A Rainbow Thread
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Modernist Aesthetic in the Case of Lord Alfred Douglas and Marie Carmichael Stopes
33 The Poetry That Dare Not Speak Its Name: Modernist Aesthetic in the Case of Lord Alfred Douglas and Marie Carmichael Stopes Christina Hauck Kansas State University An improbable friendship sprang up in 1938 when one “Mrs Carmi- chael,” representing herself as a young mother, wrote Lord Alfred Douglas to show him a sonnet and ask his advice about publishing it. Little realizing that he was entering into correspondence with the notorious birth control advocate, Marie Carmichael Stopes, the staunchly Catholic Douglas wrote back kindly, calling Mrs. Carmichael a “pleasant poet” and lamenting his own difficulties publishing (Hall 282). If Douglas didn’t understand quite whom he was writing to, Stopes herself, rabidly homophobic and anti-Catholic, must have: Douglas’s claim to fame lay less in his poetry, whose quality critics debated fiercely when they bothered to read it at all, but in his having been a central actor in the events leading up to Oscar Wilde’s trial and imprisonment.1 By the time the correspondence had be- gun, Douglas had long converted to Catholicism and was admitting only to limited homosexual activities over a limited period, with Wilde or any- one else; Stopes apparently believed him.2 After several months, Stopes revealed her “true” identity. Douglas, understandably, was nervous. In a letter to George Bernard Shaw, he writes: I am fated to make friends with my enemies. For the last three months I have been corresponding with a lady who wrote about my poetry and poetry in general. She expressed great admira- tion for me as a poet. -
Of Gay Studies in Poland
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository Teksty Drugie 2013, 1, s. 118-134 Special Issue – English Edition Why I Do Not Want to Write about Old-Polish Male-Gedders: A Contribution to the “Archeology” of Gay Studies in Poland. Piotr Oczko Przeł. Krystyna Mazur http://rcin.org.pl Piotr OCZKO Why I Do Not Want to Write about Old-Polish Male-bedders: A Contribution to the ‘Archeology” of Gay Studies in Poland Honi soit qui mal y pense Feminist researchers tracing the signs of creativity and activity ofwomen in past centuries often metaphorically refer to their predecessors as mothers, grandmothers, and great grandmothers. Wanting to write about homosexuality in historical Poland, 1 encounter from the start a terminological dilemma. What would 1 call the potential heroes of my article, those “Old Polish gays,” my “ancestors"? After all, they cannot be fathers to me for the very use of this term would legitimize patriarchal discourse. Anyway, more often than not they have probably left no offspring. Perhaps 1 should provocatively address them as aunts and uncles? 1n Christianity, Social Tolerance, and Homosexuality: Gay People in Western Europe from the Beginning of the Christian Era to the Fourteenth Century,^ John Boswell writes about the complex problem of terminology, arguing, however, for the use of the terms “lesbian” and “gay” even in reference to past epochs. Yet 1 will not follow that sugges tion, because, especially in Poland, those are usually affirmative terms and one of the definitions of a gay man describes him as a homosexual who accepts and affirms his psychosexual identity. -
Sephardic Jews, an Article in the Encyclopedia of Homosexuality
Article from the Encyclopedia of Homosexuality, ed. Wayne Dynes (New York: Garland, 1990). Note: no footnotes could be published with this encyclopedia article. Also, the diacritics needed for accurate transliteration from Arabic were not available. The asterisk indicates a reference to another article in the Encyclopedia of Homosexuality. Jews, Sephardic. The splendor of the Jewish culture of medieval Spain (“Sepharad,” in Hebrew) would be hard to exaggerate. In a symbiotic relationship with Muslim and then Christian rulers, Jews enjoyed from the eighth through the tenth centuries (in al- Ándalus) and from the eleventh through the four- teenth centuries (in Christian Spain) as much stabil- ity and legal protection as they had ever had. They prospered economically and demographically, and made up a larger proportion of the population than in any other European country. During some periods Jews considered Spain a historically Jewish country, and their new homeland. Jewish intellectual life and the Hebrew language were reborn in Spain. There was the greatest flower- ing of Hebrew poetry since Biblical times, and Hebrew was used for the first time for secular poetry. Pioneering work was done in Hebrew grammar, lexicography, and comparative Semitic linguistics; Spanish Jewry produced philosophers and scientists; Jews participated in government as nowhere else in Europe. Except for the Ashkenazi Jews of central Europe, Spain was quickly recognized by all but the most isolated Jews as their intellectual and religious leader. Although the history is complicated, and during the twelfth through the fifteenth centuries most of the Jewish population lived in Christian rather than Islamic territory, the fate of the Jews in the Iberian peninsula was linked with that of Islam. -
Personae, Same-Sex Desire, and Salvation in the Poetry of Marbod of Rennes, Baudri of Bourgueil, and Hildebert of Lavardin
PERSONAE, SAME-SEX DESIRE, AND SALVATION IN THE POETRY OF MARBOD OF RENNES, BAUDRI OF BOURGUEIL, AND HILDEBERT OF LAVARDIN by Tison Pugh “Luxuriae vitio castissimus en ego fio, Quod duros mollit, hoc molitiem mihi tollit.” Marbod of Rennes (“Lo, I am made completely chaste by the sin of lechery. / [The vice] which makes hard men soft takes away my softness.”) In the Christian milieu of the western European medieval world, poets adopted a wide-range of stances—from the laudatory to the condem- natory—towards same-sex relations.1 Some monastic writers, however, appear to conflate the two oppositional views, both praising male beauty in highly eroticized terms and damning men who fall to the pleasures of homoerotic desire. How is one to understand this apparent contradiction in which the right hand of the poet seems to praise what the left hand proscribes, in which the writer anathematizes what appear to be his own sexual predilections?2 In this paper, I examine the para- dox of holy men expressing unholy desire in reference to three Franco- Latin writers of the early twelfth century: Marbod of Rennes, Baudri of Bourgueil, and Hildebert of Lavardin. Playing at the boundaries be- tween licit and illicit identities, these men speak taboo desire by creat- ing a safe space for themselves through the alternative performances of sinful and of saved personae. The performance of same-sex desire 1A note on vocabulary: I refrain from using terms—including gay, homosexual, and queer—which some scholars consider anachronistic in a study of medieval sexuality. Instead, I employ a lexicon including same-sex and homoerotic, which I consider to be descriptive of the behaviors in question, though not presumptive of modern ideas about identity. -
The Normal and the Abnormal: Treading a Moral Sexual Path in a Postcolonial Context
The normal and the abnormal: treading a moral sexual path in a postcolonial context Nadeem Mahomed MnM Working Paper No 10 The normal and the abnormal: treading a moral sexual path in a postcolonial context Nadeem Mahomed1 MnM Working Paper No 10 Introduction The purpose of this paper is to offer a brief analysis and some insights into sexual diversity in contemporary Muslim discourse.2 I will focus on the nexus between sexual diversity, secularism and empire as sites of contestation and collaboration that continue to influence articulations and constructions of how to be Muslim and be part of a sexual minority. My purpose is not to provide a comprehensive or exhaustive examination of the issues at hand but rather I hope to demonstrate some of the challenges facing contemporary sexual ethics and its relationship to power as well as to initiate some pertinent questions about the colonial and postcolonial legacies of our current sexual economy. In doing so, my aim is not to delve into theological and religious debates and pronouncements on the permissibility and appropriateness of same-sex sexual desire and conduct; rather my intention is to think 1 Nadeem Mahomed obtained BA and LLB degrees from the University of the Witwatersrand, Johannesburg. He was admitted as an attorney of the High Court of South Africa and is currently a MA candidate in Religion Studies at the University of Johannesburg. 2 This is part of a larger project that analyses three other focal points in the discussion on sexual diversity and Islam: the evolution and representation of sexual acts and identities; Islamic law and same-sex sexual conduct; and alternatives to religious legal legitimisation. -
1 Introduction Marina Tsvetaeva and Sophia Parnok Were Both Russian Poets Living During the First Half of the Twentieth Century
Introduction Marina Tsvetaeva and Sophia Parnok were both Russian poets living during the first half of the twentieth century. Tsvetaeva is considered one of the most prominent poets of the Silver Age, and is recognized for her innovative and complex style. Parnok is far less well-known, by Russians and scholars alike, and the process of re-establishing her as a figure in Russian literary history began just thirty years ago, with the work of scholars that will be discussed below. What connects these two women is the affair they conducted from 1914 to 1916, and the poetry they wrote chronicling it. This paper endeavors to examine the poetry of Tsvetaeva and Parnok in the context of that relationship, and also to consider how their poetry and thought on queerness evolved afterwards. The theme of Tsvetaeva and Parnok’s relationship, particularly from the perspective of what Tsvetaeva wrote in her Подруга [Girlfriend] cycle, has been treated in a number of studies to date. However, there are three main works which examine both this specific relationship in detail, and the queer sexualities of Tsvetaeva and Parnok throughout their entire lives. Sophia Polyakova is credited both with the re-discovery and rehabilitation of Parnok as a poet worth studying, and of being the first to publish work on the relationship between her and Tsvetaeva. Using poetic analysis and archival research, her book Незакатные оны дни: Цветаева и Парнок [Those Unfading Days: Tsvetaeva and Parnok] puts together a cohesive story about events within the relationship, considering both the experience of the two women as well as that of their social circle. -
Russia by Daniel D
Russia by Daniel D. Healey Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com Russia's enormous size, straddling eastern Europe and northern Asia, its relative poverty, and its often violent history have all left their mark on the forms of same-sex love and gender diversity found within its borders. Moreover, the many nations and ethnic groups in the Russian Federation have diverse traditions regarding these issues. A cultural crossroads between Asia and Europe, Russia has a heritage of varied influences and stark confrontations in regard to its patterns of same-sex love. Early Rus' The eastern Slavic tribes gathered under the prince of Kiev accepted Christianity in 988, following contact with Byzantium. In the eventual schism between Rome and Constantinople, Rus' (as it came to be known) was an outpost of Orthodox Christianity. Its earliest records (chronicles and religious texts) leave only a few hints about unconventional love. Lives of paired saints, such as Boris and Gleb, were celebrated as examples of devotion and love between pious warriors. The Christian tradition also gave to Orthodox Russians the ceremonies of same-sex union (known in Russian as pobratimstvo, "making brothers," and posestrimstvo, "making sisters") that enabled ordinary folk to emulate such saintly couples. Through Byzantine Orthodoxy, however, Russians also received a negative view of all sexual activity, with a variety of penalties (exclusion from communion, fasting, prostrations) that were generally as harsh for adultery and masturbation as they were for same-sex acts. Muscovy--A Gay Paradise? Kievan development was interrupted in the thirteenth century by Mongol invasion and domination. -
Milestones Also by Marina Tsvetaeva in Christopher Whyte’S Translation
Milestones Also by Marina Tsvetaeva in Christopher Whyte’s translation Moscow in the Plague Year (Archipelago, New York) Marina Tsvetaeva Milestones translated from the Russian by Christopher Whyte Shearsman Books First published in the United Kingdom in 2015 by Shearsman Books 50 Westons Hill Drive Emersons Green BRISTOL BS16 7DF Shearsman Books Ltd Registered Office 30–31 St. James Place, Mangotsfield, Bristol BS16 9JB (this address not for correspondence) www.shearsman.com ISBN 978-1-84861-416-1 Copyright © Christopher Whyte, 2015. The right of Christopher Whyte to be identified as the translator of this work has been asserted by him in accordance with the Copyrights, Designs and Patents Act of 1988. All rights reserved. Contents Introduction 9 Milestones (first published 1922) ‘I opened the small iron box’ 27 ‘I planted a young apple tree’ 28 ‘I went out to the lake. Its banks were steep’ 29 ‘No-one went off with anything!’ 30 ‘Seeing off the ones I love’ 31 ‘You throw your head back when you laugh’ 32 ‘What can it be disarms me so?’ 33 ‘The mirror shattered into silver’ 34 ‘Snow takes more than a day to melt’ 35 ‘Silver doves, scattering, soar in the evening sky’ 36 ‘Never stop making up’ 37 ‘Before autumn, no giddy wind’ 38 ‘Ruined by a woman. Look’ 39 ‘The strangest malady took hold of him’ 40 ‘My canopies are covered with’ 41 ‘I go out to the porch and listen’ 42 ‘On Annunciation day’ 43 ‘Tomorrow’s the Annunciation’ 44 ‘In your fourth year’ 47 ‘Checking the girls, so in the jug the kvass’ 49 ‘Dimitry! Marina! In all the world’ 50 Poems about Moscow 1. -
Table of Contents
Table of Contents Preface xxv queer and erotic themes around the end of the Introduction xxix nineteenth century. List of Contributors xxxv African Commission on Human and ’ Thematic Outline liii Peoples Rights ............................................35 The role of this human rights organization in advocating for LGBTQ individuals in Africa. A Sidebar: The Commission Condemns Violence and Discrimination against LGBTQ Persons ACT UP ......................................................1 The founding, achievements, international impact, Afropop Music.............................................38 and demise of this important AIDS activist group. A type of popular music on the African continent, Sidebar: ACT UP in Europe and the ways LGBT artists are using it both to resist social oppression and promote tolerance. Activism in Africa South of the Sahara.................8 AIDS Memorial Quilt—The NAMES Project......40 The history and current state of LGBTQI activism The development and cultural impact of this in Africa, including challenges and victories. famous memorial to those who have died from AIDS. Adoption and Surrogacy in Europe ...................16 The availability and legal rights surrounding the Al-Akharun (2006; Seba al-Herz) ......................44 issues of adoption and surrogacy for European Saudi Arabian novel narrated by a disabled Shi‘a LGBT persons. woman struggling to reconcile her religious faith with her nonnormative sexual identity. Adoption, Fostering, and Surrogacy (International) .............................................20 -
Remarkable Russian Women in Pictures, Prose and Poetry
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 11-2013 Remarkable Russian Women in Pictures, Prose and Poetry Marcelline Hutton [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the European History Commons, European Languages and Societies Commons, Slavic Languages and Societies Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hutton, Marcelline, "Remarkable Russian Women in Pictures, Prose and Poetry" (2013). Zea E-Books. 21. https://digitalcommons.unl.edu/zeabook/21 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Remarkable Russian Women in Pictures, Prose and Poetry N Marcelline Hutton Many Russian women of the late 19th and early 20th centuries tried to find happy marriages, authentic religious life, liberal education, and ful- filling work as artists, doctors, teachers, and political activists. Some very remarkable ones found these things in varying degrees, while oth- ers sought unsuccessfully but no less desperately to transcend the genera- tions-old restrictions imposed by church, state, village, class, and gender. Like a Slavic “Downton Abbey,” this book tells the stories, not just of their outward lives, but of their hearts and minds, their voices and dreams, their amazing accomplishments against overwhelming odds, and their roles as feminists and avant-gardists in shaping modern Russia and, in- deed, the twentieth century in the West. -
Out of the Closet: Queer Love in Arabic Literature and Islamic Society
International Journal of Science and Research (IJSR) ISSN: 2319-7064 SJIF (2019): 7.583 Out of the Closet: Queer Love in Arabic Literature and Islamic Society Hadeel Safa Hadi Al-Bayati Istanbul Yeni Yüzyıl University, English Language and Literature Department Abstract: When same-sex desire is brought to literature it gives it a new shape. This kind of literature is crucial, urgent, and relevant to today’s world and it has a lasting impact on the human sexual experience. Nevertheless, this type of literature in itself is rarely the focus of research, thus it remains undefined and under-explained. Since there are no serious studies on homosexuality in Arabic literature, I find it necessary to address this scholarly gap by shedding light on such an argumentative subject especially in today’s world. Depending on this consideration, this study focuses on the interplay between homosexuality and Islamic culture. By so doing, it explores the manifestation of twin flame relationships in Arabic literature, in light of its epistemic closure in Arabic cultural societies. Accordingly, the study is equipped with specific references to famous Arabic poets, novelists, and short fiction writers, who are qualified to depict the constructions of queer desire and sexual customs of Arabic Muslims. Therefore, the study provides a vehicle for conveying multiple portrayals of homoeroticism in Arabic literature and Islamic society that values religion above all. Looking at the representations of queer social relations, we hope to find both echoes of the Arabic Muslims’ views on queer relationships and indications of the ways in which the conceptual state of bisexuality is evolving in both Arabic literature and its culture. -
Introduction Dissertation Shaun Halper
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Mordechai Langer (1894-1943) and the Birth of the Modern Jewish Homosexual Permalink https://escholarship.org/uc/item/5zz859g4 Author Halper, Shaun Jacob Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Mordechai Langer (1894-1943) and the Birth of the Modern Jewish Homosexual By Shaun Jacob Halper A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor John M. Efron, Chair Professor Thomas W. Laqueur Professor Robert Alter Spring 2013 1 Abstract Mordechai Langer (1894-1943) and the Birth of the Modern Jewish Homosexual By Shaun Jacob Halper Doctor of Philosophy in History University of California, Berkeley Professor John M. Efron, Chair This dissertation takes up the first truly Jewish homosexual identity, which Mordechai Jiří Langer (1894-1943) created in Prague during the 1920s. It is a study of the historical conditions— especially the exclusion of Jews by the masculinist wing of the German homosexual rights movement in the two decades bracketing World War One—that produced the need for the articulation of such an identity in the first place. It enters the cultural and intellectual world of fin de siècle homosexuals where “Jews” and “Judaism” were used as foils, against which some homosexuals were defining themselves politically and culturally. Langer defended the Jewish homosexual from German masculinist attack in the form of two literary projects: his theoretical study Die Erotik der Kabbala (1923) and his first volume of Hebrew poetry, Piyyutim ve-Shirei Yedidot (1929).