DOCSLIB.ORG

Authors for Then

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Authors for Then provincetprovincetown provincetown authors forthen provincetown authors headquarters headquarters provincetown people headquarters provincetown people booksliterary literary prints and and blockprints etching block etching credit provincetown credit provincetown by priced priced priced lowbooks 'everyman books books modernmodern librarylibrary modern library lendinglending library library ancient withoutancient Provincetown Bookshop 447 COMMERCIAL STREET Next to Peter Hunt's Phone 473-2 Newcomb-Macklin Co. WILLIAM H. YOUNG PICTURE FRAME MAKERS 45 West 27th Street, New York INSURANCE OF EVERY DESCRIPTION Ready Made Stock Frames in All Regular Sizes for Immediate Delivery Representing the Leading Companies of the World GEORGE A. McCoy, Manager ART GALLERY AND WORK SHOP Losses Adjusted Promptly 400-408 North State Street Chicago, Ill. Provincetown, Massachusetts Catalogues Sent to Art Dealers, Decorators and Artists BEHRENDT Oil Colors THE EXHIBITION IS OPEN DAILY FROM 10 A. M. to 6 P. M. ADMISSION 10 CENTS. PFEIFFERS’ SUNDAYS, FREE FROM 2 to 6 P. M. PROVINCETOWN, MASS. Distributors for U. S. Artists’ Supplies Boob The Adams Pharmacies EITHER THE ATTENDANT AT THE DESK are the Up-toDate Stores of the Cape. Visit them OR A SALESMAN WILL BE GLAD TO FUR NISH ANY INFORMATION CONCERNING PROVINCETOWN and SALES SAGAMORE TH€ S€A CH€ST A. AUSTIN DUNHAM SEAMEN’S SAVINGS BANK ANTIQU€S Provincetown Mass. Specializing in Prints Money Goes on Interest the First of Each Month 436 COMMERCIAL ST., PROVINCETOWN TOWN CRIER SHOP Provincetown Association AND Art ADVOCATE GIFT SHOP Incorporated FOUNDED IN 1914 GIFTS Seventh JEWELRY STATIONERY Modern Exhibition RENT YOUR STUDIO OF F. A. DAYS & SONS July 2nd to July 30th 1933 F. A. DAYS & SONS GENERAL CONTRACTORS Jury of Selection Coal, Wood, Lumber, Doors, Windows and Blinds, Lime, Cement, Brick, Building Materials Oliver Chaff ee Shelby Shackelford of All Kinds Howard Gibbs Ben Shahn Mark Baum PROVINCETOWN, MASSACHUSETTS Jack Tworkov Telephone 41 OFFICERS President-William H. Young. Honorary Vice-Presidents-Frederick J. Waugh, Richard E. Miller, George Elmer Browne, Gerrit A. Beneker, W. H. W. Bicknell. Acting Director-I&%. Harold Haven Brown. Acting Vice-President-Mrs. Eugene W. Watson. YOU ARE INVITED TO JOIN Corresponding Secretary--Harry N. Campbell. Treasurer--Mrs. Henry J. Winslow. The TRUSTEES Art Association Dr. Percival J. Eaton, Mrs. Charles W. Hawthorne, William H. Provincetown Young, Frank E. Potter, Henry J. Winslow, William L'Engle, Frank Incorporated Desch, Coulton Waugh, Floyd Clymer, Harry N. Campbell, Gerrit A. Beneker, Mrs Harold Haven Brown. CONSTITUTION AND BY-LAWS Article II. Objects and Purposes. The objects and COMMITTEES purposes of this association shall be to promote and cul- House Ways and Means tivate the fine arts, and to that end to establish and Mrs. Henry J. Winslow, Chairman Mrs. Frank Little, Chairman maintain for the town of Provincetown a permanent collection of paintings and other works of art. Also to hold exhibitions of paintings and other works of art and LIFE MEMBERS to promote the advancement of art by means of social *Edwin A. Grozier Mrs. Anna M. Young intercourse between artists and those interested in the William H. Young Mrs. Anne Dunbar arts. *John D. Adams *Mrs. Emily c. Eaton MEMBERS Dr. Percival J. Eaton Mrs. Henry J. Winslow Henry J. Winslow *Frederick c. Boynton Section 1. Membership in this association shall be divided as *Rev. Henry Mottett, D. D. Mrs. CarolineBrewster Crooker follows: Conrad W. Crooker Mrs. Frances E. Deland a. Associate members-Dues $2.00 per year. Miss Sarah S. Munroe Miss Charlotte S. Cullen b. Contributing members-Dues $5.00 per year. Miss Florence Waterbury Frank A. Days, Jr. c. Sustaining members--Dues$10.00 per year. Frank A. Days Mrs. Adele Shrenk Rogers d. Life members-$50.00. Joseph A. Days ma Frank Little e. Patrons-Any person contributing $100.00 or more. *Howard F. Hopkins Mrs. E. Ambrose Webster f. Benefactors--Any person contributing$500.00 or more. Mrs.Alice G. Grozier Leslie N. Brock Emanuel Fellman PATRONS *Miss Elizabeth W. Roberts *Mrs. Florida Duncan *Deceased Sevenths Modern Exhibition Foreword PAINTINGS--Large gallery ECENT critiques of American Art reveal a con- troversy over the question, whether an artist’s R work must be unmistakably stamped by the la. Ruby Evelyn Dugosh. The Factory country he lives in. Naturally it is not a question that can be solved by each artist individually. The 1. Blanche Lazeell. Lady Slippers artist has little dellberate choice, the course of his art being predetermined mostly by his own make-up. 2. Fritz Pfeiffer. A Garden in Andaluz The question is only a matter of critical attitude- what to accept & what to reject. 3. S. L. Shane. Rhapsody in Blue It is peritinent in a foreword to this exhibition, be- cause fanatical believers in “Americana” in American 4. Tod Lindenmuth. The Storm at Truro art, are likely to carry over this belief, by “picture thinking”, from American art to Provincetown art, 6. Harold Holmes Wrenn. Solomon’s One critic some time ago expressed his surprise that in “the ancient village of Provincetown’ in “the heart 6. tod Lindenmuth. Dory Fishermen of New England”, people painted abstract pictures. In the mind of the critic one had to live at least as near Paris as New York to paint abstractly. It is 7. Ellie Roberts. Aloes perhaps needless to say. that many artists exhibit- regularly in Prmincetown, do live mostly in New York 8. Harold Holmes Wrenn. Shacks and in other towns and cities. It should also be known that strictly Provincetown artists, those liviog 9. William L’Engle. Fishermen here all the year around, paint the most abstract compositions in the show. 10. E. Ambrose webster Bermuda Of course Provincetown offers interesting paint- ing material, which some artists use with sensitiveness. 11. Nina Vassi. Landscape NO. 2 But it would be doing the whole show justice, if visitors put out of their minds the associations sug- gested by “quaint” and “unique’’, words put in their 12. Lucy L’Engle. Spring Landscape minds by the antique dealer, the teashopkeeper. and others catering to the summer trade. Not that Pro- 13. Oliver Chaffee. Mr. Caliga’s Studio vincetown is not quaint and unique, but it would be asking the artlsts to be too giddy, to constantly draw 14. William L’Engle. Street Music upon these qualities for spiritual sustenance. finally it is perhaps necessary to remind the 16. Agnes Weinrich. Three Figures visitor that although many of the exhibitors are of national significance in American art, the whole ex- 16a. Jide fujita Viola hibition is necessarily a community show including first exhibits of young painters as well as the mature 16. Charles Kaeselau. The House Near the Dunes work of mature artists 17. Marjorie Gowie. The Bathers Shelby Shackelford. The Peters Family Ada Gilmore. Valentine Nina Vassi. Landscape No. Thetis Lemmon. Houses Shelby Shackelford. Still Life Ross Moff ett. Provincetown Evening Shelby Shackelford. Devoe Park Mark baum Coal Gleaners Shelby Shackelford. Marionette Players Sewell Johnson. Memoranda, Makch 1933 Oliver Chaffee. A Study Mark Baum. Dumping Fish Ellie Roberts. Point Lebos Joe Jones. Landscape Karl Knaths. The N. d. M. Windust. Composition E. Ambrose Webster. Highland Jido S. Fujita. Les Trois Mouvements Oliver Chaffee. The Chintz Chair J. William Kennedy. Road in Sicily Howard Gibbs. Rooming House-Rutland Ellie Roberts. Carmel Square Pa Hunt. Rue du Bac-Paris Joe Jones. Sand Hills Ross Moffett. Negress Anton Van Dereck. Portrait of a Nordic Pa Hunt. The Boulevard Anton Van Dereck. Portrait of a Slav Dorothy Loeb. Woman and Church Ada Gilmore. Still Life Dorothy Loeb. Piles and Barrel Agnes Weinrich. Still Life Dorothy Loeb. Block and Pulley Lucy L’Engle. Two Figures Richard Cox. Metal Shop Mark Baum. “The Workers Demand Their Rights” Ida Rauh. Head of D. H. Lawrence (Bronze) Karl Knaths. Harvest Flora Schofield. Chicago Street Mark Baum. Scottsboro-The Spring of Unity Marjorie Gowie. Woman and Child Evelin Bodfish Bourne. The Visit Flora Schofield. Pears Agnes Weinrich. The Red Goblet L.Anne Dunbar. figure in Marble BALCONY Karl Knaths. “Tony” Marcia S. Hite. Nip and Tuck Evelin Bodfish Bourne. Sea Sponge Karl Knaths. Deer on Chocorua Leo J. Meissner. Stairway Oliver Chaffee. Bar St. Jean Thelma Raybeck Riggs. The Dairt Thelma Raybeck Riggs. Provincetown Wharf Oliver Chaffee. Still Life Oliver Chaffee. Leaves Blanche Baxter. Landscape Agnes Weinrich. Sun Flowers Coreen Mary Spellman. Oil Tanks Dorothy Lake Gregory. Fish for Friday Ross Moffett. Portuguese Women Karl Knaths. Geranium at Night Window Madeleine L’Engle. Poppies Karl Knaths. Little Red Rooster LITTLE GALLERY Shelby Shackelford. Webb Institute Blanche Lazzell. Boat Oliver Chaffee. Abstraction Blanche Lazzell. Violet Petunias Karl Knaths. New England Cream Pitcher Blanche Lazzell. Sail Boats Charles J. Martin. River and Dunes Blanche Lazzell. Town Wharf Shelby Shackelford. Head Gladys G. Young. Acrobat Ada Gilmoree. Lily Gladys G. Young. Workers M. Kathryn Burrows. “Silo”-Provincetown Lucy L’Engle. Drawing No. 1 Oliver Chaffee. Easter Egg Oliver Chaffee. Red Hot Pokers Lucy L’Engle. Drawing No. 2 Charles J. Martin. Pamet River M. Kathryn Burrows. Two Figures Oliver Chaffee. Duck Byron Thomas. In for Repairs Agnes Weinrich. Sun Flowers (Drawing) Ross Moffett. Man Hunting Arrowheads Ada Gilmore. Spring Ross Moffett. Provincetown Women Karl Knaths. Robin and Lilacs Byron Thomas. Tramps Sam Charles. Winter Landscape LANDS END TEA HOUSE Lucy L’Engle. Drawing No. 3 (Formerly The Old Higgins Bungalow. West End) Luncheon-Tea-Dinner-Supper Blanche Lazzell. Boats This rambling bungalow atop one of Provincetown’s John Petrina. Landscape highest hills offers superb views of harbor, dunes and outer coast. Mary Hackett. Pencil Drawing Guests are urged to make luncheon and supper reservations in advance. Agnes Weinrich. The Blue Pitcher Miss Irene W. Buckler Telephone 2-4 Lucy L’Engle. Drawing No. 4 F.
Load more

Recommended publications
  • THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
    ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art.
    [Show full text]
  • PAAM Collection Oct 18.Pdf
    First Middle Last Birth Death Sex Accession Acc ext Media code Title Date Medium H W D Finished size Credit Jules Aarons 1921 2008 m 1828 Ph06 Jules Aarons Portfolio: In the Jewish Neighborhoods 1946-76 box, 100 silver gelatin prints, signed verso 15.5 12 3 Gift of David Murphy, 2006 Jules Aarons 1921 2008 m 1928 001 Ph08 untitled (Weldon Kees speaking to assembly of artists) c.1949-50 silver gelatin photograph 8 10 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 002 Ph08 Sunday (The fishermen's children playing on the loading wharf.) c.1949-50 silver gelatin photograph 8 9.5 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 003 Ph08 untitled (Sunday II, fishermen's children playing on loading wharf.) c.1949-50 silver gelatin photograph 8 10 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 004 Ph08 untitled (the flag bearers) c.1949-50 silver gelatin photograph 8 10 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 005 Ph08 Parting c.1949-50 silver gelatin photograph 9 7 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 006 Ph08 untitled (2 ladies at an exhibition) c.1949-50 silver gelatin photograph 7.5 9.5 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 007 Ph08 Dante (I, Giglio Raphael Dante sitting on floor, ptg. behind) c.1949-50 silver gelatin photograph 10 8 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 008 Ph08 Lawrence Kupferman, a Prominent Modern American Artist (etc.) c.1949-50 silver gelatin photograph 7.5 9.5 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 009 Ph08 Kahlil (Gibran, playing music on bed) c.1949-50 silver gelatin photograph 7 7.5 Gift of David Murphy, 2008 Jules Aarons 1921 2008 m 1928 010 Ph08 Kahlil & Ellie G.
    [Show full text]
  • Innovation and Color: the Reinterpretation of the Woodcut
    Spyglass A LOOK AT THE CAHOON MUSEUM OF AMERICAN ART • FALL 2013 CURRENT EXHIBITIONS INSIDE Innovation and Color: The Reinterpretation of the Woodcut Marieluise Hutchinson, The Red Barn, oil on masonite, will be on veiw in the Small Works fundraiser exhibition from November 19 - December 22. 2 Upcoming Exhibits The Little Gallery 3 Annual Appeal Cahoon Society Purchase Ruth Dewitt Hogan, Homage to the Cahoon Museum, 2013, white-line wood block print 4 In recent years, especially on the Cape, Wendy Willard. From the President the technique of the white-line woodcut Ruth Dewitt Hogan’s “Homage to the has been rediscovered by many talented Matching Challenge Cahoon,” 2013, was specifi cally created artists. This exhibition presents important Grant for this exhibition and appears on the works by early innovators of white-line Exhibits Cont. postcard and other printed publicity for woodcuts on the Cape and illustrates how the exhibit. To emphasize innovation and current artists are learning from those 5 color, Ruth took four earlier artists and innovators and taking the form to new From the Director deliberately incorporated examples of their levels. style into her work. These artists are Arthur 6 Among the artists included in the Wesley Dow, Blanche Lazell, Seong Moy, Greeting Card Workshop exhibit are: Sally Brophy, Jean Carbonell, and B. J. O. Nordfeldt. Ada Gilmore Chaffee (1882-1955), Sailor’s Valentine Arthur Wesley Dow’s style appears on Oliver Chaffee (1881-1944), William Workshop the right, above the word “Woodcuts.” He Evaul, Ruth Dewitt Hogan, Lorraine was the central fi gure in American color Kujawa, Blanche Lazell (1878-1956), 7 woodcuts at the turn of the 19th to the Jane Lincoln, Jerre Moriarty, Angele Membership 20th century.
    [Show full text]
  • Press Release
    BERTA WALKER GALLERIES Provincetown & Wellfleet You are invited OPENING in Wellfleet Saturday, June 17, 4 - 6 PM continuing through July 15, 2017 WELLFLEET ARTISTS of the Berta Walker Galleries Currently living and working in Wellfleet Robert Henry Grace Hopkins Sidney Hurwitz Penelope Jencks Gloria Nardin Pe ter Watts Wellfleet artists years past Elizabeth Blair (1908-1995) Edwin Dickinson (1891-1978) Gilbert Franklin (1919- 2004) Budd Hopkins (1931-2011) James Lechay (1907-2001) John C. Phillips (1908- 2003) Selina Trieff (1934-2015) (AND) Opening the following week in Provincetown FRIDAY, June 30 JOSEPH DIGGS "Life's Layers" Abstract and Figurative Paintings The Many Languages of Landscape VARUJAN BOGHOSIAN, BRENDA HOROWITZ, SKY POWER, MURRAY ZIMILES WELLFLEET ARTISTS of the Berta Walker Galleries JUNE 17 - JULY 15 Reception Saturday, June 17, 4 - 6 PM 40 Main Street, Wellfleet, MA In this exhibition, we hope you'll enjoy discovering and celebrating the work of artists from Wellfleet's past as well as those who continue to live and work here. These artists had, or continue to have, studios in Wellfleet and the exhibition includes work from as early as 1924 through to today. These artists are now part of the Berta Walker Galleries' ongoing effort to celebrate the history of American art through the lens of the Outer Cape's historic art colony, founded in 1899, and which encompasses the towns of Provincetown, Truro and Wellfleet. We are delighted to now have a presence in Wellfleet, thanks to the help of The Wicked Oyster Restaurant who made their building available, affording us the opportunity to expand on presenting the art colony's major and important American art contributions.
    [Show full text]
  • A Stellar Century of Cultivating Culture
    COVERFEATURE THE PAAMPROVINCETOWN ART ASSOCIATION AND MUSEUM 2014 A Stellar Century of Cultivating Culture By Christopher Busa Certainly it is impossible to capture in a few pages a century of creative activity, with all the long hours in the studio, caught between doubt and decision, that hundreds of artists of the area have devoted to making art, but we can isolate some crucial directions, key figures, and salient issues that motivate artists to make art. We can also show why Provincetown has been sought out by so many of the nation’s notable artists, performers, and writers as a gathering place for creative activity. At the center of this activity, the Provincetown Art Associ- ation, before it became an accredited museum, orga- nized the solitary efforts of artists in their studios to share their work with an appreciative pub- lic, offering the dynamic back-and-forth that pushes achievement into social validation. Without this audience, artists suffer from lack of recognition. Perhaps personal stories are the best way to describe PAAM’s immense contribution, since people have always been the true life source of this iconic institution. 40 PROVINCETOWNARTS 2014 ABOVE: (LEFT) PAAM IN 2014 PHOTO BY JAMES ZIMMERMAN, (righT) PAA IN 1950 PHOTO BY GEORGE YATER OPPOSITE PAGE: (LEFT) LUCY L’ENGLE (1889–1978) AND AGNES WEINRICH (1873–1946), 1933 MODERN EXHIBITION CATALOGUE COVER (PAA), 8.5 BY 5.5 INCHES PAAM ARCHIVES (righT) CHARLES W. HAwtHORNE (1872–1930), THE ARTIST’S PALEttE GIFT OF ANTOINETTE SCUDDER The Armory Show, introducing Modernism to America, ignited an angry dialogue between conservatives and Modernists.
    [Show full text]
  • LOT 1 Tod Lindenmuth (1885–1976) in the Weir, C. 1940S Linocut Print, 9" X 7" Est: $800–$1,200 Signed Lower Right LOT 2 A.P
    LOT 1 Tod Lindenmuth (1885–1976) In the Weir, c. 1940s Linocut print, 9" x 7" Est: $800–$1,200 Signed lower right LOT 2 A.P. Todd (20th C) Provincetown from Webster's Hill, 1939 Oil on board, 16" x 20" Est: $800–$1,200 Signed on reverse LOT 3 (LOT OF 4) Albert Edel (1894–1970) Highland Light, c. 1940–60 The Three Towers, c. 1940–60 Drypoint, 3.75" x 4.75" Drypoint, 3.5" x 5.25" Railroad Wharf, c. 1940–60 Sand Dunes, c. 1940–60 Drypoint, 4" x 4.75" Drypoint, 4" x 4.5" Est: $800–$1,200 All signed lower right LOT 4 Agnes Weinrich (1873–1946) untitled (two women), n.d. Ink, graphite, pastel on paper, 5.5" x 8.75" Est: $400–$600 Signed lower left LOT 5 Herman Maril (1908–1986) Monhegan Island, Maine, 1962 Ink wash on paper, 23" x 29" Est: $2,000–$3,000 Signed lower left LOT 6 Dorothy Loeb (1887–1971) Fish Houses, Barnstable, c. 1929 Watercolor on paper, 15" x 21" Est: $600–$800 Signed lower right LOT 7 Chaim Gross (1904–1991) Mother and Child, 1974 Bronze with wooden base, 8.5" x 4.5" x 4.25" Est: $1,000–$1,500 Signed on reverse LOT 8 Lillian Orlowsky 1914 2004 Collage Abstraction, n.d. Oil and mixed media on board, 16" x 12" Est: $1,000–$1,500 Signed lower left LOT 9 Ada Gilmore (1882–1955) Floral Study, 1940 Watercolor on paper, 11" x 10" Est: $400–$600 Signed lower right LOT 10 Arthur Cohen (1928–2012) Terra Nova, Silver Mink, 2006 Oil on canvas, 30" x 40" Est: $2,000–$3,000 Signed lower right LOT 11 Selina Treiff (1934–2015) Dancer with White Bird, 2001 Oil on paper, 18" x 24" Est: $1,000–$1,500 Signed upper right LOT 12 Henry Hensche (1899–1992) Demonstration Still Life, c.
    [Show full text]
  • Annual Report 1995
    19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
    [Show full text]
  • Scanned Using Book Scancenter 5022
    The RUTGERS ART REVIEW Published Annually by the Students of the Graduate Program in Art History at Rutgers university Spring 1984 Volume V II Corporate Matching Funds Martin Eidclberg Carrier Corporation Foundation. Inc. Mrs. Helmut von Erffa Citicorp Dino Philip Galiano Seth A. Gopin Lifetime Benefactor Daria K. Gorman Henfield Foundation Mary C. Gray Nathaniel Gurien Benefactors Marion Husid In memory of Mary Bartlett Linda R. Idetberger Cowdrey Nancy M. KatzolT John and Katherine Kenfield Patrons Mr. and Mrs. Sanford Kirschenbaum In memory of Frank S. Allmuth, Julia M. Lappegaard Class of 1920 Cynthia and David Lawrence Mr. and Mrs. John L. Ayer Patricia I..eightcn Olga and Oev Berendsen Deborah Leuchovius Robert P. and Marcelle Bergman Marion and Allan Maiilin Dianne M. Green Ricky A. Malkin Frima and Larry Hofrichter Tod A. Marder Robert S. Peckar Joan Marter Paul S. Sheikewiiz, M.D. Thomas Mohle Jeffrey Wechsler Roberto A. Moya Scott E. Pringle Supporters Eliot Rowlands Carol and Jerry Alterman Anita Sagarese Randi Joan Alterman John M. Schwebke Richard Derr John Beldon Scott Archer St. Clair Harvey Mr. and Mrs. Eugene Seitz William E. Havemeyer Marie A. Somma Dr. Robert Kaita and Ms. Chiu-Tze Jack and Helga Spector Lin James H. Stubblebine Mr. and Mrs. Edward J. Linky Richard and Miriam Wallman Mr. and Mrs. James McLachlan Harvey and Judith Waterman Barbara and Howard Mitnick Michael F. Weber Elizabeth M. Thompson Sarah B. Wilk Lorraine Zito*Durand Friends Department of Art History, University of Ann Conover, Inc. Delaware Keith Asszony The Pennsylvania State University, Renee and Matthew Baigell Department of Art History William and Elizabeth Bauer The Graduate School-New Brunswick, Naomi Boretz Rutgers University Phillip Dennis Cate Jane Voorhees Zimmerli Art Museum Zeau C.
    [Show full text]
  • CONTEMPORARY AMERICAN PAINTING and SCULPTURE 1969 University of Illinois at Urbana-Champaign Js'i----».--:R'f--=
    Arch, :'>f^- *."r7| M'i'^ •'^^ .'it'/^''^.:^*" ^' ;'.'>•'- c^. CONTEMPORARY AMERICAN PAINTING AND SCULPTURE 1969 University of Illinois at Urbana-Champaign jS'i----».--:r'f--= 'ik':J^^^^ Contemporary American Painting and Sculpture 1969 Contemporary American Painting and Sculpture DAVID DODD5 HENRY President of the University JACK W. PELTASON Chancellor of the University of Illinois, Urbano-Champaign ALLEN S. WELLER Dean of the College of Fine and Applied Arts Director of Krannert Art Museum JURY OF SELECTION Allen S. Weller, Chairman Frank E. Gunter James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Christlson, Associate Director Lois S. Frazee, Registrar Marie M. Cenkner, Graduate Assistant Kenneth C. Garber, Graduate Assistant Deborah A. Jones, Graduate Assistant Suzanne S. Stromberg, Graduate Assistant James O. Sowers, Preparator James L. Ducey, Assistant Preparator Mary B. DeLong, Secretary Tamasine L. Wiley, Secretary Catalogue and cover design: Raymond Perlman © 1969 by tha Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A48-340 Cloth: 252 00000 5 Paper: 252 00001 3 Acknowledgments h.r\ ^. f -r^Xo The College of Fine and Applied Arts and Esther-Robles Gallery, Los Angeles, Royal Marks Gallery, New York, New York California the Krannert Art Museum are grateful to Marlborough-Gerson Gallery, Inc., New those who have lent paintings and sculp- Fairweother Hardin Gallery, Chicago, York, New York ture to this exhibition and acknowledge Illinois Dr. Thomas A. Mathews, Washington, the of the artists, Richard Gallery, Illinois cooperation following Feigen Chicago, D.C. collectors, museums, and galleries: Richard Feigen Gallery, New York, Midtown Galleries, New York, New York New York ACA Golleries, New York, New York Mr.
    [Show full text]
  • Oral History Interview with Beaumont Newhall, 1965 Jan. 23
    Oral history interview with Beaumont Newhall, 1965 Jan. 23 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Beaumont Newhall on January 23, 1965. The interview was conducted at the George Eastman House in Rochester, New York by Joseph Trovato for the Archives of American Art, Smithsonian Institution. Interview JOSEPH TROVATO: This interview with Mr. Beaumont Newhall is taking place at George Eastman House, Rochester, New York, January 23, 1965. Mr. Newhall, your name has been associated with the best in the field of photography for many years, or just about as long as I can remember, from the early days of the Museum of Modern Art, your writings on photography, such as The History of Photography, which has gone through several editions, I think, and on through to your present directorship here at Eastman House. How long have you held your present post here? BEAUMONT NEWHALL: Actually my present post as director I assumed the first of Sept. 1958. Previous to that I held the title of curator and worked as the associate and assistant to the first director, General Oscar N. Solbert. I came to Rochester for the specific purpose of setting up Eastman House as a museum, bringing to it my knowledge of museum practice, as well as photography. We opened as a museum to the public on the 7th of November, 1949. JOSEPH TROVATO: Well I was about to ask you in addition to my question regarding your career and while we’re on the subject of your career – I think you have already begun to touch upon – we would like to have you give us a sort of resume of your background, education, various positions that you have held, and so forth.
    [Show full text]
  • Blanche Lazzell
    ESTABLISHED OVER FIFTY years Newcomb-Macklin co. Picture Frame Makers 45 WEST 27th STREET Sailing from Long Wharf NEW YORK STOCK FRAMES change without notice FOR IMMEDIATE DELIVERY inall wn to Boston Regular Sizes at Lowest Prices at 7:30 p. m. Due in boson RELIABLE QUALITY-VALUE-SERVICE DANCING R COMPARE! ONE WAY FARE $1.75 EXCURSION ROUND T MAIL ORDERS Receive Careful, Prompt, Individual Attention Boston Tel. Hubbard 9392 GEORGE A. McCoy, Manager Catalog sent to artists and deaJers on request REMBRANDT BEHRENDT COLORS Oil Colors PFEIFFERS' PROVINCETOWN, MASS. Distributors for U. S. J. S. distributing office at TALENS & SON irvington N. J. APELDOORN, HOLLAND ARTISTS' SUPPLIES books John A. matheson Pres. H. F. Hallett, Vice Pres and Cashier I. A. Small, Asst. Cashier W. T. Mayo, Asst. Cashier WILLIAM H. YOUNG THE FIRST NATIONAL BANK INSURANCE OF EVERY DESCRIPTION of Provincetown Capital Stock, Surplus and Profits, $125,457 representing the leading companies of the World Money deposited in our Savings Department placed on interest the first of each month losses Adjusted promptly Checking Accounts Savings Accounts Safe Deposit Boxes Foreign Exchange provincetown massachusetts Travelers’ Checks SEAMEN’S SAVINGS BANK THE exhibition IS OPEN DAILY FROM Provincetown Mass. A. M. to P. M. ADMISSION CENTS. SUNDAYS, FREE FROM to P. M. Money Goes on Interest the First of Each Month Join the Provincetown Art Association Not only because it is an association of artists and lovers of art, but also because it offers its members (and often ita friends), dances, lectures, music recitals, and a won- derful Costume Ball, which latter will come this year EITHER THE ATTENDANT AT THE DESK at Hall in August.
    [Show full text]
  • The Federal Art Project in Provincetown, Massachusetts: the Impact of a Relief Program on an Established Art Colony
    University of New Hampshire University of New Hampshire Scholars' Repository Master's Theses and Capstones Student Scholarship Spring 2009 The Federal Art Project in Provincetown, Massachusetts: The impact of a relief program on an established art colony Whitney E. Smith University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/thesis Recommended Citation Smith, Whitney E., "The Federal Art Project in Provincetown, Massachusetts: The impact of a relief program on an established art colony" (2009). Master's Theses and Capstones. 113. https://scholars.unh.edu/thesis/113 This Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Master's Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. THE FEDERAL ART PROJECT IN PROVINCETOWN, MASSACHUSETTS THE IMPACT OF A RELIEF PROGRAM ON AN ESTABLISHED ART COLONY BY WHITNEY E. SMITH BA, University of New Hampshire, 2007 THESIS Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Masters of Liberal Studies in History May 6, 2009 UMI Number: 1466954 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.
    [Show full text]