Fish &Wildlife News

Total Page:16

File Type:pdf, Size:1020Kb

Fish &Wildlife News U.S. Fish & Wildlife Service Spring 2007 Fish & Wildlife News Special Rachel Carson Centennial Anniversary Issue what’s inside Departments News Briefs / 2 Our People / 36 Transitions / 36 Faces in the Field / 32 Honors / 40 Fish Tales / 33 In Memoriam / 43 Features Nature’s Public Servant / 8 Rachel Carson was our century’s most articulate voice for a harmonious balance between humans and nature. By Mark Madison Sounding the Alarm / 12 The seeds of the Service’s Environmental Contaminants program were planted with Silent Spring. By Bruce Woods, Philip Johnson and Valerie Fellows ‘One of Us’ / 14 Rachel Carson’s conservation legacy continues to influence the Service today. On Eagle’s Wings / 20 The Service’s Endangered Species program conserves imperiled wildlife and protects the “web of life.” By Valerie Fellows Conservation in Action / 22 By Martha Nudel Returning to the Water / 26 On the cover: Rachel Carson By Valerie Fellows and Joshua Winchell near her home in Silver Spring, Maryland, 1962. Focusing on Nature / 30 ALFRED EISENSTADT / GETTY IMAGES By Terri Edwards (ILLUSTRATION) TIM KNEPP 2 / Fish & Wildlife News Spring 2007 from the director Remembering Rachel I suspect most of you have seen the famous photo of As Service employees, we continue to embrace the Rachel Carson leaning against a tree, resting during principles she championed—sound science, respect a hike near her summer home in Southport, Maine. for all living things and the need to connect people, It was taken in 1962, the same year Silent Spring was especially children, with nature. But perhaps the published. Though her face looks weary, she seems greatest gift she left us is the notion that one person, at peace in nature—more like a weekend birder working with passion and a strong sense of purpose, than the “mother” of the modern environmental can indeed make a difference. movement. But if you look closely, you can see eyes burning with a sense of purpose. This issue of Fish & Wildlife News is dedicated to Rachel Carson’s work and legacy: her ability to Silent Spring not only sounded the alarm about the transform scientific facts into plain language that effects of chemical pesticides in our environment and spoke to generations of conservationists; her lifelong the “web of life,” it also ushered in a new era of dedication to instilling a “sense of wonder” in children environmental awareness. The book eventually led and all people; and how she continues to inspire to a ban on DDT—which enabled species such as the Service employees to do the right thing even under bald eagle to come back from the brink of extinction— the most difficult circumstances. These pages reflect and spurred the creation of the Environmental who Rachel Carson was and who we are—a family of Protection Agency in 1970. After she died of breast people dedicated to the resource, respectful of those cancer in 1964, Rachel was posthumously awarded who went before us and committed to carrying out the Presidential Medal of Freedom, the highest honor our trust responsibilities. the U.S. government can bestow upon a civilian. In honor of this centennial, the Service is hosting events around the country and developing special environmental education programs and exhibits. Perhaps the greatest gift Rachel Carson For a complete list of programs and events, visit <www.fws.gov/rachelcarson>. left us is the notion that one person, It is fitting that we recognize one of history’s greatest working with passion and a strong sense conservationists, but Rachel Carson also should be remembered as a compassionate human being. When of purpose, can indeed make a difference. I look at that photo of her leaning against the tree, I think of Rachel’s endless fascination with nature and her gift for sharing it with children. In her book, In this centennial year of her birth, we not only The Sense of Wonder, published a year after her remember Rachel Carson for her great achievements death, she wrote that, “A child’s world is fresh and but we also embrace her as one of our own. As a new and beautiful, full of wonder and excitement. writer-biologist and chief editor with the Service from It is our misfortune that for most of us that clear-eyed 1936-1952, Rachel authored and contributed to dozens vision, that true instinct for what is beautiful and of agency publications, including the “Conservation awe-inspiring, is dimmed and even lost before we In Action” series, which eloquently described the reach adulthood.” Refuge System’s role in protecting the environment and maintaining our wildlife resources for future I hope our sense of wonder never dims. I hope it fills generations. Silent Spring was informed by nearly our work and we pass it on to generations of kids two decades of field and laboratory research who otherwise may never know nature’s blessings. conducted by Service biologists on the effects of And I hope that Rachel Carson’s passion and clear- pesticides on wildlife, primarily birds and their eggs. eyed vision will live on in each and every one of us. Spring 2007 Fish & Wildlife News / 1 news briefs Literary Legacy Natural Laboratory global warming, and will extend In her book, Silent Spring, Rachel to personal attitudes toward the Carson called attention to the natural world. harmful effects of the pesticide DDT (dichloro-diphenyl- Titles in the schedule range from trichloroethane) on the natural Carson’s first book, Under the Sea world. The Channel Islands off Wind, in which she reveals her the southern California coast unique ability to present intricate provide an ideal laboratory in scientific material in clear poetic which to study the effects of DDT language that captivates readers; on wildlife, learn from our past to Courage for the Earth: mistakes and restore the delicate Writers, Scientists, and Activists balance of nature. Celebrate the Life and Writing of Rachel Carson, an anthology The Channel Islands, sometimes edited by Peter Matthiessen referred to as the Galapagos of that was released in April. North America, are composed of eight islands located within Silent Spring, Carson’s most one of the richest marine and well known book which alerted terrestrial environments in the the public to the dangers of world. Home to many endemic pesticides and sparked a plants and animals, these rcbookclub.blogspot.com firestorm of controversy in its islands offer an insight into the wake, will be showcased as magnifying effects of DDT The Fish and Wildlife Service Service historian Mark Madison; well as some of her lesser through the food web. The story and Friends of the National Houghton Mifflin Executive known texts on the sea, and of the bald eagle on the Channel Conservation Training Center Editor Deanne Urmy; author the truly inspirational Islands offers one of the best have launched the Rachel Carson and professor of Environmental The Sense of Wonder. illustrations of DDT’s profound Online Book Club to honor the life, Studies at Middlebury College, impact on wildlife. legacy and literary genius of the John Elder. The Rachel Carson Online Book Service’s most famous employee. Club is sponsored by the Friends Historically, there were more than “This online discussion will be of the National Conservation 35 bald eagle nesting areas on Beginning in March and such a fabulous way to engage Training Center. Participation in the Channel Islands, making it continuing through November and bring together people from the online book club is open to a stronghold for the species in 2007, the online book club many different communities to everyone. For more information, southern California. Beginning focuses on the life and work of focus on the life and legacy of please contact Anne Roy, in the late 1940s and continuing Rachel Carson including her role Rachel Carson,” said Anne Post National Conservation Training through the early 1970s, as a female leader in science Roy, NCTC conservation librarian. Center at: <[email protected]>, millions of pounds of DDTs and and government. Through the “The discussion should be or Nancy Pollot, Oregon Fish & polychlorinated biphenyls (PCBs) study of her writing, the Book incredibly interesting given the Wildlife Office at: <Nancy_ were discharged into the ocean Club will provide an opportunity stature of some of our moderators [email protected]>. View the book off of southern California through for dialogue and discussion of and the depth of knowledge that club Web site at: <rcbookclub. a wastewater outfall. Feeding on current environmental issues they will bring to the online chat.” blogspot.com>. ■ a steady diet of contaminated in light of Carson’s legacy marine mammals, seabirds, and Each month, a moderator will fish, the bald eagles on the Several distinguished moderators start the book discussion with Anne Roy, conservation librarian, Channel Islands began showing will participate in the online an opening statement. Then, National Conservation Training the effects of DDT, although discussions. Author and Carson in dialogue with book club Center, Shepherdstown, they were miles away from the biographer, Linda Lear launched participants, the moderator West Virginia; Nancy Pollot, outfall. The birds began laying the first session in March. Among will provide weekly installments information and education abnormally thin-shelled eggs that other moderators in the line-up and add comments on the specialist, Portland, Oregon. broke easily in the nest. By are: marine biologist and Director discussion throughout the month. the early 1960s, bald eagles of Duke Marine Laboratory, Cindy Discussions will encompass Van Dover; U.S. Fish and Wildlife current environmental issues like 2 / Fish & Wildlife News Spring 2007 news briefs disappeared from the Channel Catalina Island. In 1987, the first agencies that includes the “The fact that two bald eagle Islands due to human impacts, bald eagle eggs were laid on Service, is responsible for using chicks hatched without the help primarily the introduction of DDT Catalina Island, but they soon these funds to restore the natural of humans on the northern and other contaminants into the broke in the nest.
Recommended publications
  • Annual Report 2018–2019 Artmuseum.Princeton.Edu
    Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb.
    [Show full text]
  • Limited Editions Club
    g g OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow, making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books. Today, Oak Knoll Books is a thriving company that maintains an inventory of about 25,000 titles. Our main specialties continue to be books about bibliography, book collecting, book design, book illustration, book selling, bookbinding, bookplates, children’s books, Delaware books, fine press books, forgery, graphic arts, libraries, literary criticism, marbling, papermaking, printing history, publishing, typography & type specimens, and writing & calligraphy — plus books about the history of all of these fields. Oak Knoll Books is a member of the International League of Antiquarian Booksellers (ILAB — about 2,000 dealers in 22 countries) and the Antiquarian Booksellers Association of America (ABAA — over 450 dealers in the US). Their logos appear on all of our antiquarian catalogues and web pages. These logos mean that we guarantee accurate descriptions and customer satisfaction. Our founder, Bob Fleck, has long been a proponent of the ethical principles embodied by ILAB & the ABAA. He has taken a leadership role in both organizations and is a past president of both the ABAA and ILAB. We are located in the historic colonial town of New Castle (founded 1651), next to the Delaware River and have an open shop for visitors.
    [Show full text]
  • Annual Report Fy2013
    INTERSECTIONS ANNUAL REPORT FY2013 FROM THE CHAIR OF THE BOARD OF TRUSTEES This year has been a time of robust innovation at The Phillips Collection; we are truly living the “experiment station” that founder Duncan Phillips spoke about so eloquently. The Phillips’s many advances in technology, for example, include a new website that provides users with easy access to our art, videos, and events. This effort has been complemented by a robust presence on multimedia and social media platforms, an insightful blog, and the Education team’s innovative virtual gallery talks on Twitter. The Laib Wax Room, dedicated to our own Caroline Macomber (whose delightful presence on our Board we deeply miss), opened in March as a space for meditation, much like the Rothko Room. The Phil- lips’s commitment to engaging with living artists of our day mirrors the collecting vision of Gifford Phillips, a dear friend of the museum who passed away in April. Partial funds for the beeswax room were raised through the crowdsourcing platform Indiegogo, allowing dozens of supporters to be part of Phillips history. Innovations at the Phillips are not just expressed through new technology. From April 12 to May 2, Phillips educator Rachel Goldberg led workshops in Pakistan for more than 375 Pakistani emerging artists, students, museum professionals, and children about the power of art to create social change. This extremely successful partnership with the US Department of State affirms the universal connective power of art; discus- sions are underway to expand the program. Extending the Phillips’s mission abroad to create an internation- al dialogue through art is a new partnership with Georgetown University’s School of Foreign Service.
    [Show full text]
  • A Finding Aid to the Peter Blume Papers, 1870-2001, in the Archives of American Art
    A Finding Aid to the Peter Blume Papers, 1870-2001, in the Archives of American Art Jayna M. Josefson Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art 2014 January 08 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, circa 1950-1992..................................................... 5 Series 2: Correspondence, 1926-1992.................................................................... 6 Series 3: Writings and Notes, 1929-1986.............................................................
    [Show full text]
  • FY 15 ANNUAL REPORT August 1, 2014- July 31, 2015
    FY 15 ANNUAL REPORT August 1, 2014- July 31, 2015 1 THE PHILLIPS COLLECTION FY15 Annual Report THE PHILLIPS [IS] A MULTIDIMENSIONAL INSTITUTION THAT CRAVES COLOR, CONNECTEDNESS, A PIONEERING SPIRIT, AND PERSONAL EXPERIENCES 2 THE PHILLIPS COLLECTION FY15 Annual Report FROM THE CHAIRMAN AND DIRECTOR This is an incredibly exciting time to be involved with The Phillips Collection. Duncan Phillips had a deep understanding of the “joy-giving, life-enhancing influence” of art, and this connection between art and well-being has always been a driving force. Over the past year, we have continued to push boundaries and forge new paths with that sentiment in mind, from our art acquisitions to our engaging educational programming. Our colorful new visual identity—launched in fall 2014—grew out of the idea of the Phillips as a multidimensional institution, a museum that craves color, connectedness, a pioneering spirit, and personal experiences. Our programming continues to deepen personal conversations with works of art. Art and Wellness: Creative Aging, our collaboration with Iona Senior Services has continued to help participants engage personal memories through conversations and the creating of art. Similarly, our award-winning Contemplation Audio Tour encourages visitors to harness the restorative power of art by deepening their relationship with the art on view. With Duncan Phillips’s philosophies leading the way, we have significantly expanded the collection. The promised gift of 18 American sculptors’ drawings from Trustee Linda Lichtenberg Kaplan, along with the gift of 46 major works by contemporary German and Danish artists from Michael Werner, add significantly to new possibilities that further Phillips’s vision of vital “creative conversations” in our intimate galleries.
    [Show full text]
  • Heritage Vol.1 No.2 Newsletter of the American Jewish Historical Society Fall/Winter 2003
    HERITAGE VOL.1 NO.2 NEWSLETTER OF THE AMERICAN JEWISH HISTORICAL SOCIETY FALL/WINTER 2003 “As Seen By…” Great Jewish- American Photographers TIME LIFE PICTURES © ALL RIGHTS RESERVED INC. Baseball’s First Jewish Superstar Archival Treasure Trove Yiddish Theater in America American Jewish Historical Society 2002 -2003 Gift Roster This list reflects donations through April 2003. We extend our thanks to the many hundreds of other wonderful donors whose names do not appear here. Over $200,000 Genevieve & Justin L. Wyner $100,000 + Ann E. & Kenneth J. Bialkin Marion & George Blumenthal Ruth & Sidney Lapidus Barbara & Ira A. Lipman $25,000 + Citigroup Foundation Mr. David S. Gottesman Yvonne S. & Leslie M. Pollack Dianne B. and David J. Stern The Horace W. Goldsmith Linda & Michael Jesselson Nancy F. & David P. Solomon Mr. and Mrs. Sanford I. Weill Foundation Sandra C. & Kenneth D. Malamed Diane & Joseph S. Steinberg $10,000 + Mr. S. Daniel Abraham Edith & Henry J. Everett Mr. Jean-Marie Messier Muriel K. and David R Pokross Mr. Donald L. SaundersDr. and Elsie & M. Bernard Aidinoff Stephen and Myrna Greenberg Mr. Thomas Moran Mrs. Nancy T. Polevoy Mrs. Herbert Schilder Mr. Ted Benard-Cutler Mrs. Erica Jesselson Ruth G. & Edgar J. Nathan, III Mr. Joel Press Francesca & Bruce Slovin Mr. Len Blavatnik Renee & Daniel R. Kaplan National Basketball Association Mr. and Mrs. James Ratner Mr. Stanley Snider Mr. Edgar Bronfman Mr. and Mrs. Norman B. Leventhal National Hockey League Foundation Patrick and Chris Riley aMrs. Louise B. Stern Mr. Stanley Cohen Mr. Leonard Litwin Mr. George Noble Ambassador and Mrs. Felix Rohatyn Mr.
    [Show full text]
  • Arts & Culture
    ONLINE RESOURCES: ARTS & CULTURE Museum of the City of New York Dear Neighbor, New York, New York Website: https://www.mcny.org We have all been dealing with the isolation caused by the COVID-19 Virtual experience: https://artsandculture.google.com/partner/museum-of-the-city- pandemic, and trying to find new ways to connect. Fortunately, for those of of-new-york us who have access to the internet, there are a host of resources available that can allow us all to remain connected. In October, my office hosted Founded in 1923 as a private, nonprofit corporation, the Museum of the City an online forum that explored arts and cultural resources available online. of New York celebrates and interprets the city, educating the public about its Staff and interns also compiled a selection of those resources, and I distinctive character, especially its heritage of diversity, opportunity, and perpetual wanted to use this newsletter to share them with you. Below you will find transformation. The Museum connects the past, present, and future of New York a collection of virtual experiences from around the world. Experiences City, and serves the people of the city as well as visitors from around the world on this list are not endorsements from our office. Some experiences are through exhibitions, school and public programs, publications, and collections. Or free, while others are ticketed. Please check the host’s website as events join the Museum of the City of New York’s interactive, virtual workshops to see continue to evolve. and discuss visuals from the Museum of the City of New York’s exhibitions and collections.
    [Show full text]
  • Dance History Session 9 Katherine Dunham
    Katherine Dunham Timeline 1909 A studio photograph of Katherine Dunham in the 1920s . Katherine Mary Dunham is born on 22 June 1909 in a Chicago hospital. Her father, Albert Millard Dunham, is black; her mother, Fanny June Dunham, is a woman of French-Canadian and American Indian heritage. Shortly after her birth, her parents take the infant Katherine to their home in Glen Ellyn, Illinois, a village about fifteen miles west of Chicago. She spends her early years there in the company of her brother, Albert Jr., who is six years older than she. They become devoted to each other. 1913 Fanny June Dunham, twenty years older than her husband, dies. Katherine and Albert Jr. are sent to live with their father's sister, Lulu, on the South Side of Chicago. 1915 Albert Sr. marries Annette Poindexter, and the children go to live with their father and stepmother in Joliet, Illinois. Their stepmother becomes a benevolent influence, but their father is a strict disciplinarian who lays down hard rules of behavior and dispenses physical punishment for infractions. 1921 Dunham's short story, "Come Back to Arizona," written when she was twelve years old, appears in volume 2 (August 1921) of The Brownies' Book, a periodical edited by W.E.B. Du Bois. 1922 In high school, Katherine Dunham joins the Terpsichorean Club and begins to learn a kind of free-style modern dance based on ideas of Jaques-Dalcroze and Rudolf von Laban. At fourteen, to help raise money for her church, she organizes a "cabaret party." She is the producer, director, and star of the entertainment.
    [Show full text]
  • The History of Photography: the Research Library of the Mack Lee
    THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography.
    [Show full text]
  • NEA Chronology Final
    THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen­ Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic­ the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com­ strengthening the artistic life of this country – was created. panies as there were in 1965.
    [Show full text]
  • International Photography Hall of Fame Announces 2020 Inductees and Award Recipients
    International Photography Hall of Fame Announces 2020 Inductees and Award Recipients Seven inductees, a special Lifetime Achievement Award recipient and a Leadership Award recipient will be added to the Hall of Fame this year ST. LOUIS, July 23, 2020 – The International Photography Hall of Fame and Museum (IPHF) is pleased to announce its 2020 class of Photography Hall of Fame inductees, which will be added to the Hall of Fame and Museum, located in the Grand Center Arts District in St. Louis. The IPHF annually awards and inducts notable photographers or photography industry visionaries for their artistry, innovation, and significant contributions to the art and science of photography. This year, IPHF will host its first-ever hybrid live/virtual induction ceremony in which a worldwide audience will be able to join online on Friday, October 30. 2020 Honorees to be inducted into the Hall of Fame include the following seven photographers or photography industry visionaries who demonstrate the artistry, passion and revolution of the past and present art and science of photography: • Robert Adams, Photographer • Lynsey Addario, Photojournalist • Alfred Eisenstaedt, Photojournalist • Hiro, Fashion/Art/Portrait photographer • Jay Maisel, Fine Art/Portrait/Commercial photographer • Duane Michals, Photographic Innovator • Carrie Mae Weems, Fine Art/Conceptual Photographer In addition, legendary rock music photographer Henry Diltz will be presented with the Lifetime Achievement Award and photographic agency Magnum Photos will receive the Leadership Award. "Despite the challenges we face as a society this year, we are proud to add these exceptional honorees into the Hall of Fame and celebrate their contributions to the art of photography," said Richard Miles, Chairman of the Board of IPHF.
    [Show full text]
  • Annual Report FY14
    FY 14 ANNUAL REPORT August 1, 2013- July 31, 2014 1 THE PHILLIPS COLLECTION FY14 Annual Report FROM THE CHAIRMAN AND DIRECTOR YOUR SUPPORT IS THE FUEL THAT POWERS Dear Supporter, Manifesting myriad emotions, a painting can move and inspire people of THE CREATIVE different cultures, races, and generations, transcending language, geopolitical boundaries—even eras in time. Art holds an increasingly powerful and ENGINE THAT venerable position in modern culture, especially as our 21st-century world of smartphones and social media makes meaningful human connections and mutual understanding seem like scarce treasures. With that in mind, we at The IS THE PHILLIPS Phillips Collection continue to harness the might of our world-class collection to foster global conversations about art but also well-being, creativity, and civic COLLECTION responsibility. These are connections that may not seem linear to those who are unfamiliar with the Phillips, though they certainly carry on founder Duncan Phillips’s legacy. It was his desire for the museum to become, in his words, “an experiment station,” and over the past year we have boldly forged new ideas and arranged novel juxtapositions of painting, dance, and music. Our educational initiatives in the galleries and in DC public schools have catalyzed learning across seemingly disparate disciplines such as the sciences and humanities; and our work with Georgetown University’s School of Foreign Service reveals new opportunities for cultural exchange and diplomacy. We continue to expand Duncan Phillips's vision of “creative conversations” today through our international exhibitions, vibrant programs, and an increasingly diverse range of disciplines and partnerships.
    [Show full text]