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28Th Annual FINE ARTS FESTIVAL
41st Annual FINE ARTS FESTIVAL Presented by the Arts Council of Moore County The Arts Council of Moore County (ACMC) created the Fine Arts Festival (FAF) in 1980 to provide incentive for local artists to improve their technique and a place to showcase and sell their artwork. Since then, the festival has grown into a major art exhibit featuring artwork by artists from all over the country. The artwork is also judged in seven categories and over $2,800 in cash prizes and ribbons are awarded. Sponsored by Doris & Pete Gulley Gulley’s Garden Center FINE ARTS FESTIVAL GUIDELINES EXHIBITION DATES: August 6–27, 2021 JUDGE: MOLLY BOARATI is the ART SALES & PRICING: ACMC prefers Assistant Curator at the Nasher all art be for sale. An additional $15 EXHIBIT LOCATION: Museum of Art; Master’s degree fee will be charged for any entry Campbell House Galleries from Boston University with a focus that is not for sale. To help in 482 E. Connecticut Avenue on Italian Renaissance art. pricing, art priced under $700 has a Southern Pines, NC better chance of selling. Prices may AWARDS: The following prizes are ELIGIBILITY & CATEGORIES: Any artist not change once the exhibit awarded at the judge’s discretion: (16+ years old) is invited to enter art opens. ACMC retains a 35% only in the following seven Sara Wilson Hodgkins commission on all sales. “Best in Show” ........................... $500 categories: Oil; Acrylic; Watercolor; ART REMOVAL: Art must remain on Drawing/Pastel; Photography; 1st Place (each category) ....... $125 exhibit through Aug. 26. The dates Mixed Media/Printmaking; 3-D. -
A National Study of Outdoor Arts Festivals
Livefrom Your Neighborhood VOLUME A National Study of Outdoor O Arts Festivals NE: SUMMARY R EPORT National Endowment for the Arts Research Report #51 Livefrom Your Neighborhood A National Study of Outdoor Arts Festivals VOLUME ONE: SUMMARY REPORT National Endowment for the Arts Research Report #51 Research Report #51 August 2010 National Endowment for the Arts 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 Telephone: 202-682-5400 Prepared for the Office of Research & Analysis by Bohne Silber, Silber & Associates and Carole Rosenstein, PhD, George Mason University Produced by the Office of Research & Analysis Sunil Iyengar, Director Sarah Sullivan, Senior Program Analyst Other NEA staff contributors: Mario Garcia Durham, Tom Bradshaw, Bonnie Nichols, Nona Milstead, Kelli Rogowski, Patricia Shaffer, and Ellen Grantham Editorial and publication assistance by Don Ball Designed by Beth Schlenoff Design The National Endowment for the Arts would like to thank the Association of Performing Arts Presenters for providing valuable advice and feedback throughout the course of the study. Thanks are also due to the following individuals who composed an informal working group for the study: Michael Alexander, Philip Horn, Steve Schmader, Robb Woulfe, Stephanie Hughley, Huong Vu, Ted Russell, Helen Sause, Claudia Norman, David Rivel, Jennifer Lena, and Angela Han. Finally, the NEA would like to thank the organizations that helped to generate the list of festival organizers surveyed for the national study and/or that helped to distribute the survey to festival organizers. See page 67 for details. Front Cover Photo: Latin sensation Julieta Venegas reaches out to a packed crowd at SummerStage in Central Park, New York City, NY. -
Download Carlow Arts Festival Artistic Director + CEO Job Pack
ARTISTIC DIRECTOR/CEO CANDIDATE INFORMATION PACK, MAY 2021 CONTENTS - Introduction - About Carlow Arts Festival - Organisational Structure - Job Description - Person Specification - Conditions of Employment - Appointment Process + How to Apply INTRODUCTION Dear Candidate, Thank you for your interest in the position of Artistic Director/CEO of Carlow Arts Festival (CAF). At Carlow Arts Festival we believe that the Arts are for everyone. This has been at the heart of our vision since the Festival was founded 42 years ago. The Festival aims to be extraordinary, and for a short period each summer, we engage with spaces, places and the people of Carlow through art, performance and spectacle. Over the past five years we've seen a period of growth and consolidation, creating a strong and sustainable position for the festival, including in the unexpected times all of us in the arts field find ourselves. We have become known locally and internationally for how we couple together audacious artists and their vision in a way that is truly accessible for all. The Artistic Director/CEO is a crucial role at the head of our organisation and in advocating for the importance of the Arts with and for the people of Carlow and beyond. We are looking for an ambitious and imaginative leader who will come to Carlow to build on everything achieved by our outgoing director Jo Mangan, and who will develop their own distinctive vision for the festival. We’re looking for someone who believes in the role of transformative art, diverse perspectives and inclusion, seeks out virtuosic artists to resonate, inspire and collaborate with the Carlow and national community, and who has strong organisational and entrepreneurial skills. -
REVIEWERS BIOS As of September 6, 2019
REVIEWERS BIOS As of September 6, 2019 Martina Bacigalupo, 6Mois, Paris, France Daniela Baumann, The Walther Collection, Neu-Ulm, Germany Alexa Becker, Kehrer Verlag, Heidelberg, Germany David Drake, Ffotogallery Wales, United Kingdom Catherine Edelman and Anette Skuggedal, CASE Art Fund, Chicago, IL, United States Thomas Elsen, Neue Galerie im Höhmannhaus and H2, Augsburg, Germany James Estrin, The New York Times, New York City, New York Steven Evans, FotoFest, Houston, Texas Charlie Fellowes, Edel Assanti, London, United Kingdom Sarah Gilbert, The Guardian, London, United Kingdom Esra Klein & Andrea Horvay, Fotografie Forum Frankfurt, Frankfurt, Germany Gwen Lee, Singapore International Photography Festival, Singapore Victor Levie, LevievanderMeer Graphic & Exhibition Design, Amsterdam, Netherlands Kara Milstein, TIME, New York City, New York Patricia Morvan & Patrick Codomier, Agence VU’, Paris, France Pascal Ordonneau, Private Collector, Paris, France Joaquim Paiva, Private Collector, Rio de Janeiro, Brazil Arianna Rinaldo, Cortona On The Move Photography Festival, Cortona, Italy Oliva María Rubio, La Fabrica, PHotoESPAÑA, Madrid, Spain Eve Schillo, Los Angeles County Museum of Art, Los Angeles, California Maarten Schilt, Schilt Publishing & Gallery, Amsterdam, Netherlands Mona Schubert, Fotomuseum Winterthur, Switzerland Jaehyun Seok, ArtSpace LUMOS, Daegu, Korea Xavier Soule, Galerie VU’, Agence VU’, Paris, France Claire Wearn, Photoworks, Brighton, United Kingdom Lisa Woodward and Mia Dalglish, Pictura Gallery, Bloomington, Indiana, USA Manfred Zollner, fotoMAGAZIN, Hamburg, Germany Page │ 1 Martina Bacigalupo Picture Editor, 6Mois Paris, France www.6mois.fr For the past decade, Martina Bacigalupo has lived and worked as a photographer in East Africa focusing on human rights issues. Working for governmental and non- governmental organizations, as well as the international press, she has consistently interrogated the visual dynamics between Africa and the West. -
CV 6084 Rue Waverly, Montréal, QC H2T2Y3 Canada Tel: 438-884 5387 [email protected]
Adam Basanta - CV 6084 rue Waverly, Montréal, QC H2T2Y3 Canada Tel: 438-884 5387 [email protected] www.adambasanta.com Selected Solo Exhibitions 2018 • ***Upcoming*** Title TBA. Klangraum Krems, Krems, Austria. • ***Upcoming*** All we’d ever need is one another. Ellephant Gallery, Montreal QC, Canada. • Variations on a Theme. Galerie Bon Accueil, Rennes, France. 2017 • Variations on a Theme. FOFA Gallery. Montreal, QC Canada. • Five Lines, Crossing. Galerija SC. Zagreb, Croatia. 2016 • A Room Listening to Itself. Gallery 1C03, Winnipeg MB Canada. • Inversion as literary device. Galeria Skolska28. Prague, CZ. • Systems of Listening, Systems for Listening. Nutting Gallery. West Liberty University, WV. • Principle of Distance. Museum of Transitory Art. Ljubliana, Slovenia. • Louder than a beating heart. Galeria Swinton and Grant. Madrid, Spain. 2015 • A Room Listening to Itself. Open Space Gallery. Victoria BC. • The sound of empty space. Carroll/Fletcher Gallery. London UK. • Louder than a beating heart. Titanik Galerie. Turku Finland. • A room listening to itself. Centre for Contemporary Arts - Santa Fe. NM, USA. • The sound of empty space. Galerie B-312, Montreal QC. 2012 • Room Dynamics. Artscape Wychwood Barns, Toronto, ON, Canada. October 26-Dec 15, 2012. • Room Dynamics. The Bridge Gallery, Charlotsville, VA, USA. September 21-30 2012. Selected Group Exhibitions 2018 • ***Upcoming*** Robot Love. Van Abbemuseum, Eindhoven, • ***Upcoming*** Exposition rétrospective 10 ans. Eastern Bloc, Montreal QC Canada. • ***Upcoming*** Data Dating. Galerie Charlotte, • ***Upcoming*** … move or be moved by something rather than oneself. Critical Distance, Toronto ON Canada. • ***Upcoming*** Festival Interstice. Caen, France. • Sonic Arts Series. HAVN. Hamilton, ON, Canada. • 36ème Rendez-vous Québec Cinéma. Cinematheque Quebecois, Montreal QC Canada. -
25Th Anniversary
25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times. -
KINGS-ARTIST-RUN-Fundraiser-Catalogue-2018
KINGS ARTIST-RUN 26 – 28 Oct 2018 FUNDRAISER KINGS Gallery Fundraiser 2018 Catalogue published by KINGS Artist-Run KINGS Artist-Run Level 1/171 King Street Melbourne 3000 Artists Ali McCann, Andrew Atchison, Annabelle Kingston, Brie Trenerry, Briony Galligan, Camila Galaz, Dalton Stewart, Glenn Walls, Guy Grabowsky, Hannah Raisin, Jake Preval, Josephine Mead, Julian Day, Katie Sfetkidis, Lou Hubbard, Lynette Smith, Nina Gilbert, Olga Bennett, Oliver Hull, Paul Handley, Paula Hunt, Ro Noonan, Ross Coulter, Samuel Szwarcbord, Sanja Pahoki, Sean Peoples, Siri Hayes, Siying Zhou, We would like to thank all of the artists Sophie Neate, Tony Garifalakis, Tracey Lamb, Uri Auerbach, Zainab Hikmet for their generous donations which will Curatorial Committee support the KINGS Artist-Run 2019 Jeremy Eaton William Heathcote exhibition program Megan Kennedy Georgia Mill Jessica Row 2018 KINGS Committee Jeremy Eaton, William Heathcote, Megan Kennedy, Georgia Mill, Tara O’Conal, Ashley Perry, Jessica Row and Katie Ryan Photographic documentation by Chris Bowes For all purchases and artwork enquiries email Jeremy at [email protected] Gallery volunteer Tiffany Blaise Acknowledgement of Country We would like to acknowledge the Wurundjeri and Boonwurrung people who are the Traditional Custodians of the Land on which our space is situated. We pay respect to the Elders of the Kulin Nation, past, present and future. ALI McCANN ANDREW ATCHISON ANNABELLE KINGSTON Untitled 10 (An Introduction to Ideal #3, 2013 Liminal Aesthetics), 2017 595 x 905 x 20mm 320 x 480 mm Melamine, MDF, Paint Digital C-Type print $400 Waterfall (on tour with mum), 2018 $650 450 x 300 mm Acrylic on board Ali McCann is a Melbourne-based Andrew Atchison is an artist, writer and $200 artist. -
University of Brighton Guide Brighton and Sussex Medical School (BSMS) B74
WWhenhen you have finished wwiith this prospectus please recycle it. Central contact details University of Brighton Mithras House Lewes Road Brighton BN2 4AT email [email protected] telephone (01273) 644644 fax (01273) 642607 international code (+441273) UCAS institutional codes University of Brighton (BRITN) B72 University of Brighton Hastings campus (BRITN) B72 campus code U University of Brighton Guide Brighton and Sussex Medical School (BSMS) B74 There’s more online... Please refer to the website, www.brighton.ac.uk/courses for up-to-date course information. www.brighton.ac.uk A–Z course finder 02–03 Choosing the University of Brighton 04–47 Great minds 04–05 Inspirational teaching 06–07 Career-focused 08–09 Enriching experiences 10–11 A brilliant place to live 12–13 Brighton 14–15 Falmer campus 16–17 Courses at Falmer 18–19 Grand Parade campus 20–21 Courses at Grand Parade 22–23 Moulsecoomb campus 24–25 Courses at Moulsecoomb 26–29 Eastbourne 30–31 Eastbourne campus 32–33 Courses at Eastbourne 34–35 Hastings 36–37 Hastings campus 38–39 Courses at Hastings 40–41 Support for you 42–45 Your Brighton experience 46–47 All about… 48–81 How to apply 50–51 Entry requirements 52–54 University of Brighton Compact 55 Types of course 56 International students 57–59 Money 60–68 Where to live 69–76 Open days 77 Timeline 78–79 General index 80 How to find us 81 www.brighton.ac.uk 01 A–Z COURSE FINDER Accounting and Finance BSc(Hons) M 26 Criminology and Sociology BA(Hons) F 19 Aeronautical Engineering BEng(Hons) M 28 Criminology and Substance -
Etches Along the Coastline and Contains Almost 500,000 People
The Ebb and Flow of Resistance: Analysis of the Squatters' Movement and Squatted Social Centres in Brighton by E.T.C. Dee University of Madrid Sociological Research Online, 19 (4), 6 <http://www.socresonline.org.uk/19/4/6.html> DOI: 10.5153/sro.3502 Received: 10 Jul 2014 | Accepted: 10 Sep 2014 | Published: 30 Nov 2014 Abstract This article analyses a database of 55 squatted social centres in Brighton. By virtue of their public nature, these projects provide a lens through which to examine the local political squatters' movement, which was often underground, private and hidden (residential squatting in contrast is not profiled). Several relevant non-squatted spaces are also included since they were used as organisational hubs by squatters. The data was gathered from a mixture of participant observation, reference to archive materials, conversations with squatters past and present, academic sources and activist websites. The projects are assessed in turn by time period, duration, type of building occupied and location (by ward). Significant individual projects are described and two boom periods identified, namely the late 1990s and recent years. Reasons for the two peaks in activity are suggested and criticised. It is argued that social centres bloomed in the 1990s as part of the larger anti-globalisation movement and more recently as a tool of resistance against the criminalisation of squatting. Tentative conclusions are reached concerning the cycles, contexts and institutionalisation of the squatters' movement. It is suggested that the movement exists in ebbs and flows, influenced by factors both internal (such as the small, transitory nature of the milieu) and external (such as frequent evictions). -
The 2020 Vancouver Queer Arts Festival Art Party! Wonderfully Wicked, Digitally (Mostly) Decadent…
July 16-26 queerartsfestival.com 2020 This Crazy Show The 2020 Vancouver Queer Arts Festival Art Party! Wonderfully Wicked, Digitally (mostly) Decadent… FOR IMMEDIATE RELEASE Vancouver, BC / June 25, 2020 | The 12th annual Queer Arts Festival (QAF) Wicked begins July 16th with artparty! our annual festival opening and tour celebrating QAF and showcasing our curated visual arts exhibit that runs throughout the festival (July 16th – July 26th). Art Party! | Cinq-à-Sept Festival Opening | Thu Jul 16, 5 - 7PM PST QAF’s opening: Luxuriate in a cinq-à-sept afternoon delight to come together with our 2020 visual art curator Jonny Sopotiuk for a Wicked Visual Art tour with guest artists, and a gallery of intimate friends old and new. This Event is ASL Interpreted. • Artist Panel Discussion chaired by Jonny Sopotiuk with participating artists Tom Hsu, Internationally renown artist/activist Avram Finkelstein, Elektra KB, and guests. • Following our official welcome, guest visual art curator Jonny Sopotiuk gives a virtual tour of the Curated Visual Art Exhibition joined by guest artists. The visual arts components of this year’s festival, Wicked includes the Curated Visual Arts Exhibition and Pride in Art Community Exhibition running Thursday July 16th through Sunday, July 26th. Wicked brings together a multigenerational group of artists living and producing work across Canada and the United States as they explore the body, community, and architecture of homonormativity. In 2020 we’re learning to live through a new form of containment during a global health pandemic. Our long fight for recognition and the foundations of community infrastructures that we created to sustain us are being fundamentally questioned. -
Developing Principles for Working with Young People in Libraries
Developing Principles for Working with Young People in Libraries Marianne Bamkin, Birmingham City University Sarah McNicol, Manchester Metropolitan University 2019 Developing Principles for Working with Young People in Libraries Acknowledgements Thanks to all survey respondents and interviewees. Particular thanks to the young people from Oldham Youth Council who participated in the focus group, and to Oldham Libraries for making arrangements with the group. Thanks also to Oldham Libraries, Harris Westminster Sixth Form and the BRIT School for contributing examples of ways to implement the principles in school and public libraries. 2 Developing Principles for Working with Young People in Libraries Contents Acknowledgements ................................................................................................................................. 2 Executive Summary ................................................................................................................................. 5 Introduction ............................................................................................................................................ 8 Reading Hack ....................................................................................................................................... 8 ACE Quality Principles (QPs) ............................................................................................................... 9 Methodology .................................................................................................................................... -
A-N Magazine | Editorial & Letters
magazine london art fairs professional development schemes for artists psychogames subscriber prize research and development lauren healey talks to gallery glue collaborative relationships kevin carter, OCT 08 civic architects and louise kirkup rural initiatives focus £5.95/ 8.55 SPECIAL ‘A-N’ OFFER 10% ONLINE DISCOUNT BOOK A COURSE BY NOVEMBER 30TH 2008 QUOTE DISCOUNT CODE ‘AN0809’ TERMS AND CONDITIONS APPLY ArtSway Associates Programme ArtSway is pleased to announce the launch of the ArtSway Associates programme offering selected artists training, support and advice over the next three years. Complementing ArtSway’s exhibition residency and commissioning programme, ArtSway Associates aims to provide legacy support for a selection of artists who have previously undertaken residencies at ArtSway. Artists selected for the programme currently include: Anna Best, Boredomresearch, Elpida Hadzi-Vasileva, Anne Hardy, Simon Faithfull, Dinu Li, Hannah Maybank, Charlie Murphy and Emilia Telese. ArtSway Associates is financially supported by the Leverhulme Trust. IS FOR SATISFACTION Audiences and arts professionals can access information about the ArtSway Associates through ArtSway Xtra, S ArtSway’s regular email newsletter (send an email to [email protected]). SHORT COURSES AT CHELSEA COLLEGE OF ART AND DESIGN Please visit www.artsway.org.uk for more information. INCLUDING INTERIOR DESIGN, CURATING & ART HISTORY, TEXTILES, 3D FOR FULL LISTINGS REQUEST A BROCHURE AT WWW.CHELSEA.ARTS.AC.UK/SHORTCOURSES / PHONE 0207 514 6311 OCTOBER 2008