Doctor Who: the Time Monster
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DW10: EP 1 "A Star in Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT
DOCTOR WHO SERIES 10 EPISODE 1 "A Star In Her Eye" By Steven Moffat SHOOTING SCRIPT 16/06/2016 (SHOOTING BLOCK 1) DW10: EP 1 "A Star In Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT. THE DOCTOR’S OFFICE - DAY 1 - 16.00 1 The quietest opening we’ve ever had. We’re in a reasonably untidy office. Dust and books. Obviously academic. A university lecturer’s office. We hold this stationary shot - there’s a pleasing symmetry. There’s a door on the left of the screen, and a slightly open one on the right - like the two doors on a weather clock. Through the slightly open door we can see another, smaller room. In between the doors, there’s a desk, facing across the screen. Two empty chairs. The one in front of the closed door, is a simple, wooden chair. Facing it across the desk is an elegant swivel chair. Distantly, a bell chiming. We hear the chatter of distant voices - young people, chatting and laughing. Under that, the drone of traffic. Ordinary and still, for as long as we dare. Then: Squeak! Squeak! Squeak! It’s like the squeaking wheel on a supermarket trolley - and it’s getting closer. Now the closed door opens, revealing: Nardole. Much as we last saw him in The Husbands Of River Song. He steps into the room (always a squeak on his left leg) revealing: In the doorway, Bill. Young, female, cheeky as hell. Nardole stands clear of the door, gestures towards the wooden chair. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
{PDF EPUB} Doctor Who and the Green Death by Malcolm Hulke Target Practice #3: Doctor Who and the Green Death by Malcolm Hulke
Read Ebook {PDF EPUB} Doctor Who and the Green Death by Malcolm Hulke Target Practice #3: Doctor Who and the Green Death by Malcolm Hulke. Of the three books that helped make me into a fan, this one is probably my favorite. And why not? It’s a story that dares to talk about pollution and the effects of the coal industry long before climate change became the hot-button political issue it is today. Even with the inherent conservatism of the Pertwee era in mind, (as writers like Paul Cornell and Elizabeth Sandifer have suggested) to see Doctor Who take a firm step for environmentalism this early on is wonderful. And while I wish I could say the situation has improved since the story originally aired on TV in 1973, (and then published in 1975) the truth is, I can’t. Things have only gotten worse in the last 40-odd years, thanks to rising levels of pollution everywhere, and the general warming of the planet leading to significantly stronger hurricanes, melting polar ice caps, and other such disasters. In 2016, the nations of the world signed the Paris Climate Accords, with the goal of keeping the global average temperature from breaching 2 degrees Celsius, but then former president Donald Trump withdrew the United States from the accords, and spent his entire term in office destroying the environment, rather than preserving it. True, Joe Biden returned the US to the agreement after he took office in January, but whatever else he may have planned from a legislative standpoint will run up against a reduced Democratic majority in the House of Representatives, a nominally Democratic Senate, a far right judiciary, and various recalcitrant Republican-controlled states who don’t believe his presidency to be legitimate in the first place, all ready and willing to block even modest reforms, whether through legislation or executive actions. -
Read Ebook {PDF EPUB} Doctor Who the Eye of the Giant by Christopher Bulis Doctor Who: the Eye of the Giant by Christopher Bulis
Read Ebook {PDF EPUB} Doctor Who The Eye of the Giant by Christopher Bulis Doctor Who: The Eye of the Giant by Christopher Bulis. The Eye of the Giant by Christopher Bulis. BASIC PLOT The Doctor's attempt to identify a mysterious artificact lead him to a a mysterious island, where he becomes trapped 40 years in the past. Meanwhile, a rash of UFO sightings puts UNIT on the alert. COMPANIONS Liz Shaw, the Brigadier, Mike Yates, Sergeant Benton. MATERIALISATION CIRCUIT None - the TARDIS remains stationary in the UNIT laboratory the entire time. PREPARATORY READING None. CONTINUITY REFERENCES Pg 18 "Scouring the countryside for leftover fragments of Autons or cave lizard devices, and trying to keep too many people from realizing what really happened as you go - it's not exactly what I expected." Spearhead from Space, Doctor Who and the Silurians. Yates's clearing up after the first Auton invasion is mentioned in Terror of the Autons. "Sir John Sudbury of C19." First mentioned in Time-Flight, both Sir John and C19 will be seen shortly in The Scales of Injustice and also features in Business Unusual. C19 has been featured in a number of novels, notably Who Killed Kennedy. Pg 20 "A peculiar freestanding hexagonal control unit" The console is still separated from the TARDIS, as it was in other Season 7 stories. "I got so close during the Inferno project" Inferno. Pg 39 "Space-time visualizer " Seen in The Chase (but see continuity cock-ups) Pg 44 "Remember what happened the last time you tried to improvise something like this with the console?" Inferno. -
Doctor Who: Hornets Nest: the Dead Shoes 2 Free Ebook
FREEDOCTOR WHO: HORNETS NEST: THE DEAD SHOES 2 EBOOK Paul Magrs | none | 08 Oct 2009 | BBC Audio, A Division Of Random House | 9781408426746 | English | London, United Kingdom Doctor Who: Hornets' Nest Hornets' Nest is an audio play in five episodes based on the long-running British science fiction television series Doctor Who. It is written by Paul Magrs, and stars Tom Baker as the Fourth Doctor and Richard Franklin as Captain Mike Yates. It was released on five CDs by BBC Audiobooks between September and December They feature multiple. : Doctor Who: Hornets' Nest 2 - The Dead Shoes (Audible Audio Edition): Paul Magrs, Tom Baker, BBC Worldwide Ltd: Audible Audiobooks. Lives will be lost before the circus moves on – and the Doctor will face his own doom on the high wire. Hornets' Nest - Volume 2: The Dead Shoes. BBC Worldwide Press Releases Lives will be lost before the circus moves on – and the Doctor will face his own doom on the high wire. Hornets' Nest - Volume 2: The Dead Shoes. Once there, the Doctor tells Yates Doctor Who: Hornets Nest: The Dead Shoes 2 his recent fight against a swarm of psychic alien Hornets. His first encounter with them involved their possession of an army of taxidermy animals. The owner, Mrs Wibbsey, shrinks the Doctor and traps him inside a possessed dollhouse. Find helpful customer reviews and review ratings for Doctor Who: Hornets' Nest 2 - The Dead Shoes at Read honest and unbiased product reviews from our users. Doctor Who: Hornets' Nest 2 - The Dead Shoes All episodes of Hornets' Nest. -
MICROCOMP Output File
S. HRG. 108–241, PT. 6 DEPARTMENT OF DEFENSE AUTHORIZATION FOR APPROPRIATIONS FOR FISCAL YEAR 2004 HEARINGS BEFORE THE COMMITTEE ON ARMED SERVICES UNITED STATES SENATE ONE HUNDRED EIGHTH CONGRESS FIRST SESSION ON S. 1050 TO AUTHORIZE APPROPRIATIONS FOR FISCAL YEAR 2004 FOR MILITARY ACTIVITIES OF THE DEPARTMENT OF DEFENSE, FOR MILITARY CON- STRUCTION, AND FOR DEFENSE ACTIVITIES OF THE DEPARTMENT OF ENERGY, TO PRESCRIBE PERSONNEL STRENGTHS FOR SUCH FISCAL YEAR FOR THE ARMED FORCES, AND FOR OTHER PURPOSES PART 6 PERSONNEL MARCH 11, 19, 27, 2003 ( Printed for the use of the Committee on Armed Services VerDate 11-SEP-98 11:29 Aug 18, 2004 Jkt 000000 PO 00000 Frm 00001 Fmt 6011 Sfmt 6011 87328.CON SARMSER2 PsN: SARMSER2 DEPARTMENT OF DEFENSE AUTHORIZATION FOR APPROPRIATIONS FOR FISCAL YEAR 2004—Part 6 PERSONNEL VerDate 11-SEP-98 11:29 Aug 18, 2004 Jkt 000000 PO 00000 Frm 00002 Fmt 6019 Sfmt 6019 87328.CON SARMSER2 PsN: SARMSER2 S. HRG. 108–241, PT. 6 DEPARTMENT OF DEFENSE AUTHORIZATION FOR APPROPRIATIONS FOR FISCAL YEAR 2004 HEARINGS BEFORE THE COMMITTEE ON ARMED SERVICES UNITED STATES SENATE ONE HUNDRED EIGHTH CONGRESS FIRST SESSION ON S. 1050 TO AUTHORIZE APPROPRIATIONS FOR FISCAL YEAR 2004 FOR MILITARY ACTIVITIES OF THE DEPARTMENT OF DEFENSE, FOR MILITARY CON- STRUCTION, AND FOR DEFENSE ACTIVITIES OF THE DEPARTMENT OF ENERGY, TO PRESCRIBE PERSONNEL STRENGTHS FOR SUCH FISCAL YEAR FOR THE ARMED FORCES, AND FOR OTHER PURPOSES PART 6 PERSONNEL MARCH 11, 19, 27, 2003 ( Printed for the use of the Committee on Armed Services U.S. GOVERNMENT PRINTING OFFICE 87–328 PDF WASHINGTON : 2004 For sale by the Superintendent of Documents, U.S. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Das Kairós-Experiment« Eine A-Little-More-Sonic- Doctor Who- Audiogeschichte – Prod. 4/7 – 1. Draft –
»Das Kairós-Experiment« Eine A-Little-More-Sonic- Doctor Who- Audiogeschichte – Prod. 4/7 – 1. Draft – Buch: Elmar Vogt 4. August 2015 »kairoV, 1D« – Version: 4. August 2015 Elmar Vogt, Fürth – http://littlemoresonic.wordpress.com – [email protected] Personen (5 |, 3 ~) Sergeant Benton : Mitglied von U.n.i.t seit der Gründungszeit. Ein einfaches Gemüt, allerdings mit einem feinen Gespür für die Charaktere der Menschen. Er ist sehr loyal dem Brigadier und dem Doctor gegenüber und hat auch eine Schwäche für Sarah-Jane; allerdings kann er ihrem emanzipierten Wesen oft nicht ganz folgen. Doctor #3 (John Pertwee) : Von seinem Vorgänger als »Dandy« bezeichnet besitzt diese Inkarnation einen extravaganten Stil sowohl bezüglich seiner Kleidung als auch seines Charakters. Er ist weniger moralisch orientiert als seine Vorgänger, und mit seiner Vorliebe für technischen Schnickschnack eher ein Mann der Tat mit James-Bond-Anklängen. Sarah-Jane Smith : Ursprünglich Reporterin wurde sie später zum Companion des Doctors und zur Mitarbeiterin von U.n.i.t. Sie ist eine sehr emanzipierte, couragierte und eigenständige Frau, die mit ihrem Durchsetzungsvermögen leicht einmal aneckt. Der Doctor akzeptiert ihre Art mit einem gewissen überlegenen Amüsement: Auch wenn sie für einen menschlichen Mann emanzipiert ist und mit diesem mithalten kann, kann sie doch nicht mit dem Doctor mithalten, so seine Einstellung. Brigadier Lethbridge-Stewart : Kommandierender Offizier von U.n.i.t, von dem meist nur als dem »Brig« gesprochen wird. Ein Berufssoldat alter Schule, für den Pflichterfüllung und Disziplin einen sehr hohen Stellenwert besitzen, hinter denen selbst seine persönlichen Gefühle zurückstehen müssen. Während er von seinen Männern Gehorsam erwartet, stellt er sich auch jederzeit schützend vor sie. -
Web Version Please Subscribe to the Relative Times For
Volume XVI Number 2 November/December 2004 Inside: Fast Forward, Part 3 Blake’s 7 Spinoffs All I Want for Dalekmas MTL’s 15th Anniversary Celebration And More WEB VERSION PLEASE SUBSCRIBE TO THE RELATIVE TIMES FOR THE FULL VERSION Milwaukee Time The Relative Times Lords Officers Logo Design Published 8 times a year by — Jay Badenhoop, Marti (2004-2005 term) The Milwaukee Time Lords Madsen, Linda Kelly c/o Lloyd Brown President th Contributors (Who to Blame): 2446 N. 69 Street Howard Weintrob . Wauwatosa, WI 53213-1314 Barbara Brown, John Brown, Andy DeGaetano, Debbie Frey, Dean Gustin, Jay Editor: ............. Barbara Brown Harber, Ed Hochman, and Marti Madsen. Vice President Art Editor ............ Marti Madsen Andy DeGaetano . News Editor .......... Mark Hansen And thanks to anyone whose name I may Newsletter Staff: have neglected to include. Treasurer Ellen Brown, Lloyd Brown Julie Fry.................... Secretary Ross Cannizzo............... Sergeant-at-Arms Contents Items in RED not included in web version Dean Gustin................. Meeting Schedule 3 Dalekmas Wishes 14 Chancellory 5 Fast Forward, pt. 3 17 Videos SF Databank 6 Blake’s 7 Spinoffs 24 Dean Gustin................. MTL 15th Anniversary 11 The Gallifrey Ragsheet 26 Fundraising From Beyond the Vortex Position open Newsletter Back to 28 pages again! I can breathe. Our cover is part of a much larger Barbara Brown............... drawing by Jay Harber. He did several versions of the same drawing – this one is of just the background. There are several versions with a rather nude Romana I, which are very good drawings, but which I can’t print in the Events newsletter. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo.