Alias Episode Guide Season 5
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Peace Angel of Helsinki” Wanted to Save the World
The “Peace Angel of Helsinki” wanted to save the world By Volker Kluge Unauthorised intruder at the ceremony: 23-year-old Barbara Rotraut Pleyer took her place in Olympic history with her ‘illegal’ lap of the stadium as the ‘’Peace Angel of Helsinki’’. Photo: Suomen Urheilumuseo On the 19th July 1952, the weather gods proved ungracious opening formula – for the first time in four languages. as a storm raged over Helsinki. The downpour continued Six thousand doves flew away into the grey sky, startled for hours. Yet people still streamed towards the by the 21 gun salute which accompanied the raising of stadium, protected by umbrellas and capes. Once there, the Olympic Flag. they found 70,000 wet seats. Gusts of wind made them The last torchbearer who entered the stadium was shiver. Yet they remained good-humoured, for this was nine time Olympic champion Paavo Nurmi. He kindled the opening of an Olympics for which Finland had been the bowl in the centre field. Shortly afterwards, another forced to wait twelve years. running legend Hannes Kolehmainen lit the fire at the The rain had relented by the time fanfares announced top of the stadium tower. A choir sang the Olympic hymn the ceremony at one o’clock on the dot. In those days by Jaakko Linjama. the ceremonial was still somewhat ponderous but this This solemn moment was to be followed by a sermon time at least, the IOC Members did not wear top hat and by Archbishop Ilmari Salomies. Instead, there was an tails when they were presented to Finland’s President unexpected incident. -
Rut Blees Luxemburg, CV
Rut Blees Luxemburg, CV Selected Solo Exhibitions (2015) London Dust, Museum of London (2012–13) Lustgarten, Stadtmuseum Simeonstift, Trier, Germany (2010) Black Sunrise, Galerie Dominique Fiat, Paris (2004) Liebeslied/My Suicides – An Opera, ICA, London (2003) Phantom, Tate Liverpool Selected Commissions (2015) The Silver Forest – Permanent public art installation, Westminster City Hall ( 2015) The Teaser – Temporary Installation, Somerset House Square, Photo London (2007) Piccadilly’s Peccadilloes – Public art Installation, Heathrow Airport, Platform for Art Selected Group Exhibitions (2014) A Needle walks into a Haystack, Tate Liverpool, Liverpool Biennial Foreign Exchange, Weltkulturen Museum Frankfurt, Germany (2013) Nouvelles Vagues, Palais de Tokyo, Paris, France Foreign Exchange, Weltkulturen Museum, Germany Wonderland, Towner Gallery, Eastbourne (2012) Dérives et des Rêves, Utopian architectural practices and artists, Chateau d’Oiron, France Observers, Photographers of the British Scene from the 1930’s to now, British Council exhibition, Galeria de Arte do Sesi, Sao Paulo, Brazil (2011) Prix Découverte des Rencontres d’Arles, France, Alias, Krakow Photomonth, Krakow, Poland New Narrative, Digital Arts Centre, Taipei, Taiwan Veilleurs de nuit, Le Centre d’art de l’Yonne, Chateau Tanlay, France (2010) The City and The Stars, Stills Gallery, Edinburgh, Scotland Le Havre Images sur commande, Musee Malraux, Le Havre, France (2009) elles @ centrepompidou, Centre Pompidou, Paris OPERA, film screening, Espai Liceu, Barcelona Auto, Sueno y Materia, LaBoral, Gijon and Dos de Mayo Art Centre, Monographs García Düttmann, A, (2014) The Academic Year, London: SPBH Durand, R., Park, D. and García Düttman, A. (2009) Commonsensual: The Works of Rut Blees Luxemburg, London: Black Dog Publishing Lynch, P., Park, D. and Wyn Evans, C. -
Gabriel Orozco and .Dami ´An Ortega
Conversation Gabriel OrOzcO and .damia ´ n OrteGa Damián Ortega and Gabriel Orozco were friends and neighbors in Mexico people, especially Spanish-speaking City in the 1980s, years before they established international careers students who otherwise would have no as artists. Son of painter Mario Orozco Rivera, a longtime assistant to access to publications like these. the muralist David Alfaro Siqueiros, Orozco (b. 1962, Jalapa, Veracruz) Some aspects of the project remind grew up in an artistic household, attended a prestigious art school and me of our Friday Workshops in the late was well traveled when he met the younger Ortega. By contrast, Ortega 1980s, which you proposed to do in my (b. 1967, Mexico City) is self-taught, except for weekly meetings with house. I liked the workshop idea right away because it was the initiative of a Orozco that evolved into an experimental art course over the span of younger artist. With Abraham Cruzville- some four years beginning in 1987. Along with artists Gabriel Kuri, gas, Gabriel Kuri and Dr. Lakra joining Abraham Cruzvillegas and Dr. Lakra (Jerónimo López Ramírez), they us, the workshop became a kind of established what they called the Taller de los Viernes (Friday Workshop) extra-official school that lasted four years. at Orozco’s home in the Tlalpan district, a provincial outpost during the During that time, information about what colonial era and now part of the capital’s urban sprawl. It was an oppres- was going on in the international art sive time politically in Mexico, where progressive thinking was routinely scene was very limited in Mexico. -
Alias Manager 4
CHAPTER 4 Alias Manager 4 This chapter describes how your application can use the Alias Manager to establish and resolve alias records, which are data structures that describe file system objects (that is, files, directories, and volumes). You create an alias record to take a “fingerprint” of a file system object, usually a file, that you might need to locate again later. You can store the alias record, instead of a file system specification, and then let the Alias Manager find the file again when it’s needed. The Alias Manager contains algorithms for locating files that have been moved, renamed, copied, or restored from backup. Note The Alias Manager lets you manage alias records. It does not directly manipulate Finder aliases, which the user creates and manages through the Finder. The chapter “Finder Interface” in Inside Macintosh: Macintosh Toolbox Essentials describes Finder aliases and ways to accommodate them in your application. ◆ The Alias Manager is available only in system software version 7.0 or later. Use the Gestalt function, described in the chapter “Gestalt Manager” of Inside Macintosh: Operating System Utilities, to determine whether the Alias Manager is present. Read this chapter if you want your application to create and resolve alias records. You might store an alias record, for example, to identify a customized dictionary from within a word-processing document. When the user runs a spelling checker on the document, your application can ask the Alias Manager to resolve the record to find the correct dictionary. 4 To use this chapter, you should be familiar with the File Manager’s conventions for Alias Manager identifying files, directories, and volumes, as described in the chapter “Introduction to File Management” in this book. -
Television Shows
Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Age and Attitudes VHS-4872 24 Season 1 (Discs 1-3) DVD-2780 Discs Age of AIDS DVD-1721 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs 24 Season 1 (Discs 4-6) DVD-2780 Discs Age of Kings, Volume 2 (Discs 4-5) DVD-6679 Discs 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs Alfred Hitchcock Presents Season 1 DVD-7782 24 Season 2 (Discs 1-4) DVD-2282 Discs Alias Season 1 (Discs 1-3) DVD-6165 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs Alias Season 1 (Discs 4-6) DVD-6165 Discs 30 Days Season 1 DVD-4981 Alias Season 2 (Discs 1-3) DVD-6171 Discs 30 Days Season 2 DVD-4982 Alias Season 2 (Discs 4-6) DVD-6171 Discs 30 Days Season 3 DVD-3708 Alias Season 3 (Discs 1-4) DVD-7355 Discs 30 Rock Season 1 DVD-7976 Alias Season 3 (Discs 5-6) DVD-7355 Discs 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs Alias Season 4 (Discs 1-3) DVD-6177 Discs 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs Alias Season 4 (Discs 4-6) DVD-6177 Discs 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs Alias Season 5 DVD-6183 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs All American Girl DVD-3363 Abnormal and Clinical Psychology VHS-3068 All in the Family Season One DVD-2382 Abolitionists DVD-7362 Alternative Fix DVD-0793 Abraham and Mary Lincoln: A House -
Telomerase Activity in Cell Lines of Pediatric Soft Tissue Sarcomas
0031-3998/03/5405-0718 PEDIATRIC RESEARCH Vol. 54, No. 5, 2003 Copyright © 2003 International Pediatric Research Foundation, Inc. Printed in U.S.A. Telomerase Activity in Cell Lines of Pediatric Soft Tissue Sarcomas ELKE KLEIDEITER, MATTHIAS SCHWAB, ULRIKE FRIEDRICH, EWA KOSCIELNIAK, BEAT W. SCHÄFER, AND ULRICH KLOTZ Dr. Margarete Fischer-Bosch Institute of Clinical Pharmacology, D-70376 Stuttgart, Germany [E.K., M.S., U.F., U.K.], Department of Pediatric Oncology/Hematology, Olga Hospital, D-70176 Stuttgart, Germany [E.K.], and Division of Clinical Chemistry and Biochemistry, Department of Pediatrics, University Hospital, CH-8032 Zürich, Switzerland [B.W.S.] ABSTRACT Telomeres and their maintenance by telomerase have been expression of hTERT mRNA. Thus, we suggest that the signif- implicated to play an important role in carcinogenesis. As almost icant difference (p Ͻ 0.01) in the less aggressive clinical behav- all malignant tumors express telomerase (in contrast to normal ior of embryonal rhabdomyosarcomas in comparison to other somatic cells), assessment of its activity has been proposed as a subtypes may be due to differences in telomerase expression. diagnostic and prognostic tool. To test the prognostic value of Taken together, our cell line experiments imply that telomerase telomerase in pediatric soft tissue sarcoma (STS), we analyzed activity might be a biologic marker for stratification between telomere length (by telomere restriction fragment analysis), te- STS with different clinical prognosis. (Pediatr Res 54: 718–723, lomerase activity (by modified telomerase repeat amplification 2003) protocol assay), and expression of human telomerase reverse transcriptase (hTERT) mRNA (by TaqMan technique) in cell Abbreviations lines of different types of STS from 12 children and adolescents. -
Alias Grace by Margaret Atwood Adapted for the Stage by Jennifer Blackmer Directed by RTE Co-Founder Karen Kessler
Contact: Cathy Taylor / Kelsey Moorhouse Cathy Taylor Public Relations, Inc. For Immediate Release [email protected] June 28, 2017 773-564-9564 Rivendell Theatre Ensemble in association with Brian Nitzkin announces cast for the World Premiere of Alias Grace By Margaret Atwood Adapted for the Stage by Jennifer Blackmer Directed by RTE Co-Founder Karen Kessler Cast features RTE members Ashley Neal and Jane Baxter Miller with Steve Haggard, Maura Kidwell, Ayssette Muñoz, David Raymond, Amro Salama and Drew Vidal September 1 – October 14, 2017 Chicago, IL—Rivendell Theatre Ensemble (RTE), Chicago’s only Equity theatre dedicated to producing new work with women at the core, in association with Brian Nitzkin, announces casting for the world premiere of Alias Grace by Margaret Atwood, adapted for the stage by Jennifer Blackmer, and directed by RTE Co-Founder Karen Kessler. Alias Grace runs September 1 – October 14, 2017, at Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago. The press opening is Wednesday, September 13 at 7:00pm. This production of Alias Grace replaces the previously announced Cal in Camo, which will now be presented in January 2018. The cast includes RTE members Ashley Neal (Grace Marks) and Jane Baxter Miller (Mrs. Humphrey), with Steve Haggard (Simon Jordan), Maura Kidwell (Nancy Montgomery), Ayssette Muñoz (Mary Whitney), David Raymond (James McDermott), Amro Salama (Jerimiah /Jerome Dupont) and Drew Vidal (Thomas Kinnear). The designers include RTE member Elvia Moreno (scenic), RTE member Janice Pytel (costumes) and Michael Mahlum (lighting). A world premiere adaptation of Margaret Atwood's acclaimed novel Alias Grace takes a look at one of Canada's most notorious murderers. -
Spot the Alias
Spot the alias DIRECTIONS: STEP 1: CUT ALONG DOTTED LINE. STEP 2: FOLD IN HALF VERTICALLY. STEP 3: FOLD INTO ACCORDIAN. STEP 4: PLACE IN WALLET! CORN EGGS FISH MILK corn sugar, corn syrup, albumin, conalbumin, (includes crustaceans ammonium caseinate, corn syrup solids, egg substitutes, globulin, and shellfi sh) calcium caseinate, cornstarch, crystalline lecithin (from egg), anchovy, bass, bluefi sh, magnesium caseinate, fructose, crystalline livetin,lysozyme, meringue, calamari, carp, catfi sh, potassium caseinate, glucose, dextrose, ovalbumin, char, clam, cod, cockle, sodium caseinate, glucose, glucose syrup, ovomacroglobulin, conch, crab, crayfi sh, eel, casein, caseinate, * NOTE: SPOT high fructose corn syrup ovomucin, ovomucoid, escargot, halibut, herring, curds, dry milk, hydrolyzed This guide should not (HFCS), lecithin (from corn), ovotransferrin, ovovitellin, lobster, mackerel, casein, hydrolyzed milk be considered the fi nal THE word on your allergen maltodextrin silico-albuminate, mahi-mahi, marlin, protein, lactalbumin, ® and its “aliases” – Simplesse , vitellin mussels, octopus, orange lactate, lactoferrin, ALIAS lactoglobulin, lactose, speak to your doctor roughy, pickerel, pike, about obtaining a An egg by any modifi ed milk ingredients, pollock, prawns, rockfi sh, complete list. other name… salmon, sardine, shark, Opta™, can be confusing! shrimp, scallops, sea sour cream, sour milk Watch for these urchin, smelt, snails, solids, whey, possible aliases snapper, swordfi sh, squid, whey protein concentrate, rennet of common tilapia, -
Blockchain-Based Address Alias System
Article Blockchain-Based Address Alias System Norbert Bodziony , Paweł Jemioło * , Krzysztof Kluza and Marek R. Ogiela AGH University of Science and Technology, Faculty of Electrical Engineering, Automatics, Computer Science and Biomedical Engineering, al. A. Mickiewicza 30, 30-059 Krakow, Poland; [email protected] (N.B.); [email protected] (K.K.); [email protected] (M.R.O.) * Correspondence: [email protected] Abstract: In recent years, blockchains systems have seen massive adoption in retail and enterprise environments. Cryptocurrencies become more widely adopted, and many online businesses have decided to add the most popular ones, like Bitcoin or Ethereum, next to Visa or Mastercard payments. Due to the decentralized nature of blockchain-based systems, there is no possible way to revert confirmed transactions. It may result in losses caused by human error or poor design of the user interface. We created a cryptocurrency wallet with a full on-chain solution for aliasing accounts and tokens to improve user experience and avoid unnecessary errors. The aliasing system consists of a number of smart contracts deployed on top of the blockchain network that give the ability to register aliases to accounts and tokens and use them instead of opaque addresses. Our solution shows how performant modern blockchains are and presents a way of building fully decentralized applications that can compete with centralized ones in terms of performance. Keywords: blockchain; cryptocurrency; wallet; aliasing system; Solana Citation: Bodziony, N.; Jemioło, P.; 1. Introduction Kluza, K.; Ogiela, M.R. Blockchain- Blockchain [1,2] space is one of the most rapidly growing ecosystems right now. -
Havana Wine List
wine Havana’s Wine List - Winner of Wine Spectator’s “Best of Award of Excellence” 2004-2020 (Only one of three restaurants in Maine with this award!) WHITE WINES for the Summer of 2021 FEATURED WHITE WINES BY THE GLASS glass bottle WHITES Chardonnay Catena - Mendoza, Vista Flores Vnyrd, Argentina ‘17 $9.95 $39 A great California style Chardonnay . but from Argentina Terrien - Sonoma Valley 2013 $13.95 $52 ... yes, 8 year old Cali chard - high acid, perfect balance, Meursault like in many ways Viognier/Marsanne D’Arenberg, The Hermit Crab” - Australia 2018 $10.95 $42 Lobster - perfect. Other seafood - perfect too Riesling Loosen Brothers, “Dr. L.” - Mosel, Germany 2020 $10.95 $42 Kabinett level, which is dry, crisp and delicious Sauvignon Blanc Joel Gott - California 2019 $9.95 $39 Focused is the word, along with bright. Classic Sauv. Blanc Rhone Blend Tablas Creek, “Patelin” - Central Coast, Cali. 2018 $13.95 $52 Pear, white peach, medium to full bodied, a delicious wine ROSÉ Bieler, “Sabine”, Pere et Fils - Provence 2020 $9.95 $39 SPARKLERS Cava - Mas fi, Brut Nature - Spain NV $8.95 $39 All served in 3.5 oz. pours Rose Cava - Miquel Pons, Brut Nature - Spain 2018 $9.95 $45 Moscato d’Asti - Maragliano, “La Caliera” - Italy 2018 half btl. $8.95 $29 Wild Blueberry - Bluet, Brut - Maine 2017 $8.95 $39 A fantastic, super-dry Maine sparkler SAMPLE ANY 3 WHITE OR RED WINES - $12.95 - 2 OZ. OF EACH Maine State law allows you to take your partially finished bottle of wine home with you! Signifies a wine grown and made biodynamically Signifies a wine grown and made organically Signifies a wine grown and made naturally In this case the grapes were usually grown either organically or biodynamically but the wine is usually fermented using naturally occurring wild yeast, and usually unfiltered with no additives whatsoever. -
Alias: a Lifelike Immersive Affective Stimulation System
aaLLIIAASS:: AA LLiiffeelliikkee IImmmmeerrssiivvee AAffffeeccttiivvee SSttiimmuullaattiioonn SSyysstteemm NEW! Virtual Reality System for Neuroscience Research Now researchers can take experimental investigations of emotion and attention to the next level with aLIAS: A Lifelike Immersive Affective Stimulation System. Developed in partnership with WorldViz, the aLIAS package is a plug-and-play system designed to work seamlessly with the latest HMD technology from Oculus* to create a sophisticated stimulation solution that is truly budget friendly. *Oculus Rift sold separately Inducing an emotional state in laboratory settings requires researchers to use various techniques approximating the immersion of the participant in a real-life situation. Such techniques could involve reading stories, looking at pictures and videos or using actors. These methodologies suffer, in various degrees, from limitations in ecological validity and/or experimental control. BIOPAC and WorldViz have developed a virtual reality based stimulation protocol that aims to deliver lifelike stimulation while maintaining very high experimental control. A collection of stimulation scenarios has been created and is constantly augmented; it is designed so that researchers can expand it easily. Physiological data can be recorded throughout the experiment and markers for events and conditions are automatically added to the physiological data record over the network. The physiological data is recorded using the wireless BioNomadix and MP150 system with AcqKnowledge and Network Data Transfer. aLIAS: Complete Researcher Control, Ready-to-Run Scenarios, Fully Customizable aLIAS allows Oculus Rift users to adjust the order of the stimulation, control the inter stimulus interval and ambient sound and other sound effects without the need for programming. This is a ready to run, plug-and-play series of scenarios that are designed to operate with the Oculus DK2* head mounted display. -
Gender Politics and Social Class in Atwood's Alias Grace Through a Lens of Pronominal Reference
European Scientific Journal December 2018 edition Vol.14, No.35 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Gender Politics and Social Class in Atwood’s Alias Grace Through a Lens of Pronominal Reference Prof. Claudia Monacelli (PhD) Faculty of Interpreting and Translation, UNINT University, Rome, Italy Doi:10.19044/esj.2018.v14n35p150 URL:http://dx.doi.org/10.19044/esj.2018.v14n35p150 Abstract In 1843, a 16-year-old Canadian housemaid named Grace Marks was tried for the murder of her employer and his mistress. The jury delivered a guilty verdict and the trial made headlines throughout the world. Nevertheless, opinion remained resolutely divided about Marks in terms of considering her a scorned woman who had taken out her rage on two, innocent victims, or an unwitting victim herself, implicated in a crime she was too young to understand. In 1996 Canadian author Margaret Atwood reconstructs Grace’s story in her novel Alias Grace. Our analysis probes the story of Grace Marks as it appears in the Canadian television miniseries Alias Grace, consisting of 6 episodes, directed by Mary Harron and based on Margaret Atwood’s novel, adapted by Sarah Polley. The series premiered on CBC on 25 September 2017 and also appeared on Netflix on 3 November 2017. We apply a qualitative (corpus-driven) and qualitative (discourse analytical) approach to examine pronominal reference for what it might reveal about the gender politics and social class in the language of the miniseries. Findings reveal pronouns ‘I’, ‘their’, and ‘he’ in episode 5 of the miniseries highly correlate with both the distinction of gender and social class.