7 cm; Fred Schmidt 2002.143 (American, 1878–1956). Gift of Rice 113; Gift of Carole W. and Charles B. Stuart Davis (American, 1892–1964). Two various donors to the department of Prints and Rosenblatt 2002.125 Figures and El (Sixth Avenue El, No. 2), 1931; Drawings. Four Petunias, 1945; color Gloria Plevin (American, b. 1934). Meadow lithograph; 28 x 38.1 cm; Cole and Myers 17; monotype; 20.3 x 15 cm; 2002.59. A Modern Overlook II, 2001; color monotype; 24.6 x 24.8 Gift of various donors to the department of Pilgrim’s Print Book: My Studio, 1935; linocut; cm; Gift of Michael Verne 2002.108 Prints and Drawings 2002.97 13.7 x 10.1 cm; 2002.77.e Johann Anton Ramboux (German, 1790–1866). Albert Christoph Dies (Austrian, 1755–1822). Tod Lindenmuth (American, 1855–1976). A Double Portrait of the Brothers Konrad and Franz St. Rocco Waterfall and Bridge at Tivoli (Cascata e Modern Pilgrim’s Print Book: Fisherman, 1935; Eberhard, Painter and Sculptor in Munich, 1822; Ponte di St. Rocco a Tivoli), 1795; etching in linocut; 13.7 x 9.7 cm; Gift of various donors to lithograph printed in black and gray; 31.7 x brown ink; 36.8 x 27.5 cm; Andresen 27; Gift of the department of Prints and Drawings 34.2 cm; Winkler 2; Gift of The Print Club of Susan Schulman in memory of Fred Schmidt 2002.77.a Cleveland 2002.63 2002.105 El Lissitzky (Eleazar Markovich Lissitzky) V. B. Rann (American, 1897–1956). A Modern Burgoyne Diller (American, 1906–1965). (Russian, 1890–1941). For the Voice (Dlia Pilgrim’s Print Book: Low Tide, 1935; linocut; Untitled, 1932; linocut; 15.1 x 20.2 cm; John L. golosa), 1923; book containing 61 pages with 12.9 x 10.2 cm; Gift of various donors to the Severance Fund 2002.17 letterpress designs printed in red and black department of Prints and Drawings 2002.77.g Edwin Reeves Euler (American, b. 1896). A ink, cover printed in red and black ink on Rembrandt van Rijn (Dutch, 1606–1669). The Modern Pilgrim’s Print Book: Provincetown orange paper; 18.5 x 13 cm (pages), 18.7 x 13.4 Blindness of Tobit: The Large Plate, 1651; etching Studio, 1935; linocut; 12.7 x 10.2 cm; Gift of cm (cover); Gift of various donors to the and drypoint; 15.8 x 12.9 cm; White and Boon various donors to the department of Prints and department of Prints and Drawings 2002.60 42, state I/II; Severance and Greta Millikin Drawings 2002.77.j Charles Wheeler Locke (American, 1899–1983). Fund 2002.10 Paolo Farinati (Italian, 1522–1606). The Tramp Steamer, 1939; lithograph; 23.6 x 31.2 cm; Ernest David Roth (American, b. Germany, Magdalen; etching; 20.4 x 14.5 cm; Bartsch 2; Gift of Carole W. and Charles B. Rosenblatt 1879–1964). Etchings; Gift of Carole W. and John L. Severance Fund 2002.18 2002.129 Charles B. Rosenblatt. Campo San Boldo, Venice, Paul Gachet (French, 1828–1909). Six Etchings Nat Lowell (American, b. Latvia, 1880–1956). 1924; 23.7 x 26.8 cm; Whitmore 79; 2002.139. (Six Eaux-Fortes), 1895; Gift of Elizabeth Untitled (New York) etching; 30.3 x 21.3 cm; Gift The Buttress, Ponte Vecchio, Florence, 1907; 22.9 x Carroll Shearer in memory of Robert Lundie of Carole W. and Charles B. Rosenblatt 20 cm; Whitmore 17; 2002.135. Doorway, Or San Shearer. Frontispiece; etching; 21 x 17.1 cm; 2002.128 Michele, Florence, 1912; 30.2 x 20 cm; Whitmore 2002.142.1. Head of a Kitten (Tête de jeune chat); Reginald Marsh (American, b. France, 1898– 34; 2002.136. Pont Neuf Paris, 1914; 20.8 x 31.4 etching and drypoint; 13 x 10 cm; 2002.142.2. 1954). Locos, 1948; engraving; 20 x 24.9 cm; cm; Whitmore 58; 2002.138. Street in Assisi, Notre Dame, Pontoise (Notre Dame de Sasowsky 232, state II/II; Gift of Carole W. and 1935; 25.2 x 18.8 cm; not in Whitmore; Pontoise); etching; 21 x 17 cm; 2002.142.6. Charles B. Rosenblatt 2002.126 2002.134. Venice from the “Redentore,” 1913; 20.1 Notre Dame Street, Pontoise (Rue Notre Dame, x 27.7 cm; Whitmore 45; 2002.137. Veterans, Hiroshi Maruyama (Japanese, b. 1953). Blue 1936; 30.2 x 25.1 cm; not in Whitmore; 2002.140 Pontoise); etching; 15.5 x 12.7 cm; 2002.142.7. Shadow-Lattice, 2000; color woodcut; 40.6 x 50.6 The Thatched Bakery, Auvers (Les Chaumes de cm (irregular); Mr. and Mrs. William E. Ward Jan Saenredam (Dutch, 1565–1607). The Four, Auvers); etching; 12 x 16.9 cm; Collection Fund 2002.99 Annunciation to the Shepherds (after Abraham 2002.142.3. Tréport (Le Tréport); etching, Bloemaert), 1599; engraving; 55.1 x 39.6 cm; roulette, and drypoint; 8.7 x 15.6 cm; Robert McChesney (American, b. 1913). Hollstein 24, state I/IV, John L. Severance 2002.142.4. Vesnots, Auvers on the Oise (Les Untitled Abstraction S-2, 1951; color screenprint; Fund 2002.20 33.6 x 59 cm; John L. Severance Fund 2002.28 Vesnots, Auvers sur Oise); etching; 12 x 17 cm; Jean-Claude-Richard de Saint-Non (French, 2002.142.5 Mildred McMillen (American, 1884–about 1727–1791). View of the Rotunda with Stairs on William Giles (British, 1872–1939). Swans and 1940). The Outskirts or The Fisherman’s Quarter, the Tiber (Vue de la Rotonde avec escaliers sur Cygnets, 1911; color woodcut; 30.9 x 38.7 cm; 1919; woodcut; 35 x 41.8 cm; Gift of various la Tibre) (after Hubert Robert), 1766; aquatint Gift of various donors to the department of donors to the department of Prints and and etching printed in brown; 30.9 x 30.3 cm; Prints and Drawings 2002.79 Drawings 2002.78 not in Le Blanc; John L. Severance Fund John Grillo (American, b. 1917). Untitled John Hamilton Mortimer (British, 1740–1779). 2002.23 Abstraction, 1955; woodcut; 26.6 x 17.7 cm; John Richard II, 1775; etching in brown ink; 39.9 x Anthonis Sallaert (Belgian, about 1590–1658). L. Severance Fund 2002.27 32.4 cm; Gift of various donors to the A Scene from Classical Mythology; monotype; department of Prints and Drawings 2002.58 Katsunori Hamanishi (Japanese, b. 1949). 12.4 x 9.7 cm; not in Hollstein; John L. Division-Work No. 100, 2002; mezzotint with Kyoko Murakami (Japanese, b. 1972). A-19 Severance Fund 2002.19 gold leaf; 59.7 x 45.1 cm (left); 59.6 x 44.7 cm Door, 2000; color aquatint; 55.4 x 49.9 cm; Mr. Shelby Shackelford (American, 1899–1987). A (center); 59.7 x 45.1 cm (right); Gift of Gloria and Mrs. William E. Ward Collection Fund Modern Pilgrim’s Print Book: Winter, 1935; and Leon Plevin in memory of Fred Schmidt 2002.100 linocut; 10 x 15 cm; Gift of various donors to 2002.106.a–c Karl Ochman (undocumented). Times Square; the department of Prints and Drawings Yosuke Imai (Japanese, b. 1965). A Boat for the etching; 27.3 x 19.6 cm; Gift of Carole W. and 2002.77.i East “Mebaru, Port,” 2000; color etching, Charles B. Rosenblatt 2002.127 Phyllis Sloane (American, b. 1921). The aquatint, and chine collé; 19.9 x 20 cm (plate 1); José Clemente Orozco (Mexican, 1883–1949). Steinbergs, 1970; linocut; 31.7 x 36.8 cm; Gift of 8 x 8.1 cm (plate 2); Mr. and Mrs. William E. Leaders (Zapatistas), 1936; lithograph; 32.2 x Phyllis Sloane in memory of Lillian and Henry Ward Collection Fund 2002.98 41.3 cm; Hopkins 29; John L. Severance Fund Steinberg 2002.124 Charles Kaeselau (American, b. Sweden, 1889). 2002.25 Harumi Sonoyama (Japanese, b. 1950). d’encres A Modern Pilgrim’s Print Book: Wellfleet m (Ink Cans m), 1979; color lithograph; 86.5 x Oysterman, 1935; linocut; 13.2 x 9.5 cm; Gift of 62.7 cm; Gift of the Cunningham family in various donors to the department of Prints and memory of Peggy Cunningham 2002.141 Drawings 2002.77.c

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2-Collections.p65 27 6/10/2003, 4:30 PM Rufino Tamayo (Mexican, 1899–1991). (American, 1873–1946). A Butterflies (Mariposa), 1974; embossed Modern Pilgrim’s Print Book: Fish Shacks, 1935; lithograph; 56.2 x 76 cm; Gift of William E. linocut; 14.2 x 9.1 cm; Gift of various donors to Ward in memory of his wife, Evelyn Svec the department of Prints and Drawings Ward 2002.86 2002.77.f Rosemarie Trockel (German, b. 1952). White Neil Welliver (American, b. 1929). Stump, 2000; Carrot, 1991. Gift of members of the Print Club color woodcut; 76.2 x 76.4 cm; Carole W. and of Cleveland and other friends in memory of Charles B. Rosenblatt Endowment Fund Fred Schmidt. Portfolio containing porcelain 2002.74 icicle, 52.4 x 6.5 cm; 2002.144.1; photograph; John von Wicht (American, 1888–1970). White 23.8 x 17.7 cm; 2002.144.2. Ten photoetching, Lines on Black, about 1955; lithograph with aquatint, and embossing: Sandstorm near collage; 37.9 x 27 cm; John L. Severance Fund Hoover Dam; 18.5 x 19.3 cm; 2002.144.3. 19th- 2002.26 century Photograph Depicting March Wind; 20.2 x 18.4 cm; 2002.144.4. London Fog; 18.9 x 20.7 cm; Grant Wood (American, 1892–1942). February, 2002.144.5. Man with Lantern Guiding Bus in 1940; lithograph; 22.6 x 30 cm; Cole 17; Gift of London Fog; 22.6 x 16.9 cm; 2002.144.6. Clouds various donors to the department of Prints and above Landscape; 21.4 x 19.4 cm; 2002.144.7. Drawings 2002.75 Eclipse; 16.3 x 14.7 cm; 2002.144.8. Clouds; 17 x Saul Yalkert (undocumented). A Modern 17 cm; 2002.144.9. Clouds; 23.3 x 17 cm; Pilgrim’s Print Book: House in the Hollow, 1935; 2002.144.10. Two Men in Snowstorm; 21.5 x 17.1 linocut; 12.6 x 10.2 cm; Gift of various donors Johann Anton cm; 2002.144.11. Nighttime Sky with Moon to the department of Prints and Drawings Ramboux (German, through Clouds; 24.7 x 19.5 cm; 2002.144.12 2002.77.h 1790–1866). Double Charles Turzak (American, 1899–1985). Man Portrait of the Brothers with Drill, about 1935; woodcut; 30.6 x 23.5 cm; Textiles and Islamic Art Konrad and Franz John L. Severance Fund 2002.24 Feathered Panel. Peru, Far South Coast, Pampa Eberhard, Painter and Claire Van Vliet (American, b. Canada, 1933). Ocoña; AD 600–900; Papagayo macaw feathers Sculptor in Munich, Gift of M. Lindsay Kaplan and Norman Eisen. knotted onto string and stitched to cotton Before Rain, 1973; color lithograph; 43 x 51.4 plain-weave cloth, camelid fiber plain-weave 1822; lithograph upper tape; 81.3 x 223.5 cm; Andrew R. and printed in black and cm; 2002.122. Grey Cloud, 1974; lithograph printed in black and gray; 42.4 x 59.3 cm; Martha Holden Jennings Fund 2002.93 gray; 31.7 x 34.2 cm; 2002.123. Untitled, about 1980; paper pulp; 45.5 Winkler 2; Gift of The x 62 cm; 2002.121 Print Club of Cleveland 2002.63

Rembrandt van Rijn (Dutch, 1606–1669). The Blindness of Tobit: The Large Plate,1651; etching and drypoint; 15.8 x 12.9 cm; White and Boon 42, state I/II; Severance and Greta Millikin Fund 2002.10

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2-Collections.p65 28 6/10/2003, 4:30 PM The Return of the Thinker

Rodin’s The Thinker and the new base was designed to eases onto a new complement the statue, which was perch on the south terrace. returned to its place with the bomb’s damage intact, evident in shards of shredded bronze where the figure’s feet once had been. When the museum was considering whether to keep the black granite base or build a new one, another issue that had been debated in the aftermath of the bombing came up again. The Rodin estate had indicated in 1971 that the museum could commission a new cast of the Thinker from the same mold as the original, provided the existing sculp- ture was destroyed. In 2002, as in 1970, the decision was made to forgo this option, however. Rodin’s philosophy was that a sculpture changes with time, and that everything that happens to it becomes a part of the work of art. The new base is a 15,000-pound block of solid marble. “It took a special crane to lower it into place and our entire installation crew of 15 to level it,” recalls Randall Von Ryan, associate director of architecture and construction. “A monolithic block holds up much better against the elements than some- thing constructed out of pieces of stone. Aside from the sparkling gleam of the Everything out there was built to last a cleaned and restored south facade couple hundred years.” of the museum’s 1916 building, the The sculpture was cleaned and clearest signal that the restoration of treated by museum conservators, as the original building’s exterior and were all the other outdoor pieces that terraces was nearing completion was populate the south terrace. Some made the reappearance in May of Rodin’s brief public appearances during the res- familiar Thinker on a pedestal in front toration project as part of the exhibition of the south steps. Conserving the Past for the Future and A close examination reveals a few in an Object in Focus show. improvements in the Thinker’s circum- One improvement shows up only stances. First, the black marble pedestal after the sun goes down: unobtrusive that had been installed in the early lights installed flush with the paving 1970s is gone, replaced by white stones shine up on the Thinker, making granite to match the stonework of the his inspiring figure visible from across terraces. A bomb detonated in 1970 the Fine Arts Lagoon, day or night. shattered the original concrete base,

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2-Collections.p65 29 6/10/2003, 4:30 PM Albright-Knox Art Gallery, Buffalo; Kimbell Japan Society Gallery, New York; The British LOANS TO Art Museum, Fort Worth; Los Angeles County Museum, London Museum of Art Kazari: Decoration and Display in Japan, 15th– OTHER Modigliani and the Artists of Montparnasse 19th Centuries American Federation of Arts, New York and Kimbell Art Museum, Fort Worth; Los Angeles Arthur M. Sackler Gallery, Smithsonian County Museum of Art INSTITUTIONS Institution, Washington; Dallas Museum of Bartolomé Esteban Murillo: Paintings from Art; The Cleveland Museum of Art American Collections The Sensuous and the Sacred: Chola Bronzes from South India Kyoto National Museum, Japan; Stäelsches Kunstinstitut, Frankfurt am Main Antikensammlung Berlin; Martin-Gropius- Rembrandt Rembrandt Bau, Berlin Die Griechische Klassik: Idee oder Wirklichkeit Kyoto National Museum; Tokyo National Museum (organizing institution) The Baltimore Museum of Art; Saint Louis Art Sesshþ, Master of Ink and Brush: 500th Museum Anniversary Exhibition Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, The Metropolitan Museum of Art, New York; Etchings, and Los Angeles County Museum of Art The Legacy of Genghis Khan: Courtly Art and Centre National d’Art et de Culture Georges Culture in Western Asia 1256–1353 Pompidou, Paris La Révolution Surréaliste Musée Fabré, Montpellier, France; Musée des Beaux-Arts, Rouen; Musée des Beaux-Arts, China Institute Gallery, New York Lyon; Musée des Beaux-Arts, Rennes; Circles of Reflection: The Carter Collection of Minneapolis Institute of Arts (organizing Chinese Bronze Mirrors institution) Sacred Symbols: Four Thousand Years of Native Dallas Museum of Art; Museum of American Art Contemporary Art, Los Angeles; The Metropolitan Museum of Art, New York; Musea Antwerpen, Rubens House, Antwerp Museum of Contemporary Art Chicago Marvels of Delight: Early Netherlandish Drawings Thomas Struth from Jan van Eyck to Hieronymus Bosch Fogg Art Museum, Harvard University Art Museé des Beaux-Arts, Lyon Museums, Cambridge L’Ecole de Barbizon Poussin and 17th-Century French Painting Museum of Contemporary Art, Los Angeles; Fondation de l’Hermitage, Lausanne Museum of Modern Art; L’Impressionisme Américain 1880–1915 National Gallery of Art, Washington Willem de Kooning: Tracing the Figure Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis; Pennsylvania Naples Museum of Art, Florida; Yale Academy of the Fine Arts, Philadelphia University Art Gallery, New Haven On the Edge of Your Seat: Popular Theatre and Frankenthaler: The Woodcuts Film in Early 20th-Century American Art National Gallery of Art, Washington Freer Gallery of Art and Arthur M. Sackler The Flowering of Florence: Botanical Art for the Gallery, Smithsonian Institution, Washington; Medici, 1550–1750 Brooklyn Museum of Art; Victoria and Albert Museum, London; Museum Rietberg, Zurich National Gallery of Art, Washington; Dallas The Adventures of Hamza Museum of Art (organizing institution); The Frick Collection, New York; Centre de la Vielle The Frick Collection, New York; J. Paul Getty de Charité, Marseille, France Museum of Art, Los Angeles Anne Vallayer-Coster: Still-Life Painting in the Greuze, The Draftsman Age of Marie Antoinette Fundacion Juan March, Madrid Nationalmuseum, Stockholm; Statens Museum Georgia O’Keeffe: Naturalezas Intimas for Kunst, Copenhagen Impressionism, Post-Impressionism, and the The Governor’s Residence Foundation, Nordic Countries Columbus, Ohio Long-term loan to governor’s mansion National Palace Museum, Taipei, Taiwan, China Groeningemuseum, Bruges, Belgium Art under Emperor Ch’ien-lung Jan van Eyck, Early Netherlandish Painting and the South of Europe Palais des Beaux-Arts, Lille, France; Fondation Pierre Gianadda, Martigny, Switzerland Hallie Ford Museum of Art, Salem, Oregon; Rétrospective Berthe Morisot Boise Art Museum, Idaho In the Fullness of Time: Masterpieces of Egyptian Palazzo dei Diamante, Galleria d’Arte Art from American Collections Moderna e Contemporanea, Ferrara, Italy; Los Angeles County Museum of Art (co- Hokkaido Museum of Modern Art, Japan organizers); Denver Art Museum Vincent and Theo van Gogh Sargent and Italy Isabella Stewart Gardner Museum, Boston Palazzo Grassi, Venice Cosmè Tura and Ferrara: Painting and Design in I Faraoni Renaissance Ferrara

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2-Collections.p65 30 6/10/2003, 4:30 PM The Phillips Collection, Washington; Museum of Fine Arts, Houston French Regional & American Over the Line: The Art and Life of Jacob Lawrence Museums Exchange Royal Academy of Arts, London The Aztecs San Diego Museum of Art; El Paso Museum of Art, Texas Idol of the Moderns: Pierre-Auguste Renoir and American Painting San Diego Museum of Art; Hood Museum of Mayor Jane L. Art, Hanover, New Hampshire (organizing Campbell presents institution) José Clemente Orozco in the United States, 1927– an official procla- 1934 mation from the Shimane Art Museum, Japan; The Museum of City of Cleveland to Fine Arts, Gifu, Japan (organizing institution) Elizabeth Rohatyn in Odilon Redon—Le souci de l’absolu (Search for the Absolute) recognition of the Sociedad Estetal para la Accion Cultural FRAME program. Exterior, Madrid; Universidad de Salamanca, Escuelas Menores, Salamanca Erasmus in Spain: Humanism in Spanish Early Renaissance Tate Britain, London Lucien Freud Tate Britain, London; Pennsylvania Academy of the Fine Arts, Philadelphia; Minneapolis Institute of Arts American Sublime The Textile Museum, Washington The Classical Tradition in Anatolian Carpets Timken Museum of Art, San Diego The Portraits of Bartolomeo Veneto University of Michigan Museum of Art, Ann Arbor; Davis Museum and Cultural Center, In August, the museum was pleased to The American FRAME museums are Wellesley, Massachusetts be the first and only U.S. venue for the Cleveland Museum of Art, Dallas Women Who Ruled: Queens, Goddesses, Amazons, Raphael and His Age: Drawings from the Museum of Art, Fine Arts Museums of 1500–1650 Palais des Beaux-Arts, Lille, which was San Francisco, the Minneapolis Institute The Walters Art Museum, Baltimore The Book of Kings: Art, War, and the Morgan on view August 25 to November 3. The of Arts, Portland Art Museum, Saint Library’s Medieval Picture Bible show featured renowned drawings by Louis Art Museum, Sterling & Francine Western Reserve Historical Society, Cleveland Raphael, borrowed from one of the Clark Art Institute, Virginia Museum Jefferson in Paris: Fashion on the Eve of the French major collections of drawings by the of Fine Arts, and Yale University Art Revolution Italian Renaissance master. Gallery. French FRAME museums are University of Salamanca, Spain Erasmus in Spain: Humanism in Spanish Early This exhibition was the result of the the Fine Arts Museums of Bordeaux, Renaissance French Regional & American Museums Grenoble, Lille, Lyon, Rennes, Rouen, Exchange (FRAME), an initiative of and Strasbourg, plus the Augustins Elizabeth Rohatyn, wife of former U.S. Museum, Toulouse, and the Fabre ambassador to France Felix G. Rohatyn, Museum, Montpellier. and Françoise Cachin, former director In September, Cleveland Mayor Jane of French Museums. Founded in 1999, L. Campbell presided over a ceremony this consortium of nine American and honoring the FRAME program. Attendees nine French museums was created to included Elizabeth Rohatyn and repre- generate cooperative projects and open sentatives of French museums as well their outstanding collections to a wider as museum staff and members of the public in the United States and Europe. media. During the last week in October, Raphael and His Age was the first FRAME the museum played host to representa- exhibition at the Cleveland Museum of tives from all the French and American Art; it will open at the Palais des Beaux- museums and FRAME director Françoise Arts in May 2003. Cachin for a four-day conference.

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3-Exhibitions.p65 32 6/10/2003, 4:37 PM