DOCSLIB.ORG

{PDF EPUB} Doctor Who and the Green Death by Malcolm Hulke Target Practice #3: Doctor Who and the Green Death by Malcolm Hulke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
{PDF EPUB} Doctor Who and the Green Death by Malcolm Hulke Target Practice #3: Doctor Who and the Green Death by Malcolm Hulke Read Ebook {PDF EPUB} Doctor Who and the Green Death by Malcolm Hulke Target Practice #3: Doctor Who and the Green Death by Malcolm Hulke. Of the three books that helped make me into a fan, this one is probably my favorite. And why not? It’s a story that dares to talk about pollution and the effects of the coal industry long before climate change became the hot-button political issue it is today. Even with the inherent conservatism of the Pertwee era in mind, (as writers like Paul Cornell and Elizabeth Sandifer have suggested) to see Doctor Who take a firm step for environmentalism this early on is wonderful. And while I wish I could say the situation has improved since the story originally aired on TV in 1973, (and then published in 1975) the truth is, I can’t. Things have only gotten worse in the last 40-odd years, thanks to rising levels of pollution everywhere, and the general warming of the planet leading to significantly stronger hurricanes, melting polar ice caps, and other such disasters. In 2016, the nations of the world signed the Paris Climate Accords, with the goal of keeping the global average temperature from breaching 2 degrees Celsius, but then former president Donald Trump withdrew the United States from the accords, and spent his entire term in office destroying the environment, rather than preserving it. True, Joe Biden returned the US to the agreement after he took office in January, but whatever else he may have planned from a legislative standpoint will run up against a reduced Democratic majority in the House of Representatives, a nominally Democratic Senate, a far right judiciary, and various recalcitrant Republican-controlled states who don’t believe his presidency to be legitimate in the first place, all ready and willing to block even modest reforms, whether through legislation or executive actions. If only a cartoonishly evil super computer was the worst of our problems. Let’s turn the clock back, then, to the early 1970s. The Green Death was the last story of the classic show’s anniversary season, its tenth, and saw the departure of Katy Manning as Jo Grant after 3 seasons. Here, she returns to narrate the audio version of Malcolm Hulke’s novelization, and she’s absolutely wonderful at it. The only problem with the presentation I found was the music and sound effects: while they do a lot to liven things up, on this book I found them overbearing and distracting at points, usually at the starts and ends of chapters. Chapter 1, for example, has the music continue to play for a solid 8 minutes, while the first act break in chapter 9 (following the scene in which Jo accidentally ruins one of Cliff’s experiments) drowns out the last few words, making them almost inaudible. Production issues aside forever, the book itself remains as exciting as I first found it to be when I first read it in paperback all those years ago. I didn’t really know who the Doctor was back then (I don’t even think I knew he was a Time Lord) but I immediately liked him, and his quest to fight for what was right even in the face of adversity. I don’t much remember what I thought of Jo in those days, but I certainly love her now, standing up for more gender-neutral language and against the sexist treatment she faces from all the male characters. She may have been employed as the Doctor’s assistant, but she became so much more, and a lot of that comes from Katy Manning’s performance, which she recreates here. I will admit, I have to love the story’s villain, BOSS. Not because he’s an authoritarian with DREAMS OF CONQUEST, but because he’s a snarky bastard who does things like play part of the Wedding March in the act of taking over Stevens’ mind. He reminds me a little too of House, the villain of The Doctor’s Wife , since he exists as a voice and he has plans to take over the world. Perhaps the most chilling scene in the story is when BOSS orders Dr. Bell to kill himself, which he accomplishes by jumping through a window before the Doctor can come rescue him. The way Hulke describes Bell’s emotionless state during that sequence is horrifying, but in a way that makes you want to keep reading (or listening) to find out what happens next. Prose-wise, I quite love Hulke’s take on Robert Sloman’s original scripts. He’s brisk like Terrance Dicks at his best, fleshing out the characters so we really feel for them. It especially works for the scene that opens chapter 1, when Ted Hughes dies. On TV we just see a man in a miner’s helmet getting killed by green slime, but Hulke turns him into an lonely older man reminiscing on his glory days, before the mine closed. As Elizabeth Sandifer observed in her entry on the TV version, Hulke sands down the stereotypical aspects of how the people of Wales were shown in the original, giving a more nuanced take on them that I think might’ve been done by Russell T Davies, if this had been remade in 2005. They feel like real people, and the disgust with which the Londoners in the story (mainly the Panorama Chemicals people, but the Brigadier gets in on the action too) view the Welsh is palpable, reminiscent perhaps of the way American east coast journalists look at we Midwesterners. All in all, Doctor Who and the Green Death remains as good as I remembered it being 14 years ago, and I would highly recommend it to anyone who wants some pre-Cartmelian political Who . My only wish, and this is not the fault of the writers, is that we’d listened to what the show was trying to tell us all those years ago, and reduced our dependence on fossil fuels. Maybe then we’d be living in a world a bit closer to the community envisioned by the Wholewealers. (They’d fit in well with the solar punk crowd, that’s for sure.) And while this is the end of my look at the books that brought me to the show, it’s not the end of the reviews. The next set will be one book per Doctor, since Christine’s Patreon (as of the night I’m writing this anyway) is sitting at exactly $300. That said, I’d still encourage everyone to donate and give her some wiggle room. With that said, please join me next month for my review of the very first novelization ever: Doctor Who and the Daleks , David Whitaker’s take on the very first Dalek story, as republished by Target Books in 1973. Malcolm Hulke. Malcolm Hulke (21 November 1924-6 July 1979 [1] ) was the author of many Doctor Who scripts and Target Books novelisations. Contents. Biography [ edit | edit source ] Hulke began his association with Doctor Who as early as Season 1, for which he contributed the storyline for The Hidden Planet (a.k.a. Beyond the Sun ), a serial which ultimately did not get accepted. Along with Terrance Dicks, in The War Games , he co-created the concept of the Time Lords and offered viewers their first glimpse of Gallifrey. He also created the reptilian Silurians, their cousins the Sea Devils, and the Draconians. For Target Books, he wrote novelisations of every story he had written solo, and several he had worked on with other writers. He also wrote a Doctor Who radio series starring Peter Cushing which was recorded but never broadcast. Hulke wrote scripts for a variety of TV shows including: Pathfinders in Space , Pathfinders to Venus , Pathfinders to Mars , The Avengers , The Protectors , Danger Man , Crossroads , United! and Gideon's Way . He is noted for fleshing out minor characters in novelisations, writing shades of grey, and a strong interest in left-wing politics. Alan Barnes noted in the On Target: Malcolm Hulke documentary included on The War Games DVD that you can "see a political subtext in everything he wrote". Doctor Who and the Green Death. We are sorry. We are not allowed to sell this product with the selected payment method. Publisher's Summary. The Green Death begins slowly. In a small Welsh mining village, a man emerges from the disused colliery covered in a green fungus. Minutes later, he is dead. UNIT, Jo Grant, and Doctor Who in tow arrive on the scene to investigate, but strangely reluctant to assist their inquiries is Dr. Stevens, director of the local refinery, Panorama Chemicals. Are they in time to destroy the mysterious power which threatens them all before the whole village, and even the world, is wiped out by a deadly swarm of green maggots? Katy Manning, who played Jo Grant in the original 1973 TV serial on which this book is based, reads Malcolm Hulke's complete and unabridged novelization, first published by Target Books in 1975. Doctor Who and the Green Death by Malcolm Hulke. Doctor Who and the Green Death . Original Target novelization cover. Title: Doctor Who and the Green Death Televised as: The Green Death Written by: Malcolm Hulke Teleplay by: Robert Sloman and Barry Letts Screen Credit to: Robert Sloman Televised in: May/June 1973 Published in: August 1975 Chapters: One through Five. “You ask about work and you ask about pay, They’ll tell you they make less than a dollar a day.” – Woody Guthrie.
Load more

Recommended publications
  • Doctor Who Magazines
    mmm * fim THE * No.48 ARCHITECTS JANUARY A MARVEL MONTHLY 30p ^ OF FEAR! x > VICTORIAN SIAIfc ENGLAND trembles v , BENEATH A PHOTO FEATURE SPECIAL FEATURES ARCHITECTS OF FEAR 16 IS DOCTOR WHO TOO FRIGHTENING FOR AN EARL Y EVENING TV AUDIENCE? DOCTOR WHO MONTHLY DOESN'T THINK SO. WE INVESTIAGE THE FEARSOME ASPECTS OF THE SERIES. MONSTER GALLERY 20 ASA COMPANION PIECE TO OUR ARCHITECTS OF FEAR FEATURE WE PRESENT A SPECIAL PICTORIAL FEATURE ON THE MONSTERS OF DOCTOR WHO. STATE OF DECAY 22 DOCTOR WHO MONTHLY LOOKS AT THE DOCTOR'S MOST RECENT ADVENTURE. [■i»if i»: i’.’i:>y *i:m-Ty ti1 •f T|.»> y\ OUR VERY OWN MYSTERY IN THE WAX MUSEUM. DOCTOR WHO MONTHLY WAS PRESENT THE DAY THREE TOM BAKERS CAME FA CE- TO-FA CE THE TALONS OF WENG CHIANG 32 Editor: Paul Neary A SPECIAL PHOTO FEATURE ON THE 1977 DOCTOR WHO STORY. Features Editor: Alan McKenzie SPECIAL CONVENTION PICTORIAL 36 Layout: Steve O'Leary MANY OF THE FOLK IN VOL VED IN THE PRODUCTION OF THE Art Assistance: Rahid Khan DOCTOR WHO TV SERIES DROPPED INTO THE MARVEL Consultant: Jeremy Bentham CONVENTION LAST OCTOBER. WE PRESENT A PHOTOGRAPHIC REPORT ON JUST SOME OF THE EVENTS. Gothscan 2006 COMIC STRIPS fVT’AV ■ ' s OF DEATH 7 THE CONCLUSION OF THIS EXCITING TALE PLUS THE SAD DEPAR¬ ftp « iBggBg isgBasaL.3 TURE OF SHARON. his month we have a bumper crop of special features for your delight and delectation. We have a double helping on the subject of fear which includes a study of the horror content - or should that be lack TOUCHDOWN thereof? Plus we will be taking a look at some of the fearsome monster foes that I ON DENAB-7 have met on my travels through time and space.
    [Show full text]
  • {PDF EPUB} Doctor Who and the Doomsday Weapon by Malcolm Hulke Doctor Who and the Dinosaur Invasion
    Read Ebook {PDF EPUB} Doctor Who and the Doomsday Weapon by Malcolm Hulke Doctor Who and the Dinosaur Invasion. The Doctor and Sarah arrive in London to find it deserted. The city has been evacuated as prehistoric monsters appear in the streets. While the Doctor works to discover who or what is bringing the dinosaurs to London, Sarah finds herself trapped on a spaceship that left Earth months ago travelling to a new world… Against the odds, the Doctor manages to trace the source of the dinosaurs. But will he and the Brigadier be in time to unmask the villains before Operation Golden Age changes the history of planet Earth and wipes out the whole of human civilisation? This novel is based on a Doctor Who story which was originally broadcast from 12 January–16 February 1974. Featuring the Third Doctor as played by Jon Pertwee with his companion Sarah Jane Smith and UNIT. Doctor Who: Invasion Earth! (Classic Novels Box Set) Terrance Dicks. Malcolm Hulke. Doctor Who And The Sea-Devils. Malcolm Hulke. Doctor Who and the Cave Monsters. Malcolm Hulke. Doctor Who And The War Games. Malcolm Hulke. Doctor Who And The Green Death. Malcolm Hulke. Doctor Who And The Silurians (TV Soundtrack) Malcolm Hulke. Doctor Who And The Dinosaur Invasion. Malcolm Hulke. Doctor Who And The Doomsday Weapon. Malcolm Hulke. Doctor Who: The Faceless Ones (TV Soundtrack) David Ellis. Malcolm Hulke. DOCTOR WHO. 101 Books. Malcolm Hulke was a prolific and respected television writer from the 1950s until the 1970s. His writing credits included the early science fiction Pathfinders series, as well as The Avengers.
    [Show full text]
  • Terrance DICKS a Tribute
    Terrance DICKS A tribute FEATURING: Chris achilleos John levene John peel Gary russell And many more Terrance DICKS A tribute CANDY JAR BOOKS . CARDIFF 2019 Contributors: Adrian Salmon, Gary Russell, John Peel, John Levene, Nick Walters, Terry Cooper, Adrian Sherlock, Rick Cross, Chris Achilleos, George Ivanoff, James Middleditch, Jonathan Macho, David A McIntee, Tim Gambrell, Wink Taylor. The right of contributing authors/artists to be identified as the Author/Owner of the Work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Editor: Shaun Russell Editorial: Will Rees Cover by Paul Cowan Published by Candy Jar Books Mackintosh House 136 Newport Road, Cardiff, CF24 1DJ www.candyjarbooks.co.uk All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. In Memory of Terrance Dicks 14th April 1935 – 29th August 2019 Adrian Salmon Gary Russell He was the first person I ever interviewed on stage at a convention. He was the first “famous” home phone number I was ever given. He was the first person to write to me when I became DWM editor to say congratulations. He was a friend, a fellow grumpy old git, we argued deliciously on a tour of Australian conventions on every panel about the Master/Missy thing.
    [Show full text]
  • Dr Who Pdf.Pdf
    DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e.
    [Show full text]
  • Eco-Activism in Doctor Who During the 1970S
    Author: Jørgensen, Dolly. Title: A Blueprint for Destruction: Eco-Activism in Doctor Who during the 1970s A Blueprint for Destruction: Eco-Activism in Doctor Who during the 1970s Dolly Jørgensen Umeå University In 1972, the editors of a two-year old environmentalist magazine named The Ecologist published a special issue titled A Blueprint for Survival, which subsequently sold over 750,000 copies as a book. This manifesto of the early eco-activist movement lamented the unsustainable industrial way of life that had developed after WWII and proposed a new 'stable society' with minimal ecological destruction, conservation of materials and energy, zero population growth, and a social system that supported individual fulfillment under the first three conditions (Goldsmith et al. 30). Blueprint received tremendous attention in the British press and became a seminal text for the British Green movement (Veldman 227–236). This environmental movement of the 1960s and 1970s was substantially different from traditional environmentalists of the early twentieth century who tended to be conservationists interested in wildlife and landscapes. The new environmentalists, whom Meredith Veldman labels eco-activists, "condemned not only environmental degradation but also the society that did the degrading" (210). They combined critiques against pollution with calls for limited population growth and refinement of social systems. Although the early eco-activist movement in Britain petered out politically in the late 1970s (it arose again in the mid-1980s), its radical environmental ideas had begun to permeate society. Vol 3 , At the same time that eco-activists were establishing their agenda, the BBC serial No television drama Doctor Who was enjoying its successful establishment in British 2 popular culture.
    [Show full text]
  • OMC | Data Export
    Richard Scully, "Entry on: Doctor Who (Series, Season 9): The Time Monster by Paul Bernard, Terrance Dicks, Barry Letts, Robert Sloman", peer-reviewed by Elizabeth Hale and Daniel Nkemleke. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2018). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/92. Entry version as of October 01, 2021. Paul Bernard , Terrance Dicks , Barry Letts , Robert Sloman Doctor Who (Series, Season 9): The Time Monster United Kingdom (1972 ) TAGS: Atlantis Classical myth We are still trying to obtain permission for posting the original cover. General information Title of the work Doctor Who (Series, Season 9): The Time Monster Studio/Production Company British Broadcasting Corporation (BBC) Country of the First Edition United Kingdom Original Language English First Edition Date 1972 First Edition Details Episode 1: May 20, 1972 - Episode 6: June 24, 1972 Running time 150 min (6 episodes – 25 mins each) 2001 (VHS release together with ‘Colony in Space’, 1971); March Date of the First DVD or VHS 29, 2010 (DVD [Region 2]; August 5, 2008 (iTunes) Genre Science fiction, Television series, Time-Slip Fantasy* Target Audience Crossover Author of the Entry Richard Scully, University of New England, [email protected] Elizabeth Hale, University of New England, [email protected] Peer-reviewer of the Entry Daniel Nkemleke, Universite de Yaounde 1, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof.
    [Show full text]
  • A Polynomial Testing Principle
    Noname manuscript No. (will be inserted by the editor) A polynomial testing principle Conor McBride the date of receipt and acceptance should be inserted later Abstract Two polynomial functions of degree at most n agree on all inputs if they agree on n + 1 different inputs, e.g., on f0; 1; 2; : : : ; ng. This fact gives us a simple procedure for testing equivalence in a language of polynomial expres- sions. Moreover, we may readily extend this language to include a summation operator and test standard results which are usually established inductively. I present a short proof of this testing lemma which rests on the construction and correctness of a syntactic forward-difference operator. 1 In(tro)duction Once upon a time, I was a PhD student working for Rod Burstall at the Lab- oratory for Foundations of Computer Science in Edinburgh. I supplemented my income by working as a teaching assistant for the Computer Science de- partment, and I supplemented my income supplement by moonlighting as a teaching assistant for the Mathematics department, working in particular with classes taught by mathematicians to first year undergraduate computer scien- tists. The mathematicians often asked the students to \show" things which was, for many of our students, an unfamiliar game. Old chestnuts like X 1 i = n(n + 1) 2 0≤i≤n were a cause of struggle. Learning to prove via weekly assignments is rather like learning chess by post: on Monday you send a card stating your move, and on Friday you receive the reply \You can't do that with a Bishop!".
    [Show full text]
  • Read Ebook {PDF EPUB} Doctor Who the Seeds of Death by Terrance Dicks Veteran Doctor Who Writer Terrance Dicks Dies Aged 84
    Read Ebook {PDF EPUB} Doctor Who The Seeds of Death by Terrance Dicks Veteran Doctor Who writer Terrance Dicks dies aged 84. Doctor Who writer Terrance Dicks has died, aged 84. Although the exact circumstances surrounding his death are currently unclear, his passing was confirmed to RadioTimes.com by his agent. Affectionally nicknamed “Uncle Terrance” by Doctor Who fans, Dicks wrote or co-wrote many stories for the BBC sci-fi show, including 20th anniversary special ‘The Five Doctors’ and Patrick Troughton adventure ‘The War Games’. Dicks served as the show’s assistant script editor and later script editor between 1968 and 1974 and was also a prolific writer of Doctor Who novels, including the much-loved Target novelisations of TV stories. After the news broke, fans and Doctor Who writers past and present took to social media to pay tributes to “one of Doctor Who’s greatest writers”. Very hard to express what Terrance Dicks meant to a whole generation. A brilliant TV professional, a funny and generous soul. Most of all, though, an inspirational writer who took so many of us on unforgettable journeys into space and time. Bless you, Terrance. — Mark Gatiss (@Markgatiss) September 2, 2019. I’m so sad that Doctor Who legend #TerranceDicks has died. I know how many authors he inspired, and how many millions he entertained as a writer, script-editor, producer and raconteur. I first met him at a library talk when I was eight and edited his final short story this year. — Steve Cole (@SteveColeBooks) September 2, 2019. RIP Terrance Dicks, One of Doctor Who 's Most Vital Writers.
    [Show full text]
  • 'Went the Day of the Daleks Well?' an Investigation Into the Role Of
    Tony Keen ‘Invasion narratives in British television Science Fiction’ ‘Went the Day of the Daleks well?’ An investigation into the role of invasion narratives in shaping 1950s and 1960s British television Science Fiction, as shown in Quater- mass, Doctor Who and UFO If the function of art is to hold a mirror up to society, then science fiction (sf), through the distorted reflection it offers, allows the examination of aspects of society that might otherwise be too uncomfortable to confront. This essay aims to look at how invasion narratives, stories concerned with the invasion of Britain from outside, shaped three British science fiction series, and how those series interro- gated the narratives. The series will primarily be examined through aesthetic and social ap- proaches. Particular areas to be explored include the embracing and subverting of common assumptions about Britain’s attitude to invasion, and the differing attitudes to the military displayed. Introduction As an island nation, the prospect of invasion has always occupied a prominent place in the British popular imagination. According to Sellar and Yeatman, the two memorable dates in history are 55 BC and 1066, the dates of the invasions of Julius Caesar and William the Con- queror.1 Subsequent events such as the Spanish Armada of 1588 are also well-known mo- ments in history. It is inevitable that the prospect of invasion should produce speculative literature. Some works appeared around the time of Napoleon’s threatened invasion of 1803,2 but ‘invasion literature’ as a literary genre emerged out of the growing market for novels and short-story magazines, and is generally considered to have begun with the appearance of George Tomp- kyns Chesney’s 1871 story ‘The Battle of Dorking’,3 a story of the German conquest of Eng- land, prompted by the German victory in the Franco-Prussian War of 1871.
    [Show full text]
  • 'BBC Handbook 1976 Incorporating the Annual Report and Accounts 1974-75
    'BBC Handbook 1976 Incorporating the Annual Report and Accounts 1974-75 www.americanradiohistory.com www.americanradiohistory.com www.americanradiohistory.com 9L61 310oQPu-BH Dgg www.americanradiohistory.com BBC Handbook 1976 incorporating the Annual Report and Accounts 1974 -75 British Broadcasting Corporation www.americanradiohistory.com Published by the British Broadcasting Corporation 35 Marylebone High Street, London W 1 M 4AA ISBN 563 12891 7 First published 1975 © BBC 1975 Printed in England by The Whitefriars Press Ltd London & Tonbridge Illustrated section printed by Sir Joseph Causton & Sons Ltd, London www.americanradiohistory.com Contents Foreword Sir Michael Swann 7 Tables Part one World radio and television receivers 54 Annual Report and Accounts External broadcasting 65 1974 - 75 Annual Report of the Broadcasting Council for Scotland 105 Introductory 9 Annual Report of the Broadcasting Council for Wales 110 Programmes 21 Appendices 115 Television 21 I Hours of output: television 116 Radio 25 Hours of output: radio 117 Party political broadcasts and broadcasts II Programme analysis television networks by Members of Parliament 32 118 News 34 Programme analysis radio networks 119 III School broadcasting 120 Religious broadcasting 35 IV Hours of broadcasting in the External Educational broadcasting 37 Services 123 Northern Ireland 42 V Rebroadcasts of External Services 124 English regional broadcasting 43 _Network production centres 44 Part two The English television regions 47 Programme review Appeals for charity 48 Audience
    [Show full text]
  • Doctor Who: the Time Monster
    Outside the bounds of this world lives Kronos, the Chronivore – a mysterious creature that feeds on time itself. Posing as a Cambridge professor the Master intends to use Kronos in his evil quest for power. To stop him, the Doctor and Jo must journey back in time to Ancient Atlantis and to a terrifying confrontation within the Time Vortex itself. But can even the Doctor save himself from the awesome might of the Time Monster? DOCTOR WHO THE TIME MONSTER Based on the BBC television series by Robert Sloman by arrangement with the British Broadcasting Corporation TERRANCE DICKS No. 102 in the Doctor Who Library A TARGET BOOK published by the Paperback Division of W. H. ALLEN & Co. PLC A Target Book Published in 1986 By the Paperback Division of W.H. Allen & Co. PLC 44 Hill Street, London W1X 8LB First Published in Great Britain by W.H. Allen & Co. PLC 1986 Novelisation Copyright © Terrance Dicks, 1985 Original script Copyright © Robert Sloman 1972 ‘Doctor Who’ series copyright © 1980 by the British Broadcasting Corporation, 1972, 1986 Printed in Great Britain by Anchor Brendon, Tiptree, Essex The BBC Producer of The Time Monster was Barry Letts, the director was Paul Bernard ISBN 0 426 20213 9 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
    [Show full text]
  • What Would You Like to Drink, Katy?
    Elisabeth Sladen pages 19/10/2011 12:41 Page 77 Chapter Four What Would You Like To Drink, Katy? OCTOR WHO, EH? I was aware of it, of course, although this was not Dsomething I would choose to watch. Science fiction, as I’ve said, just isn’t my thing. Sorry! If I’m honest, getting the call for Doomwatch, Corrie and Z-Cars meant just as much to me because all three were such popular programmes. So when I saw the note from Brian I reacted the same way I always did. Oh, excellent – work! That should keep me busy for a few days. And not a Cointreau bottle in sight ... Little did I know how much that ‘work’ would change my life. I may not have known much about Time Lords and blue police boxes, but I did know something about the man who’d asked to see me. I remember, at seven years old, being taken on a school trip to the Abbey Cinema in Liverpool to celebrate the Queen’s Coronation. For some reason we were shown a film called Scott of the Antarctic and Barry Letts had been one of the actors in that. Ever the performer and looking for inspiration even at that age, there had been something about him that had captured my interest: the way he moved, the way he delivered his lines, the way he interacted with props and his co-stars ...everything was so considered. Twenty years on, as I wandered over to Threshold House and through the familiar front door, I was really rather excited.
    [Show full text]