Communities Collectives & Collaboration

Communities Collectives & collaboration

Brighton Photo BiennIal 2014 Exhibitions P3-39 Digital Programmes P40-41

EVENTS OPENING WEEKEND p42-43 Talks, Screenings & Tours P44-50 BPB14 Big Weekends P48-50

WORKSHOPS Young People & Adults P51 Creative Professional Development P51-52 Teachers & Schools P53

FAMILIES p54 -55

BPB14 HUB AND INFO P56 - 63

2 #BPB14 BPB14 COMMUNITIES COLLECTIVES & COLLABORATION 4 October – 2 November 2014 Welcome to Brighton Photo Biennial, the UK’s largest photography festival, returning this year for its sixth edition, taking place in venues and public spaces in Brighton & Hove and beyond

Introducing the theme of Communities, explores photography’s role in relation Collectives & Collaboration, BPB14 to these larger ideas. presents a series of remarkable exhibitions The core programme runs throughout and more than 50 events. All are bound October with exhibitions throughout the together by a common approach; city of Brighton & Hove and across the region. photography based projects produced The events programme is geared towards through innovative, new and unexpected different interests, experience and ages, partnerships. This includes photographers offers many opportunities to get involved and artists collaborating with and participate in BPB14, including environmentalists, scientists, young and older workshops, talks, tours, screenings people, photo and film archives, local and and online digital projects. international communities and digital networks. BPB14’s programme is outlined here. From collusion and intrusion in paparazzi To find out more, the BPB14 team are on photography, to live underwater cameras hand throughout October at our pop-up recording the creation of an artificial reef; shop and information hubs at Jubilee Library to connect and disconnect in communities; and Circus Street Market in central Brighton, to explorations of national and international or connect with us online for updates and photography collectives, to ambitious ways to take part. participatory projects, BPB14 presents We look forward to welcoming you. previously unseen perspectives on photography. #BPB14 bpb.org.uk Prompting questions around custodianship, BPB14 is produced by Photoworks, an organisation dedicated to enabling participation in photography, the authorship, mythologies, image-making, most democratic medium of contemporary visual culture. sharing and collaborative processes, BPB14 photoworks.org.uk

3 Amore e Piombo: The Photography of extremes in 1970’s Italy Enter a tumultuous era with this unparalleled collection of photographs made by a group of photographers working for the Rome-based agency Team Editorial Services

The press photographers constantly shifted Forty years on and Italy’s ‘Years of Lead’ between battling film stars at play and the are still shrouded in mystery. Despite reality of near civil war unfolding on the countless attempts to unravel the political streets. Politics and celebrity are brought confusion of the times, key tragic events, together through the paparazzi style of alto from the Piazza Fontana bombing in Milan contrasto, collusion and intrusion. Alluded to, in 1969, to Aldo Moro’s 1978 kidnap and although less visible, are the murkier dealings assassination by the Red Brigades, remain of clandestine groups linked to the Italian unresolved. Secret Services, The P2 Masonic Lodge Instead of offering answers, Amore e the CIA and NATO, operating against Piombo (Love and Lead) presents for scrutiny the backdrop of the extremes of the Red the press photography of this most turbulent and Black Brigades. and tangled decade. Archive prints are presented alongside television news footage, film sequences 5 BRIGHTON MUSEUM & ART GALLERY Royal Pavilion Gardens, Brighton, BN1 1EE and sound recordings. A choice of Italian Tue - Sun 10am - 5pm, Closed Mon Services/Alinari Editorial TEAM © c1970s , photo-books of the period, loaned from A Photoworks and Archive of Modern Conflict co- commission for Brighton Photo Biennial 2014, curated the Martin Parr collection, add a further by Roger Hargreaves and Federica Chiocchetti. Giulio AndreottiGiulio layer of reference. For related events see pages 44, 47.

4 #BPB14 , c1970s © TEAM Editorial Services/Alinari Editorial TEAM © c1970s , Giulio AndreottiGiulio

bpb.org.uk 5 A return to elsewhere Two locations, two photographers, working together to exchange experiences and perspectives, sharing the process of making to create a single project

Photographers, Kalpesh Lathigra (UK) representation, exploring understandings of and Thabiso Sekgala (SA), have used the belonging, histories, silence, memory and loss. framework of collaboration to develop work Lathigra/Sekgala chose to begin their at the same time in two cities. Together, they project in connection with Indian communities have chosen to explore communities and their in two primary locations Marabastad and

Lost City, Laudium Bus Depot © Lathigra/Sekgala 2014

6 #BPB14 Laudium, South Africa and in Brighton, UK. Lathigra/Sekgala’s collaborative project Marabastad was a culturally and racially combines contemporary images with diverse community before forced relocation co-authored captions to create pertinent in the late 1940’s. Closeby, Laudium, on the associations between people, time and outskirts of Pretoria was proclaimed an Indian place. These include retrieved stories and Township in 1961 under the Group Areas notes from archives. Act. One of Brighton’s largest ethnic minority Lathigra/Sekgala have produced a new groups is of Indian descent, a community with digital artwork (p14) to complement and an interesting historical back story relating to extend the project. the British Indian Army, whose soldiers fought 8 Circus Street Market in WW1 and were temporarily hospitalised Circus Street, Brighton, BN2 9QF in the Royal Pavilion in Brighton, a building Daily 11am - 5pm Co-commissioned by the British Council Connect ZA inextricably linked with Brighton’s identity. programme with Photoworks, Market Photo Workshop Both photographers are interested in and The Space for Brighton Photo Biennial 2014 and the Johannesburg Photo Umbrella in a show at Mary the role of photography in representing Fitzgerald Square, Newtown, Johannesburg. The communities, creating narratives and raising project is part of SA-UK Seasons 2014 & 2015 which is partnership between the Department of questions around truth and fiction, notions Arts & Culture, South Africa and the British Council. of connection and disconnection. For related events see pages 42, 44.

Mandir, Marabastad © Lathigra/Sekgala 2014

bpb.org.uk 7 © The Photocopy Club

8 #BPB14 The Photocopy Club: A Giant Collective Aiming to get photography off the Internet and printed matter back into the hands of the public, The Photocopy Club presents an international exchange

All Photocopy Club exhibitions are based cities they live in and the communities living on photographers submitting work printed within it.” via the use of a black and white photocopier/ Bringing international photographers and xerox machine. local communities together, The Photocopy In partnership with Brighton Photo Biennial Club makes photography in print affordable and Joburg Photo Umbrella, The Photocopy and accessible to people from all different Club made an open call to photographers walks of life. All exhibited works will be of all ages and ability to form collectives available to purchase. with their friends, families and peers, and Matt Martin will run a one day workshop to submit works on the theme of “community”. on zine making, the history of zines and how Photographers around the world photographers use them today. submitted black and white copies of their 8 Circus Street Market work and created a “giant collective”, Circus Street, Brighton, BN2 9QF exhibiting both here in Brighton and Daily 11am - 5pm Co-commissioned by the British Council Connect in Johannesburg. ZA programme with Photoworks and Market Photo Matt Martin from The Photocopy Club Workshop for Brighton Photo Biennial 2014 and the Johannesburg Photo Umbrella in a show at Mary explains, “We asked people to come up Fitzgerald Square, Newtown, Johannesburg. The with a collective name and make individual project is part of SA-UK Seasons 2014 & 2015 which is partnership between the Department of Arts & or group images that work around the theme Culture, South Africa and the British Council. of community. For example: music, religion, For related event see page 51. sport, art, sex, politics, to think about the

bpb.org.uk 9 Five Contemporary Photography Collectives An exploration of collaborative working methods, with five very different contemporary photography collectives

These contemporary views on photography rooms is a different artist’s book. Visitors provide a route into current conversations can wander a floor-plan of assembled books. around the resurgence of photography ABCEUM is an evolving project with its own collectives. Invited for their varying styles and changing programme of exhibitions – much like their approaches to working together, ABC, any museum. In ABCEUM, however, the idea Burn My Eye, RUIDO Photo, Sputnik of a museum itself can become its own subject. Photos and Uncertain States outline Burn My Eye grew from a small group of the impact of this way of working, nationally photographers with a shared passion for straight, and internationally. Considered here is the unposed photography. Wanting to encourage dynamic, democratic process of navigating personal development through critique and and negotiating a cohesive voice through discussion with respected peers, the members the notion of a collective. embraced different sensibilities and cultural The international group ABC create, backgrounds that allowed for a broad set engage and communicate on issues of influences in a close-knit environment. concerning self-publishing. Their project RUIDO Photo, based in Barcelona, is ABCEUM re-imagines the museum as a the culmination of the work of a group of book installation. Each of the museum’s photographers, designers and journalists,

10 #BPB14 From The Winners © Rafal Milach

From La Sala Negra ©Pau Coll and Edu Ponces who undertake independent photography include how our perceptions of key issues, projects with strong social content and cultural such as politics, religion and personal identity, commitment with the clear aim of raising are formed. They showcase established and awareness, encouraging reflection and emerging artists through their exhibitions, monthly provoking social change. talks and web-based publications, showing Sputnik Photos is an international collective work from all photographic genres. They founded in 2006 by nine documentary work in partnership with other organisations, photographers from Central and Eastern developing an extensive community Europe, united in their desire to observe and and opportunities for their contributors. describe their shared post-Soviet experience. Photobooks are an important feature of their 8 Circus Street Market practice, made in collaboration with journalists Circus Street, Brighton, BN2 9QF and writers to convey a rounded sense of Daily 11am - 5pm & each project. 6 University of Brighton Gallery Uncertain States is a lens-based, artist-led 58-67 Grand Parade, Brighton, BN2 0JY Mon - Sat 10am - 5pm, Sun 11am - 5pm project releasing a quarterly broadsheet that Selected by Photoworks. expands critical visual dialogue. Themes For related events see pages 42, 44.

bpb.org.uk 11 REEF Artist Simon Faithfull’s new commission, REEF, began in August 2014 off the Dorset coast, where a boat made a last voyage out to sea and was sunk to become an artificial reef – serving as an underwater sculpture and a lasting legacy for marine conservation and biodiversity

Live feed screenshot. © Simon Faithfull 2014

12 #BPB14 Photography by Gavin Weber. © Simon Faithfull 2014

Five cameras mounted on board are monitoring more diverse underwater eco-systems. the boat’s transformation for a year, transmitting Faithfull has harnessed this practice to create live images via a dedicated website, an extraordinary artwork, embracing and reeflive.org and also relayed to this exhibition. celebrating the often unforeseen outcomes “The camera is fascinating to me as a of working in collaboration. counterpoint to the subjective act of seeing - an external eye. A more reliable, objective, 10 Fabrica non-human recording device.” says Simon 40 Duke Street, Brighton, BN1 1AG Faithfull. 4 Oct - 23 November Wed - Sat 12-5pm, Sun 2 - 5pm, Closed Mon - Tue A team of marine biologists has worked Co-commissioned by Fabrica, Photoworks, the with the artist to realise his most ambitious Musée des Beaux Arts, Calais and the FRAC Basse Normandie (Caen), REEF premieres at Fabrica for project to date. Brighton Photo Biennial 2014 before touring to FRAC “You could say that all my major works Basse Normandie (Caen) and Musée des Beaux Arts Calais. REEF has been made possible by Field over the years have come into being as Broadcast, Art AV, O’Three, Wreck to Reef, Quest the result of complex collaborations and Marine, Ringstead Caravan Park, Dorset County Council and Precision Energetics. REEF forms part the assembling of unexpected teams.” of the Fabrica-led project Time and Place, which has REEF poetically explores the idea of been selected within the frame of the INTERREG IV A France (Channel) – England cross-border European collapse and renewal. It is not uncommon cooperation programme, part-financed by the ERDF. for vessels to be deliberately sunk to create For related events see pages 42, 45, 46, 47.

bpb.org.uk 13 © Erica Scourti Instagram Feed © Erica Scourti Similar Images, Me and Zoe

So Like You Working in collaboration with online communities, artist Erica Scourti sets out to make sense of the overload of images online and how personal snapshots collide and mingle with millions of others through social platforms

14 #BPB14 So Like You highlights the tensions between violation and defend their individual individual and collective authorship in authorship. However, in Scourti’s work, the network culture. How can a creative process initiates a creative exchange with other individual be recognised as unique, when image makers who are invited to collaborate Instagram has made everyone’s photos look with her by tagging and describing photos, a the same? What value has a snapshot once process that in turn feeds back into an analysis it’s uploaded and absorbed into a larger of Scourti’s own archive of digital photos. ‘cloud’ of image data? Pathways are created between bodies Erica Scourti begins her investigation of images that question authenticity in by uploading her personal archive of an increasingly mediated, recorded life. scanned photographs, letters, flyers and other ephemera to Google’s reverse image 6 University of Brighton Gallery search engine for analysis. 58-67 Grand Parade, Brighton, BN2 0JY Mon - Sat 10am - 5pm, Sun 11am - 5pm Using pattern recognition algorithms, A Photoworks, The Photographers’ Gallery and she discovers other photographers who #temporarycustodians co-commission for Brighton Photo Biennial 2014. So Like You also shows on have shared images with a similar visual the Media Wall at The Photographers’ Gallery, footprint ‘just like hers’. London (3 Oct-3 Dec). It was developed during a #temporarycustodians residency at Islington This echoes the method used by photo- Mill, Salford. graphers to discover instances of copyright For related events see pages 42, 47.

bpb.org.uk 15 © Cornford & Cross Afterimage 1, 2012

Plane Materials Cornford & Cross and Andrew Lacon explore the dialogue between photography and sculpture

For PLANE MATERIALS Lacon draws on viewers to question their role in the exhibition. an historic Rome album and photographs This collaborative exhibition is a new from the Library of Birmingham’s archive. commission exploring historical and Andrew Lacon is specifically concerned contemporary conversations around detail 2014 with the framing and methodology behind how photography is represented. photographs of Roman sculpture. Established artist duo, Cornford & 6 University of Brighton Gallery 58-67 Grand Parade, Brighton, BN2 0JY Cross work differently, a non-studio based Mon - Sat 10am - 5pm, Sun 11am - 5pm practice, they create work through discussion Curated by Nathaniel Pitt. A Photoworks, GRAIN StudioCollageBernini) ( and Library of Birmingham co-commission for and debate, positing different conceptual Brighton Photo Biennial 2014. ideas. Their work Afterimage alludes to For related events see page 47.

the an experience of a community and asks Lacon Andrew ©

16 #BPB14 detail 2014 StudioCollageBernini) ( © Andrew Lacon Lacon Andrew ©

bpb.org.uk 17 © Sirkka Liisa Konttinen, Girl On a Spacehopper 1971

18 #BPB14 Real Britain 1974: Co-Optic and Documentary Photography Uncovering a lost episode in the development of British social documentary photography, this exhibition explores how the Co-Optic group attempted to establish an authentic representation of 1970’s Britain

Enoch Powell electioneering, photography by Paul Hill © Co - optic, 1974

By 1974, documentary realism had a Britain postcard project and will be the special prominence in English television, first public showing of this material from film and photography. The Co-Optic group the Co-Optic archive. laid claim to combine the new ‘independent It features original prints donated by the photography’ inspired by US examples, with photographers, posters, newsletters and the style and forms of 60’s photo-journalism. ephemera related to seminars, exhibitions The Co-Optic group included then and events organised by Co-Optic, along- emerging practitioners Martin Parr, Daniel side the Real Britain project: a two-part Meadows, Sirkka-Liisa Konttinen, Nick edition of twenty-five photographic postcards. Hedges, Fay Godwin, Paul Hill, Ron McCormick and Gerry Badger, driven by 9 Dorset Place Gallery, University of Brighton the organisational skills of fellow photographer 6 Dorset Place, BN2 1ST and entrepreneur, Stephen Weiss. Daily 11am - 5pm Curated by David A. Mellor. Presented in partnership This exhibition, celebrates the 40th with the University of Brighton and the University of Sussex. anniversary of the Co-Optic group’s Real For related events see page 47.

bpb.org.uk 19 © Jan von Holleben TAA_machine_06 from The Amazing Analogue: How we play photography, 2014 Co-commissioned by Hove Museum and Photoworks for Brighton Photo Biennial

German photographer Jan von Holleben This is how we play photography.’ collaborates with young people from Modelling this project on early Hove Brighton & Hove and employs perspective, film-makers such as George Albert Smith props and a box of tricks that owes much and James Williamson, Jan von Holleben to the early film pioneers celebrated in creates ambiguous images that change Hove Museum’s extraordinary collection. perceptions of reality and invite us to Exploring a mysterious archive of explore history repeating itself. unidentified slides and negatives, Jan Join in. Share your own images inspired and his young team set out to discover by the show with the social media tag what the strange images might depict, #playphoto and to construct incredible machines that might help analyse them. 14 Hove Museum & Art Gallery 19 New Church Road, Hove BN3 4AB Von Holleben says: ‘Everything is possible 4 Oct - 3 March 2015 (in my work) – we can fly to a distant universe, Open Mon, Tue, Thur, Fri, Sat 10am - 5pm, build machines that can otherwise only be Sun 2 - 5pm, Closed Wed, 25 & 26 Dec & 1 Jan A Photoworks and Brighton & Hove Museums dreamt of, see ghosts, or shrink ourselves co-commission for Brighton Photo Biennial 2014. to dwarf-size; there are no limits apart For related events see pages 42, 54, 55. from our own responsibilities and skills.

20 #BPB14 The Amazing Analogue: How we play photography Young imaginations take centre-stage in an exhibition of inspiring, joyful and curious images

© Jan von Holleben TAA_machine_12 from The Amazing Analogue: How we play photography, 2014 Co-commissioned by Hove Museum and Photoworks for Brighton Photo Biennial bpb.org.uk 21 © Amanda Jackson/FotoDocument Amanda ©

22 #BPB14 ONE PLANET CITY Selected and commissioned from an open call by FotoDocument, ten emerging and established photographers have created ten photo essays in response to each of the ten principles of One Planet Living, a sustainability framework created by Bioregional, and adopted by the city of Brighton & Hove

Showing in key public spaces across the FotoDocument in partnership with Photoworks city, the exhibitions will remain in place for and Bioregional and supported by Arts ten months. All the works have been made Council England. over summer 2014 and the photographers have been supported by environmental Other FotoDocument funders, sponsors and key partners specialists at Brighton & Hove City Council include: Brighton & Hove City Council, Earth & Stars, E.ON, Ernest Cook Trust, Freegle, 7creative, Green and other One Planet Living partner Sea Collective, Hogan-Lovells, Leading The Change, organisations. Southern Rail, Spectrum, Standard8, The Wood Store Brighton and University of Brighton. The project has been conceived, Further details bpb.org.uk and fotodocument.org commissioned and curated by For related events see pages 42, 43, 46.

bpb.org.uk 23 Sustainable Materials Using sustainable healthy products, with low embodied energy, sourced locally, made from renewable or waste resources

Amanda Jackson: My initial thinking for this project, to concentrate on building work taking place in Brighton & Hove, all changed when I met with Cat Fletcher, a wonder of information about all things sustainable and reducing waste. I learnt more about the reuse side of sustainable materials. As I am primarily a portrait photographer I wanted to include people in the series. I have focused on showing how everyone can get involved with reuse and that it can be fun and imaginative, allowing for the creation of individual pieces, buildings and artwork. The majority of the photos show the people behind reuse in Brighton & Hove.

18 Emmaus Drove Road, Portslade, © Murray Ballard/FotoDocument Brighton, BN41 2PA Land Use and Wildlife Protecting and restoring biodiversity and natural habitats through appropriate land use and integration into the built environment

Murray Ballard: During this commission I treated people and their conservation work as the main subject matter. My subjects would ask why I was taking photographs of them, rather than the plants, animals and insects they were working with. But it’s people who have shaped the landscape more than anything else since they settled in this part of the world 5,500 years ago. I’ve learnt a lot by doing this project, especially how inter connected everything is in the natural world.

17 Foredown Tower Foredown Road, Portslade, BN41 2EW Tue and Thurs 10am - 3pm or appointment Mon, Wed, Fri © Amanda Jackson/FotoDocument

24 #BPB14 © Jason Larkin/FotoDocument

Zero Carbon Local and Sustainable Food Making buildings more energy efficient Choosing low impact, local, seasonal and and delivering all energy with renewable organic diets and reducing food waste technologies Sam Faulkner: I wanted to tell the stories of Jason Larkin: Focusing on buildings across a few local food producers. It was important Brighton & Hove that have been built or that the food was produced locally, had retrofitted to be more efficient, I utilised a sustainable ethos and was for local thermal imaging technology to illustrate the consumption. The idea was to create three variations in temperature. Where possible I specific images for each food producer, have included surrounding buildings that have making a series of triptychs. The first image not been retrofitted, thus creating a colour was to be an environmental portrait of one contrast between the two different buildings producer or supplier, the second, a shot that would never otherwise have been visible of the same person holding their produce or with the human eye. The effect of the thermal an ingredient and the third image an abstract radiation detected and the use of colour detail or landscape shot of where the product palates produces a striking and different style comes from. It really doesn’t take a huge of image, but also one that references a more amount of work or additional cost to drastically technical and scientific aesthetic. slash the food miles of most of what you eat.

19 The Lock Crossing 12 Open Market Shoreham Port Marshalls Row, London Road, Shoreham, BN42 4ED Brighton, BN1 4JS

bpb.org.uk 25 Sustainable Transport Encouraging low carbon modes of transport to reduce emissions, reducing the need to travel

Jonathan Goldberg: Such is the wealth of sustainable transport initiatives taking place in Brighton & Hove, that I initially felt overwhelmed at the task of doing justice to this theme in the allotted time. My subjects were an inspiration to me: entrepreneurs prompting positive societal change through risk-taking, determination and dedication, as well as individuals considering the environment in a small but equally meaningful way.

1 Brighton Railway Station Queens Road, Brighton, BN1 3XP

Sustainable Water Using water more efficiently in buildings and in the products we buy; tackling local flooding and water course pollution

Thomas Ball: My intention has been to form a narrative between history, landscapes, people and infrastructure and highlight some of the ways local residents, businesses and the Council are conserving, protecting and recycling water today. Working on this series, I have been reminded about how disconnected many are from where our natural resources come from and where our waste ends up. In the case of water, it is important that we constantly remind ourselves what a vital resource it is and that we can’t take it for granted.

15 Hove Promenade © Jonathan Goldberg/FotoDocument BN3 1HL

26 #BPB14 Zero Waste Reducing waste, reusing where possible, and ultimately sending zero waste to landfill

Sophie Gerrard: This project began by exploring the numerous waste reduction, recycling and processing projects taking place in and around Brighton & Hove. As I met increasing numbers of creative and committed individuals, it became apparent that the emotional connections and emphasis © Syd Shelton/FotoDocument on community and collective working was Culture and Community an integral driving force. Capturing this element of intimacy and passion was a key Reviving local identity and wisdom; part of the project for me. supporting and participating in the arts Syd Shelton: I see myself as a subjective 7 Waste House Grounds University of Brighton, photographic observer presenting a visual 58-67 Grand Parade, Brighton, BN2 OJY argument. My aim was to produce a balanced exhibition reflecting the diversity and inclusivity of Brighton & Hove – my adopted home. I also wanted to find a balance between the street pictures and the more formal set up shots such as the artists, musicians and allotmenteers. I had intended the project to be shot in black and white but by the time I shot the Kempton Carnival on the 7th of June it was obvious that this was a colour project. I shot the whole project on a digital range finder camera because it’s small and almost silent and it enables me to work fast and get in close without people feeling assaulted by the camera.

4 Brighton Dome Café-Bar Church Street, Brighton, BN1 1UE & 11 Earth & Stars 46 Windsor St, BN1 1RJ & 13 The Level Rose Walk, BN1 4ZN (From Oct 9)

bpb.org.uk 27 Health and Happiness Encouraging active, sociable, meaningful lives to promote good health and wellbeing.

Valentina Quintano: This project looks at some of the actions people take, as individuals or in groups, to improve their quality of life, like socialising, getting connected, getting active and helping others.

I have photographed what people said made © Nick Waplington/FotoDocument and Photoworks their lives feel better; small things, ordinary things and looked at the beauty in those Equity and Local Economy tiny moments, in those ordinary actions, Creating bioregional economies that celebrating the initiatives that bring people support fair employment, inclusive together to connect and communicate on communities and international fair trade specific issues, while trying to understand the needs that these actions have arisen from. Nick Waplington: I decided to take my This essay tries to give elements of reflection brief for this project quite literally and split starting from the personal and the intimate. the images into the two groups derived from It collects a range of voices and ideas. the title and then brought them together to create a confrontational duality. While 16 Sussex County Cricket Club at there is a symbiosis existing between the the BrightonandHoveJobs.com County Ground two, equity in society can exist without direct Eaton Road, Hove, BN3 3AN involvement in the economy, but not vice versa. Human Economy is dependent upon the liberation of resources through equity whether that be human or financial. I looked at the young people of Brighton & Hove today for they are surely the equity of the future. I also tried to find new and ecological businesses to photograph that deal with the edge spaces of the city, businesses working with our natural resources to enhance our engagement with the world, resonating with the images of the young people whose future they are trying to protect.

20 American Express Community Football Stadium, Village Way, Falmer, BN1 9BL Open daylight hours, no access on match days.

28 #BPB14 Photobookshow An exhibition of photobooks curated from an open call for submissions on the theme Communities, Collectives & Collaboration

B Book Show © Photobookshow

Come browse a diverse range of hand- 2 Jubilee Library crafted, artist-led and self-published books, Jubilee St, Brighton,BN1 1GE Mon, Tue, Thurs, 10am - 7pm, Wed, Fri, Sat reflecting this year’s Biennial theme, selected 10am - 5pm, Sun 11am - 5pm from an international open call that attracted Photobookshow is a Brighton-based arts organisation, set up in 2011 to raise the profile of artist-led photobooks. work from established and emerging artists It curates photobook exhibitions, events and workshops from around the world. in the UK and overseas. For related events see page 51.

bpb.org.uk 29 Natalie © Daniel Regan, 2014 Evolving in Conversation How can individuals make society change?

Chloe Dewe Mathews and emerging and exchange ideas at key points in the photographers Mary Freeman, Charlotte creative process. Ball, Gina Lundy and Daniel Regan This exhibition presents their workshop work alongside young people from Brighton outcomes as an installation in the main & Hove during the Summer of 2014 library space at Jubilee Library. picking books, people or key moments as inspirations to make new work in response 2 Jubilee Library to themes of social change. Jubilee St, Brighton, BN1 1GE Mon, Tue, Thurs, 10am - 7pm, Wed, Fri, Sat Facilitated by photographer Georgia 10am - 5pm, Sun 11am - 5pm Metaxas and artists Hannah Coxeter A Brighton & Hove Libraries have worked in partnership with Photoworks to commission photographers and and David Allistone from Exploring facilitate creative workshops. Work exhibited in this Senses, the photographers and young installation will be passed on and result in further new works being created as the Evolving in Conversation people worked to the same commissioning project continues, in collaboration with Photoworks, brief. Using images as a catalyst for seeing New Writing South and South East Dance. things differently, the photographers and For related events see pages 46, 50, 54. young people come together to share

30 #BPB14 The Mass Education Project Explore autobiographical accounts, hand-written diaries, photographs and flip books; and discover the day-to-day activities and personal thoughts of individuals across communities

Since 1937 anonymous individuals have contains papers generated by the original submitted entries documenting their Mass Observation social research everyday lives to the Mass Observation organisation (1937 to early 1950s), and Archive creating an unparalleled collective newer material collected continuously since portrait of British society. 1981. The Archive is a charitable trust in the Working in partnership with schools and care of the University of Sussex. It is housed community organisations in the South East, at The Keep as part of the University of the Mass Observation Archive has led Sussex’s Special Collections. creative workshops to enable people of all ages to document in text and photography 6 University of Brighton Café 58 - 67G rand Parade, Brighton, BN2 0JY their daily lives and share aspects of their Daily 11am - 5pm community. In partnership with Mass Observation Archive The Mass Observation Archive specialises and supported by the Heritage Lottery Fund. in material about everyday life in Britain. It

MO Diary © Grace Towner

bpb.org.uk 31 Elizabeth Hart by Michael Silver

A View to the Past Brighton residents from different generations work together with photographer Lydia Goldblatt to address negative stereotyping

An intergenerational group of older people and experiences, exploring ‘the daily and undergraduates/young people living journey’ and collaborating to investigate in Brighton have been working together some of the similarities and differences over summer 2014 in a series of facilitated in their everyday lives. photography workshops to create new work that fosters intergenerational links and 3 Jubilee Square Jubilee St, Brighton, BN1 1GE addresses negative stereotyping. Together Presented in partnership with Impact Initiatives. the participants have shared personal stories

32 #BPB14 Looking into the Family Album What is family to you? Young students from Brighton & Hove work with artists to create their own interpretations of family portraits

The Royal BBQ #3 - Ellie Golby, Lola Gurr, Chelsie Henley, Vanessa Evans © Marysa Dowling

Students from Portslade and Brighton 3 Jubilee Square Aldridge Community Academies have Jubilee St, Brighton, BN1 1GE This project is part of Art at Work, an Arts Council collaborated with three artists (James Casey, England funded ongoing programme in partnership Alex Buckley and Marysa Dowling) with academy sponsors - the Aldridge Foundation lead by Photoworks and Lighthouse designed to give to create their own staged family albums. students a real understanding of creative professions In facilitated workshops and inspired by through a range of first hand experiences. For related events see page 54. artists such as Cindy Sherman and Thomas Demand the Yr 10 and Yr 11 students have produced giant backdrops and costumes to construct their fantasy group portraits.

bpb.org.uk 33 Stories Seen Through a Glass Plate Edward Reeves took up studio photography in Lewes in 1855. Today his great-grandson is still running the business, believed to be the oldest continuously operated photographic studio in the world

Motor smash (Vallance and Martin) in Station Street, Lewes, 1913 © Edward Reeves, Lewes

34 #BPB14 Cliffe High Street with hanging lamps 1929 © Edward Reeves, Lewes

The Reeves Studio has an archive of over Reeves Studio about its history - please 100,000 glass plates and related paperwork. check reevesarchive.co.uk for opening It is a unique record of the daily life of this hours and a related online exhibition. market town and the history of commercial photographic practice. 21 High Street, Lewes This exhibition, highlighting the work Exhibition trail starts at Lewes station of the first three generations, shows via Station Street to Lewes High Street Lewes, BN7 1XU photographs in light boxes in more than Curated by Brigitte Lardinois, Senior Research Fellow 50 shop windows along Station Street at London College Communication and Deputy Director of Photography Archive Research Centre and Lewes High Street, at the location at University of the Arts, London and Matt Haycocks, where they were originally taken. Lecturer Belfast School of Architecture, University of Ulster. Assistant Curator, Yaz Norris, photographer. An exhibition about equipment and Exhibitions funded by the Chalk Cliff Trust, South photographic processes shows in the Lewes Downs National Park Authority, Friends of Lewes and the Photography and Archive Research Centre Castle Museum, in conjunction with the Sussex and the London College of Communication at UAL. Archaeological Society and another at the For related events see pages 46, 55.

bpb.org.uk 35 Magnum: One Archive, Three Views Three selectors are invited to look beneath the reputation of Magnum Photos and reinterpret how social, cultural and political inclinations have shaped its globally renowned archive

Formed in 1947 as a photography collective, “people absorbed in their worlds.” Her Magnum Photos has built its global selection is of “quiet images, often the theatre reputation on representing photographers of ‘event’ is outside the photographic frame.” and preserving their authorship and creative Uriel Orlow teases out pictorial associations: control. Over its 67 year history, Magnum “Documentary images destined for photographers have generated a rich newspapers and magazines are required to archive of prints and material which, in the make an impact, to be memorable. But what pre-digital age, was the mainstay of its image about the all the other images, less direct and licensing business. iconic, taken before or after key events, telling Three invited selectors: visual and historical a more oblique story?” Hannah Starkey’s anthropologist Elizabeth Edwards, interest arises from the female perspective. photographer Hannah Starkey and “The women in the pictures had been captured multi-media artist Uriel Orlow visited the by the male gaze over the latter half of the archives, comprising over 68,000 prints, 20th century and collectively tell their own guided by the former Magnum archivist, story. An alternative account of the past. I have Nick Galvin. presented a conversation between women This is the first time the resin coated print through time; we the viewers are their witness.” archive has formed the basis of a curated exhibition. The archive presents a snapshot 24 De La Warr Pavilion Marina, Bexhill on Sea, TN40 1DP in time, an imperfect history, and the selectors 4 Oct 2014 - 4 Jan 2015 have worked individually and jointly to Until 2 Nov: Mon - Fri 10am - 5pm, Sat - Sun 10am - 6pm investigate narrative gaps and absent From 3 Nov: Open every day except Christmas Day 10am - 5pm histories by looking beneath Magnum’s A Photoworks, Magnum Photos and De La Warr Pavilion legendary status. co-commission for Brighton Photo Biennial 2014 For related events see pages 42, 51, 52, 54. Elizabeth Edwards is interested in

36 #BPB14 Image courtesy Magnum Photos, London Archive

bpb.org.uk 37 A Bold Experiment: Work and Play at Ditchling Guild A rare opportunity to see behind the doors of an experimental and inspiring artist community

Guild members in the weaving workshop © Ursula Hartleben

One of the most influential artist communities and images of the sculptor Joseph Cribb in 20th century Britain lived and worked in fishing from his rowing boat. With photographs a cluster of buildings on the Common, north from the museum collection and on loan from of Ditchling, East Sussex. The Guild of St public and private archives, this temporary Joseph and St Dominic was founded in exhibition forms one of a number of displays 1920 by the sculptor and stone-carver in the recently reopened Ditchling Museum Eric Gill and the printer Hilary Pepler. of Art + Craft. The Guild operated for over 60 years and is the subject of a new display of photography, 22 Ditchling Museum of Art + Craft Lodge Hill Lane, Ditchling, BN6 8SP curated for the Brighton Photo Biennial, showing 4 Oct - 21 Dec 2014 the artistic community at work and play. Tue - Sat 11am - 5pm, Sun12pm - 5pm, Closed Mon Normal admission fees apply - see Examples include: Eric Gill’s 1906 album ditchlingmuseumartcraft.org.uk for details. of his visit to Rome including photographs of For related events see pages 42. Trajan’s Column and stone cut street signs;

38 #BPB14 Hysterical (Double Projection Film Still) Douglas Gordon, 1995, Image courtesy Southampton City Art Gallery Twixt Two Worlds An exploration of the transition between still and moving images sees historic cinematic techniques and apparatus set alongside works from contemporary artists

Inspired by the Barnes Brothers’ early cinema 23 Towner collection at Hove Museum, Twixt Two Worlds Devonshire Park, College Rd, Eastbourne, BN21 4JJ takes the technique of double exposure and the 11 Oct 2014 - 4 Jan 2015 visual effect of superimposition as starting points Tues - Sun10am - 5pm, Closed Mon Curated by Gaia Tedone, Curatorial Fellow, to explore the development of still and moving Contemporary Art Society in partnership with image across photography, magic lantern Royal Pavilion & Museums, Brighton & Hove and Whitechapel Gallery. slides and cinema. Exhibition presented in association with Objects such as early cine cameras (c.1900) Brighton Photo Biennial 2014. and magic lanterns (c.1850) sit alongside For related events see pages 42. moving image works by contemporary artists like Douglas Gordon, Saskia Olde Wolbers and Jane & Louise Wilson.

bpb.org.uk 39 BPB14 Digital Programme

A RETURN TO ELSEWHERE - DIGITAL BRIGHTON & HOVE Co-commissioned with The Space, a free PHOTOGRAPHIC COLLECTION website for artists and audiences to create Featuring historic and contemporary images, and explore exciting new digital artwork, this unique collection is a People’s History A Return to Elsewhere (p6) has also been of Brighton & Hove. Queenspark Books, the developed as an online interactive project UK’s most long-standing and prolific community led by photographers Lathigra/Sekgala. publishers, and managers of the Brighton Produced by Team2 Games, it further & Hove Photographic Collection, have explores themes set out in the BPB14 teamed with BPB14 for two special projects: exhibition through image and text. During BPB14 more content is added in relation Your Brighton & Hove to the partner exhibition at Joburg Photo Open Submission Umbrella showing in November 2014. Deadline Thursday 23 October Experience the project on your mobile, Launching Friday 3 October, here’s a chance tablet or desktop via thespace.org to submit your photos of Brighton & Hove. We’re looking for images of the city Co-commissioned by the British Council Connect ZA responding to the BPB14 theme: programme with Photoworks, Market Photo Workshop and The Space for Brighton Photo Biennial 2014 and the Communities, Collectives & Collaboration. Johannesburg Photo Umbrella in a show at Mary Fitzgerald Square, Newtown, Johannesburg. The project is part of SA-UK Seasons 2014 & 2015 which is partnership Curator’s Choice between the Department of Arts & Culture, South Africa Award winning BPB14 photographer Chloe and the British Council. Dewe Mathews (p30) selects her personal favourites from the Brighton & Hove Photography Collection. To view Chloe’s selection and for full guidelines and details of how to submit your own images visit photosbrightonandhove.org.uk

PHOTOWORKS IDEAS SERIES With confirmed contributors including Homer Follow the conversation during BPB14 Sykes, RUIDO Photo, Sputnik, Hannah with #BPB14 Starkey, Zed Nelson and many more, read @photoworks_uk the latest weekly articles focusing on the facebook.com/photoworksuk BPB14 themes at photoworks.org.uk instagram.com/photoworks_uk

40 Lathigra/Sekgala 2014 Photo: Eve Tagny

WEX PHOTOGRAPHIC COMPETITION SO MANY OTHER WAYS TO CONNECT We’ve teamed with our learning and WITH BPB14 ONLINE participation programme supporters Inspired by the themes of Magnum: One Wex Photographic to create a twitter photo Archive, Three Views (p36), third year BA competition. Use the hashtag #WexBPB14 photography students from Goldsmiths before 2 November 2014 to tweet your University London have worked collaboratively own picture, from wherever you are in the to curate an online exhibition selected from the world, that you think reflects the BPB14 Magnum digital archive. See the online album theme Communities, Collectives and at magnumphotos.com/education Collaboration. Prizes of £100, £75 and £25 Wex In tandem with Jan von Holleben’s exhibition Photographic vouchers will be awarded The Amazing Analogue: How We Play on 7 November. Photography (p20), help us reimagine the unexpected possibilities of ‘photo machines’ SPECTRUM COMPETITION by uploading pictures your own creations to Tweet pics of your Night Contact social media using the hashtag #playphoto experience (p49) with #BpbSpectrum before Monday 20 October. We’ll select Underwater cameras are recording a sunken our favourite with our supporters Spectrum. boat’s transformation for REEF (p20). Watch The winning image will feature on the BPB14 live stream images at reeflive.org homepage for a week and also receive a Spectrum voucher worth £150. For smartphone enabled maps, of all BPB14 venues news on events, programme additions, family trails and teachers’ resource packs visit bpb.org.uk

41 BPB14 OPENING WEEKEND

Opening Conversations Out of Town Previews Magnum: One Archive Fri 3 Oct 2.30 - 5.30pm Tour Day for Three Views an Sallis Benney Theatre Photoworks Members Introduction University of Brighton Sat 4 Oct 9.30am - 6.30pm Sat 4 Oct 3 - 4pm FREE £15/ £12. Meet at University of Brighton De La Warr Pavilion To book visit bpb.org.uk Grand Parade Bexhill £12 including all entry and talks Explore the themes behind this Photoworks Members only An introduction to the year’s Biennial with a series To book preview tour places or become approaches behind the exhibition of panel discussions from a Photoworks Member visit bpb.org.uk Magnum: One Archive, Three international practitioners and Light lunches available to purchase at De La Warr Pavilion Views (p36). The three selectors: commentators, convened by Paul visual and historical anthropologist Hermann (Director of Redeye, Elizabeth Edwards, photographer the Photography Network). Coaches transport Photoworks Members and guests to locations Hannah Starkey and multi-media beyond the city to visit exhibitions, artist Uriel Orlow, discuss their Stepping In and Out take part in tours and talks selections with Fiona Rogers from Magnum Photos and former - Photographing throughout the day. Over coffee Communities and croissants preview The Magnum archivist Nick Galvin. Amazing Analogue: How John Fleetwood, Head Market This event can also be booked as Photo Workshop Johannesburg, we play photography (p20) part of a coach tour of Out of Town in discussion with Kalpesh Lathigra at Hove Museum & Art Gallery exhibitions (see left) (UK) and Thabiso Sekgala (ZA), with a short introduction from To book a free place for talk only, the photographers behind A artist Jan von Holleben, then visit dlwp.com Return to Elsewhere (p6). on to Ditchling Museum of Art + Craft to see A Bold Experiment: Desert Island Pics: work and play at Ditchling’s Nick Waplington Photography Collectives Guild (p38) with Curator, Donna A discussion with representatives Steele. We’ll continue to Bexhill Sun 5 Oct 3 - 4.30pm £5/3 to view Magnum: One Archive, Sallis Benney Theatre from international photography University of Brighton collectives (Five Photography Three Views (p36) and enjoy a discussion with the three Collectives p10): Justin Sainsbury Renowned photographer, from Burn My Eye, Fiona Yaron- exhibition selectors and Fiona Rogers from Magnum Photos Nick Waplington commissioned Field (Uncertain States) and for One Planet City (p 28), Andrei Liankevich (Sputnik Photos). chaired by former Magnum archivist (see right) Nick Galvin chooses eight photographs and finally on to Lewes where to take with him to an imaginary Collaboration, curator Brigitte Lardinois guides desert island. Interviewed by our Technology, Mediation us along the High Street regular host Stephen Bull, Nick installation exhibition Stories discusses his choices and how Panel discussion led by Katrina they reflect his life and career. Sluis (Curator Digital Programmes Seen Through a Glass Plate at The Photographers’ Gallery) (p34). Visit bpb.org.uk to book and for details with BPB14 exhibiting artists Erica of further Desert Island Pics events Scourti (p14), and Simon Faithfull during BPB14 (p12).

42 #BPB14 © Adam Panczuk from the series I am in Vogue

One Planet City FotoDocument Bus Tour Sun 5 Oct 10.30am - 1.30pm £10/£7 One Planet Living installed in at Dome Café Bar then board the Meet at The Dome Café Bar public locations around Brighton Big Lemon Bus to tour the nine other Brighton & Hove (p23). exhibition sites across the City, hear To book visit bpb.org.uk Ten emerging and established the stories behind the images, meet photographers each received the commissioned photographers, Join us for a cross-city tour of ten their commissions following an and some of the experts who photo essays responding to the open call. helped create the project. ten sustainability principles of Start with coffee and croissants

bpb.org.uk 43 TALKS, SCREENINGS & Tours

John Fleetwood: Film: Our Feelings Took BPB14 Curators’ Guided Market Photo Workshop The Pictures Walking Tour Johannesburg Thu 9 Oct 6 - 8pm FREE Sat 11 Oct 3-4pm Tue 7 Oct 6.30 - 8pm £5/3 Silverstone Building, Wed 15 Oct 12-1pm Lighthouse Room 309, Wed 22 Oct 12-1pm 28 Kensington Street, Brighton University of Sussex, Falmer Sat 1 Nov, 3-4pm To book visit bpb.org.uk Free, capacity limited. Arrive early Meet at University of Brighton to avoid disappointment Gallery, Grand Parade Market Photo Workshop was A Sussex Centre for the Visual/BPB Event To book your free place visit founded in 1989 by world- bpb.org.uk renowned photographer Film director Maysoon Pachachi’s David Goldblatt, and today is extraordinary documentary on a Join a member of the Programming recognised as a leading training remarkable photography project team on an informal walking tour institution for the development - Open Shutters Iraq. A group of of selected BPB14 exhibitions. of South African photographers women, from five cities in Iraq, live - some of whom would otherwise and work together in Damascus; Apec Artist Studio Tour not have access to photography. returning to Iraq to shoot hundreds of photographs, each imbued Sun 12 Oct 10.30am - Current Head, John Fleetwood 12.30pm £3 with the sharp emotional truth (also co-commissioner of A Return APEC to Elsewhere p6) discusses the of lived experience. Industrial House, Conway St, organisation’s incredible 25 Hove year history and legacy. Curators’ Talk: Amore e To book visit bpb.org.uk Piombo Join Simon Roberts, Susan Diab, Artists’ Talk: Adam Fri 10 Oct 6.30 - 8pm £5/3 Chris Stevens and Micheál Broomberg & Oliver University of Brighton O’Connell for a tour of APEC Chanarin Grand Parade To book visit bpb.org.uk (Art Producing Economic Wed 8 Oct 6 - 7.30pm FREE Community) an artist-run studio Lecture Theatre Arts A, Curators Roger Hargreaves and complex. Over coffee and University of Sussex, Falmer croissants, artists will discuss their Free, capacity limited. Arrive early Federica Chiocchetti from AMC to avoid disappointment. (Archive of Modern Conflict) relationship with photography, A Sussex Centre for the Visual/BPB Event discuss the Amore e Piombo how they use their studio space exhibition (p4) and the wider for creation and collaboration, Deutsche Börse photography political and cultural context and explain how APEC operates prize duo Adam Broomberg of 1970’s Italy. as a wider collective. and Oliver Chanarin discuss their ongoing interrogation of Amore e Piombo: the documentary genre and their Curators’ Exhibition Tour interest in the political operations Sat 11 Oct 12 - 1pm FREE of photography. Brighton Museum & Art Gallery This event will be followed by To book your free place visit bpb.org.uk an official launch of the Sussex Centre for the Visual. Join curators Roger Hargreaves and Federica Chiocchetti from AMC (Archive of Modern Conflict) for a tour of the exhibition Amore e Piombo (p4)

44 #BPB14 Lathigra/Sekgala 2014 Photo: Eve Tagny

Artist Talk: Fabrica Film Club: Film: Europe’s Eugenie Dolberg Fitzcarraldo Immigration Disaster Wed 15 Oct 6.30 - 8.30pm FREE Wed 15 Oct 7 - 10pm FREE plus Q&A with Zed Nelson The Globe Fabrica, Duke Street Thu 16 Oct 6.30 - 8pm £5/3 Middle Street, Brighton Brighton Sallis Benney Theatre Free, capacity limited. Arrive early Doors open 6.30pm Brighton to avoid disappointment. To book your free place visit To book visit bpb.org.uk A Sussex Centre for the Visual/BPB Event fabrica.org.uk (1982, Subtitled, 157mins, PG) In October 2013 a boat carrying Eugenie Dolberg discusses Open over 550 migrants from N.Africa Shutters Iraq, her photographic Inspired by REEF (p14) Fabrica capsized off the Island of Lampedusa, collaboration with Iraqi women, screen this West German film within sight of a tourist beach. 360 exploring their experiences of directed by Werner Herzog. people drowned, many of them war and the occupation. Fitzcarraldo is an opera-loving women and children. Only 155 eccentric determined to move survived. This film from award winning an entire boat overland from one photographer and film-director Zed river system to another. The film is Nelson, tells the inside story of the bold, epic and retains a sense of tragedy through the testimony of madness throughout, as the boat the survivors and follows Fanus, a is manoeuvred through the jungle. teenage survivor - one of thousands Free entry, donations welcome. of people who flee Eritrea every Nibbles, a low-cost bar, cosy year in search of asylum. chairs and beanbags make this a warm and welcoming event for all. This film was commissioned by Channel 4 from a trailer created after Zed’s Nelson Photoworks British School at Rome research residency See p42 for opening weekend events

bpb.org.uk 45 TALKS, SCREENINGS & Tours

Artist Talk: 13 Fathoms - Artist Story: Chloe Dewe Mathews Simon Faithfull Emma Critchley Sat 18 Oct 3.30 - 5pm FREE Tue 21 Oct 7 - 8.15pm £5/3 Thu 23 Oct 6 - 7.30pm FREE Jubilee Library Lighthouse, Fabrica Brighton 28 Kensington Street, Brighton Duke Street, Brighton Part of Join the Conversation see p50 To book visit bpb.org.uk To book your free place visit fabrica.org.uk Award winning British A performance lecture from photographer Chloe Dewe REEF creator Simon Faithfull Celebrated visual artist Emma Mathews discusses her BPB14 (p13) telling stories of scientific Critchley specialises in creating commission for Evolving in curiosities, myths and legends underwater photographs and Conversation (p30), and other of the deep and the strange often works in collaboration projects including Shot at Dawn, politics of the ocean floor. Using with other artists. A trained diver a new body of work focussing live footage relayed from the herself, she will discuss her recent on the sites where British, French wreck of the Brioney Victoria series and the physical and and Belgian troops were executed sitting on the seabed off the mental effect on the senses for cowardice and desertion coast of Portland, UK. when immersed. between 1914 and 1918. FOTODOCUMENT / ONE Artist Talk: Judy Harrison Localism and Globalism: PLANET CITY ARTIST TALK Wed 22 Oct 6.30 - 8.30pm FREE Some New Photograpy The Globe Fri 24 Oct 6.30 - 8.30 pm £5/3 Collectives from Scotland Middle Street, Brighton Sallis Benney Theatre Brighton Sun 19 Oct 6 - 8pm FREE Free, capacity limited. Arrive early To book visit bpb.org.uk Circus Street Market to avoid disappointment A FotoDocument /BPB14 event Brighton A Sussex Centre for the Visual/BPB Event To book your free place visit bpb.org.uk Judy Harrison discusses her Three of the photographers A Street Level Photoworks / BPB14 event pioneering work in community selected for the One Planet photography and her experiences City project (p23) Thomas Any entity calling itself a collective as the Director of Mount Pleasant Ball, Sophie Gerrard and Murray with serious intent, exists for the Media Workshop, Southampton. Ballard, discuss their commissions common good, to collaborate with FotoDocument Director, Nina on content, strategy, exhibition Emett and Bioregional Co- presentation, marketing, and REEF: Wreck to Reef Founding Director, Pooran Desai. in providing moral support. In Wed 22 Oct 7.30 - 9pm FREE this slide presentation, Malcolm Fabrica Opening the Archives: Dickson, (Director at Street Level Duke Street, Brighton A Talk by Tom Reeves To book your free place visit Photoworks), will show work from Sun 26 Oct 4 - 5pm fabrica.org.uk photographers in some of the Lewes Castle & Museum A Fabrica event collectives emerging in Scotland Part of a day of events and workshops in the past two years, including (p55) The scientific evidence for work from Document Scotland, Celebrating Stories Seen Through the benefit of artificial reefs a Glass Plate (p34) The Forgotten Collective, and is irrefutable, but the reality FREE but admission charges apply the Photography Collective. of creating a reef is long, To book call 01273 486290 or controversial and complex. Six email [email protected] speakers, including three partners involved in the REEF project (p13), Tom Reeves presents and talks shed light on the process. about some of the incredible images from the Edward Reeves Studio Archive established by his great-grandfather.

46 #BPB14 What sparked the new era Film: Investigation of a A screening of films in British photography in Citizen Above Suspicion selected by Simon Faithfull the 1970’s? Mon 27 6.30 - 8.30pm £9.90 Thu 30 Oct 6.30pm FREE Tues 28 Oct 6.30 - 8pm £5/3 Dukes at Komedia Fabrica Dorset Place Gallery Gardner St, Brighton Duke Street, Brighton University of Brighton, Visit picturehouses.co.uk to book Doors open 6.30pm for 7pm start 6 Dorset Place Dir. Elio Petri. Italy 1970. 112 mins. To book your free place visit To book visit bpb.org.uk Italian with English subtitles (18) fabrica.org.uk A Cinecity event Going Nowhere 2 (Simon Faithfull) Curator David Alan Mellor (2011) discusses the exhibition Real A dark and satirical political thriller The Boat (Buster Keaton) (1921) set during a time of internal 0º00 Navigation (Simon Faithfull) Britain 1974: Co-Optic and (2009) Documentary Photography political disturbance also explored in the BPB14 exhibition Amore (p19) with Francis Hodgson REEF (p13) creator Simon and Co-Optic Member Paul Hill. e Piombo (p4). A psychopathic Roman police inspector (Gian Faithfull‘s videos Going Nowhere Maria Volonté) cracks down with 2 and 0º00 Navigation, shown Artist Talk: Erica Scourti relish on the political dissidents of alongside The Boat, Buster Keaton’s classic silent comedy Wed 29 Oct 6.30 - 8.30pm FREE the day. After slashing the throat in which a family boating holiday The Globe of his masochistic mistress (Florinda Middle Street, Brighton Bolkan), the inspector is perversely goes horribly wrong. Free, capacity limited. Arrive early put in charge of the investigation. to avoid disappointment As director Petri’s split-second edits Desert Island Pics A Sussex Centre for the Visual/BPB Event rocket back and forth between flashback and detection, this film Details to be announced. Please visit Erica Scourti discusses her work is a biting critique of Italian police bpb.org.uk for up-to-date details of including her BPB14 commission methods and authoritarian this event and our next Desert Island So Like You (p15). repression, a psychological study Pics castaway. of a budding crypto-fascist and a probing who-dunnit. Winner of the Academy Award for Best Foreign Guided Tours for Language Film of 1970. Schools and Groups PLANE MATERIALS: Evening We can devise a tour Conversation tailored to your group. If 30 Oct 6 - 8pm £5/3 you would like a guided Sallis Benney Theatre tour of any of this year’s Brighton exhibitions during your To book visit bpb.org.uk group visit, email education@photoworks. Exploring “beyond the org.uk photographic,” materials, ideas If you work in education, and immaterial connections inherent please see p53 for details in the BPB exhibition Plane of a special training event Materials (p16) with Andrew for educators. and visit Lacon, Matthew Cornford and bpb.org.uk/teachers / David Cross (Cornford & Cross) to download a teacher’s Introduced by Joanna Lowry (Writer resource pack for this ©Nick Waplington/FotoDocument and Photoworks and MA Photography Course year’s Biennial. Leader, University of Brighton) and Plane Materials curator, Nathanial Pitt.

bpb.org.uk 47 BPB14 Big Weekends

Photo Publishers’ Market Photoworks, Brighton Photo Fringe and Miniclick present a Photo Publishers’ Market weekend, hosted by Phoenix Brighton

Come browse a stimulating mix of photobooks from A free programme of book related talks and established imprints, emerging houses and discussions, presented by Miniclick runs throughout self-publishers and buy direct from the publishers the weekend. themselves. Confirmed exhibitors include: Dewi Lewis, Phoenix Brighton Trolley Books, Ditto Press, Cafe Royal Books, 10-14 Waterloo Place, Brighton GOST Books, Here Press, fourteen-nineteen, For a full list of exhibitors and talks please visit bpb.org.uk MACK and Made To Order Press. Sat 18 Sun 19 Oct 11am - 5pm FREE

48 #BPB14 Night Contact This year Night Contact bring their one-night multi-media festival to Brighton Photo Biennial

Screening projections across indoor and outdoor collaborative work. Commission winners Tom Pope spaces Night Contact showcases a range of still and Terrence Smith chart and record their seven day and moving works exploring ideas of collaboration, journey between London and Brighton by tandem authorship and influence in relation to the bicycle, turning collaboration into a performative photographic image and the screen. event, where a strict set of rules will be in place A map outlining a visual trail across the city that influence the outcome, an experimental film encourages visitors to view film and photographic Silent Fore to Aft premiering here as the focus of works in various spaces across central Brighton. Night Contact. Street Diner, the team behind Brighton’s famous Sat 18 Oct 6.30pm - late FREE weekly street-food market, will cater for hungry Circus Street Market, Jubilee Square and other visitors with a range of food stalls. venues throughout Brighton Night Contact partnered with Photoworks to For more details visit offer a £2,500 grant towards one new site-specific bpb.org.uk nightcontact.co.uk

bpb.org.uk 49 Big BPB Weekends

Everyone’s a Curator Join the Conversation: Stories Seen Through a Sat 11 October 10am - 5pm FREE A Project Showcase Glass Plate: Family Day The Miniclick Business Concern Sat 18 October 11am - 5pm FREE Sun 26 Oct 11am - 4pm at 68MS 68 Middle Street, Jubilee Library Lewes Castle & Museum Brighton Brighton FREE but admission charges apply Submissions are open until Oct 10 Visit miniclick.co.uk for more info on A day of free talks and A day of hands-on activities how to submit work. workshops for young people, and workshops for all ages A BPB14 /Miniclick /Brighton Photo Fringe Partnership Event families and adults inspired by celebrating the Reeves Studio, Evolving in Conversation (p 30) believed to be the oldest For the second year running, 12.30pm Author Catherine continuously operated Miniclick bring Everyone’s a Hall talks about The Repercussions photographic studio in the Curator to Brighton - a submis- – her most ambitious novel world. See p55 for details. sions based, live, participatory, to date, a sweeping narrative evolving, experimental exhibition dealing with the psychological Family Photo Fest and emotional reality of war, as curated by the collected masses Sat 25 Oct 11am - 3pm FREE on the day. well as race, guilt, love and loss. 2pm A Conversation with the Brighton Aldridge Community Academy, Young People and Artists Lewes Road, Falmer The Heart Grows Fonder involved in Evolving in Conversation Sat 25 October 10am - 5pm FREE 3.30pm Award winning British A free fun day for all the family. The Miniclick Business Concern photographer Chloe Dewe Take part in a range of activities at 68MS 68 Middle Street, Mathews discusses her BPB14 Brighton inspired by the family portrait. commission for Evolving in Help make a giant community Submissions are open until Oct 20 Conversation, and other projects Visit miniclick.co.uk for more info on selfie and create a fantasy family including Shot at Dawn, a new how to submit photo. See p54 for details. A BPB14/Miniclick Partnership Event body of work focussing on the sites where British, French and See Creative Professional Continuing Miniclick’s Belgian troops were executed Development Weekend Workshops submissions-based experimental for cowardice and desertion p51-52. project, The Heart Grows Fonder, between 1914 and 1918. everyone is invited to a day 11am-1pm Drop in of talks and live curation in photography workshop for association with ABC. Inspired children and their families by McLuhan’s The Medium is the led by photographer Georgia Massage, the project focuses on Metaxas & young people from communication and community. Brighton & Hove (p54) Visitors will have the chance to 11am-1pm & 2pm-4pm curate their own unique book Bookmaking workshop for on the day. young people and adults with artist William Sadowski (p51) 1.30-3.30pm Creative Writing Workshop for young

people and adults exploring © Lathigra/Sekgala 2014 how we respond to images with words, with writers from New Writing South

All Join the Conversation workshops and talks are free and open to all. To book a workshop place please call 01273 290800

50 #BPB14 WORKSHOPS

Young People and Adults: Pinhole Camera Workshop Creative Professional Sun 26 Oct 11am - 4pm Development: WEX PHOTOGRAPHIC FREE but admission charges apply Lewes Castle & Museum WORKSHOP Getting the best Magnum Photos from your DSLR To book call 01273 486290 or email [email protected] Professional Practice Tues 14 Oct Part of Stories Seen Through a Glass Weekend Workshop 11am-1pm & 2pm - 4pm £1.50 Plate: Family Day p55 with IdeasTap University of Brighton Sat 18 Oct -Sun 19 Oct FREE Grand Parade Make and try out your own University of Brighton Limited to 15 places per workshop. Grand Parade, Brighton Suitable for 16-18 year olds pinhole camera with To book a free place visit ideastap.com To book visit bpb.org.uk photographer Melanie King. Breaking into the creative Wex Photographic staff will be The Photocopy Club industries is tougher than ever on hand to support you through Zine Workshop a specially devised photography before. So Magnum Photos Sun 26 Oct 10.30am - 5pm have partnered with IdeasTap shoot. The staff, all experienced £3 donation photographers, have devised a and Brighton Photo Biennial to Circus Street Market bring early career photographers programme to get you off auto Brighton an incredible training opportunity. and onto manual whilst meeting To book visit bpb.org.uk the requirements of a professional Magnum’s Professional Practice event is a two-day shoot. Bring your own camera! All you need to know about photographic masterclass hosted DIY zine making. This one day as part of IdeasTap Inspires workshop, led by Matt Martin Bookmaking Workshop that focuses on demystifying from The Photocopy Club (p9), the business of the industry, Sat 18 Oct 11am - 1pm takes you through the history establishing a professional & 2 - 4pm FREE of zines, how photographers use network of industry contacts, Jubilee Library them today, curation and layout Brighton understanding the requirements as well as binding. Bring your Part of Join the Conversation see p50. of the market and identifying images along and learn how To book a free please call 01273 290800 entry realistic routes into to get them off the computer employment. and in to the hands of friends, Do you know your saddle-stitching Topics covered may include: peers and the zine community. from your french-folding? the commercial print sale market, Photographer, designer and advertising shoots, image Photobookshow (p29) Co-Director licensing commissioning for William Sadowski, guides you NGOs, publishing photographic through the techniques you books, the modern editorial will need to start creating and market, funding and organising producing your own books for exhibitions. your photography, illustration A second day of portfolio or graphics projects. reviews led by industry specialists Make blank copies using several will provide photographers with key bookbinding techniques, explore an honest, constructive and historic bookmaking examples critique of existing work. and discuss issues such as print preparation, sequencing and editing. For family workshops see p54-55.

bpb.org.uk 51 workshops

The Crit Magnum Photos Sun 26 Oct 10am - 5pm £5 Masterclass Weekend University of Brighton Sat 1 - Sun 2 Nov to refine their sense of authorship Grand Parade, Brighton 10am - 5pm £450 and push their personal For further details on how to apply University of Brighton boundaries. The Masterclass for a place visit bpb.org.uk Grand Parade, Brighton will incorporate inspirational artist presentations from Magnum A platform for sharing and Magnum Photos is an agency Photos photographers Moises discussing all types of works synonymous with integrity, Saman and Christopher in progress, from photographic curiosity and ‘concerned’ Anderson alongside portfolio series, exhibitions, projects and photography. As a modern critiques and an overnight ideas. Selected participants will agency, the current preoccupation shooting assignment challenge. be invited to present a current is focused on the role of authorship Critiques will be conducted project for five minutes followed in an image-saturated world, amongst Masterclass groups, by twenty-five minutes of manifesting in a new means fostering confidence building feedback from fellow of culturally relevant production skills and the ability to participants. and leading to a greater dialogue communicate projects, as This event is aimed at recent with the wider art market, diverse well as actively encouraging graduates and emerging platforms and emerging peer-to-peer feedback. photographers. geographies. In the tradition For more information or to book of its commitment to emerging please email photographers, Magnum Photos [email protected] host a two day photographic Masterclass, giving limited participants an opportunity

52 #BPB14 For Teachers

Space to Collaborate: Photography & Collaboration in the Classroom Wed 8 Oct 4 - 6pm FREE University of Brighton Grand Parade, Brighton

Our Learning & Participation team run popular training sessions for teachers with every Biennial. This year’s session will be directly inspired by the BPB14 theme. Artist and experienced trainer Annis Joslin leads a session for primary and secondary school teachers from diverse subject backgrounds and will explore a range of practical approaches to engaging with contemporary photographic practice in the gallery or classroom. The session will focus on collaborative approaches in photography. Acknowledging that many children and young people engage daily with photography via camera phones and photo sharing services like Instagram and Flickr, the session will explore how to employ these experiences towards more creative, collaborative and critical ways of thinking. The session will include case study examples, practical tips and a chance for participants try out various approaches for themselves. Bring your camera. To book a free place or to download a BPB14 teachers’ resource pack visit bpb.org.uk

GUIDED TOURS FOR SCHOOLS & GROUPS We can devise a tour tailored to your group. If you would like a guided tour of any of this year’s exhibitions during your group visit, email education@photoworks. org.uk

bpb.org.uk 53 FAMILIES

Lift the Lid: A picture is SEEING THINGS DIFFERENTLY: Family Fakes worth a thousand words A SERIES OF DROP IN Wed 22 Oct 10am - 4pm Sun 5 Oct 1 - 4pm WORKSHOPS FOR CHILDREN Drop-in FREE Drop-in FREE & FAMILIES Lighthouse De La Warr Pavilion Sat 11 Oct 11am - 1pm 28 Kensington Street, Brighton Bexhill Hove Library Sat 18 Oct 11am - 1pm If you could create any family Using the exhibition Magnum: Jubilee Library, Brighton portrait what would it look like? Sat 25 Oct 11am - 1pm One Archive: Three Views (p36) Might your family be at the movies as a starting point, explore and Whitehawk Library, Brighton Sat 1 Nov 11am - 1pm or even in outer space! Come experiment with how to create and see a screening of ideas a story in an image. Work with Woodingdean Library Drop-in FREE and work students from Brighton artist Lindsey Smith to set a scene, All welcome, cameras not necessary, and Portslade Aldridge community develop a character and invent most suitable for ages 4-11. Academies have created in actions for your picture-story. addition to Looking into the Familiy Perhaps a curly tailed cat called A series of workshops for children Album (p33). Supported by Colin is crawling forest of chairs and families. photography, film and animation or a bird called Bertha is flying Join in creative activities to artists from Photoworks and through a sky of bubbles and explore your ideas of how one Lighthouse, students have created a balloons. Using found images person can make a difference variety of digital artworks on display and photomontage techniques Have fun with photography and for one day only. you can create a unique postcard collaborate to capture your creative The day includes drop-in activities to take home. responses. Be part of the Evolving 11am-3pm for family visitors. Make in Conversation project (p30). your own digital and low-fi family The Amazing Analogue: Facilitated by young people portrait to take away, with artists Drop in Family Workshop from Brighton & Hove with and students from Art at Work. with Jan von Holleben photographer Georgia Metaxas, Hannah Coxeter and David Sun 5 Oct 2 - 4.30pm Allistone from Exploring Senses Family Photo Fest Drop-in FREE Hove Museum & Art Gallery and Vicky Tremain from Brighton Sat 25 Oct 11am - 3pm FREE &Hove Libraries Services. Brighton Aldridge Community Academy, Lewes Road, Falmer Meet exhibiting artist Jan von For more details visit artatwork.org.uk Holleben (p20) and try your hand at making fantastical A free fun day for all the family. photographs with him in this Take part in a range of different family friendly drop in workshop. activities inspired by the family portrait. Help make a giant community selfie and then create your very own fantasy family photo. There will be loads of things to see and do including; food, stalls and games to play. The first 50 families to take part will each have a professional portrait taken and receive a free print to take home and keep.

54 #BPB14 © Jan von Holleben TAA_machine_05 from The Amazing Analogue: How we play photography, 2014 Co-commissioned by Hove Museum and Photoworks for Brighton Photo Biennial

Stories Seen Through a Let’s Play Making Pictures Big Art Club 99 ways Glass Plate: Family Day Tue 28 Oct and Thu 31 Oct to tell a story: 3 DAY Sun 26 Oct 11am - 4pm 10.30am - 12pm and 12 - 3pm COURSE FOR 8-12 YR OLDS Lewes Castle & Museum Drop-in FREE Wed 29-Fri 31 Oct 10am - 4pm FREE but admission charges apply 3-8 years De La Warr Pavilion To book call 01273 486290 or email Hove Museum & Art Gallery Bexhill [email protected] £70 for 3 day course & Inventive fun with collage and To book visit dlwp.org.uk Edward Reeves Photography paint. Be inspired by The Amazing Studio Analogue: How we play How do you tell a story? Can 159 High St, Lewes, BN7 1XU photography exhibition (p20) to you tell a story without words? make magical machine pictures. Can a single image or series of A day of hands-on activities images tell us a story? Experiment for the whole family. with different ways to make and Make and try out your reveal stories. Over three days, own pinhole camera with supported by artist Lindsey Smith photographer Melanie King you will explore location, character or explore a half-plate camera and plot and think about how a with Tom Reeves himself. story might change if told from Abigail Norris leads Still different perspectives. Come Moving a drop in workshop and work with sounds, captions, at the Edward Reeves Victorian collage, drawing and photography studio- capturing personal to develop and share a collection responses to the exhibition of fascinating tales. Stories Seen Through a Glass Plate (p55) and memories of the Reeves Studio. Share your thoughts whilst being videoed using the same studio, lighting, chairs and background as the original studio portraits. Visit bpb.org.uk to The day includes Opening download a BPB14 family the Archives: a talk by Tom trail pdf. Reeves at 4pm (p46)

bpb.org.uk 55 BPB14 Pop-up Shops and Information Hubs Throughout the festival we’ll be on hand at our hubs at Jubilee Library and Circus Street Market to help direct you around BPB14

Here you can also find out about the benefits Andrew Dewdney, Brian Dillon, Eugenie of becoming a Photoworks Member, pick up Dolberg, Elizabeth Edwards, Jason Evans, your copy of the latest issue of Photoworks Simon Faithfull, Haidy Geismar, Jan von Annual and browse a range of photography Holleben, Max Kozloff, Kalpesh Lathigra, related publications. Caroline Lucas, Anthony Luvera, David Alan Mellor, Christopher Morton, Christopher Photoworks Annual Pinney, Annebella Pollen, Kerry William Purcell, Issue 21: Collaboration RUIDO Photo, Aaron Schuman, Erica Scourti, OUT NOW £20 Thabiso Sekgala, Katrina Sluis, Sputnik Photos, Photoworks Annual is an international title Noni Stacey, Jennifer Tucker, Uncertain on Photography, Art and Visual Culture that States and Jonathan P. Watts. responds to a shifting culture and the ways Become a Photoworks Member in which photography is produced, shared photoworks.org.uk and receive Photoworks and consumed. Weighty and collectable Annual plus a range of benefits. at over 250 pages, Issue 21 complements BPB14’s theme and the recent prominence of collaborative modes of production and reception encountered across different areas of photography. Showcasing work produced for BPB14, much of it is previously unseen and un-published. Wider ideas raised by BPB14 are explored with new writing with voices drawn together from anthropology, design, science, politics, critical theory, new media, photographic history and fine-art. Contributors include: ABC (Artists’ Books Cooperative), Archive of Modern Conflict, Geraldine Alexander, Juliet Baillie, Daniel C. Blight, Burn My Eye, Matt Daw, TJ Demos, Liam Devlin,

56 #BPB14 Brighton Photo Fringe 2014 Founded in 2003, Brighton Photo Fringe provides a platform for local artists to self-organise exhibitions during the Brighton Photo Biennial

hosts a range of events including a Photo Publishers’ Market (see p48) in collaboration with Brighton Photo Biennial and Miniclick. Format and Wideyed photography collectives will showcase their archives, alongside an exhibition for Black History Month. The main gallery will show Assembly, a solo exhibition by Anthony Luvera who has been working with homeless people living in Brighton & Hove to create photographs and sound recordings, and to progress his ongoing series Assisted Self-Portraits. This year BPF’s OPEN14 moves to The Ute, Peter Watkins, 2014 Regency Town House in Brunswick Square, BPF offers a whole host of opportunities for with 20 shortlisted artists and the winner early-career photographers and photography Peter Watkins selected from an international curators to develop their practices. open call, sponsored by print partner Metro For its sixth edition, BPF presents over 60 Imaging. Watkins creates installations that photography exhibitions by over one hundred bring together his enigmatic autobiographical artists in all kinds of spaces. To accompany this photographs with sculpture to engage with eclectic mix of exhibitions, BPF have worked ideas of memory and fiction. He is a 2014 with their print partner Metro Imaging graduate of the Royal College of Art MA and events partner Miniclick, to create a Photography and was featured in the British programme of projects and events at three Journal of Photography’s ‘ones to watch’ list. main BPF14 Hubs. There’s something for everybody and Complementing this year’s Biennial theme, everyone’s invited Visit photofringe.org the BPF14 Collectives’ Hub on the seventh for the full programme. floor of Vantage Point, near Preston Circus, @PhotoFringe #BPF14 #BrightonPhotoFringe is a large open plan office space just 5 minutes walk from Brighton Station, showcasing 12 UK Venues across the city 4 October - 2 November photography collectives selected from open Funded by the National Lottery through Arts Council England submission by the BPF trainee curators. and The Big Lottery, and Brighton & Hove City Council. BPF14 Phoenix: Projects & Events Hub Sponsored by Metro Imaging, Vantage Point and Al Campo

57 Principal Funders

Sponsors and Supporters

58 #BPB14 Venues and Commissions Partners

BPF14

bpb.org.uk 59 Thank you

ABC, Aldridge Foundation, Geraldine Alexander, Cos from Labyrinth Lab, Ed Jones, Annis Joslin, Photographers’ Gallery, The Space, Eckhard Stephanie Allen, David Allistone, Chris Andrews, Jubilee Square, Natalie Kane, Helen Kaplinsky, Thiemann, Cathy Thomas, Beth Thomas-Hancock, Christina Angus, Archive of Modern Conflict, Amanda Kay, Catherine Kiely, David Kilpatrick, Richard Thompson, David Thomson, Torpedo Art At Work, Arts Council England, Zenna Atkins, Melanie King, Roy King, Sirkka-Liisa Kontinnen, Factory, Towner, Vicky Tremain, Jemma Treweek, BACA & PACA Staff and Students, Kevin Bacon, Max Kozloff, L. Parker Stephenson Gallery, Jennifer Tucker, Kat Tucker, Uncertain States, Gerry Badger, Janita Bagshawe, Donna Bailey, Andrew Lacon, Dave Lane, Brigitte Lardinois, University of Brighton, University of London, Victoria Bailey-Ornellas, Juliet Baillie, Charlotte Jason Larkin, Kalpesh Lathigra, Alan Lester, Goldsmiths, University of Sussex, University Ball, Thomas Ball, Murray Ballard, Simon Barker, Alexandra Lethbridge, Lewes Castle Museum, of the Arts, London, Juha van ’t Zelfde, Emma Lisa Barnard, Amy Bartholomew, Julia Basnett, Lighthouse, Reinis Lismanis, Clarissa Little, van Deventer, Visit Brighton, Jan von Holleben, Kevin Beck, Sarah Bemand, Pip Benveniste, Matt Locke, Fay Lofty, Glen Longden-Thurgood, Nick Waplington, Philip Warren, Kay Watson, Anna Berry, Big Lottery Fund, Bioregional, Joanna Lowry, Gina Lundy, Anthony Luvera, Sally Jamie Watton, Hazel Watts, Mark Waugh, Russell Anne Boddington, Dorothy Bohm, Alan Boldon, Ann Lycett, Magnum Photos, Sarah Mann, Market Webb, Stephen Weiss, James Welch, John Wesley Cara Bowen, Pixie Bowles, BPB Volunteers, Photo Workshop, Beki Martin, Matt Martin, Mannion, Wex Photographic, Liz Whitehead, Brighton & Hove City Council, Brighton and Owen Martin, Mass Observation, Kate Kerry William Purcell, Gez Wilson, Jim Wilson, Hove Library Service, Brighton and Hove Youth McAllister, Ron McCormick, Anthony McGaw, Honor Wilson-Fletcher, Jane Won, Wreck to Reef, Collective, Brighton Dome, Brighton Museum Ruth McKenzie, McLaren, Daniel Meadows, Sophie Wright, Jamie Wyld, Aurella Yussuf, Amy & Art Gallery, Brighton Photo Fringe, Bec Britain, Sharon Mee, Chris Mellet, David Alan Mellor, Zamarripa Solis. Alan Brooks, Adam Broomberg, Tim Brown, Tiffany Mentoor, Georgia Metaxas, David Alex Buckley, Stephen Bull, Burn My Eye, Daniel Miles, Miniclick, Nicole Mollett, Salman Campbell Blight, Stella Cardus, Maurice Carlin, Momen, Emma Morris, Christopher Morton, Front Cover © Agnieszka Rayss Galina Ivanovna James Casey, Lucy Castle, Cathedral, Oliver Laura Mousavi, Christina Murphy, Musee des Pagarelava, Schtutchyn Chanarin, Federica Chiocchetti, Cath Chirnside, Beaux Arts Calais, Luke Neve, Night Contact, Cinecity, Circus Street Market, Richard Clayton, Jane Noble, Karen Norquay, Abigail Norris, Inside Cover © Jan Brykczynski from the series Donna Close, Nicola Coleby, Andrew Comben, Yaz Norris, Micheál O’Connell, Emma O’Connor, “Primaveral Forest” Contemporay Art Society, Matthew Cornford, Kate O’Sullivan, One Planet Living, Catherine Hannah Coxeter, Thurstan Crockett, Marcus Orbach, Iñigo Orduña, Uriel Orlow, Anwar Back Cover Riyad Moosa and Charlie Crofton, David Cross, Eddie Crowther, Thomaso Osman, Damian Owen-Board, Martin Parr, © Lathigra/ Sekgala 2014 Curatolo, Simon Dack, Dylan Davies, Michael Charlotte Parsons, Dean Pavitt, Emma Pettit, Davies, Matt Daw, Michael De Guzman, De La Bob Phillips, Photobookshow, Photography Warr Pavilion, TJ Demos, Alice Devereux, Lynne and the Archive Research Centre, Photoworks Devine, Liam Devlin, Andrew Dewdney, Chloe Team, Christopher Pinney, Nathaniel Pitt, Dewe Mathews, Sarah Dickenson, Malcolm Suzie Plumb, Annebella Pollen, Tom Pope, Dickson, Brian Dillon, Ditchling Museum of Tom Porter, Jon Pratty, Anthony Probert, Oli Art + Craft, Eugenie Dolberg, Marysa Dowling, Pyle, QueenSpark Books, Quest Marine, Rebecca Drew, Stewart Drew, Laura Ducceschi, Mona Quintanilla, Valentina Quintano, Sharon Durham, Jody East, Edward Reeves Bruce Rae, Anjali Ramachandran, Miriam Studio, Elizabeth Edwards, Kate Elms, Nina Randall, James Ravilious, Robin Ravilious, Emett, ERDF, Ernest Cook Trust, Jason Evans, Anna Ray Jones, Tony Ray Jones, Redeye, Evolving in Conversation, Fabrica, James Fiona Redford, Tom Reeves, Daniel Regan, Fahey, Simon Faithfull, Maria Falconer, Kate Regester, John Riches, Caroline Ridley, Michael Farthing, Sam Faulkner, Jane Finnis, Willie Robb, Simon Roberts, Julian Rodriguez, John Fleetwood, Paul Foley, Format Display, Fiona Rogers, ROOM, Suzanne Rose, Royal FotoDocument, James Fox, Mark Fox, Frac Pavilion & Museums, RUIDO Photo, William Basse-Normandie (Caen), Mary Freeman, Sadowski,James Scales, Mark Scarratt, Anna Julie French, Melanie Friend, Nick Galvin, Schäflein, Aaron Schuman, Justine Schuster, Nick Gant, Jessica Gatfield, Lynn Gayford, Katrina Schwarz, Erica Scourti, Thabiso Sekgala, Haidy Geismar, Gemini Digital Print, Sophie Graham Sheffield, Syd Shelton, Nicola Shipley, Gerrard, Fay Godwin, Jonathan Goldberg, Natasha Silsby, Andrew Sleigh, Katrina Sluis, Lydia Goldblatt, Toby Goldstone, John Gould, Caroline Smith, Isabella Smith, Jenni Smith, Emily Graham, GRAIN, Grand Parade Media Lindsey Smith, Stuart Smith, Terrence Smith, Centre, David Green, Ken Griffiths, Helen Smith, Tom Snell, Spectrum Photo, Sputnik Grundy, Roger Hargreaves, Harley Wines, Photos, Noni Stacey, Standard8, Hannah Judy Harrison, Linda Hastings, Nick Hedges, Starkey, Donna Steele, Jim Stephenson, Chris Nathaniel Hepburn, Heritage Lottery Fund, Stevens, Street Diner, Street Level Photoworks, Paul Hermann, Ciara Hickey, Mel Hickford, Student helpers from the Architecture Department Laurence Hill, Paul Hill, Chloe Hoare, Greg at the University of Brighton, Laura Summerton, Hobson, Francis Hodgson, IBIS Hotel Brighton, Sussex Archeological Society, Homer Sykes, IdeasTap, Impact Initiatives, INTERREG IV A Eve Tagny, Christine Takengny, Team 2, The France, Islington Mill, Amanda Jackson, Cath Basement, The Globe, The Keep, The Library James, Pete James, Ratna Jan Bibi, John and of Birmingham, The Photocopy Club, The

60 #BPB14 Venue Information

outer city beyond brighton & hove 14 Hove Museum & Art 17 Foredown Tower 21 Stories Seen through Gallery Foredown Road a Glass Plate 19 New Church Road Portslade Exhibition trail starts at Lewes Hove BN41 2EW station via BN3 4AB Buses: 6, 55 Station Street to Portslade Station 2km brighton-hove-rpml.org.uk CLOSED SUN, appointment Lewes High Street Buses: 1, 1A, 6, 49 and 49A only Mon, Wed, Fri Lewes Hove Station 1.1km BN7 1XU CLOSED WED 18 Emmaus reevesarchive.co.uk Drove Road 15 Hove Promenade 22 Ditchling Museum Hove Portslade BN3 1HL BN41 2PA of Art + Craft Buses: 1, 1A, 2, 5, 5A, emmausbrighton.co.uk Lodge Hill Lane 5B, 6, 20, 21, 21B, 25, Buses: 1, 1A Ditchling 46,49, 60, 700 Portsalde Station 1.6km BN6 8SP 16 Sussex County 19 The Lock Crossing ditchlingmuseumartcraft.org.uk Cricket Club at the Shoreham Port CLOSED MON brightonandhovejobs. BN42 4ED 23 Towner Buses: 700 Devonshire Park College Rd com County Ground Southwick Station 0.5km Eastbourne Eaton Road 20 American Express BN21 4JJ Hove Community Football townereastbourne.org.uk BN3 3AN Stadium CLOSED MON sussexcricket.co.uk 24 De La Warr Pavilion Buses: 7, 20, 81B, 93 Village Way Hove Station: 0.9km Falmer Marina BN1 9BL Bexhill on Sea Falmer station is adjacent TN40 1DP buses: 23, 25, 28, 29, 29B 84 dlwp.com (No access on match days)

Want maps on your mobile? Find screen responsive maps of all exhibition and event venues at bpb.org.uk

bpb.org.uk 61 CENTRAL BRIGHTON

1 Brighton Railway 10 Fabrica Accessibility Station 40 Duke Street Please visit bpb.org.uk for wheelechair accessibility Queens Road BN1 1AG details of individual venues BN1 3XP fabrica.org.uk Entry Prices CLOSED MON and TUE 2 Jubilee Library Entry to BPB14 exhibitions is free Jubilee St 11 Earth and Stars unless otherwise stated. i BN1 1GE 46 Windsor St brighton-hove-rpml.org.uk BN1 1RJ Traveling around the City 3 Jubilee Square 12 Open Market by public transport? Jubilee St Marshalls Row Plan your journey at BN1 1GE London Road journeyon.co.uk jubileesquare.co.uk BN1 4JS 4 Brighton Dome brightonopenmarket.co.uk Café-Bar 13 The Level Accommodation Church Street Rose Walk Ibis Hotel is our Hotel Sponsor. BN1 1UE BN1 4ZN Visit bpb.org.uk for details of brightondome.org (from October 9) special BPB14 offers from Ibis 5 Brighton Museum and from other hotels in the City. & Art Gallery Royal Pavilion Gardens VENUE KEY BN1 1EE PLANNING YOUR VIST brighton-hove-rpml.org.uk i BPB14 bookshop Rail CLOSED MON and info point 6 University of Brighton Fast trains from London take less than an hour. Brighton, Lewes, Gallery One Planet City Bexhill and Eastbourne all have 58-67 Grand Parade excellent rail links from all over BN2 0JY BPB14 the UK. arts.brighton.ac.uk Plane 7 Waste House Grounds Hotel Ibis Gatwick Airport is 30 minutes University of Brighton, Brighton City Centre away 58-67 Grand Parade, 88-92 Queens Road by train or car. BN2 OJY BN1 3XE Car arts.brighton.ac.uk Brighton is 60 miles from London 8 Circus Street Market via the A23/M23 and is Circus Street connected regionally by the A27. i BN2 9QF circusstreetbrighton.com 9 Dorset Place Gallery University of Brighton 6 Dorset Place BN2 1ST arts.brighton.ac.uk Want maps on your mobile? Find screen responsive maps of all exhibition and event venues at bpb.org.uk

62 #BPB14 E

V E R I D D R Y P E K P E U E R T H O A D

P F R I E E S T L O D H A R N T R D I R A N G O O T O R O N A A R D S O D E A D W E L E R P O L D S P H O R H A V U M R O A D A D I A D R O U C T N D R O A H I G A D H D O W N R O A D G L N C E R O Towards DITCHLING, M W W S E E T L L L L R O N R I A D O H Falmer and Lewes E K L U R O V A D D I S O N D O I R O A D Y L N T R E S D E R D 0 Y A K E L D B 7 M O 12 A G R 2 R O V N E E D O A

R H R E S T D T D A O I S A U C V N G I G D F R A O N O R A R N R E O A D B U C K I N G H A M D I V P S L L A I A E S N C A I L Z E E E H L W I L 2 A N S E V A C E V A G R C E N 3 L I U E A N T W I E O O R T 13 R D R M E P L T M D D A O C R P N A O O O

A N R C H E S R 1 A P S I D E O D D E M U V T A A H O D H O

R V G Y E N L R Y K I P R T R S I L L E K A FA T D U H LG R E C A A Z R D R C R E B U S T O F L U R E E E R L I T N F O T I TO B K A O R W L N A N L A S D P D H P M O I W L T S N L H R N S N O D E A C D O E Y A I V T U I ’ D C R Q O T I O G K G L R R L T O A I A O U U C R S . R E S T L R O D T E R B A S T I D S T E O D I E S N R L E N N H R P I K D O T L T L E T C G S S I T D G N N T W N N A I R H S N O O S O O E O N R T T H ’ J R R N B U M O A D K E U O R P P S K D E R B R N ’ A W S 8 E T N T S R T O T E E R E E S N S T R R O T A E 2 D R S S D U E U E S N N U Q 11 C S E S A D E L R X L C I I S H R 3 T T U R L R B C C A E S H E T O S G U T J R H R K I E E N G S W W O T O O E S S D T E R N S T R O A D 6 C D N 7 A T 4 R I T LT S I E D E O LW W N E A E O O 5 H I D R N O R L L S T O R T R T T H R D E E T S S T S T A E R E W E N O D E E N T A H R R 10 N O O O T J R T E D WA R D S T R E E T D E S DU S K L D C E E S E N A T T I A R L S 9 F L GRAND PARADE P P E R T H E S E N T L S W H E S N P E O T R D E T T R N T U T G E G E F S N S E E P S E R T A E R E R R O E C R N T L I N I E S O T S D C E R D S G E D T H O I P A S G I L D B E I M R H T D S T H S L S T. J A M E S S T R E E T O K E A S T E R N R O A D I N G S W AY A 2 5 9

Towards Hove,

PORTSLADE AND M A D E M A R I N E PA R A D E I R A S D R T. G SHOREHAM I V E E O R G E ’ S R O A D

Map of central brighton 63 bpb.org.uk #BPB14 4 October 2 November