Multi-Core Platforms for Audio and Multimedia Coding Algorithms in Telecommunications
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Blackberry QNX Multimedia Suite
PRODUCT BRIEF QNX Multimedia Suite The QNX Multimedia Suite is a comprehensive collection of media technology that has evolved over the years to keep pace with the latest media requirements of current-day embedded systems. Proven in tens of millions of automotive infotainment head units, the suite enables media-rich, high-quality playback, encoding and streaming of audio and video content. The multimedia suite comprises a modular, highly-scalable architecture that enables building high value, customized solutions that range from simple media players to networked systems in the car. The suite is optimized to leverage system-on-chip (SoC) video acceleration, in addition to supporting OpenMAX AL, an industry open standard API for application-level access to a device’s audio, video and imaging capabilities. Overview Consumer’s demand for multimedia has fueled an anywhere- o QNX SDK for Smartphone Connectivity (with support for Apple anytime paradigm, making multimedia ubiquitous in embedded CarPlay and Android Auto) systems. More and more embedded applications have require- o Qt distributions for QNX SDP 7 ments for audio, video and communication processing capabilities. For example, an infotainment system’s media player enables o QNX CAR Platform for Infotainment playback of content, stored either on-board or accessed from an • Support for a variety of external media stores external drive, mobile device or streamed over IP via a browser. Increasingly, these systems also have streaming requirements for Features at a Glance distributing content across a network, for instance from a head Multimedia Playback unit to the digital instrument cluster or rear seat entertainment units. Multimedia is also becoming pervasive in other markets, • Software-based audio CODECs such as medical, industrial, and whitegoods where user interfaces • Hardware accelerated video CODECs are increasingly providing users with a rich media experience. -
SA1OPS English User Manual
Register your product and get support at www.philips.com/welcome SA1OPS08 SA1OPS16 SA1OPS32 EN User manual Select files and playlists for manual Contents sync 15 Copy files from GoGear Opus to your computer 16 English 1 Important safety information 3 WMP11 playlists 16 General maintenance 3 Create a regular playlist 16 Recycling the product 4 Create an auto playlist 16 Edit playlist 17 2 Your new GoGear Opus 6 Transfer playlists to GoGear Opus 17 What’s in the box 6 Search for music or pictures with WMP11 17 Delete files and playlists from WMP11 3 Getting started 7 library 17 Overview of the controls and Delete files and playlists from GoGear connections 7 Opus 18 Overview of the main menu 7 Edit song information with WMP11 18 Install software 8 Format GoGear Opus with WMP11 19 Connect and charge 8 Connect GoGear Opus to a computer 8 6 Music 20 Battery level indication 8 Listen to music 20 Battery level indication 9 Find your music 20 Disconnect GoGear Opus safely 9 Delete music tracks 20 Turn GoGear Opus on and off 9 Automatic standby and shut-down 9 7 Audiobooks 21 Add audiobooks to GoGear Opus 21 4 Use GoGear Opus to carry files 10 Audiobook controls 21 Select audiobook by book title 21 Adjust audiobook play speed 22 5 Windows Media Player 11 Add a bookmark in an audiobook 22 (WMP11) 11 Find a bookmark in an audiobook 22 Install Windows Media Player 11 Delete a bookmark in an audiobook 22 (WMP11) 11 Transfer music and picture files to WMP11 library 11 8 Video 23 Switch between music and pictures Download, convert and transfer library -
Ogg Audio Codec Download
Ogg audio codec download click here to download To obtain the source code, please see the xiph download page. To get set up to listen to Ogg Vorbis music, begin by selecting your operating system above. Check out the latest royalty-free audio codec from Xiph. To obtain the source code, please see the xiph download page. Ogg Vorbis is Vorbis is everywhere! Download music Music sites Donate today. Get Set Up To Listen: Windows. Playback: These DirectShow filters will let you play your Ogg Vorbis files in Windows Media Player, and other OggDropXPd: A graphical encoder for Vorbis. Download Ogg Vorbis Ogg Vorbis is a lossy audio codec which allows you to create and play Ogg Vorbis files using the command-line. The following end-user download links are provided for convenience: The www.doorway.ru DirectShow filters support playing of files encoded with Vorbis, Speex, Ogg Codecs for Windows, version , ; project page - for other. Vorbis Banner Xiph Banner. In our effort to bring Ogg: Media container. This is our native format and the recommended container for all Xiph codecs. Easy, fast, no torrents, no waiting, no surveys, % free, working www.doorway.ru Free Download Ogg Vorbis ACM Codec - A new audio compression codec. Ogg Codecs is a set of encoders and deocoders for Ogg Vorbis, Speex, Theora and FLAC. Once installed you will be able to play Vorbis. Ogg Vorbis MSACM Codec was added to www.doorway.ru by Bjarne (). Type: Freeware. Updated: Audiotags: , 0x Used to play digital music, such as MP3, VQF, AAC, and other digital audio formats. -
Opus, a Free, High-Quality Speech and Audio Codec
Opus, a free, high-quality speech and audio codec Jean-Marc Valin, Koen Vos, Timothy B. Terriberry, Gregory Maxwell 29 January 2014 Xiph.Org & Mozilla What is Opus? ● New highly-flexible speech and audio codec – Works for most audio applications ● Completely free – Royalty-free licensing – Open-source implementation ● IETF RFC 6716 (Sep. 2012) Xiph.Org & Mozilla Why a New Audio Codec? http://xkcd.com/927/ http://imgs.xkcd.com/comics/standards.png Xiph.Org & Mozilla Why Should You Care? ● Best-in-class performance within a wide range of bitrates and applications ● Adaptability to varying network conditions ● Will be deployed as part of WebRTC ● No licensing costs ● No incompatible flavours Xiph.Org & Mozilla History ● Jan. 2007: SILK project started at Skype ● Nov. 2007: CELT project started ● Mar. 2009: Skype asks IETF to create a WG ● Feb. 2010: WG created ● Jul. 2010: First prototype of SILK+CELT codec ● Dec 2011: Opus surpasses Vorbis and AAC ● Sep. 2012: Opus becomes RFC 6716 ● Dec. 2013: Version 1.1 of libopus released Xiph.Org & Mozilla Applications and Standards (2010) Application Codec VoIP with PSTN AMR-NB Wideband VoIP/videoconference AMR-WB High-quality videoconference G.719 Low-bitrate music streaming HE-AAC High-quality music streaming AAC-LC Low-delay broadcast AAC-ELD Network music performance Xiph.Org & Mozilla Applications and Standards (2013) Application Codec VoIP with PSTN Opus Wideband VoIP/videoconference Opus High-quality videoconference Opus Low-bitrate music streaming Opus High-quality music streaming Opus Low-delay -
Viz Opus Deployment Guide
Viz Opus Deployment Guide Version 1.3 Copyright © 2019 Vizrt. All rights reserved. No part of this software, documentation or publication may be reproduced, transcribed, stored in a retrieval system, translated into any language, computer language, or transmitted in any form or by any means, electronically, mechanically, magnetically, optically, chemically, photocopied, manually, or otherwise, without prior written permission from Vizrt. Vizrt specifically retains title to all Vizrt software. This software is supplied under a license agreement and may only be installed, used or copied in accordance to that agreement. Disclaimer Vizrt provides this publication “as is” without warranty of any kind, either expressed or implied. This publication may contain technical inaccuracies or typographical errors. While every precaution has been taken in the preparation of this document to ensure that it contains accurate and up-to-date information, the publisher and author assume no responsibility for errors or omissions. Nor is any liability assumed for damages resulting from the use of the information contained in this document. Vizrt’s policy is one of continual development, so the content of this document is periodically subject to be modified without notice. These changes will be incorporated in new editions of the publication. Vizrt may make improvements and/or changes in the product(s) and/or the program(s) described in this publication at any time. Vizrt may have patents or pending patent applications covering subject matters in this document. The furnishing of this document does not give you any license to these patents. Technical Support For technical support and the latest news of upgrades, documentation, and related products, visit the Vizrt web site at www.vizrt.com. -
20.1 Data Sheet - Supported File Formats
20.1 Data Sheet - Supported File Formats Target release 20.1 Epic Document status DRAFT Document owner Dieter Van Rijsselbergen Designer Not applicable Architecture Dieter Van Rijsselbergen QA Assumptions Implementation of Avid proxy formats produced by Edge impose a number of known Avid-specific conversions. Avid proxies are under consideration and will be included upon binding commitment. Implementation of ingest through rewrapping (instead of transcoding) of formats with Avid-supported video and audio codecs are under consideration and will be included upon binding commitment. Implementation of ingest through transcoding to Avid-supported video codecs other than DNxHD or DNxHR are under consideration and will be included upon binding commitment. Limecraft Flow and Edge - Ingest File Formats # File Codecs and Variants Edge Flow Status Notes Container ingest ingest 1 MXF MXF OP1a Deployed No P2 spanned clips supported at the Sony XDCAM (DV25, MPEG moment. IMX codecs), XDCAM HD and Referencing original OP1a media from Flow XDCAM HD 422 AAFs is possible using AMA media linking in also for Canon Avid. C300/C500 and XF series AAF workflows for P2 are not implemented end-to-end yet. Sony XAVC (incl. XAVC Intra and XAVC-L codecs) ARRI Alexa MXF (DNxHD codec) AS-11 MXF (MPEG IMX/D10, AVC-I codecs) MXF OP-atom Deployed. P2 (DV codec) and P2 HD Only (DVCPro HD, AVC-I 50 and available AVC-I 100 codecs) in Edge. 1.1 MXF Sony RAW and X-OCN (XT, LT, Deployed. Due to the heavy data rates involved in ST) Only processing these files, a properly provisioned for Sony Venice, F65, available system is required, featuring fast storage PMW-F55, PMW-F5 and NEX in Edge. -
2016-Streaming-Device-Chart
Name Apple TV Apple TV Roku Roku Amazon Name Nvidia TiVo Microsoft Microsoft Sony Description Generation 3 Generation 4 3 4 Fire TV Description Shield Bolt Xbox One Xbox One S PlayStation 4 Retail Price $69 $149 $99 $129 $99 Retail Price $199 $199 $279 $299 $349 Dimensions HxWxD 0.9" x 3.9" x 3.9" 1.4" x 3.9" x 3.9" 1.0" x 3.5" x 3.5" 0.8" x 6.5" x 6.5" 0.7" x 4.5" x 4.5" Dimensions 1.0" x 8.3" x 5.1" 1.8" x 11.4" x 7.3" 3.1" x 13.1" x 10.8" 2.5” x 11.6” x 9.0” 2.1" x 12" x 10.8" Weight 0.45 lbs 0.93 lbs 0.31 lbs 0.9 lbs 0.6 lbs Weight 1.43 lbs 1.9 lbs 8.0 lbs 6.4 lbs 6.1 lbs Max Resolution 1080p 1080p 1080p 4K 4K Max Resolution 4K 4K 1080p 4K 1080p HDR Support - - - - No HDR Support Yes - - Yes - Video HDMI Yes Yes Yes Yes Yes Video HDMI Yes Yes Yes (In/Out) Yes (In/Out) Yes Audio Out HDMI Yes Yes Yes Yes Yes Audio Out HDMI Yes Yes Yes Yes Yes Audio Out Optical Yes - - Yes - Audio Out Optical - Yes Yes Yes Yes Wireless 802.11a/b/g/n 802.11ac MIMO 802.11 a/b/g/n MIMO 802.11ac MIMO 802.11ac MIMO Wireless 802.11ac MIMO 802.11ac a/b/g/n 802.11a/b/g/n 802.11a/b/g/n 802.11a/b/g/n Ethernet 10/100 10/100 10/100 10/100 10/100 Ethernet 10/100/1000 10/100/1000 10/100/1000 10/100/1000 10/100/1000 USB Port - - Yes Yes Yes USB Port Yes (x3) Yes (x2) Yes (x3) Yes (x3) Yes (x2) Internal Storage 8GB 32GB 128MB 256MB 8GB Internal Storage 16GB 500GB 500GB 500GB 500GB Optical Disc Drive Yes - 256MB - - Optical Disc Drive - - Blu-ray/DVD 4K Blu-ray/DVD Blu-ray/DVD Card Slot: - - microSD microSD microSD Card Slot: microSD CableCARD - - - Web Browser - - - -
Scape D10.1 Keeps V1.0
Identification and selection of large‐scale migration tools and services Authors Rui Castro, Luís Faria (KEEP Solutions), Christoph Becker, Markus Hamm (Vienna University of Technology) June 2011 This work was partially supported by the SCAPE Project. The SCAPE project is co-funded by the European Union under FP7 ICT-2009.4.1 (Grant Agreement number 270137). This work is licensed under a CC-BY-SA International License Table of Contents 1 Introduction 1 1.1 Scope of this document 1 2 Related work 2 2.1 Preservation action tools 3 2.1.1 PLANETS 3 2.1.2 RODA 5 2.1.3 CRiB 6 2.2 Software quality models 6 2.2.1 ISO standard 25010 7 2.2.2 Decision criteria in digital preservation 7 3 Criteria for evaluating action tools 9 3.1 Functional suitability 10 3.2 Performance efficiency 11 3.3 Compatibility 11 3.4 Usability 11 3.5 Reliability 12 3.6 Security 12 3.7 Maintainability 13 3.8 Portability 13 4 Methodology 14 4.1 Analysis of requirements 14 4.2 Definition of the evaluation framework 14 4.3 Identification, evaluation and selection of action tools 14 5 Analysis of requirements 15 5.1 Requirements for the SCAPE platform 16 5.2 Requirements of the testbed scenarios 16 5.2.1 Scenario 1: Normalize document formats contained in the web archive 16 5.2.2 Scenario 2: Deep characterisation of huge media files 17 v 5.2.3 Scenario 3: Migrate digitised TIFFs to JPEG2000 17 5.2.4 Scenario 4: Migrate archive to new archiving system? 17 5.2.5 Scenario 5: RAW to NEXUS migration 18 6 Evaluation framework 18 6.1 Suitability for testbeds 19 6.2 Suitability for platform 19 6.3 Technical instalability 20 6.4 Legal constrains 20 6.5 Summary 20 7 Results 21 7.1 Identification of candidate tools 21 7.2 Evaluation and selection of tools 22 8 Conclusions 24 9 References 25 10 Appendix 28 10.1 List of identified action tools 28 vi 1 Introduction A preservation action is a concrete action, usually implemented by a software tool, that is performed on digital content in order to achieve some preservation goal. -
CELT Overview
Overview of CELT Jean-Marc Valin Timothy B. Terriberry Gregory Maxwell CELT: Constrained Energy Lapped Transform ● Transform codec (MDCT, like MP3, Vorbis) – Short windows (5-22 ms), poor frequency resolution ● Explicitly code energy of each band of the signal – Coarse shape of sound preserved no matter what ● Code remaining details using vector quantization ● Variable time-frequency resolution for transients ● Now uses pitch post-filtering 2 Block Diagram Encoder Decoder Band Q1 energy band energy Pre- Post- Input Window MDCT / Q x -1 WOLA Output filter 3 residual MDCT filter Side information (period and gain) 3 "Lapped Transform" Modified DCT ● The normal DCT causes coding artifacts (sharp discontinuities) between blocks, easily audible ● The "Modified" DCT (MDCT) uses a decaying window to overlap multiple blocks – Same transform used in MP3, Vorbis, AAC, etc. – But with much smaller blocks, less overlap 4 "Constrained Energy" Critical Bands ● Group MDCT coefficients into bands approximating the critical bands (Bark scale) Bark Scale vs. CELT @ 48kHz, Frame Size=256 Bark CELT 0 2000 4000 6000 8000 10000 12000 14000 16000 18000 20000 Frequency (Hz) 5 "Constrained Energy" Coding Band Energy ● Most important psychoacoustic lesson learned from Vorbis: Preserve the energy in each band ● Vorbis does this implicitly with its "floor curve" ● CELT codes the energy explicitly – Coarse energy (6 dB resolution), predicted from previous frame and from previous band – Fine energy, improves resolution where we have available bits, not predicted 6 Coding -
Supported Codecs and Formats Codecs
Supported Codecs and Formats Codecs: D..... = Decoding supported .E.... = Encoding supported ..V... = Video codec ..A... = Audio codec ..S... = Subtitle codec ...I.. = Intra frame-only codec ....L. = Lossy compression .....S = Lossless compression ------- D.VI.. 012v Uncompressed 4:2:2 10-bit D.V.L. 4xm 4X Movie D.VI.S 8bps QuickTime 8BPS video .EVIL. a64_multi Multicolor charset for Commodore 64 (encoders: a64multi ) .EVIL. a64_multi5 Multicolor charset for Commodore 64, extended with 5th color (colram) (encoders: a64multi5 ) D.V..S aasc Autodesk RLE D.VIL. aic Apple Intermediate Codec DEVIL. amv AMV Video D.V.L. anm Deluxe Paint Animation D.V.L. ansi ASCII/ANSI art DEVIL. asv1 ASUS V1 DEVIL. asv2 ASUS V2 D.VIL. aura Auravision AURA D.VIL. aura2 Auravision Aura 2 D.V... avrn Avid AVI Codec DEVI.. avrp Avid 1:1 10-bit RGB Packer D.V.L. avs AVS (Audio Video Standard) video DEVI.. avui Avid Meridien Uncompressed DEVI.. ayuv Uncompressed packed MS 4:4:4:4 D.V.L. bethsoftvid Bethesda VID video D.V.L. bfi Brute Force & Ignorance D.V.L. binkvideo Bink video D.VI.. bintext Binary text DEVI.S bmp BMP (Windows and OS/2 bitmap) D.V..S bmv_video Discworld II BMV video D.VI.S brender_pix BRender PIX image D.V.L. c93 Interplay C93 D.V.L. cavs Chinese AVS (Audio Video Standard) (AVS1-P2, JiZhun profile) D.V.L. cdgraphics CD Graphics video D.VIL. cdxl Commodore CDXL video D.V.L. cinepak Cinepak DEVIL. cljr Cirrus Logic AccuPak D.VI.S cllc Canopus Lossless Codec D.V.L. -
Troubleshooting Collaboration Edge Mobile and Remote Access
BRKCOL-2021 Troubleshooting Collaboration Edge Mobile and Remote Access Philip Smeuninx Technical Leader Services Agenda • Introduction • Mobile and Remote Access Deployment • Mobile and Remote Access Troubleshooting and Monitoring • Mobile and Remote Access Tool - Demo Cisco Spark Questions? Use Cisco Spark to communicate with the speaker after the session How 1. Find this session in the Cisco Live Mobile App 2. Click “Join the Discussion” 3. Install Spark or go directly to the space 4. Enter messages/questions in the space cs.co/ciscolivebot#BRKCOL-2021 © 2018 Cisco and/or its affiliates. All rights reserved. Cisco Public Mobile and Remote Access Deployment Topology CUCM Unified CM Expressway-C Expressway-E Internet IM&P BRKCOL-2021 © 2018 Cisco and/or its affiliates. All rights reserved. Cisco Public 6 Mobile and Remote Access Deployment • System configuration • Certificate configuration and deployment • Traversal zone configuration • UC server discovery • DNS and domain configuration/deployment • MRA Access Control BRKCOL-2021 © 2018 Cisco and/or its affiliates. All rights reserved. Cisco Public 7 Mobile and Remote access System Configuration BRKCOL-2021 © 2018 Cisco and/or its affiliates. All rights reserved. Cisco Public 8 System Configuration • Set Unified Communications mode to ‘Mobile and remote access’ on E and C Configuration > Unified Communications > Configuration • Check the Administrator guide for more help on system configuration topics BRKCOL-2021 © 2018 Cisco and/or its affiliates. All rights reserved. Cisco Public 9 System Configuration - NTP • When NTP is not configured and synchronized on ExpressWay-C and ExpressWay-E, Jabber Telephony registration to CUCM may not succeed. • Security mechanism based on SIP SERVICE messages. -
Xinxinli Black Edges
Video Editing with Open Source Tools Simon Wiles Center for Interdisciplinary Digital Research @ Stanford Cross !latform and Free Open Source Software ● $i%re vs' gratis ( 自由 ) 免費 * ● No Vendor $oc,-In ● No OS/!latform Lock In ● Open Formats ● Easier Collaboration Cross !latform and Free Open Source ● OpenShot - https.))www'openshot'org) ● /DE+$i&e - https.)),denli&e'org) ● 0VIdemu1 - http.))avidemu1'sourceforge'net) ● ""2!eg – https.))3mpeg'org) ● 4lender – https.))www'%lender'org) ● Natron – https.))natrongithu%'githu%'io) ● O4S Studio – https.))o%sproject'com/ Cross !latform but not Free Open Source ● DaVinci Resol&e https.))www'%lac,magicdesign'com)products)davinciresol&e – Free version and “Studio” version (mainly about collaborative features); $299 ● $ightWorks https.))www'lwks'com/ – Free version (requires registration) and “Pro” version ( dvanced features, notably U#$ 4k e'(ort); monthly/yearly subscri(tion ($25/$175), or permanent license ($438) ● WeVideo https.))www'wevideo'com/ – 0eb-based video editor Auxiliary So#ware ● VLC https.))www'videolan.org) – “ free and o(en source cross1(latform multimedia player and frame2or& that (lays most multimedia files as well as D3$s, Audio C$s, V4$s! and various streaming protocols5” ● Hand%ra,e https.))hand%ra,e'fr) – “ [free and open source cross1(latform] tool for converting video from nearly any format to a selection of modern! widely su((orted codecs5” 7eneral Notes ● Non-Linear Video Editing ● Hardware – 4P"*GP" horse(o2er, but also screen real-estate! a mouse! etc.! ● Video "ormats and !ro1y Editing – :ur drones are out(utting a Quic&Time M:3 wra((er, containing one video stream> ● #.264, 29.97 f(s (@<SC) @ 2704',+20 (2.7k, 4.1megapi'els) ~45 Mb/s, ● Editing ta,es time8 – 0atching footage, storyboarding etc.