Innovation and Color: the Reinterpretation of the Woodcut
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THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art. -
PAAM Collection Oct 18.Pdf
First Middle Last Birth Death Sex Accession Acc ext Media code Title Date Medium H W D Finished size Credit Jules Aarons 1921 2008 m 1828 Ph06 Jules Aarons Portfolio: In the Jewish Neighborhoods 1946-76 box, 100 silver gelatin prints, signed verso 15.5 12 3 Gift of David Murphy, 2006 Jules Aarons 1921 2008 m 1928 001 Ph08 untitled (Weldon Kees speaking to assembly of artists) c.1949-50 silver gelatin photograph 8 10 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 002 Ph08 Sunday (The fishermen's children playing on the loading wharf.) c.1949-50 silver gelatin photograph 8 9.5 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 003 Ph08 untitled (Sunday II, fishermen's children playing on loading wharf.) c.1949-50 silver gelatin photograph 8 10 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 004 Ph08 untitled (the flag bearers) c.1949-50 silver gelatin photograph 8 10 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 005 Ph08 Parting c.1949-50 silver gelatin photograph 9 7 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 006 Ph08 untitled (2 ladies at an exhibition) c.1949-50 silver gelatin photograph 7.5 9.5 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 007 Ph08 Dante (I, Giglio Raphael Dante sitting on floor, ptg. behind) c.1949-50 silver gelatin photograph 10 8 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 008 Ph08 Lawrence Kupferman, a Prominent Modern American Artist (etc.) c.1949-50 silver gelatin photograph 7.5 9.5 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 009 Ph08 Kahlil (Gibran, playing music on bed) c.1949-50 silver gelatin photograph 7 7.5 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 010 Ph08 Kahlil & Ellie G. -
Press Release
BERTA WALKER GALLERIES Provincetown & Wellfleet You are invited OPENING in Wellfleet Saturday, June 17, 4 - 6 PM continuing through July 15, 2017 WELLFLEET ARTISTS of the Berta Walker Galleries Currently living and working in Wellfleet Robert Henry Grace Hopkins Sidney Hurwitz Penelope Jencks Gloria Nardin Pe ter Watts Wellfleet artists years past Elizabeth Blair (1908-1995) Edwin Dickinson (1891-1978) Gilbert Franklin (1919- 2004) Budd Hopkins (1931-2011) James Lechay (1907-2001) John C. Phillips (1908- 2003) Selina Trieff (1934-2015) (AND) Opening the following week in Provincetown FRIDAY, June 30 JOSEPH DIGGS "Life's Layers" Abstract and Figurative Paintings The Many Languages of Landscape VARUJAN BOGHOSIAN, BRENDA HOROWITZ, SKY POWER, MURRAY ZIMILES WELLFLEET ARTISTS of the Berta Walker Galleries JUNE 17 - JULY 15 Reception Saturday, June 17, 4 - 6 PM 40 Main Street, Wellfleet, MA In this exhibition, we hope you'll enjoy discovering and celebrating the work of artists from Wellfleet's past as well as those who continue to live and work here. These artists had, or continue to have, studios in Wellfleet and the exhibition includes work from as early as 1924 through to today. These artists are now part of the Berta Walker Galleries' ongoing effort to celebrate the history of American art through the lens of the Outer Cape's historic art colony, founded in 1899, and which encompasses the towns of Provincetown, Truro and Wellfleet. We are delighted to now have a presence in Wellfleet, thanks to the help of The Wicked Oyster Restaurant who made their building available, affording us the opportunity to expand on presenting the art colony's major and important American art contributions. -
A Stellar Century of Cultivating Culture
COVERFEATURE THE PAAMPROVINCETOWN ART ASSOCIATION AND MUSEUM 2014 A Stellar Century of Cultivating Culture By Christopher Busa Certainly it is impossible to capture in a few pages a century of creative activity, with all the long hours in the studio, caught between doubt and decision, that hundreds of artists of the area have devoted to making art, but we can isolate some crucial directions, key figures, and salient issues that motivate artists to make art. We can also show why Provincetown has been sought out by so many of the nation’s notable artists, performers, and writers as a gathering place for creative activity. At the center of this activity, the Provincetown Art Associ- ation, before it became an accredited museum, orga- nized the solitary efforts of artists in their studios to share their work with an appreciative pub- lic, offering the dynamic back-and-forth that pushes achievement into social validation. Without this audience, artists suffer from lack of recognition. Perhaps personal stories are the best way to describe PAAM’s immense contribution, since people have always been the true life source of this iconic institution. 40 PROVINCETOWNARTS 2014 ABOVE: (LEFT) PAAM IN 2014 PHOTO BY JAMES ZIMMERMAN, (righT) PAA IN 1950 PHOTO BY GEORGE YATER OPPOSITE PAGE: (LEFT) LUCY L’ENGLE (1889–1978) AND AGNES WEINRICH (1873–1946), 1933 MODERN EXHIBITION CATALOGUE COVER (PAA), 8.5 BY 5.5 INCHES PAAM ARCHIVES (righT) CHARLES W. HAwtHORNE (1872–1930), THE ARTIST’S PALEttE GIFT OF ANTOINETTE SCUDDER The Armory Show, introducing Modernism to America, ignited an angry dialogue between conservatives and Modernists. -
LOT 1 Tod Lindenmuth (1885–1976) in the Weir, C. 1940S Linocut Print, 9" X 7" Est: $800–$1,200 Signed Lower Right LOT 2 A.P
LOT 1 Tod Lindenmuth (1885–1976) In the Weir, c. 1940s Linocut print, 9" x 7" Est: $800–$1,200 Signed lower right LOT 2 A.P. Todd (20th C) Provincetown from Webster's Hill, 1939 Oil on board, 16" x 20" Est: $800–$1,200 Signed on reverse LOT 3 (LOT OF 4) Albert Edel (1894–1970) Highland Light, c. 1940–60 The Three Towers, c. 1940–60 Drypoint, 3.75" x 4.75" Drypoint, 3.5" x 5.25" Railroad Wharf, c. 1940–60 Sand Dunes, c. 1940–60 Drypoint, 4" x 4.75" Drypoint, 4" x 4.5" Est: $800–$1,200 All signed lower right LOT 4 Agnes Weinrich (1873–1946) untitled (two women), n.d. Ink, graphite, pastel on paper, 5.5" x 8.75" Est: $400–$600 Signed lower left LOT 5 Herman Maril (1908–1986) Monhegan Island, Maine, 1962 Ink wash on paper, 23" x 29" Est: $2,000–$3,000 Signed lower left LOT 6 Dorothy Loeb (1887–1971) Fish Houses, Barnstable, c. 1929 Watercolor on paper, 15" x 21" Est: $600–$800 Signed lower right LOT 7 Chaim Gross (1904–1991) Mother and Child, 1974 Bronze with wooden base, 8.5" x 4.5" x 4.25" Est: $1,000–$1,500 Signed on reverse LOT 8 Lillian Orlowsky 1914 2004 Collage Abstraction, n.d. Oil and mixed media on board, 16" x 12" Est: $1,000–$1,500 Signed lower left LOT 9 Ada Gilmore (1882–1955) Floral Study, 1940 Watercolor on paper, 11" x 10" Est: $400–$600 Signed lower right LOT 10 Arthur Cohen (1928–2012) Terra Nova, Silver Mink, 2006 Oil on canvas, 30" x 40" Est: $2,000–$3,000 Signed lower right LOT 11 Selina Treiff (1934–2015) Dancer with White Bird, 2001 Oil on paper, 18" x 24" Est: $1,000–$1,500 Signed upper right LOT 12 Henry Hensche (1899–1992) Demonstration Still Life, c. -
The Federal Art Project in Provincetown, Massachusetts: the Impact of a Relief Program on an Established Art Colony
University of New Hampshire University of New Hampshire Scholars' Repository Master's Theses and Capstones Student Scholarship Spring 2009 The Federal Art Project in Provincetown, Massachusetts: The impact of a relief program on an established art colony Whitney E. Smith University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/thesis Recommended Citation Smith, Whitney E., "The Federal Art Project in Provincetown, Massachusetts: The impact of a relief program on an established art colony" (2009). Master's Theses and Capstones. 113. https://scholars.unh.edu/thesis/113 This Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Master's Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. THE FEDERAL ART PROJECT IN PROVINCETOWN, MASSACHUSETTS THE IMPACT OF A RELIEF PROGRAM ON AN ESTABLISHED ART COLONY BY WHITNEY E. SMITH BA, University of New Hampshire, 2007 THESIS Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Masters of Liberal Studies in History May 6, 2009 UMI Number: 1466954 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
WVRHC Newsletter, Spring 1989 West Virginia & Regional History Center
West Virginia & Regional History Center University Libraries Newsletters Spring 1989 WVRHC Newsletter, Spring 1989 West Virginia & Regional History Center Follow this and additional works at: https://researchrepository.wvu.edu/wvrhc-newsletters Part of the History Commons West Virginia and Regional History Collection NEWSLETTER Volume 5, No.1 West Virginia University Library Spring/1989 Blanche Lazzell Papers Document Artist's Career Blanche Lazzell must have seemed an unlikely revolu- tionary to her professors at WVU around the turn of the century. The daughter of a local farmer of modest means, she was a petite and quiet young woman, and quite conservative in her tastes. Yet, within a few years of her graduation in 1905 she was mingling with the avant garde leaders of modern art. A recent donation of Lazzell papers to the Regional History Collection sheds considerable light upon the artist's early life. Included is a series of sketches stemming from Lazzell's studies at WVU nearly a century ago. Born in Maidsville, Monongalia County, on 10 October 1878, Neta Blanche Lazzelle (she later dropped her first name as well as the final "e" in her last name) was the ninth of ten children. Family tradition holds that it was almost by chance that she embarked upon a road that would eventually lead her into the highest circles of inter- national art. Her parents, Cornelius and Mary Lazzelle, were determined to see that at least one of their ten children received a college education. Blanche happened to be the one. Her education began at West Virginia Wesleyan College (then West VIrginia Conference Seminary) from which she received a diploma in 1898. -
Squire, Maud Hunt (1873-1955) and Ethel Mars (1876-1956) by Ruth M
Squire, Maud Hunt (1873-1955) and Ethel Mars (1876-1956) by Ruth M. Pettis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2005, glbtq, inc. Reprinted from http://www.glbtq.com American artists and life partners Maud Hunt Squire and Ethel Mars forged distinguished careers in book illustration, painting, and woodblock printing. Émigrées to France, they frequented Gertrude Stein's salons and, during World War I, were among the Provincetown artists working in new methods of printmaking. Maud Squire was born January 30, 1873 in Cincinnati. Her parents encouraged her artistic training, though both had died by the time she was a young woman. At the age of 21, she enrolled in the Cincinnati Art Academy and studied under Lewis Henry Meakin and Frank Duveneck. At the academy she met fellow student Ethel Mars, with whom she would live and travel for the rest of her life. Mars, born in Springfield, Illinois on September 19, 1876, was the only child of a railroad employee and a homemaker. From 1892 to 1897, she studied illustration and drawing at the Cincinnati Art Academy. Squire began her career while still a student, traveling to New York to meet with publishers and exhibiting her work. By 1900 she and Mars were living in New York City, traveling to Europe, and collaborating on illustrating children's books, such as Charles Kingsley's The Heroes (1901). By 1906 they had settled in Paris together. Paris at the turn of the twentieth century had become a magnet for American women with artistic aspirations. As described by artist Anne Goldthwaite, Squire and Mars were prim "Middle Western" girls when they arrived in Paris. -
Authors for Then
provincetprovincetown provincetown authors forthen provincetown authors headquarters headquarters provincetown people headquarters provincetown people booksliterary literary prints and and blockprints etching block etching credit provincetown credit provincetown by priced priced priced lowbooks 'everyman books books modernmodern librarylibrary modern library lendinglending library library ancient withoutancient Provincetown Bookshop 447 COMMERCIAL STREET Next to Peter Hunt's Phone 473-2 Newcomb-Macklin Co. WILLIAM H. YOUNG PICTURE FRAME MAKERS 45 West 27th Street, New York INSURANCE OF EVERY DESCRIPTION Ready Made Stock Frames in All Regular Sizes for Immediate Delivery Representing the Leading Companies of the World GEORGE A. McCoy, Manager ART GALLERY AND WORK SHOP Losses Adjusted Promptly 400-408 North State Street Chicago, Ill. Provincetown, Massachusetts Catalogues Sent to Art Dealers, Decorators and Artists BEHRENDT Oil Colors THE EXHIBITION IS OPEN DAILY FROM 10 A. M. to 6 P. M. ADMISSION 10 CENTS. PFEIFFERS’ SUNDAYS, FREE FROM 2 to 6 P. M. PROVINCETOWN, MASS. Distributors for U. S. Artists’ Supplies Boob The Adams Pharmacies EITHER THE ATTENDANT AT THE DESK are the Up-toDate Stores of the Cape. Visit them OR A SALESMAN WILL BE GLAD TO FUR NISH ANY INFORMATION CONCERNING PROVINCETOWN and SALES SAGAMORE TH€ S€A CH€ST A. AUSTIN DUNHAM SEAMEN’S SAVINGS BANK ANTIQU€S Provincetown Mass. Specializing in Prints Money Goes on Interest the First of Each Month 436 COMMERCIAL ST., PROVINCETOWN TOWN CRIER SHOP Provincetown Association AND Art ADVOCATE GIFT SHOP Incorporated FOUNDED IN 1914 GIFTS Seventh JEWELRY STATIONERY Modern Exhibition RENT YOUR STUDIO OF F. A. DAYS & SONS July 2nd to July 30th 1933 F. -
Press Release
BERTA WALKER GALLERY Creative Couples: 1890-Present Seven Exhibitions, Two Galleries, 175 Creative Couples actors, artists, writers, filmmakers, photographers, musicians, dancers, curators Creative Couples Exhibition #5 of series of 7 PROVINCETOWN July 26 - August 17 Opening Reception Friday, July 26, 6 - 8 PM Dorothy Lake Gregory, "Ross Moffett, Sailing", Ross Moffett, (1888-1971) , Unloading the Catch of the oil on panel, 11.5 x 15.5" Day, oil on canvas, 21 x 30" one couple focus exhibitions Charles Webster Hawthorne (1872-1930) & Marion Campbell Hawthorne (1870-1945) Oliver Chaffee (1881-1944) & Ada Gilmore (1882-1955) Ross Moffett (1888-1971) & Dorothy Lake Gregory (1893-1975) and creative couples of the Hawthorne & Hensche schools Salvatore & Josephine Del Deo, Arthur & Heather Egeli, Cedric Egeli & Joanette Hoffman Egeli, Henry Hensche & Ada Raynor, Agnes Weinrich, Helen Weinrich & Karl Knaths; George & Shirley Yater Please note EXTENDED IN WELLFLEET through July 27 Creative Couples of the Fine Arts Work Center A magical Trio: Karl Knaths & Helen Weinrich Knaths & Agnes Weinrich Creative Couples Exhibition #5 , opening July 26 in Provincetown Celebrating Charles W. Hawthorne's legacy through focus exhibitions of Charles & Marion Hawthorne and his students Oliver Chaffee, Ross Moffett, Dorothy Lake Gregory, and Agnes Weinrich. Additionally, creative couples from the Henry Hensche School will be shown. As much as Hawthorne advanced his theories on how to see color and paint, he did not tell his students what to paint. It was as much a philosophy on how to see and live life to the fullest as a philosophy of painting. Charles W. Hawthorne wrote "Art is a necessity, beauty we must have in the world. -
Provincetown Art Association I Lincoln Books- Pilgrim’S I
JUN MODERN FACTS FACTS FACTS FACTS THE NEXT EXHIBITION I WILL BE THE Library see Books at 2c per day Books at 5c per day it Twenty-second Membership at $1. per month all Annual Exhibition Cape Books with of the Tarbell, Kittredge, modern Rare Books, Guides, Provincetown Art Association I Lincoln Books- pilgrim’s I August 2nd to September 7th I guides New Books I The Cream of the New Books in stock, a modern pilgrim’s 24 hour order service on Bay Shore Guide Annual Costume Ball others- The I a modern pilgrim’s I Guide Provincetown will be held at Low Priced Books To Star and Blue Ribbon Dollar Books, Modern a modern pilgrim’s TOWN HALL Library Books- Oceanside Guide ! a little pilgrim’s Guide Friday, August 2 st (for children) Provincetown I936 Bookshop On Sale Everywhere Across from Town Hall Artists’ Framing and Art Materials WILLIAM H. YOUNG The Copley Frame Shop INSURANCE OF EVERY DESCRIPTION Gosnold and Commercial Streets Representing the Leading Companies of the World PROVINCETOWN Tel. 177 Losses Adjusted Promptly EAST Gloucester ROCKPORT Provincetown, Massachusetts BOSTON COSTUME BALL at Town Hall THE EXHIBITION IS OPEN DAILY FROM FRIDAY, AUGUST 21st 10 A. M. to 5:30 P. M. ADMISSION 10 CENTS. Tickets For Sale SUNDAYS, ADMISSION FREE FROM at 2 to 5:30 and 8 to 10 P. H. N. Campbell’s Artists’ Supplies Shop M. MUSIC EVERY SUNDAY EVENING ADAMS’ Pharmacy Norman S. Cook, Reg. Pharmacist, Mgr. EITHER THE ATTENDANT AT THE DESK OR A SALESMAN WILL BE GLAD TO FUR PROVINCETOWN NISH ANY INFORMATION CONCERNING Tel.