Boston Symphony Orchestra Concert Programs, Season 117, 1997-1998
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What Makes Me Feel Drawn to KROKE Music Is Spiritual Reality of the Musicians, This Means Honesty and Authenticity of the Music
What makes me feel drawn to KROKE music is spiritual reality of the musicians, this means honesty and authenticity of the music. Nigel Kennedy The music is too dark to really represent traditional klezmer. At times, it is almost as if the Velvet Underground have been reborn as a klezmer band. Ari Davidov KROKE live are a hair-raisingly brilliant, unforgettable experience. John Lusk At times they sound jazzy, at times contemporary, at times classical. Their music is at once passionate and danceable. Dominic Raui KROKE (which means Kraków in Yiddish) was formed in 1992 by three friends and graduates of the Kraków Academy of Music: Jerzy Bawoł (accordion), Tomasz Kukurba (viola) and Tomasz Lato (double bass). The members of the group completed all stages of standard music education, including contemporary music. KROKE began by playing klezmer music, which is deeply set in Jewish tradition, and adding a strong influence of Balkan music. Currently, they draw inspiration from a variety of ethnic music from around the world, combining it with elements of jazz and improvisation, creating their own distinctive style. Initially, KROKE performed only in clubs and galleries situated in Kazimierz, a former Jewish district of Kraków. There, for the first time, one could listen to KROKE's songs. They later recorded their first cassette released at their own expense in 1993. While performing at the Ariel gallery, they came to the attention of Steven Spielberg, who was shooting Schindler's List in Kraków at the time. Spielberg invited them to Jerusalem, where he was shooting the final scenes. The group performed a concert at the Survivors' Reunion for those of Oskar Schindler's list who made it through the war. -
BRICUP Newsletter 68 September 2013
BRICUP Newsletter 68 September 2013 www.bricup.org.uk [email protected] CONTENTS Kennedy, an enfant terrible of the classical music world , had not played at the Proms for years but P 1. Sound and fury at the Proms over took advantage of a radical mix of programmes this “apartheid” remark time to revisit the Four Seasons with a number of jazz musicians, his own largely Polish Orchestra of P 2. The PACBI Column Life and 17 players from the Palestine Strings wearing trademark keffiyehs. Aged between 12 and On the Academic Boycott Front: A 23, these protégées of the Edward Said National Pioneering Campaign Conservatory of Music demonstrated considerable artistry in one of the world’s greatest performance spaces. No wonder the Zionist reaction to their P 4. The turning of the screw mentor’s solidarity comment was so swift and strong. P 6. Hasbara arrives at the Edinburgh Within days the Jewish Chronicle announced with Fringe satisfaction that the BBC intended deleting Kennedy’s remark from its edited TV broadcast of the concert. Baroness Ruth Deech, a prominent P 7. Notices. Zionist and former BBC governor, had pronounced his words “offensive and untrue” and unfit to be **** heard during a Prom concert. The BBC, saying they Sound and fury at the Proms over did not “fall within the editorial remit of the proms as a classical music festival,” duly obliged. The “apartheid” remark critically-acclaimed concert went out on BBC4 on August 23 without the offending comments. Violinist Nigel Kennedy sent Israel’s apologists into a mighty spin during a Promenade concert in In the interim BRICUP chairman Jonathan London on August 8 when he used the word Rosenhead had joined supporters of Jews for “apartheid” to refer to the life circumstances of the Boycotting Israeli Goods, among them actress young Palestinian musicians with whom he was Miriam Margolyes and writer/comedian Alexei sharing the stage. -
Jon Lord June 9 1941 – July 16 2012
Jon Lord June 9 1941 – July 16 2012 Founder member of Deep Purple, Jon Lord was born in Leicester. He began playing piano aged 6, studying classical music until leaving school at 17 to become a Solicitor’s clerk. Initially leaning towards the theatre, Jon moved to London in 1960 and trained at the Central School of Speech and Drama, winning a scholarship, and paying for food and lodgings by performing in pubs. In 1963 he broke away from the school with a group of teachers and other students to form the pioneering London Drama Centre. A year later, Jon “found himself“ in an R and B band called The Artwoods (fronted by Ronnie Wood’s brother, Art) where he remained until the summer of 1967. During this period, Jon became a much sought after session musician recording with the likes of Elton John, John Mayall, David Bowie, Jeff Beck and The Kinks (eg 'You Really Got Me'). In December 1967, Jon met guitarist Richie Blackmore and by early 1968 the pair had formed Deep Purple. The band would pioneer hard rock and go on to sell more than 100 million albums, play live to more than 10 million people, and were recognized in 1972 by The Guinness Book of World Records as “the loudest group in the world”. Deep Purple’s debut LP “Shades of Deep Purple” (1968) generated the American Top 5 smash hit “Hush”. In 1969, singer Ian Gillan and bassist Roger Glover joined and the band’s sound became heaver and more aggressive on “Deep Purple in Rock” (1970), where Jon developed a groundbreaking new way of amplifying the sound of the Hammond organ to match the distinctive sound of the electric guitar. -
25 July 2008 Page 1 of 8
Radio 3 Listings for 19 – 25 July 2008 Page 1 of 8 SATURDAY 19 JULY 2008 Poulenc: Gloria Read a profile of this artist Britten Sinfonia http://www.bbc.co.uk/music/artist/rq8c/ SAT 01:00 Through the Night (b00cj7xc) Polyphony With John Shea. Stephen Layton (conductor) Choice no.5 (Verity): Methera Quartet: Jack's Alive! (John Dipper) (3.14) Including: Beethoven: Violin Concerto in D, Op 61 album: Methera Polish Chamber Orchestra Methera Records YAN001, Tr.3 Schumann, Robert (1810-1856): Cello Concerto in A minor Nigel Kennedy (violin/director). http://www.methera.co.uk/ Brahms, Johannes (1833-1897): Symphony No 2 http://www.myspace.com/methera Roman, Johan Helmich (1694-1758): Then Svenska Messan Couperin, Francois (1668-1733): Ordre No 8 in B minor SAT 12:15 Music Feature (b00clsyt) Bella Hardy: Three Maidens (Traditional) (3.25) (Pieces de clavecin) A Guide to Accomplishment Interview: Lucy Duran and Bella Hardy (3.21) Zemlinsky, Alexander von (1872-1942): Die Seejungfrau Bella Hardy: Down in Yon Forest (Traditional) (3.09) Chopin, Frederic (1810-1849), arr. Liszt: The Maiden's Wish Concentrating on the novels of Jane Austen, Fiona Talkington Interview: Lucy Duran with Bella Hardy and Chris Sherburne (Six Polish Songs) and Dr Jeanice Brooks of Southampton University present an (5.50) Raitio, Vaino (1891-1945): The Maidens on the Headlands insight into the world of the amateur musician in the late 18th Bella Hardy: Three Black Feathers (Bella Hardy) (3.56) Granados, Enrique (1867-1916): La maja y el ruisenor century, looking at society's attitudes to them and the notion of Bella Hardy (voice/fiddle); Chris Sherburne (concertina) (Goyescas) female 'accomplishment'. -
My World Nigel Kennedy
Oxford Philharmonic Orchestra …. a lot of the time I play music from other worlds …. welcome to my world Nigel Kennedy This new album of Nigel Kennedy in which he features his Cover Photo: Henryk Pietkiewic Printed and Manufactured in own compositions is at the same time the most intimate Germany by Optimal Media view of his world yet. He writes works inspired by his GmbH. All rights reserved. Unauthorized copying, mentors Yehudi Menuhin and Isaac Stern, or by artists like reproduction, hiring, lending, Stéphane Grappelli, Mark O’Connor and Jarek Smietana, public performance and broadcasting prohibited. while composing a whole new suite to Anton Chekhov’s P/© 2016 Edel Germany GmbH, play Three Sisters. In My World, Kennedy shows how string Neumühlen 17, 22763 Hamburg. orchestra, rock band and piano can work well together once you forget the stereotypes. Dedications 1 Dla Jarka (für Jarek Śmietana) 07:05 2 Fallen Forest (für Isaac Stern) 07:26 3 Melody in the Wind (für Stéphane Grappelli) 05:09 4 Solitude (für Yehudi Menuhin) 05:29 5 Gibb it (für Mark O’Connor) 06:35 Three Sisters 6 Intro - Tuzenbach - Solyony’s Prophecy - Masha’s Memory - Andrei Practising 04:51 7 Vershinin’s Idealism - Irena 04:03 8 Rode’s Pictures - Andrei’s Love - Vershinin’s View of Destiny - Solyony 04:13 9 Olga - Solyony’s Possessiveness - Outro 04:00 10 Link Acts 2 – 3 (Fire) - Chebutykin’s Despair - The Sisters’ Fate 07:22 11 Link Acts 3 – 4 03:10 12 Hymn 00:58 13 Masha 02:31 Jarek S´ mietana Isaac Stern My early days in Poland were Meine ersten Jahre in Polen waren In the world of classical music, In der klassischen Musikwelt war musically characterized by meeting musikalisch geprägt von der Begegnung Isaac Stern was a huge inspiration Isaac Stern eine große Inspiration für two great musical identities – Kroke mit zwei großen Musikern – Kroke to every violinist from the younger jeden Geiger der jüngeren Generation. -
Playlist Lotis Classic Club “Quattro Staggioni – Ist Nicht Nur Pizza!” Sendung 3
Playlist Lotis Classic Club “Quattro Staggioni – ist nicht nur Pizza!” Sendung 3. September 2012, Studiogast: Rolf Bussalb, Gitarrist und Musiklehrer, Sessionmusiker von NIGEL KENNEDY lfd Zeit Komponist Werk Pres. Titel / Stück Interpret 00 3:30 Edward Elgar (Anmoderation) 00.16 Pomp+Circumstances Marches Royal Philharm.Orch. Norman Del Mar 01 3:06 Antonio Vivaldi Vier Jahreszeiten 01.01 Concerto No.1 Primavera Spring Nigel K. + English Chamber Orchestra 02 5:08 J.S.Bach Violinsonate 01.06 Allegro Assai Nigel Kennedy 03 3:00 Claude Debussy Songs 01.05 The Girl with the flaxen hair Nigel K. + English Chamber Orchestra 04 5:39 Rolf Bussalb Fusion Live Buttmen RB Criss Cross Rolf Bussalb + Buttmen 05 4:50 R.VaugnWilliams The lark askending 02.04 Die Lerche Hillary Hahn + London Symph. ColinDavis 06 4:50 “ “ 01.04 “ Nigel K. + Birmingham Symph. SimonRattle 07 4:08 t b a E Major Prelude RB Night of the Proms 2011 Nigel K. + Rolf Bussalb Royal Albert Hall 08 1:21 Rimsky Korsakow Songs 3.1.09 flight of the bumblebee Nigel K. + Engl. Chamber Orch. 1999 09 3:06 Kroll Songs 3.1.11 Banjo and fiddle Nigel K. + Engl. Chamber Orch. 1999 10 4:58 Nick Drake Songs 3.2.03 Riverman (Voc: Boy George) Nigel K. + Band 11 2:37 Nigel Kennedy Songs 3.2.08 The empty bottle Nigel K. + Band 12 4.24 The Kroke Band East meets West 04.01 Ajde Jano (Voc: Natacha Atlas) Nigel K. + Kroke 13 3:24 The Kroke Band East meets West 04.02 Lullaby for Kamila Nigel K. -
Concert Program
CONCERT PROGRAM PRESENTED BY 1 – 12 aPRIL 2014 | MELBOURNe rECITAl cENTRE MSO PARTNERS PRINCIPAL PARTNER GOVERNMENT partners MAESTRO PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS 2 CONTENTS CONCERT GUIDES PROGRAM Joanna MacGregor - Musical Toys (1 April) 5 INFORMATION Plexus - Pantheon (2 April) 12 Forest Collective - The Garden of Ice (4 April) 13 MSO Programs can be read online or downloaded up to a Six Degrees Ensemble - Garden of Earthly Desire (5 April) 14 week before each concert, from mso.com.au Stefan Cassomenos and Judith Dodsworth - Sappho's Butterflies (9 April) 15 If you do not need this printed program after the concert, (5 April) 16 The MSO and Olli Mustonen - Tapiola we encourage you to return it to The MSO and Olli Mustonen - Frescoes of Dionysius (9 April) 28 a member of staff. Please share one program between two people ( ) Syzygy - Logic 10 April 33 where possible. The MSO and Olli Mustonen - Concert Champêtre (12 April) 34 This program has been printed Aura Go - Dichotomie (12 April) 39 on FSC accredited paper. For news and updates on the Melbourne Symphony Orchestra MSO Partners 2 (MSO) follow us on Facebook MSO Supporters 25 or Twitter. Commissioning the Future 27 Sign up for MSO's monthly e-news, at mso.com.au, to receive Meet Your Musician 40 special offers from the MSO and partner organisations. The Orchestra 41 Sign up for Melbourne Recital Melbourne Recital Centre Supporters 42 Centre's eNews for special offers, priority booking and giveaways at melbournerecital.com.au COVER image: Soundscape: Sibelius Tapiola Find your work-life groove From laid back to more upbeat, you’ll find a range of inspirations in our Business Class. -
Notes on the Program by James M
Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair Concerto in D major for Violin and Orchestra, Op. 77 Johannes Brahms ohannes Brahms was the chief acolyte of time. It was Joachim who had championed Jthe conservative stream of 19th-century Beethoven’s Violin Concerto to a degree that Romanticism. As a young composer, he lifted it in musical prestige from a perceived sought out the composer and critic Robert footnote in Beethoven’s catalogue to a reper- Schumann in 1853. Schumann was hugely toire masterwork. He would introduce such impressed by the young man’s talent, and on important works as Schumann’s Phantasie October 28 of that year he published in the for Violin and Orchestra (1854) and Violin Neue Zeitschrift für Musik, a musical maga- Concerto (though the latter only in private zine he had founded, an effusive article that performances beginning in 1855) and the acclaimed Brahms as a sort of musical Mes- final version of Max Bruch’s Violin Concer- siah, “destined to give ideal presentation to to No. 1 (in 1868), as well as Brahms’s Violin the highest expression of the time, … spring- Concerto and Double Concerto for Violin ing forth like Minerva fully armed from the and Cello. head of Jove.” Joachim’s presence looms large in the Brahms filled Schumann’s prophecy and case of Brahms’s Violin Concerto, as the became the figure who most fully adapted composer consulted with him very closely the models of Beethoven (via Mendelssohn while writing the piece and there is no ques- and Schumann himself) to the evolving aes- tion that Joachim’s influence on the final thetics of the mid-to-late 19th century. -
Seiii Ozawa J Mrsic Thrfctor // )
E Seiii Ozawa J mrsic thrfctor // ) /-» s\ r\ 1994 eason When you know your worth Omega Constellation 18K gold and stainless steel ladies' watch .with diamond bezel. Scratch-resistant sapphire crystal. Water resistant. Swiss made since 1848. OMEGA fi& ALPHA OMEGA Sfta& cU/}atcAe& The sign of excellence AMERICA'S WATCH SPECIALISTS Harvard Square-57 J.F.K. Street ©1994 Omega,*a division of EMI (US) Inc. Cambridge, MA 02138 1-800-447-4367 (617) 864-1227 Seiji Ozawa, Music Director One Hundred and Fourteenth Season, 1994-95 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman Nicholas T. Zervas, President Mrs. Edith L. Dabney, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman Harlan E. Anderson Nader E Darehshori Julian T. Houston Mrs. August R. Meyer Peter A. Brooke Deborah B. Davis Edna S. Kalman Mrs. Robert B. Newman James E Cleary Nina L. Doggett Allen Z. Kluchman Peter C. Read John E Cogan, Jr. DeanW. Freed Harvey Chet Krentzman Carol Scheifele-Holmes Julian Cohen Avram J. Goldberg George Krupp Richard A. Smith Wilham E Connell Thelma E. Goldberg R. Willis Leith, Jr. Ray Stata William M. Crozier, Jr. Trustees Emeriti Vernon R. Alden AbramT. Collier Mrs. George I. Kaplan Mrs. George Lee Sargent Philip K. Allen Nelson J. Darling, Jr. George H. Kidder Sidney Stoneman David B. Arnold, Jr. Archie C. Epps Thomas D. Perry, Jr. John Hoyt Stookey Allen G. Barry Mrs. Harris Fahnestock Irving W Rabb John L. Thorndike Leo L. Beranek Mrs. John L. Grandin Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Daniel R. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 ............................................................................................................................................................................. -
School of Music 2001–2002
School of Music 2001–2002 bulletin of yale university Series 97 Number 4 July 10, 2001 Bulletin of Yale University Postmaster: Send address changes to Bulletin of Yale University, PO Box 208227, New Haven ct 06520-8227 PO Box 208230, New Haven ct 06520-8230 Periodicals postage paid at New Haven, Connecticut Issued sixteen times a year: one time a year in May, October, and November; two times a year in June and September; three times a year in July; six times a year in August Managing Editor: Linda Koch Lorimer Editor: David J. Baker Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut Publication number (usps 078-500) The closing date for material in this bulletin was June 10, 2001. The University reserves the right to withdraw or modify the courses of instruction or to change the instructors at any time. ©2001 by Yale University. All rights reserved. The material in this bulletin may not be reproduced, in whole or in part, in any form, whether in print or electronic media, without written permission from Yale University. Inquiries Requests for bulletins and application material should be addressed to the Admissions Office, Yale School of Music, PO Box 208246, New Haven ct 06520-8246. School of Music 2001–2002 bulletin of yale university Series 97 Number 4 July 10, 2001 c yale university ce Pla Lake 102-8 Payne 90-6 Whitney — Gym south Ray York Square Place Tompkins New House Residence rkway er Pa Hall A Tow sh m u n S Central tree Whalley Avenue Ezra Power Stiles t Morse Plant north The Yale Bookstore > Elm Street Hall of Graduate Studies Mory’s Sterling St. -
Bulletin 2004/Music/Pages.6-Db
ale university July 20, 2005 2006 – Number 4 bulletin of y Series 101 School of Music 2005 bulletin of yale university July 20, 2005 School of Music Periodicals postage paid New Haven, Connecticut 06520-8227 ct bulletin of yale university bulletin of yale New Haven Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and affirmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, staff, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven ct 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual on PO Box 208230, New Haven ct 06520-8230 account of that individual’s sex, race, color, religion, age, disability, status as a special disabled Periodicals postage paid at New Haven, Connecticut veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation. Issued seventeen times a year: one time a year in May, November, and December; two times University policy is committed to affirmative action under law in employment of women, a year in June; three times a year in July and September; six times a year in August minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. Managing Editor: Linda Koch Lorimer Inquiries concerning these policies may be referred to Valerie O.