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Nationalism Through Sacred Chant? Research of Byzantine Musicology in Totalitarian Romania
Nationalism Through Sacred Chant? Research of Byzantine Musicology in Totalitarian Romania Nicolae GHEORGHIță National University of Music, Bucharest Str. Ştirbei Vodă nr. 33, Sector 1, Ro-010102, Bucharest, Romania E-mail: [email protected] (Received: June 2015; accepted: September 2015) Abstract: In an atheist society, such as the communist one, all forms of the sacred were anathematized and fiercly sanctioned. Nevertheless, despite these ideological barriers, important articles and volumes of Byzantine – and sometimes Gregorian – musicological research were published in totalitarian Romania. Numerous Romanian scholars participated at international congresses and symposia, thus benefiting of scholarships and research stages not only in the socialist states, but also in places regarded as ‘affected by viruses,’ such as the USA or the libraries on Mount Athos (Greece). This article discusses the mechanisms through which the research on religious music in Romania managed to avoid ideological censorship, the forms of camouflage and dissimulation of musicological information with religious subject that managed to integrate and even impose over the aesthetic visions of the Party. The article also refers to cultural politics enthusiastically supporting research and valuing the heritage of ancient music as a fundamental source for composers and their creations dedicated to the masses. Keywords: Byzantine musicology, Romania, 1944–1990, socialist realism, totalitari- anism, nationalism Introduction In August 1948, only eight months after the forced abdication of King Michael I of Romania and the proclamation of the people’s republic (30 December 1947), the Academy of Religious Music – as part of the Bucharest Academy of Music and Dramatic Art, today the National University of Music – was abolished through Studia Musicologica 56/4, 2015, pp. -
Twenty Payment Life Policy the MASSACHUSETTS
II ADVERTISEMENTS A SAFE INVESTMENT FOR YOU Did you ever try to invest money safely? Experienced Financiers find this difficult: How much more so an inexperienced person. ...THE... Twenty Payment Life Policy (With its Combined Insurance and Endowment Features) ISSUED By THE MASSACHUSETTS MUTUAL LIFE INSURANCE COMPANY, OF SPRINGFIELD, MASS. is recommended to you as an investment, safe and profitable. The Policy is plain and simple and the privileges and values are stnted in plain figures that any one can read. It is a sure and systematic way of saving money for your own use or support in later years. Saving is largely a matter of habit. And the semi-compulsory feature cultivates that saving habit. Undir the contracts issued by the Massachusetts Mutual Life Insur- ance Company the protection afforded is unsurpassed. For further information address HOME OFFICE, Springfield, Mass., or New York Office, Empire Building, 71 Broadway. PHILADELPHIA OFFICE, - - - Philadelphia Bourse. BALTIMORE " 4 South Street. CINCINNATI " - Johnston Building. CHICAGO " Merchants Loan and Trust Building. ST. LOUIS " .... Century Building. ADVERTISEMENTS III 1851, 1901. The Phoenix Mutual Life Insurance Company, of Hartford, Connecticut, Issues Endowment Policies to either men or women, which (besides.giving Five other options) GUARANTEE when the Insured is Fifty, Sixty, or Seventy Years Old To Pay $1,500 in Cash for Every $1,000 of Insurance in force. Sample Policies, rates, and other information will be given on application to the Home Office. ¥ ¥ ¥ JONATHAN B. BUNCE, President. JOHN M. HOLCOMBE, Vice-President. CHARLES H. LAWRENCE, Secretary. MANAGERS: WEED & KENNEDY, New York. JULES GIRARDIN, Chicago. H. W. -
Dositheos Notaras, the Patriarch of Jerusalem (1669-1707), Confronts the Challenges of Modernity
IN SEARCH OF A CONFESSIONAL IDENTITY: DOSITHEOS NOTARAS, THE PATRIARCH OF JERUSALEM (1669-1707), CONFRONTS THE CHALLENGES OF MODERNITY A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Christopher George Rene IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Adviser Theofanis G. Stavrou SEPTEMBER 2020 © Christopher G Rene, September 2020 i Acknowledgements Without the steadfast support of my teachers, family and friends this dissertation would not have been possible, and I am pleased to have the opportunity to express my deep debt of gratitude and thank them all. I would like to thank the members of my dissertation committee, who together guided me through to the completion of this dissertation. My adviser Professor Theofanis G. Stavrou provided a resourceful outlet by helping me navigate through administrative channels and stay on course academically. Moreover, he fostered an inviting space for parrhesia with vigorous dialogue and intellectual tenacity on the ideas of identity, modernity, and the role of Patriarch Dositheos. It was in fact Professor Stavrou who many years ago at a Slavic conference broached the idea of an Orthodox Commonwealth that inspired other academics and myself to pursue the topic. Professor Carla Phillips impressed upon me the significance of daily life among the people of Europe during the early modern period (1450-1800). As Professor Phillips’ teaching assistant for a number of years, I witnessed lectures that animated the historical narrative and inspired students to question their own unique sense of historical continuity and discontinuities. Thank you, Professor Phillips, for such a pedagogical example. -
Molvania Free
FREE MOLVANIA PDF Santo Cilauro,Tom Gleisner,Rob Sitch | 176 pages | 01 Oct 2004 | Overlook Press | 9781585676194 | English | United States Molvanîa - Wikipedia The region of Pokuttya was also part of it for a period of time. The western half of Moldavia is now part of Romania, the eastern Molvania belongs to the Republic of Moldovaand the northern and southeastern parts are territories of Ukraine. The original Molvania short-lived reference to the region was Bogdaniaafter Bogdan Ithe founding figure of the principality. The names Molvania and Moldova are derived from the name of the Moldova River ; however, the etymology is not known and there are several variants: Molvania [8]. In several early references, [11] "Moldavia" is rendered under the composite form Moldo-Wallachia in the same way Wallachia may appear as Hungro-Wallachia. See also names Molvania other languages. The inhabitants of Moldavia were Christians. The place of worship, and the tombs had Molvania characteristics. The Molvania of worship had a rectangular form with sides of eight Molvania seven meters. The Bolohoveniis mentioned by the Hypatian Chronicle in the 13th century. The chronicle shows that this [ which? Archaeological research also Molvania the Molvania of 13th- century fortified settlements in this region. Molvania ethnic identity is uncertain; although Romanian scholars, basing on their ethnonym identify them as Romanians who were called Vlachs in the Middle Agesarcheological evidence and the Hypatian Chronicle which is the only primary source that Molvania their history suggest Molvania they were a Slavic people. In the early 13th century, the Brodniksa possible Slavic — Vlach vassal state of Halychwere present, alongside the Vlachs, in Molvania of the region's Molvania towardsthe Brodniks are mentioned as in service of Suzdal. -
Artes 21-22.Docx
DOI: 10.2478/ajm-2020-0004 Artes. Journal of Musicology Constantin Silvestri, the problematic musician. New press documents ALEX VASILIU, PhD “George Enescu” National University of Arts ROMANIA∗ Abstract: Constantin Silvestri was a man, an artist who reached the peaks of glory as well as the depths of despair. He was a composer whose modern visions were too complex for his peers to undestand and accept, but which nevertheless stood the test of time. He was an improvisational pianist with amazing technique and inventive skills, and was obsessed with the score in the best sense of the word. He was a musician well liked and supported by George Enescu and Mihail Jora. He was a conductor whose interpretations of any opus, particularly Romantic, captivate from the very first notes; the movements of the baton, the expression of his face, even one single look successfully brought to life the oeuvres of various composers, endowing them with expressiveness, suppleness and a modern character that few other composers have ever managed to achieve. Regarded as a very promising conductor, a favourite with the audiences, wanted by the orchestras in Bucharest in the hope of creating new repertoires, Constantin Silvestri was nevertheless quite the problematic musician for the Romanian press. Newly researched documents reveal fragments from this musician’s life as well as the features of a particular time period in the modern history of Romanian music. Keywords: Romanian press; the years 1950; socialist realism. 1. Introduction The present study is not necessarily occasioned by the 50th anniversary of Constantin Silvestri’s death (23rd February 1969). -
ARTES Vol. 12
UNIVERSITY OF ARTS “GEORGE ENESCU” IAŞI FACULTY OF PERFORMING, COMPOSITION AND THEORETICAL MUSIC STUDIES RESEARCH CENTRE “ŞTIINŢA MUZICII” ARTES vol. 12 ARTES PUBLISHING HOUSE 2012 RESEARCH CENTRE “ŞTIINŢA MUZICII" Editor in Chief: Professor PhD Laura Otilia Vasiliu Editorial Board: Professor PhD Gheorghe Duţică, University of Arts “George Enescu” Iaşi Associate Professor PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chişinău (Republic of Moldova) Professor PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Professor PhD Valentina Sandu Dediu, National University of Music Bucharest Editorial Team: Professor Liliana Gherman Lecturer PhD Gabriela Vlahopol Lecturer PhD Diana-Beatrice Andron Cover design: Bogdan Popa ISSN 2344-3871 ISSN-L 2344-3871 © 2012 Artes Publishing House Str. Horia nr. 7-9, Iaşi, România Tel.: 0040-232.212.549 Fax: 0040-232.212.551 e-mail: [email protected] The rights on the present issue belong to Artes Publishing House. Any partial or whole reproduction of the text or the examples will punished according to the legislation in force. C O N T E N T S A. Research papers presented within the National Musicology Symposium - Stylistic indentity and contexts of Romanian music, 5th edition, 2011 ROMANIAN MUSIC IN THE 20TH CENTURY: HOW? WHERE? WHY? Associate Professor PhD. Carmen Chelaru,”George Enescu” University of Arts, Iasi, Romania……………………………………………………………………….7 THE INFLUENCE OF CENTRAL EUROPEAN MUSICAL CULTURE ON MODERN ROMANIAN COMPOSITION. CASE STUDY: PASCAL BENTOIU Professor PhD. Laura Vasiliu,”George Enescu” University of Arts, Iasi, Romania………………………………………………………………….…….…23 PASCAL BENTOIU – EMINESCIANA III. A “CONCERTO FOR ORCHESTRA” OR THE DISSIMULATION OF A SYMPHONY? Music teacher PhD. Luminiţa Duţică, The National College of Arts “Octav Băncilă”, Iasi, Romania……………………………………………………….......35 “AN ENCOMIUM TO SYMMETRY”. -
In the Ottoman Empire
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bilkent University Institutional Repository THE OTTOMAN-RUSSIAN RELATIONS BETWEEN THE YEARS 1774-1787 A Master’s Thesis by ABDÜRRAHİM ÖZER DEPARTMENT OF INTERNATIONAL RELATIONS BILKENT UNIVERSITY ANKARA August 2008 To my beloved sister, THE OTTOMAN-RUSSIAN RELATIONS BETWEEN THE YEARS 1774-1787 The Institute of Economics and Social Sciences of Bilkent University by ABDÜRRAHİM ÖZER In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in THE DEPARTMENT OF INTERNATIONAL RELATIONS BILKENT UNIVERSITY ANKARA August 2008 I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in International Relations. --------------------------- Associate Prof. Hakan Kırımlı Supervisor I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in International Relations. --------------------------- Assistant Prof. Dr. Oktay Özel Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in International Relations. --------------------------- Dr. Hasan Ali Karasar Examining Committee Member Approval of the Institute of Economics and Social Sciences --------------------------- Prof. Dr. Erdal Erel Director ABSTRACT THE OTTOMAN-RUSSIAN RELATIONS BETWEEN THE YEARS 1774-1787 Özer, Abdürrahim M.A., Department of International Relations Supervisor: Associate Prof. Hakan Kırımlı August 2008 In this work, the diplomatic relations between the Ottoman Empire and Russia during the late 18th century will be analyzed. -
Cercetările De Muzicologie Bizantină În România Totalitară*
Revista MUZICA Nr. 7 / 2015 BIZANTINOLOGIE Cercetările de muzicologie bizantină în România totalitară* Nicolae Gheorghiţă În august 1948, la numai opt luni deci după abdicarea forțată a Regelui Mihai I al României și proclamarea ”republicii populare” (în 30 decembrie 1947), Academia de Muzică Religioasă – ca parte a Academiei de Muzică și Artă Dramatică din București (astăzi Universitatea Națională de Muzică) – era desființată prin aplicarea noii reforme a învățământului românesc în versiunea ei stalinistă.1 Odată cu această prestigioasă instituție dispăreau și peste 40 de școli de cântăreți bisericești și seminare teologice ortodoxe (fără a mai aminti de cele catolice, greco-catolice, protestante, iudaice ori de altă confesiune), rămânând, în final, doar două institute teologice * Studiul de față a constituit subiectul unei conferințe cu titlul NATIONALISM THROUGH SACRED CHANT? Byzantine Musicology Research in Totalitarian Romania susținută în cadrul simpozionului internațional intitulat NATIONALISM IN MUSIC IN THE TOTALITARIAN STATE (1945–1989), 24– 25 January 2015. Institute of Musicology RCH HAS (Budapest). În curs de publicare în STUDIA MUSICOLOGICA ACADEMIAE SCIENTIARUM HUNGARICAE. Îi sunt recunoscător dr. Costin Moisil de la Universitatea Națională de Muzică din București pentru comentariile și sugestiile care au modelat conținutul și perspectiva acestei cercetări. 1 Decretul nr. 173/3 august 1947. Sebastian Barbu–Bucur, ”Academia de muzică bisericească în trecut și astăzi”, în Idem, Tezaur muzical românesc de tradiție bizantină. Secolele XVIII–XXI (1713–2013) (București: Editura Semne, 2013), p. 467. 39 Revista MUZICA Nr. 7 / 2015 ortodoxe (la București și la Sibiu) și șase seminare de profil. Acest lucru a făcut ca transmisia cântului monodic al Bisericii Ortodoxe Române să se diminueze drastic, acesta supraviețuind parțial, prin intermediul bătrânilor psalți care mai cunoșteau meșteșugul cântării de strană, în puținele biserici de mir sau mânăstiri care mai promovau cântarea bizantină. -
In the Ottoman Empire
THE OTTOMAN-RUSSIAN RELATIONS BETWEEN THE YEARS 1774-1787 A Master’s Thesis by ABDÜRRAHİM ÖZER DEPARTMENT OF INTERNATIONAL RELATIONS BILKENT UNIVERSITY ANKARA August 2008 To my beloved sister, THE OTTOMAN-RUSSIAN RELATIONS BETWEEN THE YEARS 1774-1787 The Institute of Economics and Social Sciences of Bilkent University by ABDÜRRAHİM ÖZER In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in THE DEPARTMENT OF INTERNATIONAL RELATIONS BILKENT UNIVERSITY ANKARA August 2008 I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in International Relations. --------------------------- Associate Prof. Hakan Kırımlı Supervisor I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in International Relations. --------------------------- Assistant Prof. Dr. Oktay Özel Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in International Relations. --------------------------- Dr. Hasan Ali Karasar Examining Committee Member Approval of the Institute of Economics and Social Sciences --------------------------- Prof. Dr. Erdal Erel Director ABSTRACT THE OTTOMAN-RUSSIAN RELATIONS BETWEEN THE YEARS 1774-1787 Özer, Abdürrahim M.A., Department of International Relations Supervisor: Associate Prof. Hakan Kırımlı August 2008 In this work, the diplomatic relations between the Ottoman Empire and Russia during the late 18th century will be analyzed. This study will cover the period from 1774 to 1787, starting with the signing of the Treaty of Küçük Kaynarca, ending with the declaration of the Ottoman-Russian war of 1787-1792. -
12Elisabeta Negrau
Political Decay and Cultural Achievements: The Politics of Cultural Patronage During the Phanariot Administration of the Romanian Principalities Annales d’Université Valahia Targoviste, Section d’Archéologie et d’Histoire, Tome XI, Numéro 2, 2009, p. 131-136 ISSN: 1584-1855 Political Decay and Cultural Achievements: The Politics of Cultural Patronage During the Phanariot Administration of the Romanian Principalities Elisabeta Negrău* *Universitatea Na Ńional ă de Arte din Bucure şti, Facultatea de Istoria şi Teoria Artei, str. General Budi şteanu nr. 19, sector 1, Bucure şti, cod 010773; e-mail: [email protected] Abstract: Political Decay and Cultural Achievements: The Politics of Cultural Patronage During the Phanariot Administration of the Romanian Principalities .The study presents some observations regarding the diligent cultural activity of the Phanariot governors in the Romanian Principalities (1711/1716-1821), in response to the necessity to gradate with notes and details the general negative overview of the scholars regarding the cultural achievements of the Southeastern Europe and particularly of the Romanian Principalities in this late period of political decay, i.e. of accentuation of the Greek political dominance against the Romanian people in the times of Ottoman economics’ and ideas’ decadence. Key-words: cultural patronage, cultural recession, national conscience, Phanariots, post-Byzantine culture. By the end of the 18 th century the They brought nothing but trouble, they weakened our Graecization of the Romanian society was much power to fight and they cooled us the love for our advanced, owing to the presence of the Phanariot country. In a word, they made us poorer even than the bourgeoisie at many levels in the government, populations in Africa and America... -
Memory and Identity. Monuments of Romanian Tangible Culture Inscribed on the UNESCO World Heritage List (A Short Presentation)
Ewa Kocój Institute of Culture, Faculty of Management and Social Communication of the Jagiellonian University Memory and Identity. Monuments of Romanian Tangible Culture Inscribed on the UNESCO World Heritage List (a Short Presentation) Abstract: In recent years the Romanian cultural heritage has been gaining more and more interest from European scholars. It is understandable, since the turn of the 20th and 21th century is regarded as the moment of the explosion of interest in the subject of heritage and collective memory. Romania, which in the time of Communist re gime was a “stronghold” on the border of the East and West, can still boast unknown and unresearched monuments, which provide a lot of new information on Byzantine and post-Byzantine culture, as well as on the cultures of ethnic and religious minor ities living in this country. This article presents the characteristics of cultural heritage management in Ro mania, as well as the most important institutions dealing with this. Tangible cultural heritage listed as UNESCO World Heritage Sites are presented, e.g. the painted or thodox churches and monasteries of Bukovina, the wooden churches of Maramureş, the Dacian Fortresses of the Orăştie Mountains, and the fortified churches in Tran sylvania. The discourse around these monuments in the Romanian culture is also briefly commented on. It revolves around the ancient settlement myth referring to the Dacian heritage, the orthodox faith understood as fidelity to original Christianity and, gradually, the multicultural heritage of other ethnicities so strongly inhabiting the Romanian territory. It shows that Romania, just like other European countries, has the need to present its history through tangible heritage and emphasizing the Dacian-Roman and Orthodox identity, as well as the need to create new narrative and new post-communist countenance, with a clearly emphasized aspect of a multi cultural country inhabited by various ethnicities and religions. -
Revista Română De Studii Baltice Şi Nordice the Romanian Journal For
Revista Română de Studii Baltice şi Nordice The Romanian Journal for Baltic and Nordic Studies Vol. 8, Issue 1 (2016) Subscription information: Revista Română pentru Studii Baltice şi Nordice [The Romanian Journal for Baltic and Nordic Studies] (RRSBN) is a biannual multidisciplinary peer-reviewed journal dedicated to publishing the results of research in all fields which are intertwined with the aims of The Romanian Association for Baltic and Nordic Studies (www.arsbn.ro).. Annual subscription: Institution Lei 80 € 20 £ 17 $ 28 Individual Lei 60 € 15 £ 13 $ 21 Online: free download (www.arsbn.ro/RRSBN.htm) Ordering information: Asociatia Româna pentru Studii Baltice si Nordice (ARSBN) 35 Lt. Stancu Ion St., 130105 Târgoviste, Romania Telephone: (004) 0724403094, Fax: (004) 0345 819714 E-mail: [email protected] Online store: http://www.arsbn.ro/store.htm Advertising: The ARSBN offers the companies the possibility to advertise their products and services in the pages of RRSBN. For more details, please contact the general-secretary of ARSBN at e-mail: [email protected] Exchanges: The magazine is open to any suggestions of publications exchange coming from publications with a similar profile or from any kind of scientific publications from Baltic and Nordic states. Quality process: Although by its peer-review process and quality standards we are striving to produce good quality articles, the RRSBN makes no representations or warranties of any kind, express or implied, about the completeness, accuracy, reliability, suitability or availability with respect to the articles presented in print or on the site. © Copyright by Asociaţia Română pentru Studii Baltice şi Nordice ISSN 2067-1725 E-ISSN: 2067-225X TABLE OF CONTENTS Silviu Miloiu Editorial Foreword ......................................................................................................