Gong Expresso Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Gong Expresso mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Expresso Country: Japan Style: Fusion, Jazz-Rock, Prog Rock MP3 version RAR size: 1402 mb FLAC version RAR size: 1129 mb WMA version RAR size: 1921 mb Rating: 4.9 Votes: 349 Other Formats: ASF MOD DTS AUD WAV AC3 MIDI Tracklist Hide Credits Expresso A1 Written-By – P. Moerlen* Night Illusion A2 Written-By – A. Holdsworth* Percolations - Part 1 A3 Written-By – P. Moerlen* Percolations - Part 2 A4 Written-By – P. Moerlen* Shadows Of - Part 1 B1 Written-By – A. Holdsworth* Shadows Of - Part 2 B2 Written-By – A. Holdsworth* Esnuria B3 Written-By – P. Moerlen* Mireille B4 Written-By – F. Moze* Companies, etc. Record Company – Virgin Records, Inc. Recorded At – The Manor Mixed At – Trident Studios Credits Art Direction, Design – Ed Lee Bass [Fretless], Electric Piano, Piano [Acoustic], Gong – Francis Moze Congas, Gong [African Bell-Gong], Cuica, Triangle, Maracas, Talking Drum, Temple Block – Mino Cinelou* Drums, Vibraphone [Vibra], Marimba, Timpani, Glockenspiel [Glock] – Pierre Moerlen Electric Guitar, Acoustic Guitar, Violin, Pedal Steel Guitar – Allan Holdsworth Illustration – John Thompson Mastered By [Mastering Engineer] – George Piros Mixed By [Engineer At Trident Studios] – Stephen W. Taylor* Producer, Recorded By – Dennis Mackay Tenor Saxophone, Flute – Didier Malherbe Vibraphone [Vibra] – Benoit Moerlen Vibraphone, Marimba, Glockenspiel [Glock], Drum [Toms] – Mireille Bauer Notes I,m not sure whether it's a counterfeit or not. Cover is black and white. No additional info on the labels. Issued in Europe as Gazeuse! Other versions Category Artist Title (Format) Label Category Country Year V 2074 Gong Gazeuse! (LP, Album) Virgin V 2074 UK 1976 Gazeuse! (LP, Album, 28 423 XOT Gong Virgin 28 423 XOT Germany Unknown RP) Gazeuse! (LP, Album, 2473 711 Gong Virgin 2473 711 France Unknown RE) Gazeuse! (LP, Album, OVED 18 Gong Virgin OVED 18 Italy Unknown RE) Gazeuse! (CD, Album, Caroline Blue CAROL 1660-2 Gong CAROL 1660-2 US 1994 RE) Plate Related Music albums to Expresso by Gong Gong - Wingful Of Eyes (A Retrospective - '75-'78) Gary Husband - The Things I See (Interpretations Of The Music Of Allan Holdsworth) Pierre Moerlen's Gong - Time Is The Key Gong - Expresso II Gong - Angel's Egg (Radio Gnome Invisible Part 2) Gong - Shamal Allan Holdsworth - Wardenclyffe Tower Allan Holdsworth - None Too Soon Gong - Angel's Egg (Radio Gnome Invisible Part II) Pierre Moerlen's Gong - Downwind.

Copy Link

Recommended publications

Bibliografia Canterbury Ridotta
Presentazione La scena di Canterbury fu un movimento musicale che si sviluppò tra la fine degli anni Sessanta e la meta dei Settanta nell’omonima cittadina del Kent. Anche se furono molti i gruppi che la composero – alcuni dei quali ancora oggi leggendari come i Soft Machine, i Caravan o i Matching Mole - il numero dei musicisti coinvolti fu sempre molto ridotto, favorendo così un rapporto osmotico tra le varie band anche nelle scelte musicali intraprese. Ciò che caratterizzò la Scena fu infatti una comune idea di arte che possiamo definire – citando Marcus O’Dair, autore della recente biografia di Wyatt – come “un certo stile rock psichedelico venato di jazz, pastorale, very english… con tempi complessi, una preferenza di tastiere rispetto alle chitarre e un modo di cantare convintamente radicato nell’East Kent, là dove i cantanti dell’epoca posavano tutti da Delta bluesman”. Nata con l’album Soft Machine (1968) e conclusa da Rock Bottom (1974) – nonostante i successivi epigoni - la Scena di Canterbury fu sicuramente il momento più alto di tutto il genere Progressive e uno dei movimenti musicali più innovativi (e altrettanto ostici) di tutto il rock. Riascoltato oggi può apparire troppo contorto e scarsamente fruibile, persino nelle sue espressioni più “pop” quali i dischi di Kevin Ayers o dei Caravan, ma in realtà è ancora un’esperienza unica ed entusiasmante per tutti gli ascoltatori disposti a superare le barriere e i tabù che troppo spesso caratterizzano il mondo della musica popolare. Aprile - Maggio 2015 Discografia: Guida all’ascolto Soft machine - Soft machine (1968) Una premessa importante: la Scena di Canterbury fu per sei Soft machine – Two (1969) entusiasmanti anni il fulcro della musica d’avanguardia inglese, Soft machine – Third (1970) proponendo opere spesso di non semplice fruizione che richiedono più Soft machine – Fourth (1971) di un ascolto per essere godute pienamente.
[Show full text]
Allan Holdsworth R.I.P. 1946 - 2017
ALLAN HOLDSWORTH R.I.P. 1946 - 2017 Progressive rock and jazz fusion guitar pioneer Allan Holdsworth, who Eddie Van Halen called “the best, in my book,” has died on April 16, 2017 of unknown causes. He was 70. Holdsworth’s daughter Louise confirmed the news on Facebook, saying “it is with heavy hearts that we notify everyone of the passing of our beloved father. We would appreciate privacy and time while we grieve the loss of our dad, grandad, friend and musical genius. We will update close friends and family when service arrangements have been made and will notify the public of an open memorial service, which all would be welcome. We are undeniably still in shock with his unexpected death and cannot begin to put into words the overwhelming sadness we are experiencing. He is missed tremendously.” Holdsworth first appeared on a record in 1969 with the group ‘Igginbottom. After ’70s stints in groundbreaking progressive rock and jazz fusion acts such as Soft Machine, the New Tony Williams Lifetime, Pierre Moerlen’s Gong, Bruford and UK, he released his first official solo album, I.O.U., in 1982. + + + + + Thanks to glasnostrd19 for sharing the show at The Traders’ Den. glasnostrd19 noted: This may be the most widely circulated Holdsworth show out there (other than with UK in 1978)... I don’t know how circulated this is directly from the master tape, and this is probably as good as it’s ever been circulated. I’m pretty sure this is the full show from Reseda. The last song was tacked on the same tape as “filler” (and it is a pretty cool jam and nice audience recording) so I left it in here.
[Show full text]
L'oreille Électrique
Bio information: FORGAS BAND PHENOMENA Title: L’OREILLE ÉLECTRIQUE [The Electric Ear] (Cuneiform Rune 447) Format: CD / DIGITAL www.cuneiformrecords.com FILE UNDER: JAZZ / JAZZ-ROCK “...there's always a logical and organic flow, despite knotty and sometimes orchestral transitions.... Its combination of singable themes and rock rhythms will appeal to...all fans of improvisation within a richly composed context.” – All About Jazz “Jazz-fusion, yes, but with a degree of compositional content and integrity often absent in the genre.” – Progression “...orchestral jazz-rock...of the kind scarcely made anymore; virtuosic, tasteful, and melodically pleasing.” – Exposé Drummer/composer Patrick Forgas first came to prominence when in 1977, aged 26, he released his debut album Cocktail, half of which featured him handling most of the instrumentation as well as singing, along with one 20-minute, full band suite, “My Trip”, recorded with various members of Zao and Magma. Forgas’s self-confessed prime influence was Soft Machine, and his high-pitched vocals and nonsense lyrics led to him being dubbed “the French Robert Wyatt”. The album only sold moderately in the context of dwindling interest in progressive rock and jazz-rock, and a band assembled for live work was dismantled after a few months of one-off engagements, leaving a composed follow-up album unrecorded. The 1980s saw a couple of ill-fated attempts at re-branding himself as a goofy pop singer until, under the auspices of Muséa Records’ Alain Juliac, he returned to a direction more akin to his 1970s work, albeit performing mostly on synths, programming and vocals having sold his drum kit.
[Show full text]
Jean-Philippe Rykiel
Jean-Philippe Rykiel Nato cieco nel 1961, Jean-Philippe Rykiel ha imparato a suonare il pianoforte da autodidatta fin da bambino. Anche se la sua passione musicale è nata dall'ascolto di classici come Thelonious Monk, la sua passione si è quasi subito rivolta verso le tastiere. La sua padronanza tecnica e il suo vivace intuito musicale lo hanno portato a collaborare con grandi musicisti sotto diverse vesti: come programmatore (con Vangelis e Vladimir Cosma), come strumentista (con Steve Hillage, Jon Hassell, Didier Malherbe e per numerosi progetti africani) e come arrangiatore (per Xalam, Salif Keita, Leonard Cohen, Youssou N'Dour e molti altri). Nel 1992 ha composto e coprodotto con Youssou N'Dour Eyes Open , una collaborazione che è poi proseguita con l’album Wommat The Guide del 1994 e per una tournée che ha toccato Europa, Africa e Stati Uniti. Il 2002 li vede ancora insieme con Nothing's In Vain (Nonesuch). Parallelamente a queste collaborazioni Rykiel ha proseguito anche la sua personale ricerca sfociata nel suo album solista apparso nel 1982 e in numerose creazioni per spettacoli, cinema e pubblicità, tra cui le musiche per il film Les Pierres Bleues du Désert di Nabil Ayouch e la colonna sonora di L’Enfant Lion di Patrick Grandperret. Nel 1994 ha arrangiato e suonato in The Lama's Chants , un album di preghiere tibetane cantato da Lama Gyurme, disco d'oro in Spagna e brillantemente recensito in tutto il mondo. Nel 2000 collabora nuovamente con Lama Gyurme a Vajra Chants, seguito da una tournée in Europa, Asia e America.
[Show full text]
FORGAS BAND PHENOMENA Title: ACTE V (Cuneiform Rune 332/333)
Bio Information: FORGAS BAND PHENOMENA Title: ACTE V (Cuneiform Rune 332/333) Cuneiform promotion dept.: tel (301) 589-8894 / fax (301) 589-1819 Email: joyce [-at-] cuneiformrecords.com [press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ / JAZZ-FUSION / JAZZ-ROCK "Since his comeback in the 90s with Forgas Band Phenomena, drummer, bandleader and composer Patrick Forgas ups the ante with each new release...and they just keep getting better and better like fine wine. ...This band flows smoothly between beautifully layered melodic structures into tasty rave ups...equal parts of jazz and rock, with a healthy injections of orchestral brilliance. ...a captivating and spellbinding journey." – Exposé "The Forgas Band Phenomena…blurs idiomatic considerations so extensively they render stylistic definitions irrelevant. No one can accuse…Patrick Forgas of being tame or conservative in his writing and arrangements. ...captivating." – Jazz Times "those...who grew up on the Return to Forever / Mahavishnu Orchestra / Weather Report strain of modern jazz...will love this group. ...The distinct Euro edge of classical Canterbury art rock minus the abject self-indulgence…extremely listenable music that keeps nostalgia to a minimum. ...terrific music made by a wonderful band that cannot be a trade secret for too much longer. Vive la Forgas!" – All Music Guide Composer/drummer Patrick Forgas has been hailed as “the French answer to the Canterbury scene” ever since his debut 1977 release Cocktail (recorded with members of Magma and Zao). Since the late 1990s, as leader of the Forgas Band Phenomena, he has helped ignite interest in Canterbury-infused jazz-rock among a new generation of young French jazz musicians and fans.
[Show full text]
Tim Blake Interview EXCLUSIVE: Joey Molland Remembers the Glory Days
EXCLUSIVE: Tim Blake Interview EXCLUSIVE: Joey Molland remembers the glory days of Apple EXCLUSIVE: Cyrille Verdeaux and the Amazonian chieftain EXCLUSIVE: Behind the scenes of the Psychedelic Warlords EXCLUSIVE: The naked performance artist takes on Paypal. Will she win? We certainly hope so. 2 magazine, which would cover the music and culture (and the attendant lifestyle and politics) that interested me, and I realised then that now I was being given the chance. As I have always admitted, I am growing up in public and that I have no real long term plan with any of the things that I do, except to seize the opportunities that I can, and basically make it up as I go along, going in whatever direction the Fates send me. Which is basically how I live my life. So this new advancement is allowing me to produce something that is far more like a magazine than it was before. I am very much an old fashioned sort of fellow, and don’t really like many new fangled things. E-books are a particular gripe of mine—I have an e-book reader (mainly because they were incredibly cheap at Asda) and I use it mostly for reading pdfs of technical journals in bed, or reading So welcome to the first issue of the new look Gonzo P.G. Wodehouse novels whilst I am travelling Weekly. somewhere, but for me at least the e-book has only a very limited appeal. I am always amazed at how fast technology advances and how we can all do things now that E-magazines, however, are an entirely different would have been unthinkable even five years ago.
[Show full text]
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb.
[Show full text]
Découvrir Découvrir
Découvrir January - February 2012 HADOUK TRIO In Ahmedabad Throughout 2012, come and celebrate with us the 30 years of the Alliance Française in Ahmedabad I N D I A Cinéclub Calendar for Cultural Events 07 Jan • 18 Feb Alliance Française Gujarati will be closed on: JANUARY - FEBRUARY 2012 Sahitya Parishad January 01 (New Year) Short Film Festival Monthly Talk Fanatika Theatre January 14, 15 Concert Les Lutins du Niranjan Bhagat Documentary Festival (Uttarayan) Hadouk Trio Court Métrage 27 January 3-4-5 February 19-22 January 11 February Gujarati Gujarati January 26 Gujarati Natarani Sahitya Parishad Sahitya Parishad (Republic Day) Sahitya Parishad January 30 Concert Monthly Talk (Gandhiji’s Death Anniversary) Concert Eryck Abecassis Chinu Modi Eryck Abecassis 24 February 25 February February 04 17 February Kamatibaug Gujarati (Eid-E-Milad) NID Baroda Sahitya Parishad February 20 (Maha Shivratri) Alliance Française d'Ahmedabad Alliance Française – Annexe Baroda Découvrir Shahid Vir Kinariwala Marg, 1, Sangeet Society Opp. Gujarat College, Ellisbridge Opp. Shivashray Society [dekuvRiR] Ahmedabad 380 006 Gujarat, India. Vasna Road, Baroda 390 015 to discover Tel: +91 79 26401551, 26560271 Gujarat, India { { Fax: +91 79 26560221 Telefax: +91 265 2252854 January – February 2012 Web: http://ahmedabad.afindia.org Email: [email protected] Email: [email protected] Facebook: Af d'Ahmedabad Patrick Audoux © Desk CampusFrance-Espace Ahmedabad Design by (at Alliance Française d'Ahmedabad) er Image: v kreativeidea +91 98259 26602 www.campusfrance.org • email: [email protected] Co Gandhigram Law Garden Railway Station oad British Library Ashram R r e Panchvati v Town Hall i Circle R Gujarat College Ellis Bridge i t a m r a b a S Celebrating 30 years of Alliance Française in Ahmedabad Alliance Française d’Ahmedabad (founded in 1982) will celebrate its 30th birth anniversary in 2012 by organising a series of lectures, talks and discussion on ‘the impact of French literature on Gujarati writers’ throughout the year 2012.
[Show full text]
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.
[Show full text]
AUGUST 1984 LH: I Wanted to Sit In, If Conway Would Let Me
VOL. 8, NO. 8 Cover Photo by Robert Herman FEATURES LEVON HELM During the late '60s and early '70s, Bob Dylan and The Band were musically a winning combination, due in part to the drumming and singing talents of Levon Helm. The Band went on to record many classics until their breakup in 1976. Here, Levon discusses his background, his work with Dylan and The Band, and the various projects he has been involved with during the past few years. by Robyn Flans 8 THOMMY PRICE Price, one of the hottest new drummers on the scene today, is cur- rently the power behind Billy Idol. Before joining Idol, Thommy Carneau had a five-year gig with Mink DeVille, followed by a year with Fred Scandal. In this interview, Thommy reveals the responsibilities of by working with a top act, his experiences with music video, and how Photo the rock 'n' roll life-style is not all glamour. by Connie Fisher 14 BOB MOSES Bob Moses is truly an original personality in the music world. Although he is known primarily in the jazz idiom for his masterful drumming, he is also an active composer and artist. He talks about his influences, his technique, and the philosophies behind his Jachles various forms of self-expression. by Chip Stern 18 Michael by DRUMMING IN ATLANTIC CITY Photo by Rick Van Horn 22 Malkin WILL DOWER Rick Australian Sessionman by by Rick Van Horn 24 Photo CLUB SCENE ON THE MOVE COLUMNS Attention To Detail James D. Miller and Bob Pignatiello. 78 by Rick Van Horn 90 IN THE STUDIO EDUCATION DRUM SOLOIST Jim Plank CONCEPTS Philly Joe Jones: "Lazy Bird" by Ted Dyer 84 Drummers And Put-Downs by Dan Tomlinson 96 by Roy Burns 28 REVIEWS EQUIPMENT LISTENER'S GUIDE ON TRACK 46 by Peter Erskine and Denny Carmassi 30 PRODUCT CLOSE-UP NEWS ROCK PERSPECTIVES Remo PTS Update Beat Study #13 by Bob Saydlowski, Jr.
[Show full text]
Plattenbörsen 2005
2 Oldie Markt 08/05 Schallplattenbörsen Plattenbörsen 2005 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur eventuell Platz für Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Anzeige oder Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in Bild wird von geliefertem der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- Film einmontiert! schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 28. Juli Berlin Statthaus Böcklerpark Kurt Wehrs ¤ (030) 67 77 62 42 28. August Leipzig Uni Mensa First & Last ¤ (03 41) 699 56 80 29. August Berlin Velodrom First & Last ¤ (03 41) 699 56 80 3. September Hamburg Uni Mensa WIR ¤ (0 51 75) 92 23 59 4. September Bielefeld Spinnerei Ravensberg WIR ¤ (0 51 75) 92 23 59 10. September Bremen Konsul Hackfeld Haus WIR ¤ (0 51 75) 92 23 59 11. September Cottbus Stadthalle First & Last ¤ (03 41) 699 56 80 11. September Köln Tanzbrunnen Wolfgang W. Korte ¤ (061 01) 12 86 62 11. September Braunschweig Mensa 2 WIR ¤ (0 51 75) 92 23 59 12. September Plauen Festhalle First & Last ¤ (03 41) 699 56 80 17. September Erfurt Thüringerhalle Iris Lange ¤ (056 59) 73 24 18. September Frankfurt/Main Jahrhunderthalle Wolfgang W. Korte ¤ (061 01) 12 86 62 18. September Chemnitz Stadthalle Iris Lange ¤ (056 59) 73 24 25. September Essen Grugahalle First & Last ¤ (03 41) 699 56 80 25.
[Show full text]
Plattenbörsen 2005
2 Oldie Markt 02/05 Plattenbörsen Plattenbörsen 2005 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Bild wird von geliefertem Second-Hand-Platten, Fachzeitschriften, Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in Film einmontiert! der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 27. Januar Berlin Statthaus Böcklerpark Kurt Wehrs ¤ (030) 67 77 62 42 29. Januar Hamburg Uni Mensa WIR ¤ (051 75) 93 29 93 29. Januar Salzburg/Österreich Kleingmainer Saal Werner Stoschek ¤ (085 09) 26 09 6. Februar Dortmund Westfalenhalle-Goldsaal Manfred Peters ¤ (02 31) 48 19 39 6. Februar Lingen Emslandhallen JoKo-Promotion ¤ (02 71) 232 00 17 12. Februar Gera Kongreßzentrum First & Last ¤ (03 41) 699 56 80 13. Februar Bremen Weserterrassen Henry Fangmann ¤ (047 46) 98 18 75 13. Februar Mainz Kurfürstliches Schloß Wolfgang W. Korte ¤ (061 01) 12 86 62 13. Februar Münster Halle Münsterland Agentur Lauber ¤ (02 11) 955 92 50 13. Februar Aachen Eurogress JoKo-Promotion ¤ (02 71) 232 00 17 13. Februar Leipzig Uni-Mensa First & Last ¤ (03 41) 699 56 80 18. Februar Berlin-Hellersdorf Marktplatz-Center Kurt Wehrs ¤ (030) 67 77 62 42 19. Februar Mannheim Alte Feuerwache Wolfgang W. Korte ¤ (061 01) 12 86 62 20. Februar Siegen Siegerlandhalle Joko-Promotion ¤ (02 71) 232 00 17 20. Februar Saarbrücken Congresshalle Agentur Lauber ¤ (02 11) 955 92 50 20.
[Show full text]